New Artcraft FDC Catalogue Published

[press release]
Brand New Sixth Edition Of The ArtCraft Variety Catalog Arrives!

severe_catalogueThe Comprehensive Listing of ArtCraft Covers: Their Varieties and Values (1939-2015) is the Sixth (Compendium) Edition in this mammoth project which documents all known ArtCraft covers and varieties produced by the Washington Press (Washington Stamp Exchange). The Listing references over 15,000 collectibles, spanning the company’s full 76 years of production, and has been affectionately labeled “The ArtCraft Bible” by the active community of ArtCraft collectors worldwide.

The first update since 1996, the Sixth Edition is better than ever in that it lists every U.S., UN, and foreign First Day Cover as well as miscellaneous, event, and topical covers produced by ArtCraft. Pertinent information is provided regarding color, size, shading, text, watermark, and other design varieties; fakes; printing errors; imprinted covers; etc. As with prior editions, the latest version continues the assignment of unique, trademarked alphanumeric identification numbers (SEV#s) for each variety, realistic price values (SEV$), and an integrated checklist for collectors to track their collections.

The 250-page (unillustrated) catalog is produced in a deluxe spiral-bound format. It incorporates thousands of revisions and changes, new discoveries, as well as all issues through October 2015, when ArtCraft ceased new production.

No collector or dealer should be without this gem!

For more information or to place an order, send $34.95 (plus $3.50 shipping/handling) to the following. Check, money order, or PayPal gladly accepted.

P.O. Box 762 Rockville, MD 20848-0762
PoppyGunInc@gmail.com

Be sure to include your full name and shipping address as well as your email address.

Note: The $3.50 shipping/handling is waived for the second and all subsequent copies.

(Maryland residents must include 6% sales tax)

Hotchner: Dealing With Stamp Design

by John M. Hotchner

hotchnerIs there one unalterable truth for stamp collectors? If so, I would propose that it is a universal feeling that U.S. stamp design is less than spectacular, and many of us share a belief that if we were running things, we could do better. Perhaps.

In the past two days, I have heard complaints about the Forget-me-not stamp (It needs a frame to focus the design), the last George Washington stamp (It is too dark and George is lost in the dark framing), the Winter Flowers issue of 2014 (They look too much like Easter seals), and the World Stamp Show publicity stamps (A lost opportunity to picture stamp collecting or classic American stamps.)

monalisa1While any or all of these criticisms may have merit, it is all second-guessing. And my guess is that all artists — even the great ones — had to put up with similar carping (“That’s supposed to be a smile on Mona Lisa? Looks more like she’s
suffering a gas attack after too many baked beans!”)

Well, we as collectors have the right to criticize, but it is all hot air unless we actually do something about it. And there are several strategies.

  1. Don’t buy what you don’t like. Avoid such issues for use as postage, for your albums, and for gifts for children and grandchildren. The USPS tracks closely what sells, and just as important, what doesn’t. Vote with your wallet.
  2. Learn how to draw a neat “X” in the album page box for stamps you will not add to your collection because you don’t like the art style, or you class them as just plain ugly. You are the arbiter of what makes the cut. And no one has to agree with you.
  3. Create a Hall of Shame — a special section of your album in which you place all the stamps that annoy you.
  4. If you have more stamps in that section than on your printed album pages, maybe it is time to curtail your collecting by ending at a given year.

You will need to be careful to differentiate whether it is the design you dislike or the subject. Sometimes, our view can be so colored by dislike of the subject that no design will hit the mark. On the other side of that fence, the flood of multi-colored fruits, flowers, foliage, fauna, flyers, food, and flags may have great popularity with the American public, but only a few stand out as clever and original depictions.

CoastGuardIn my view about 10% of U.S. issues really rank high on both subject and design scales.

One in the 2015 crop is the U.S. Coast Guard commemorative released August 4. Full disclosure: I was involved in development of the subject while a member of the Citizens’ Stamp Advisory Committee (1998-2010) but it had not gone to the artists at the point that I timed out from the Committee. So I was surprised and delighted by the exceptional art that illustrates the s_wse2016subject.

Contrast that with the New York 2016 publicity pair (right) — a good subject that in my opinion is a generic and uninspiring design that will inspire no one to attend the show.

What can we reasonably expect from U.S. stamp design? Certainly, we need to recognize that in stamps as in art generally, there will be a range of style. This is right and proper as stamps are a reflection of the breadth and diversity of American art; much like the stamp program having a commission to reflect the breadth and diversity of America itself and its population.

finearts1259I well remember when modern art first made its appearance on a U.S. stamp with the 5¢ “Fine Arts” issue of 1964 (left). One would have thought listening to the reaction of collectors that the world as we knew it had come to an end.

There were similar protests when children’s art in the form of stick figures on the 20¢ Family Unity issue was included in 1984. And when cartoon-type art made its first appearance with the 1991 “Comedians” set of 29¢ stamps using the pen-and-ink impressions of Al Hirschfeld.

They were later followed by actual cartoons from the comics section of our daily press.

The latter complaints were especially mystifying to me as both political cartoons and the so-called “funny papers” are features of American journalism that have been developed to a high level in the United States. Stamps celebrating these American institutions are right on the mark, and the art is appropriate.

SummerHarvestI personally don’t enjoy much of the poster art that has been and is used. The “Summer Harvest” issue is an example (right). And as to modern art, I think much of it is a fraud on the public when presented as works of inspiration possessed of deep and profound meaning. And yet, a portion of the public buys it and goes to see it in museums.

Can the U.S. stamp program ignore that? Should it? Regretfully, I have to admit that
it has its place.

So, my conclusion is that it is irrational to expect that every issue will please every collector. In fact, the USPS can expect criticism of some sort on the majority of its issuances if for no other reason than that the American public has a wide variety of likes and dislikes, and a wide variance of art appreciation, from those of us who merely know what we like, to those of us educated to know what we should like.

Which means that criticism will be plentiful and conflicting. And the USPS needs to listen to it, but act on it sparingly.


Should you wish to comment on this column, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Reflections on the APRL Dedication

by Lloyd A. de Vries, VSC
Has it been that long already?

It seems like only yesterday that Bob Lamb and Ken Lawrence drove me from APS headquarters in Patton Township (“State College”) Pa. to Bellefonte to see a derelict factory complex. On a later trip, Ken Martin took me up into the loft area of “Building 4.” We had to watch where we put our feet, because the flooring wasn’t very solid. But I saw the view out the open end of the loft and said, “Wow! This could really be something.”

newaprl08It’s now 16 years later (left), and it really is something. In fact, when I went up to the second floor for the first time during the celebratory weekend, I was a little choked up.

Other articles, here at The Virtual Stamp Club and elsewhere, describe the new facility and the dedication events. Instead, here are some thoughts about the building and the event.

I like to think I was a key player, casting the deciding vote on the American Philatelic Society board in favor of purchasing the property. But in looking around that weekend, I saw so many other people whose claims are just as good, or better, than mine: Donors, members of the APRL and APS boards then and subsequently, the architects, local officials, and APS staffers, past and present. There were even some past opponents at the weekend celebration.

newaprl26aRoger Schnell was on the Board when the vote was taken; he voted against it. His comment as soon as the results were announced was, “Congratulations. You just bought yourselves a pile of bricks.” Yet as you enter the new facility, there’s the sign shown on the right: The Roger Schnell Main Entrance. Despite his misgivings, once the decision was final, Roger became a major donor for the complex’s renovation. There’s a lesson there that some mainstream national politicians haven’t learned. newaprl26Every local official paid tribute to Ken Martin, now the APS Chief Operating Officer as an important part of the project. I think some philatelic leaders don’t appreciate Ken enough.

I was also glad to see Ken Lawrence acknowledged during Friday night’s dinner. He is somewhat a pariah nonewaprl18w, after an ugly APS election in 2007 and the subsequent lawsuit, and his always sharp tongue — he can flay you with his pen — but Ken was a driving force behind the “Match Factory” project. APRL president Roger Brody praised Ken, while admitting that he is often “prickly.” (I think that is the word he used.) Kudoes to Roger for broaching the subject. I’m sure it wasn’t easy, nor was deciding whether to do so wasn’t easy, either.

I hope at some point a big piece of the American Philatelic Center is named for Bob Lamb (left). He also had the vision, plus (unlike Ken) the diplomatic skills to make it happen.

newaprl28I was surprised that more wasn’t made of Dennis Gilson’s contribution to the project when he received his Luff Award for Service to the American Philatelic Society. In reading a list of his activities before Dennis signed the Luff scroll, Ken Martin first listed all his many activities on behalf of the APS, quite a few of which are continuing. Perhaps it’s because the American Philatelic Center actually belongs to the APRL, not the APS. Dennis was the first project manager, using his engineering background to get the work started. He retired from that post after the first two phases were completed and the two organizations had moved to the Center.

newaprl07I was both pleased and surprised to see how closely the finished product (right) looks like the architectural renderings (left).

Talleyrand Park is beautiful and the weather Saturday — unseasonably warm and sunny — showed it off to best advantage. Several of the local officials at the dedication thanked the APRL and APS for sparking a renaissance both for the park as well as Bellefonte itself.

The project isn’t done: There are a few rooms or areas that needed to be finished, some details that need to be added. Given the nature of libraries, the APRL will probably need even more room at some point. (You can’t digitize everything: There are copyright issues and also “forward compatibility” issues. If you don’t understand the latter, let me know and I’ll send you a box of 5¼-inch floppy disks.)

I understand there’s some thought to buying out some of the other pieces of property adjacent to the present American Philatelic Center. G-d willing, I’ll be there for the dedication of the next completed phase.

Here are some earlier Virtual Stamp Club articles on the purchase and renovation (reconstruction, really) of “the Match Factory:”

Happy New Year (Ukraine 2016)

[from a press handout]

ukrxmassglIssue Date: November 11, 2016

Postage stamp No. 1545
Face Value: 4.40 UAH (about 17¢ U.S.)
Size: 40×40 mm
Number of stamps per sheet: 8 (4×2) 35.20 UAH ($1.38 U.S.)
Size of the stamp sheet: 199×112 mm
Printing run of the stamp: 140,000
The stamps are multi-coloured; print process: offset, foil embossing.
The stamp is printed by SE “Integrated Printing Plant “Ukraina” for Production of Securities”. ukrxmasshtUkraine Post philatelic sales (click on the tiny British flag icon near the top of the page for English. This issue was not yet on the site as of November 8th.)
ukrxmasfdc

USPS Seeks Higher Mail Rates

Note that this is a proposal, not a certainty. Increases in U.S. postal rates are supposed to be tied to the rate of inflation. Rates were decreased by two cents last year, which the USPS protested vehemently. According to the U.S. Bureau of Labor Statistics, the rate of inflation since last year would only justify a one-cent increase. —VSC

[press release]
Postal Service Announces 2017 Mailing Services Prices
First increase in three years for First-Class Mail Forever Stamps

usps_mailboxpickupWASHINGTON — The United States Postal Service today filed notice with the Postal Regulatory Commission (PRC) of price changes for Mailing Services products to take effect next year, following the end of the holiday mailing season. The new prices, if approved, include a two cent increase in the price of a First-Class Mail Forever stamp, returning the price to 49 cents, the price of a Forever stamp before the Postal Service was forced to reduce prices by the PRC as part of the exigent surcharge removal.

The last time stamp prices increased was in January 2014. Today’s price change filing does not include any price change for Postcards, for letters being mailed to international destinations or for additional ounces for letters.

The First-Class Mail prices for these products are:

Current New
Letters (1 oz.) 47 cents 49 cents
Letters additional ounces  21 cents 21 cents
Letters to all international destinations $1.15  $1.15
Postcards 34 cents 34 cents

Stamp prices have stayed consistent with the average annual rate of inflation since the Postal Service was formed in 1971.

Pricing for Standard Mail, Periodicals, Package Services and Extra Services will also be adjusted next year and can be found at www.prc.gov. The PRC will review the prices before they are scheduled to become effective on Jan. 22, 2017. Today’s filing does not affect Postal Service Shipping products and services.

The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.

USPS Seeks Higher Shipping Prices

[press release]
Postal Service Announces 2017 Shipping Prices
Pricing Unchanged for Priority Mail International, First-Class Package International and Priority Mail Express International Service

usps_boxesWASHINGTON — The U.S. Postal Service today filed notice with the Postal Regulatory Commission (PRC) of price changes for Shipping Services products to take effect next year, following the end of the holiday mailing season. The filing does not include any price increase for First-Class Package International Service, Priority Mail Express International and Priority Mail International.

The Postal Service continues to provide excellent value and reliability for the shipping industry, along with convenient choices for consumers. The average Shipping Services price change is 3.9 percent, which results in an average shipping price of less than $5 per shipment across all shipping products.

The new prices, if approved, represent a modest price increase in Priority Mail by 3.9 percent and an average of 3.3 percent in Priority Mail Retail prices.

The Priority Mail Flat Rate Box and Priority Mail Flat Rate Envelope prices for these products are:

Current New
Small flat-rate box $6.80 $7.15
Medium flat-rate box 13.45 13.60
Large flat-rate box 18.75 18.85
Large APO/FPO flat-rate box 16.75 17.35
Regular flat-rate envelope 6.45 6.65
Legal flat-rate envelope 6.45 6.95
Padded flat-rate envelope 6.80 7.20

The PRC will review the prices before they are scheduled to take effect Jan. 22, 2017. The complete Postal Service price filing with the new prices for all Shipping Services products can be found on the PRC site under the Daily Listings section: http://www.prc.gov/dockets/daily

The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.

U.S. Scott Catalogue Numbers (November 2016)

5136 (68¢) Eastern Tailed-Blue Butterfly
s_etsbutterfly5137 (47¢) Jack-o’-lantern with four teeth booklet stamp
5138 (47¢) Jack-o’-lantern with five teeth booklet stamp
5139 (47¢) Jack-o’-lantern with three teeth booklet stamp
5140 (47¢) Jack-o’-lantern with nine teeth booklet stamp
a. Block of 4, #5137-5140
b. Convertible booklet pane of 20, 5 each #5137-5140
5141 (47¢) Kwanzaa
5142 (47¢) Diwali

Hibernating Animals (UK Post & Go 2016)

Issue Date: Monday 14th November 2016uk_hibernating

REASON & INSPIRATION
Hibernation is an extended period of deep sleep that allows animals to survive winter extremes. Reducing metabolic rate and lowering body temperature enables survival through cold periods when food is scarce or has little energy value. Hibernating species uk_hedgehog2usually work hard to build up large fat reserves before they bed down, and subsist on this during their sleep. They might wake up at intervals to defecate or top up on food. Few British mammals hibernate during the winter – only the dormouse, hedgehog and the bat species.

uk_grasssnakeBritish snakes also hibernate through the winter months. The grass snake is the UK’s largest snake, growing to 150cm in length and identifiable by its yellow or cream band behind the head and its delicate body markings. They live in a wide range of wetland habitats but also venture into gardens. Grass Snakes eat as much as possible before they go into hibernation to store up enough fat in their bodies to live off during their long winter sleep.

Technical Details:

uk_dormouseNumber of stamps:Four
Date of issue: 14th November 2016
Design: Osborne Ross
Illustrations: Chris Wormell
Acknowledgements: illustrations and sketches by Chris Wormell Card design © Royal Mail Group Ltd 2016
Printer: International Security Printers
Process: Gravure
Format: Landscape
Size: 56mm x 25mm
Perforations: Die-cut simulated
Phosphor: Bars as appropriate
Gum: Self-adhesive

uk_hedgehog2As overprinted by Post & Go machine: Hedgehog As hedgehogs get ready to hibernate, their body temperature drops down to as low as 2°C, and after that they enter a period of deep sleep. They often use piles of dead leaves and vegetation in gardens as shelter, which means that they are particularly vulnerable when garden bonfires are lit.

uk_grasssnakeAs overprinted by Post & Go machine: Grass snake Like all reptiles, grass snakes are cold-blooded and rely on basking in the sun to remain active. As the days get shorter, there is insufficient sun, so they crawl under piles of vegetation or into cracks in banks. They emerge in early summer and can be found basking in the sun once again.

As overprinted by Post & Go machine:Dormouse Dormice can uk_dormousespend over half the year in hibernation. Indeed, their name might come from this trait, from the Latin word for sleep, dormire. They bed down in carefully constructed nests, woven from strands of honeysuckle bark and dried grass, for instance, well hidden in their woodland habitat.

uk_longearedbatAs overprinted by Post & Go machine: Brown long-eared bat Bats rely on a constant source of insects to eat. As the supply of these dwindles in the autumn, they find special hibernation roosts, often returning to the same location year after year. Bats prefer to hibernate at very cold temperatures and are often found in caves and old mine shafts.

Christmas 2016 (UK)

Issue Date: Tuesday, 8th November 2016 uk_xmasReason and Inspiration
In much of the world, the idea of a British Christmas is the epitome of the seasonal celebration. This year’s set celebrates some of the key traditions of a UK Christmas – decorating the Christmas tree, making a snowman, hanging out a stocking, eating a Christmas pudding and lighting a Christmas lantern. It also includes a robin redbreast, which is synonymous with our Christmas and has a strong association with sending and receiving cards and messages, its appearance on cards having been inspired by the red coats worn by postmen in Victorian times.

uk_xmasrobin1stRoyal Mail has issued Christmas stamps since 1966 and is therefore celebrating fifty years of Special Stamps this year.

As is usual, separate stamps of the Madonna and Child at the 1st and 2nd Class rates will also be available from Post Offices.

STAMPS IN DETAIL
Price: £9.05
Code: AS2178

Technical details:

Number of stamps: Eight
Value of Stamps: 1 x 2nd Class, 1 x 1st Class, 1 x 2nd Class Large, 1 x 1st Class Large, £1.05, £1.33, £1.52 & £2.25
uk_xmascakeDesign: The Chase
Acknowledgements: Illustrations by Helen Musselwhite
Photography by Jonathan Beer
Stamp Format (Standard): Portrait
Stamp Format (Large): Landscape
Stamp Size (Standard): 24mm x 28mm
Stamp Size (Large): 34mm x 28mm
Number per sheet: 50
Printer : De La Rue Security Print
Print Process: Gravure
Perforations: 14.5 x 15
Phosphor: Bars as appropriate
Gum: Self-adhesive

MINIATURE SHEET IN DETAIL
Price: £9.05
Code: MZ120

Miniature Sheet with barcode
Miniature Sheet without barcode

Miniature Sheet contains all eight Special Stamps
Set against a snowy background containing snowflakes

Technical details

Design: The Chase
Miniature sheet size (excluding barcode slip): 179mm x 74mm
Stamp Format: Standard (Portrait)
Large (Landscape)
Stamp Size: Standard (24mm x 28mm)
Large (34mm x 28mm)
Printer : De La Rue Security Print
Print Process: Gravure
Perforations: 14.5 x 15
Phosphor: Bars
Gum: PVA

PRODUCT PORTFOLIO
First Day Cover – Stamps
Price: £11.28
Code: AF415

Available up to 8th November 2016
Contains all eight Christmas stamps cancelled with either a Tallents House or Bethlehem, LLANDEILO postmark

The envelope is beautifully decorated with an illustration of the Christmas tree from the £1.05 stamp

Comes with an illustrated information card comprising a brief summary of 50 years of Royal Mail Special Christmas stamps

First Day Cover – Miniature Sheet
Price: £11.28
Code: MF119

Available up to 8th November 2016

Contains the Miniature Sheet cancelled with either a Tallents House or Bethlehem, LLANDEILO postmark

The envelope is beautifully decorated with an illustration of the Christmas tree from the £1.05 stamp.

Comes with an illustrated information card comprising a brief summary of 50 years of Royal Mail Special Christmas stamps

Information Card
This decoratively illustrated information card bordered by a selection of Christmas stamps issued over the past fifty years is contained in all the First Day Covers, Stamp Souvenirs and Stamp Sheet Souvenirs. It touches on the introduction of Royal Mail’s Special Christmas Stamps which was made a reality in 1966 by the then Postmaster General, Anthony Wedgwood Benn, and provides examples of Christmas stamps issued over the last five decades that have been designed by notable designers, illustrators and photographers such as David Gentleman, Jeffery Matthews, Quentin Blake, Andy Goldsworthy and Raymond Briggs.

First Day Envelope
Price: 30p
Code: AE369

The First Day Envelope is normally available one week before the issue date.