COVID and Us (Kyrgyzstan 2021)

[press release] [click on any of the pictures for larger versions]
COVID-19 and Us

On December 31, 2021 the Ministry of Digital Development of the Kyrgyz Republic puts into circulation a series of Kyrgyz Express Post postage stamps: “COVID-19 and Us”.

Collective Minisheet

For almost two years, people have been living in special conditions caused by the unprecedented Coronavirus pandemic, which has claimed millions of lives. Billions of people on every continent of the world, to varying degrees, face the consequences of the spread of this infection.

Mobilization of scientific, technological and industrial potential made it possible to find effective means to confront the disease. Several vaccines have been created, thanks to which it is now possible to significantly reduce the negative consequences of the pandemic. Nevertheless, the virus continues to be a significant factor in our lives.

Wearing a mask became a habit. Sometimes the use of this health control measure, however paradoxical it may sound, leads to some comic situations. Having become accustomed to masks and no longer noticing them on their faces, sometimes people behave as they did in everyday life before the pandemic. KEP designers illustrated some situations of this kind on the new stamps.

Despite many successes in the fight against COVID-19, this infectious disease is still far from being eradicated. Unfortunately, COVID-19 remains a part of our lives and requires compliance with the relevant norms of conduct. One of which is wearing a protective mask, as called for in the new Kyrgyz Express Post issue of postage stamps.

For this series, KEP also issues two postcards, which are used to realize two maximum cards (below).

Technical specifications:
Paper: coated, gummed, 105 g/m².
Printing method: full-color offset lithography.
Stamps perforation: comb 14:14½.
Stamps size: 46.00 х 27.50 mm.
Stamps are issued in minisheets of 5 stamps with one label. Stamps are also issued in a collective minisheet of 2 stamps (one complete set and two labels).
Minisheets size: 113 x 108 mm.
Collective minisheet size: 113 х 80 mm.
Quantity issued: 9 000 pieces each stamp, including the
quantity of the collective minisheet – 2000 pieces.
Designer: Diana Roşcovan.
Printer House: “Nova Imprim” (Chișinău, Moldova).

A special cancellation on FDC will be carried out at the Bishkek KEP Office (729001) on the stamps issuing day.
The first day cover, postcards and special cancellation are designed by Diana Roşcovan.
Cover size: С6 (162 х 114 mm).
Cover and postcard printing method: digital.
Quantity of covers issued: 600 pieces.
Quantity of postcards issued: 400 pieces each.
Endorsing ink color: black.

Stamps, maximum cards and FDCs can be purchased here.

Other KEP issues on December 31st are Year of the Tiger [on VSC], Woodpeckers (a joint issue with Croatia), the Pamir Highway, and Anniversaries of Great Personalities (Walter Scott, Johannes Kepler, Fyodor Mikhailovich Dostoevsky, and Albrecht Dürer.

Year of the Tiger (Kyrgyzstan 2021)

[press release] [click on any of the pictures for larger versions]
Year of the Tiger (Kyrgyzstan 2021)

On December 31, 2021 the Ministry of Digital Development of the Kyrgyz Republic puts into circulation a Kyrgyz Express Post postage stamp: “Year of the Tiger”.

According to the traditional Chinese calendar, the coming year 2022 will be the Year of the Blue Water Tiger. It will begin on February 1st and last until January 21st, 2023.

The tiger is the third animal sign of the Chinese zodiac. According to the centuries-old cultural traditions of China, the tiger occupies a special place in the animal kingdom. He is considered the king of beasts. In the Chinese zodiac, the tiger symbolises strength, courage and the fight against evil. As for water, which is one of the five traditional basic physical elements, its presence in the name of the year symbolizes vital energy, spiritual communication, maturity and deep emotions.

KEP congratulates its clients, partners, friends and wishes everyone health, happiness, success and prosperity in the new year 2022.

For this stamp, KEP also issues a postcard, which is used to realize a maximum card (right).

Technical specifications:
Paper: coated, gummed, 105 g/m².
Printing method: full-color offset lithography.
Stamp perforation: comb 13 syncopated.
Stamp size: 34.00 х 34.00 mm.
Stamp is issued in minisheets of 5 stamps with one label. On the sheet borders there is a text: “Happy New Year!” in Kyrgyz, Russian, English and Chinese languages.
Minisheet size: 134 x 110 mm.
Quantity issued: 6 500 stamps.
Designer: Diana Roşcovan.
Printer House: “Nova Imprim” (Chișinău, Moldova).

A special cancellation on FDC will be carried out at the Bishkek KEP Office (729001) on the stamp issuing day. The first day cover, postcard and special cancellation are designed by Diana Roşcovan.
Cover size: С6 (162 х 114 mm).
Cover and postcard printing method: digital.
Quantity of covers issued: 400 pieces.
Quantity of postcards issued: 300 pieces.
Endorsing ink color: black.

Stamps, maximum cards and FDCs can be purchased here.

Other KEP issues on December 31st are COVID and Us [on VSC], Woodpeckers (a joint issue with Croatia), the Pamir Highway, and Anniversaries of Great Personalities (Walter Scott, Johannes Kepler, Fyodor Mikhailovich Dostoevsky, and Albrecht Dürer.

Kyrgyzstan COVID-19 Semi-Postal Sells Out

Via e-mail, Kyrgyz Express Post reports:

Click for a larger view

We also hasten to inform you about our first sold-out stamp! From now on the stamp “164M. Stop COVID-19!” is only available in annual collections on our website.

The proceeds from the charity fundraiser were donated to the fund “Help the Children – SKD”. You can read about how the fund had distributed the proceeds on their Facebook page (use page translation).

We are grateful to everyone who purchased this stamp, and thereby helped in a good deed!

According to the automatically-translated Facebook page of Help the Children-SKD, 175,000 Kyrgyz soms (US $2,063.80) were raised by these stamps, of which 151,834 soms (US $1,790.60) was used for the purchased of drugs for COVID-19 treatment.

Major First Day Cover Exhibition in August

[press release]
Major First Day Cover Exhibition in August
Prospectus and Entry Form Now Available

First day cover exhibits will be the focus of a special section at the biggest U.S. stamp show of the year, this summer’s Great American Stamp Show 2022, August 25-28, in Sacramento, Calif.

The exhibit prospectus and entry form are now available. There will be three separate World Series of Philately exhibitions: Americover for first day cover exhibits, National Topical Stamp Show for thematic exhibits, and StampShow for others. The show also includes the multi-frame Champion of Champions, Most Popular Champion of Champions, and Youth Champion of Champions competitions, as well as a Literature competition.

The American First Day Cover Society — a co-host of the show — offers a crystal pyramid, provided by its Claude C. Ries Chapter in Southern California, for the Grand Prize in the Americover competition [photo of the 2017 award is show on the right]. Other special awards which may be conferred include most popular, best exhibit by a novice, and Awards of Excellence for four different time periods. A complete list may be found at www.afdcs.org/show_awards.html.

Space is limited for exhibits, so early application is recommended. The prospectus and entry form can be downloaded at www.stamps.org/great-american-stamp-show/exhibitor-information or requested by mail from APS, 100 Match Factory Place, Bellefonte, PA 16823 or telephone at 814-933-3803. The deadline for applications is May 15.

A fee of $40 will be charged for single-frame exhibits, multi-frame exhibits are $20 per frame. Non-competitive exhibits may be entered, space permitting, at $7.50 per frame, and Youth exhibits are $5.00 per frame. Noncompetitive exhibits will only be accepted if they add significantly to the show.

Membership in the APS, AFDCS, or any other philatelic society is not required. Want to learn more about exhibiting first day covers? The American Association of Philatelic Exhibitors and the AFDCS have prepared a brochure, which can be downloaded at www.afdcs.org/exhibiting.html.

The AFDCS publishes handbooks, catalogues, directories and a bimonthly award-winning journal, First Days. The society also produces some FDCs, advocates for first day cover collecting and exhibiting, and offers awards for the best FDC exhibits at other shows.

For more information on the AFDCS, visit its website www.afdcs.org, email exhibits@afdcs.org or write to the society at Post Office Box 246, Colonial Beach, VA 22443-0246.

Experience Nature – Fort Ellewoutsdijk (Netherlands 2022)

From PostNL
Experience Nature – Fort Ellewoutsdijk

Issue: Experience nature – Fort Ellewoutsdijk
Date of issue: 3 January 2022
Appearance: sheet of ten stamps in ten different designs
Item number: 420162
Design: Frank Janse, Gouda
Photography: Buiten-Beeld

On 3 January 2022, PostNL will publish the Experience Nature – Fort Ellewoutsdijk issue: a sheet of ten stamps in ten different designs. The denomination on these stamps is ‘1’, the denomination for items weighing up to 20g destined for the Netherlands. The stamp sheet about Fort Ellewoutsdijk is part of the multi-annual Experience nature 2021-2023 series. In the series, four stamp sheets are issued every year, each comprising ten different stamps. The stamps feature images of plants and animals in unique Dutch nature reserves across the country. In 2022, it is the turn of the provinces of Zeeland, Zuid-Holland, Limburg and Gelderland. The 3 January 2022 issue focuses on the Zeeland Fort Ellewoutsdijk, located on the coast of Zuid-Beveland. Later this year, stamps will be issued featuring the peatlands of the Nieuwkoopse Plassen in Zuid-Holland (21 February 2022), chalk landscape of the Sint-Pietersberg in Zuid-Limburg (13 June 2022) and the Leuvenum Woods on the Veluwe in Gelderland (15 August 2022).

Fort Ellewoutsdijk is a defensive structure built in 1839. It was built by the Netherlands in 1830 to control shipping on the Westerschelde after the secession of Belgium. The hexagonal fortress lies outside the dyke, just outside the Ellewoutsdijkpolder, south of the village of Ellewoutsdijk. In 1981, Fort Ellewoutsdijk was bought by the Vereniging Natuurmonumenten (Society for the Preservation of Nature) because of its extraordinary position as a cultural heritage site in the landscape of Zuid-Beveland. The area around the fortress is part of the Natura 2000 area Westerschelde & Saeftinghe. This area is unique because it gives a good idea of what Zeeland looked like before the land reclamation, with one of the few outer dyke salt marshes in the Westerschelde. The area is attractive for breeding colonies of, for example, the black-headed gull and the Mediterranean gull. At low tide, the bare mud flats are a resting and feeding area for waders and water birds. In winter, thousands of dunlin, bar-tailed godwit and grey plover come here to visit. On the salt marshes, you will find sea purslane, sea aster, sea lavender and sea couch. Behind the Westerschelde dyke at Ellewoutsdijk there are two inlagen – sunken areas sheltered between the dykes. In the spring, Inlaag 1887 is a favourite breeding ground for birds. Inlaag 2005 alternates between salt water, brackish and freshwater areas. Here, plants such as strawberry clover, Crested Dog’s Tail and spiny restharrow get a chance to thrive.
Sources: natuurmonumenten.nl, wikipedia.nl, zeeuwseankers.nl

Society for the Preservation of Nature
Bianca van Swieten is nature conservation coordinator for the Zeeland islands and a small part of West Brabant at Vereniging Natuurmonumenten. In this capacity, she also keeps an eye on Fort Ellewoutsdijk and the surrounding nature reserves such as Zuidgors, Inlaag 1887 and Inlaag 2005. ‘Our unit is responsible for around 3,500 hectares of nature reserves owned or managed by Natuurmonumenten. This includes Fort Ellewoutsdijk, an extraordinary cultural and historical monument that we are keen to preserve as much as possible. The fortress provides truly fantastic views of the natural landscape of the Westerschelde. This part of Zeeland is an important link for migratory birds to fatten up, rest and refresh. The fortress is a wonderful place, where it seems as if time has stood still. Not entirely, of course, because the dyke reinforcement did change the landscape somewhat. The elevated sea dyke behind the fortress was rerouted, for instance, so the moat has partially disappeared. Ellewoutsdijk is located in a quiet and remote area, which is definitely part of its charm. The fortress’s face changes throughout the seasons. On a summer’s day it is beautifully serene, while in winter it can be a harsh place where you are at the mercy of the elements. But that dynamic is also what draws people here.’

Flora and Fauna on The Stamps
The Experience nature – Fort Ellewoutsdijk stamp sheet features the following ten inhabitants of the surrounding nature reserves: brown crab, Mediterranean gull, bar-tailed godwit, cockle, marsh samphire, chameleon prawn, common mussel, spiral wrack, harbour seal and common starfish. Each has its own stamp. The stamp sheet also features many more images of flora and fauna from this area. A separate graphic layer of transparent images features: bladder wrack (top left), green sea urchins (top right), cockles (middle left), barnacles (just below middle), common ringed plover (right under middle), starfish (left under middle) and bladder wrack again (bottom right). These transparent images cross the perforations and link the stamps with each other and the sheet edge.

Design
The Experience Nature – Fort Ellewoutsdijk stamp sheet was designed by graphic designer Frank Janse from Gouda. On the sheet, the ten plants and animals are depicted in their natural environment, each on their own stamp. In some cases, the image or background colour continues onto the adjacent stamp and onto the sheet edge. All photos are incorporated in a graphic layer of different-sized overlapping circles, which break through the boundaries of the perforations. The circle pattern returns as small droplets on the sheet edge and the tabs. There is another graphic layer on top of the circles featuring transparent images of animals and plants from this area. The monochrome images are almost abstract and link the stamps.

For the typography, Janse used his own font, which he designed especially for the Experience Nature series. The font, which consists of tiny circles, was given the name Fdot. The explanatory texts on the sheet edge are set in the TT Milks Light and Demibold in capitals (2017, Ivan Gladkikh for Typetype). In the text, the designer creatively expresses his associations with the names, features and appearance of the plants and animals depicted, adding a touch of humour.

While the focus was on various animal and plant species in the period from 2018 to 2020, in 2021-2023 the focus will be on unique Dutch nature reserves and their flora and fauna. The 3 January 2022 issue highlights the Zeeland Fort Ellewoutsdijk, located on the southern coast of Zuid-Beveland.

Fascinating stories
The nature reserves were chosen in consultation with experts from the nature conservation organisation Natuurmonumenten. A number of considerations played a role in the selection of these diverse landscapes. Each area had to have plenty of interesting flora and fauna, for example. There had to be enough diversity, so every species could be represented: from plants, trees and mammals to insects, reptiles and amphibians. Janse: ‘I also wanted to have a decent choice of beautiful images and it had to have a captivating story attached to it. For Fort Ellewoutsdijk, this is the unique natural area outside the dykes, the tremendous force of the water and of high and low tides, and the resilience of the animals and plants we find here.’

List of candidates
For the Experience nature – Fort Ellewoutsdijk stamp sheet, Janse drew up a list of plant and animal candidates, of which ten eventually remained. ‘I did this for all of the landscapes in the Experience nature 2021-2023 series at the same time. That way we could show a nice range. After all, many plants and animals occur in multiple nature reserves in the Netherlands. This way, we avoided repetitions. The species depicted at Fort Ellewoutsdijk have in common that they all live off or in the water: from the birds and the seal to the shellfish that are found there. And the seaweed too, of course.’

Birthplace
For Janse, the issue of Fort Ellewoutsdijk meant a return to the province where he was born and raised. ‘I come from Vlissingen on the island of Walcheren, no more than 20 kilometres as the crow flies from the fortress. Vlissingen and Ellenwoutsdijk both lie on the Westerschelde, the estuary to which they both owe their existence. I now live and work in Gouda, but still love going there to visit family. When I am visiting, I always want to go to the beach. Zeeland is really different from other provinces which is, of course, due to the influence of the huge amount of water that surrounds it and the common past as a collection of islands. It smells different. Fresher, saltier. Outside the dykes, the water still does as it pleases. When I think of Zeeland’s nature, I see salt marshes, mud flats and silt. I think of high and low tides, of the Westerschelde, which is constantly changing, constantly creating new sandbanks that then just vanish completely. That is why Vlissingen still has pilots on board the ships sailing to and from Antwerp.

Balanced overall image
When distributing the plants and animals over the Experience nature – Fort Ellewoutsdijk stamp sheet, Janse’s aim was to create as beautiful and balanced an overall image as possible. Initially, he creates a substantive distribution so the same species do not end up in one place. Janse: ‘But I sometimes change that again in practice. The composition is always a guide, with a balanced distribution of colours and shots from close-up and far away. This stamp sheet comes out in winter, so I went looking for pictures in which cold, snow, hoarfrost and ice play a major part. I really want to show raw nature. Everything is weathered by salt and wind, which is reflected in the grey and drab colours, with the addition of the kind of steel blue that we associate with winter. In many images, you can see that bright, typical Zeeland light, which accentuates the cold. It is in there already, I didn’t have to emphasise anything.’

Representative selection
From the huge number of shells, seaweed species, birds and other animals and plants available, Janse chose ten representatives to be featured as main characters on the stamps. The transparent images play an important part in the design. Take the green sea urchin, for example, which was incorporated as a radiant sun in the picture of the Mediterranean gull on the stamp at the top right. Janse: ‘I wanted to use the green sea urchin because its skeleton is absolutely gorgeous. It fits in perfectly with the visual language of the design and typography. The gull was also a sure candidate from the start, as this bird is of course very characteristic of the Zeeland coast. It had to be the Mediterranean gull because its head adds graphical interest. I put the brown crab opposite the gull in the wintry sky. The picture was taken on the beach, where you can see the crab scuttling across mussels and other shells. The shapes of the shells match the round blisters of the transparent bladder wrack that continue to the photo of the bar-tailed godwit below. The cockle on the stamp next to the black-tailed godwit is so unusual because of the translucent ice crystals. It must have been very cold when the picture was taken, because the freezing point of salt water is much lower than that of freshwater. Incidentally, it is not just the colours and the transparencies that connect the stamps. On the top stamps, for example, you can see similarities in the ridges on the cockles and the striped patterns of the outer feathers of the wings. And the blue line of the sea in the godwit picture corresponds with the blue in the picture of the crab and the other stamps.’

Greyish and abstract
Janse chose the marsh samphire because the plant is often found on salt marshes and mud flats. ‘The plant is actually green, but because it is frozen in the picture it looks greyish, almost translucent. I love eating samphire, it reminds me of Zeeland. ‘That saltiness, it is a really salty vegetable. The chameleon prawn next to it is also edible. It is a true chameleon because it can actually change colour. I know shrimps and prawns from my childhood, when I used to catch them with a net between the basalt blocks, near the groynes or in pools on the beach. With its strange shape and translucency it is rather a strange creature. Its little eyes are a good match for the font of the title Experience Nature. But that is a complete coincidence.’

Samphire and chameleon prawn
When it comes to seafood, Zeeland is particularly famous for its oysters and mussels. Janse chose the latter for the stamp sheet. ‘The main reason for this is that you can still find plenty of them in nature. This photo is unusual because of its wintry appearance, with visible hoarfrost along the shell edge. Judging by its light colours, it is probably a young individual. A very nice picture, with a shallow depth of field. The brownish yellow and blue recur in the image of the spiral wrack next to it. You can often find this kind of seaweed on groynes. At high tide they float under water, at low tide the pole is dry and the spiral wrack hangs down, looking a bit like dreadlocks. They survive low tide because the little vesicles can hold moisture and air. It was the perfect image to link to the transparent great ringed plover on the sheet edge. I let the blue from the picture of the sea oak carry on in the chest band of the common ringed plover.’

Mussel and spiral wrack
The stamp on the bottom left features a harbour seal. This way, the designer draws attention to the fact that protecting nature can have a real impact. ‘When I was growing up, this seal had almost disappeared in Zeeland, mainly due to environmental pollution,’ Janse explains. ‘The ban on hunting and the improvement of the water quality have led to a return of the population. Of course, it is not as large as that in the Wadden Sea, but still. It is a very cuddly animal, unlike the starfish next to it. That is – and remains – a mysterious creature that you hardly ever come across on Walcheren’s beaches these days. But you can still find them at Fort Ellewoutsdijk. You often see them lying in the foam of the surf. That foam returns in the circle on the sheet edge. This is where you can also find the transparent bladder wrack, which has a particular significance. When a dislodged piece of bladder wrack ends up on the beach, it usually contains other plants and creatures that have been dragged along. And this often includes starfish.’

About the designer
Frank Janse (Vlissingen, 1967) graduated as a graphic designer from the Willem de Kooning Academy in Rotterdam in 2001. Until 2019, he worked for various advertising and design agencies, including Room for IDs, and he also worked for himself as Frank Grafisch Ontwerp in Gouda. In 2019, together with Leene Communicatie, he founded the new company Leene Visuele Communicatie, which designs communication tools focusing on content and information design. Frank Janse is a specialist in corporate identity, branding, infographics and communication campaigns. Leene Visuele Communicatie works for various educational institutions and both profit and non-profit clients. Their customers include real estate specialist Fortierra, PostNL, the Dutch central government, the Municipality of Rotterdam, Vattenfall and ZonMw, the organisation for health research and health innovation. On the instructions of PostNL, Frank Janse has previously designed various luxury storage systems and personal stamps, including the 2017 themed collection on bird species of the Netherlands. He also produced the designs for the Experience nature series from 2018 to 2021.

Availability & Validity
The stamps in the series Experience nature – Fort Ellewoutsdijk are available while stocks last at all PostNL sales outlets, the post office counter in Bruna shops and at www.postnl.nl/bijzondere-postzegels [in Dutch]. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 868 99 00. The validity period is indefinite.

The denomination on these stamps is ‘1’, the denomination for items weighing up to 20 g destined for delivery in the Netherlands.

Technical Specifications
Stamp size: 40 x 30mm:
Sheet size: 122 x 170mm
Paper: normal with phosphor print
Glue: self-adhesive
Printing technique: offset
Printing colours: cyan, magenta, yellow and black
Print run: 285,000 sheets
Appearance: sheet of 10 stamps in 10 different designs
Design: Frank Janse, Gouda
Photography: Buiten-Beeld
Printing company: Cartor Security Printers, Meaucé-La Loupe, France
Item number: 420162

Details on the Species Depicted
Brown crab
The brown crab, also known as edible crab, (Cancer pagurus) is about 10 cm long and 15 cm across, although some specimens can grow to 30 cm across. The pincers are usually two different sizes. The largest is used for cracking shellfish, for example, and the smaller and often sharper one for tearing apart tissues. The abdomen of a female crab is much broader than that of a male. She uses it to protect the eggs she carries throughout the winter and spring. Brown crabs are mainly nocturnal, and they eat shellfish, starfish and other animals that cannot easily escape. They are not only found in intertidal areas but also at great depths of up to 300 metres. They are mainly found on stony sea beds and rocks with cavities in which they can hide.
Source: soortenbank.nl

Mediterranean gull
The Mediterranean gull (Larus melanocephalus) is a fairly rare species in the Netherlands with around 4,000 to 4,100 breeding pairs (2019), although their numbers are going up. They are found mainly in the delta area of our country, but their numbers are increasing in other parts such as the IJsselmeer region. They are often found on intensively managed farmland and sometimes, in the winter months, in cities among the other gull species. Mediterranean gulls spend the winter along the Atlantic coast of France, Great Britain and occasionally Spain and North Africa. Adult birds have completely white primary feathers. The mantle is light grey and the underparts are snow-white. The head is black, with striking white eyelids. The bird can also be recognised by its blood-red, thick bill and red legs. The male and female look the same.
Source: vogelbescherming.nl

Bar-tailed godwit
The build of the bar-tailed godwit (Limosa lapponica) is more compact and heavier than that of the black-tailed godwit, and it has shorter legs. The summer plumage of the male is a warm chestnut brown from top to toe, which explains its Dutch name rosse (red) grutto. In the Netherlands, the species is only a transient and winter visitor. When they are passing through and on the wintering grounds, they are mainly found on (sandy) mudflats, and in spring on coastal grasslands and sometimes on the beach. In our country, this bird feeds on lugworms, sandworms, ragworms, other worms, bivalves (for example Baltic clams) and crustaceans. In grasslands, earthworms and leather jackets are a favourite snack. The bar-tailed godwit searches for food both by sight and by touch through pecking and jabbing. Wintering population 61,000-76,000 (2013-2015), migrating birds 130,000-200,000 (2012-2017).
Source: vogelbescherming.nl

Cockle
The common cockle (Cerastoderma edule) is a bivalve mollusc, with a firm shell that is greyish brown to grubby white in colour. It grows to a length of about 5 cm. It usually has around 24 longitudinal ribs running along its shell that end in blunt serrations along the edge of the shell. The cockle also has growth rings, which can be used to determine its age. This shell lives low in the intertidal zone, buried in sand, silt or fine gravel. It is a salt water species that can tolerate a salt content of 2 per mille. The Latin name ‘edule’ means ‘edible’, and this species is indeed a well-known and, in some countries, beloved delicacy. In the Netherlands, a considerable branch of the fishing industry focuses on cockle fishing. Most cockles are caught using large ships that dig out the sandbanks on which they are found.
Source: soortenbank.nl

Marsh samphire
The marsh samphire (Salicornia europaea), also known as glasswort, is a plant in the amaranth family. Outside the dykes, on the side of the sea, it is mainly found above the medium-high tide line. Within the dykes, marsh samphire generally grows in more or less open, very saline areas. The plant can reach a height of 30 cm and flowers from July to October. The anthers are 0.25 to 0.55 mm long and it has slanted side branches. The flower-bearing parts conjoin to form 0.5 to 3.5 cm long spikelets. The tops of the perigonium come off easily when the seeds are ripe, scattering the seeds. The seeds are very hairy and between 0.6 and 1.4 mm long. The stem is usually branched. The plant tends to be green, but often turns bright red or dark purple in late summer.
Source: soortenbank.nl

Chameleon prawn
Just like all members of the Hippolytidae family, the chameleon prawn (Hippolyte varians) has a carapace (head armourz) and a sizeable, sharp rostrum (snout). It also has a single short tooth on the surface, just in front of the eyes. The abdomen is bent downwards, the acute angle giving the impression that it has been snapped in half. The chameleon prawn grows to a length of 32 mm. Its colour may be red, brown or green. It can also have a gorgeous transparent pattern of red, brown or green blotches. At night, the prawn often looks even more transparent. It can perfectly adapt its colour to the surface it is on, which is why it is called the chameleon prawn. This prawn species mainly eats small crustaceans, worms, seaweed and organic waste.
Source: soortenbank.nl

Common mussel
The common mussel (Mytilus edulis) has an oval, slightly triangular shell, ranging between 3 and 8 cm in size. The shell colour varies from a deep dark blue to almost black. The mussel attaches itself to a solid surface using so-called byssal threads, which consist of an adhesive substance secreted by a special gland. The mussel feeds on phytoplankton. Fertilisation takes place externally, in the water. The eggs hatch into larvae, which remain suspended in the plankton. After some time, the larvae develop a shell and sink to the bottom. This is known as spat settlement, after which they hopefully find a surface to attach themselves to. Mussels are mainly found in intertidal zones. Mussels often form dense aggregations, which grow constantly as new mussels settle on top of older and dead mussels.
Source: soortenbank.nl

Spiral wrack
Spiral wrack (Fucus spiralis) is a seaweed that grows to 20-30 cm long and branches evenly. The flattened blades, which are about 1 cm wide, grow from a discoid holdfast. Even though it looks like they broaden at the tip, this is not the case. This effect is caused by the fanning effect of the branching leaves, which always stay more or less in the same plane. The tips of the blades can be quite swollen on either side of the vein and are usually lighter in colour. This is where the reproductive bodies are. The plant is usually a greenish-brown. It does not have air-vesicles. Spiral wrack is found on rocks and stones high up in the intertidal zone.
Source: soortenbank.nl

Harbour seal
The harbour seal (Phoca vitulina) has a torpedo-shaped body and grey to brownish-grey fur with black spots. It mainly eats groundfish, which it hunts using its sensitive whiskers. The main difference between the harbour and the grey seal is that the latter clearly has a flattened head, while that of the harbour seal is rounder. Males are 150-190 cm long and weigh 55-130 kg, while females are 120-155 cm long and weigh 45-105 kg. Hunting of harbour seals has been prohibited in both Germany and the Netherlands since 1975. This mammal lives mainly in tidal areas with spots that are exposed during low tide. These spots are mainly found along sandy coasts and rocky shores, but also on weed-covered reefs, pebble beaches, sandbanks and rocks.
Source: zoogdiervereniging.nl

Common starfish
The common starfish (Asterias rubens) is the most familiar starfish found in our regions. Its colour can vary from a pale orange to a very dark purple and its diameter ranges from 14-30 centimetres, although outliers can grow to a diameter of 50 cm. Like many other echinoderms, it has five-sided symmetry. If they lose an arm, a new one grows in its place, although it does not always grow to the same size. The common starfish eats all kinds of invertebrates, but mostly bivalve molluscs. It is quite well known for the way it eats mussels: it fixes the suction discs on the underside of its body to the shell of the mussel and pulls. On top of that, the starfish cuts the mussel off from the water surrounding it, so it also starts suffering from a lack of oxygen. Once it has prised the mussel shell open, the starfish secretes gastric juice, digesting the mussel while it is still in its own shell.
Source: soortenbank.nl

Typically Dutch: Skating (Netherlands 2022)

From PostNL; click on any picture for a larger version
Typically Dutch: Skating

Issue: Typically Dutch – skating
Date of issue: 3 January 2022
Appearance: sheet of six stamps in six identical designs
Item number: 420163
Design: Claire Bedon and Edwin van Praet (Total Design), Amsterdam

On 3 January 2022, PostNL will publish the Typically Dutch – skating stamp sheet. This issue is the first in the Typically Dutch series this year. In 2022, the multi-annual series is dedicated to five sports in which the Dutch excel. The six identical postage stamps will be marked ‘Nederland 1’, the denomination for items weighing up to 20g destined for the Netherlands. The Typically Dutch – skating issue was designed by graphic designer Clair Bedon and creative director Edwin van Praet from Total Design in Amsterdam. Over the coming months, stamps featuring the typical Dutch sports of hockey (21 March), cycling (4 April), sailing (9 May) and football (15 August) will appear in the series.

The Netherlands loves skating. This has been the case for centuries, as demonstrated by, for example, the famous paintings by Hendrick Avercamp (1585-1634). We learn to skate at an early age and continue to do so until we are quite ancient. At the first sign of frost, everyone gets their Frisian doorlopers (long wooden skates), racing skates, krabbertjes (double training skates) and hockey skates ready. Everyone goes out of their minds when a weather forecaster implies that an Elfstedentocht may be a possibility this year. Needless to say ijsmeesters (ice masters) and rayonhoofden (regional heads) are held in high esteem. There is a reason why skating is a typically Dutch pastime. According to the Royal Dutch Ice Skating Association (Koninklijke Nederlandsche Schaatsenrijders Bond, KNSB) of 1882, it is deeply rooted in the soul of the country. Hundreds of skating clubs – often of a respectable age – are affiliated with this union. All of us love it, from inline skating, figure skating, long and short track speed skating to marathon skating, schoonrijden (synchronous skating), kortebaan schaatsen (short track skating) and tour skating on natural ice (when the water freezes over). Nowhere in the world are there as many indoor ice rinks as in the Netherlands. It is therefore not surprising that the Netherlands produces some of the best ice skaters in the world. In 1893 (and 1895 and 1896), Jaap Eden became the first Dutch world champion ever. He was followed by a huge swathe of gold medal winners and Olympic heroes such as Yvonne van Gennip, Stien Kaiser, Atje Keulen-Deelstra, Sven Kramer, Ids Postma, Rintje Ritsma, Patrick Roest, Gianni Romme, Ard Schenk, Hein Vergeer, Kees Verkerk, Ireen Wüst and many, many others.

Design
The stamps on the Typically Dutch – skating sheetlet feature a picture of a skater in action who is turning a corner by putting their right leg over their left leg. The four broad lines in the background form an oval shape, symbolising the typical layout of an ice rink. At the bottom of each stamp is a white strip with the sorting hook, the year 2022, the country (Netherlands) and the denomination 1. The tips of the clap skates continue onto the strip. The logo for the Typically Dutch series is printed above each stamp, with a folded Dutch banner on the left and right. The picture is repeated in enlarged form on the edge of the sheet. The dominant colour red continues on the two tabs on the right. The Typically Dutch logo appears once more on the top edge of the sheet, while the bottom edge features a short explanatory text.

The 2022 stamps for the multi-annual Typically Dutch series were once again designed by Total Design from Amsterdam. And once again, they carefully researched the subject, this time exploring sports that are typically Dutch.

Old Dutch versus popular
‘We explored two types of sports,’ explains Edwin van Praet, creative director at Total Design. ‘On the one hand, there were the Old Dutch sports often tied in with a particular region. Like klootschieten, beugelen, kaatsen and fierljeppen. On the other hand, we had the sports loved by everyone in the Netherlands. Sports linked to our culture, with water and with large numbers taking part in them: football, hockey, horse riding, swimming, korfball, sailing, golf, et cetera. Often, these are the sports the Dutch excel in, where we’re at the top internationally. Based on that initial selection, we created mood boards, a collection of photographs and images to establish the tone. Then we started sketching.’

Styles
Claire Bedon is a graphic designer at Total Design and, together with Van Praet, she designed the 2022 stamps for the Typically Dutch series. The introduction to Dutch sports was a revelation for Bedon, who was born and bred in France. ‘I’d never even heard of most old Dutch sports. And skating isn’t really a thing in France, while it’s hugely popular over here.’ Bedon created sketches in all kinds of design styles: photographic, graphic, illustrative and combinations thereof. ‘We created athlete portraits, for example; some recognisable, some less so. Focusing on the dynamics you get when athletes twist their bodies to really get moving. We also looked at what happens when you put the spotlight on objects that are typical for a particular sport: the ball, the stick, the boat or the bicycle, for example. We also created sketches using the lines on sports fields as a symbol, allowing people to quickly recognise the sport. During our presentation, PostNL responded enthusiastically to the interplay of lines in combination with an illustrative approach to the athletes. Together, we selected five popular sports in which the Dutch excel, also internationally: skating, hockey, cycling, sailing and football.’

Diversity
The atmosphere of the Typically Dutch – skating stamps is determined by the striking red in the background, with blue (face, skating suit, skates), orange (hood, skating suit, shoes) and light grey (glasses) as contrasting colours. Van Praet: ‘All five issues this year include the colours of the Dutch flag. In the right order: first red, then white, then blue and finally 2 kinds of orange. Diversity was essential. The series includes two female athletes, two male athletes and one neutral figure – the skater. The colours were also used to represent the athletes in a neutral way.’

Adding details
When we worked on the design of the skater, we paid a lot of attention to the typical movement that characterises this sport. ‘We gradually put more and more “power” into that movement,’ Bedon explains. ‘We used action photos by sports photographers as inspiration. You look at the dynamics of the body, the power it exudes, the balance while the athlete gives it their all… Of course, it is also important that the skater doesn’t end up floating off the page, they are anchored to the stamp. The skater in the foreground and the ice rink in the background are positioned to create depth. This was enhanced by adding shadows to the skates, legs, chest and arms of the skater. Natural shadows, so you create a believable body and can clearly see where the light is coming from.’

Leaving out details
The addition of shadows was accompanied by the omission of superfluous details. ‘We wanted to make it as minimalistic as possible,’ says Van Praet. ‘It is all about dynamics and movement. The eyes, nose and mouth are missing from the face, also to ensure you can’t make a connection with a particular champion. Of course, in terms of skating technique, everything has to be exactly right. Claire and I bounced the illustrations back and forth between each other until the pose and detailing were perfect. We kept going until we were happy and felt that this was it. The end result is a modern-day skater with clap skates and a hood that is attached to the skating suit. With the very latest skating glasses: no rim, just temples.’

The viewer decides
Bedon explains that the athlete on the stamp is a competitive skater, a real champion. ‘They are skating right around the bend at high speed, racing against their competitors, with their right arm moving freely. You can’t see the left arm due to the perspective, because that hand is on their back. You can just make out the right hand sticking out at the back. That was one of the most difficult parts, to illustrate it as convincingly as possible with as few elements as possible. So which distance is this? 500 metres? 10 kilometres? The viewer decides.’

In the stadium
A striking feature of the design is that both the left and right skates protrude out of the picture and continue onto the strip at the bottom of the stamp. ‘It is only a tiny detail,’ explains Van Praet, ‘but it reinforces the impression that the skater is coming towards you.’ You’re involved in the action, you’re the fan sitting in the stadium, watching a champion coming towards you.’

About the designers
Claire Bedon (Paris, 1993) studied journalism at the IICP in Paris, followed by photography, art direction and graphic design at the École de Condé, also in Paris. After graduating, she worked as a graphic designer for various agencies and clients until she joined Total Design in 2020. There, she is currently part of the International Branding Team. On behalf of Total Design, she is the curator for LogoArchive, the Instagram account that hosts a collection of all significant Dutch logos.

Edwin van Praet (Breda, 1971) studied graphic and typographic design at the Academy of Art and Design St. Joost in Breda. After graduating, he worked as a graphic designer at Tel Design in The Hague for seven years. In 2003, he joined Total Identity/Total Design, first as a Senior Designer and now as Creative Director. Van Praet is part of the Branding Team at Total Design. He has won many awards for his work in both national and international design competitions. Van Praet previously designed the 100 years of aviation (2019) stamps and the stamps in the Typically Dutch series featuring typically Dutch dishes (2020) and house types and façades that are typical for the Netherlands (2021).

Availability & Validity
The stamps are available while stocks last at the post office counter in Bruna shops and at www.postnl.nl/bijzondere-postzegels [in Dutch]. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 868 99 00. The validity period is indefinite.

The denomination on these stamps is ‘1’, the denomination for items weighing up to 20 g destined for delivery in the Netherlands.

Technical Specifications
Postage stamp dimensions: 30 x 40 mm:
Sheet size: 170 x 122 mm
Paper: normal with phosphor print
Gum: gummed
Printing technique: offset
Printing colours: cyan, magenta, yellow, black and orange
Print run: 75,000 sheets
Appearance: sheet of 6 stamps in 6 identical designs
Design: Edwin van Praet and Claire Bedon, Total Design, Amsterdam
Printing company: Cartor Security Printers, Meaucé-La Loupe, France
Item number: 420163

GASS 2022 Side Trip: Railroad Museum

One of the top railroad museums in the country is a short trip from the site of Great American Stamp Show 2022: The California State Railroad Museum. It documents the role of the “iron horse” in connecting California to the rest of the nation. According to Wikipedia, the museum features 21 restored locomotives and railroad cars, some dating back to 1862. Sacramento was the western end of the Transcontinental Railroad, completed in 1869. Exhibits show how railroads changed American society, influencing travel, commerce and daily life. This museum is a focal point of the American Topical Association/American First Day Cover Society joint post-show tour on Monday, August 29th.And, of course, the railroads helped deliver the mail. According to the museum’s website, it is open daily 10 to 5, and it offers excursions along the Sacramento River on weekends.

Exhibits and Major Awards at London 2022

[press release] [click on any of the pictures for larger versions]
Exhibits and Major Awards At London 2022

With over 600 competitive exhibits, London 2022, the international stamp exhibition taking place on 19 to 26 February at London’s Business Design Centre in Islington, will have something on display of interest to all collectors. With so many exhibits to enjoy, they will be divided between the two halves of the exhibition.

A full list of the exhibits, and when they will be on display, can be consulted at www.london2022.co. In addition, the entries in the Literature Class can be viewed in the Reading Room, open through the exhibition.

All the exhibits will be competing for a number of major awards.

The Grand Prix National will be awarded to the best exhibit of a predominantly British subject. It is a cut-glass, silver-capped claret jug kindly donated by the Great Britain Philatelic Society.

The Grand Prix International is for the best exhibit, not of a predominantly British subject. The award, donated by the Royal Philatelic Society London, is a British Gold Sovereign, dated 2020, in a presentation box [below].

The award for the best exhibit in the World Stamp Championship Class is a Moorcroft vase and has been donated by the Fédération Internationale de Philatélie (FIP) [below].

A silver London 2022 medal will be awarded for the best exhibit in each class. Many of these have been sponsored, as follows: Postal History (sponsored by the Society of Postal Historians); Traditional Philately (Bill Barrell); Thematic Philately (Christine Earle Memorial Award); Philatelic Literature (Stuart Rossiter Trust); Open Philately (Irish Philatelic Circle and Éire Philatelic Association); Modern Philately (Deegam Publications); Youth Philately (Stamp Active Network).

Sponsors are invited for the remaining classes: Aerophilately; Revenue; Postal Stationery; Picture Postcards. To sponsor one of these awards, please visit the exhibition website.

London 2022 will be open each day from 10am to 6pm (closing at 4pm on Saturday, 26 February). Entry costs £10 on the first day, tickets now available by visiting www.london2022.co; admission is free on all other days.

Key Facts about London 2022

[press release] [click on any of the pictures for larger versions]
London 2022 – The Key Facts

The international stamp exhibition, London 2022, will take place on 19 to 26 February at London’s Business Design Centre in Islington. The exhibition has FIP (Fédération Internationale de Philatélie) patronage and FEPA (Federation of European Philatelic Associations) recognition.

The Business Design Centre is located in Upper Street and is a short walk from Angel station on the Northern Line of London Underground. The Northern Line provides a direct connection to Kings Cross, St Pancras International and Euston national rail stations, and links with many parts of London. However, note that there will be no Northern Line trains between Kennington and Moorgate (thus serving London Bridge Station and Bank) for the duration of the exhibition. Many bus routes pass along Upper Street.

The exhibition will be open each day from 10am to 6pm (except it will close at 4pm on Saturday, 26 February). Entry will be free on all days except for the Opening Day, 19 February. On that day admission will cost £10 (tickets may be purchased in advance by visiting www.london2022.co).

The booth holders will be located on the Village Green, Mezzanine Level and Gallery Bays (a full list of the booth holders can be found on the exhibition website). Present will be dealers, auctioneers, publishers and postal administrations. The stand of Royal Mail will be found on the Village Green on entering the exhibition.

Stamp Active (to be found on the Mezzanine Level) will welcome all young collectors with encouragement and advice.

The Royal Philatelic Society London will have a booth – discover all about the world’s leading philatelic society.

There will be a total of 3,400 frames of exhibits, divided between the two halves of the exhibition. These can be seen in the Gallery Hall and Auditorium. Exhibits of Postal History, Postal Stationery, Open Class, Picture Postcards, Revenues and part of the Youth Class will be on display from Saturday, 19 February until midday on Tuesday, 22 February. Entries of Traditional Philately, Aerophilately, Thematics, the remainder of the Youth Class, plus exhibits for the World Stamp Championship, can be seen from Wednesday, 23 February until midday on Friday, 25 February.

There will be an opportunity during Saturday, 26 February to see those exhibits that have been recognised as the ‘Best in Class’, as well as the Grand Prix National, Grand Prix International and World Stamp Championship winners.

The entries in the Literature Class can be consulted every day of the exhibition in the Reading Room, which will be found on the Village Green.

Catering is provided on the Gallery Level.

Over thirty philatelic societies will be holding meetings during the exhibition while several societies will each have a table at the exhibition on Wednesday, 23 February. In addition during the exhibition FEPA will be holding two seminars, while several of the FIP Commissions will be holding meetings. Full details of all the meetings including day and time can be found on the exhibition website (www.london2022.co).

For those intending to spend a few days in London, hotel bookings can be arranged though HotelSmart, with a link available on the website.

New Version of Boston 2026 Label

[press release] [click on any of the pictures for larger versions]
Newest Boston 2026 Collectible Released

Boston 2026 World Expo is pleased to announce that a new version of its first promotional label featuring a colonial post rider is now ready.

A limited edition sheetlet of 9 rouletted labels depicting the image signed and numbered by its designer, Chris Calle, is being offered exclusively through the Boston 2026 web site for a donation of $10. No more than 450 will be made available on a strictly one per person basis.

Unsigned sheetlets of Design #1 were first released at the Great American Stamp Show in Chicago in August and since that time have been available by visiting the Boston 2026 promotional table at major U.S. philatelic events. To facilitate collector demand they, too, may be requested on the Boston 2026 web site. Up to three may be ordered per person, free of charge.

Postage and handling for each U.S. domestic order is $5, with international orders at $10.

Unsigned sheetlets may continue to be requested at Boston 2026 promotional tables while supplies last at national and international exhibitions, including:

  • Emirates 2022 (Dubai, UAE): January 19-23, 2022
  • Southeastern Stamp Expo 2022 (Atlanta, GA): January 28-30, 2022
  • London 2022 (London, United Kingdom): February 19-26, 2022
  • Philatelic Show 2022 (Boxborough, MA): April 29-May 1, 2022
  • CAPEX 22 (Toronto, Canada): June 9-12, 2022

Four additional collectible label designs will be issued, one per year through 2026, honoring the exhibition’s theme of the 250th anniversary of the founding of the United States.

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at boston2026.org and on Facebook, Twitter and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

[The Virtual Stamp Club asked Boston 2026 spokesman Tom Fortunato what the difference between this version and the last was. “Only change is the autograph and numbering,” he replied.]