Vintage Circus Posters souvenir sheet

bigalke_grant_barabooDecember 12th: American Philatelist editor Jay Bigalke was in Baraboo, Wisconsin, for the first day of issue, servicing FDCs. He tells The Virtual Stamp Club that the Baraboo post office was selling the press sheets there, and “I did service a couple, but not a lot!” The local newspaper, the Baraboo News Republic, ran a story on the souvenir sheet’s first day, which included a photo of Jay servicing FDCs as APS Secretary Ken Grant looks on (left). There are other photos in the story.

December 4th: The press sheets have sold out and taken off-sale, and the USPS says they will not be reprinted.

November 22nd: The individual souvenir sheets in a press sheet of 12 are diecut… and can be removed from the  backing paper, as shown here. First, before an individual souvenir sheet has been removed:circsheet_diecut1….and after: circsheet_diecut2So there is a way to obtain a mint souvenir sheet without buying the Yearbook. The only problems are that you must buy 12 of them (and having to buy a minimum quantity is standard with nearly all U.S. stamps now) and if you wish to keep the backing paper with a margin around the sheet, you must carefully cut it out of the sheet yourself.

Thanks to VSC member Foster E. Miller III for helping to nail this down.

November 18th: The USPS is showing a B&W pictorial first-day postmark for this issue, on a 6″x9″ envelope. When the issue was announced in August, we were told there would be a Digital Color Postmark (DCP) for it, with no mention of the black-and-white pictorial. I have asked for clarification on both that and the envelope size that will be used for the USPS-serviced FDCs. (Envelope size is confirmed at 6″x9″.)

From the USPS: “The following are dimensions for the Circus Souvenir sheet, 4.9699″ x 3.3754″, and the Circus Souvenir press sheets are 11 X24½. Please note that the souvenir sheet has 12 individual “sheets” affixed to paper backing like all other stamps, they are not perforated in any way, they simply peel off like stickers.”

Here’s what the B&W postmark looks like: circus_sheet_bw

October 31st: Here’s a larger, clearer image of the design: circussheet_bigOctober 30th Postal Bulletin:

circusheetOn December 10, 2014, in Baraboo, WI, the U.S. Postal Service® will issue a Circus souvenir sheet, available as single mint souvenir sheets exclusively in the 2014 Stamp Yearbook.

The U.S. Postal Service celebrates the joy of the big top with Circus, an individual mint souvenir sheet available exclusively as a bonus in the 2014 Stamp Yearbook. The issuance features a $1 stamp showcasing an iconic vintage circus poster and two identical 50-cent circus wagon 1900s stamps illustrated by Susan Sanford, which are new versions of a design originally issued in 1990. Made by the Strobridge Lithographing Company, the Ringling Bros. and Barnum & Bailey poster features a clown tipping his cap and gesturing toward the circus. The circus wagon stamps showcase an illustration of the type of decorated wagon that routinely rolled into cities across America more than a century ago. Art director Jennifer Arnold designed the Circus souvenir sheet with selvage colors of red and gold, often used in circus imagery. The shape of the selvage is reminiscent of an ornately decorated circus wagon.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase the new 2014 Stamp Yearbook or the Uncut Press sheets at the Postal Store® website at http://www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps or souvenir sheets to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Circus Souvenir Sheet
Postmaster
303 Broadway Street
Baraboo, WI 53913-6738

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by February 8, 2015.

There are two philatelic products for this stamp issue:

588708, Circus Souvenir Sheet, uncut press sheet, $24.00 (print quantity 10,000).
588716 Circus Souvenir Sheet FDC (full pane), $4.50.

Technical Specifications:

Issue: Circus Souvenir Sheet
Item Number: 588700
Denomination & Type of Issue: 50-cent & $1.00
Format: Souvenir Sheet
Series: N/A
Issue Date & City: December 10, 2014, Baraboo, WI 53913
Designer: Sheet: Jennifer Arnold, Washington, DC
Clown: Jennifer Arnold, Washington, DC
Circus Wagon: Joe Brockert, Washington, DC
Art Director: Clown: Greg Breeding, Charlottesville, VA
Circus Wagon: Joe Brockert, Washington, DC
Typographer: Clown: Jennifer Arnold, Washington, DC
Circus Wagon: Brad Thompson
Artist: Circus Wagon: Susan Sanford, Front Royal, VA
Modeler: Donald Woo
Manufacturing Process: Intaglio, Offset, Microprint *Microprint only on Circus Clown
Printer: Banknote Corporation of America/SSP
Printed at: Browns Summit, NC
Press Type: Alprinta (offset), Phoenix (Intaglio)
Stamps per Pane: 3
Print Quantity: 900 thousand stamps
Paper Type: Phosphor Tagged, Block on Circus Clown: no phosphor on Circus Wagon
Adhesive Type: PSA
Processed at: Banknote Corporation of America, Browns Summit SC
Colors: Cyan, Magenta, Yellow, Black (Offset), PMS 179 Red (Intaglio)
Stamp Orientation: Horizontal, Vertical
Image Area (w x h): Clown 2.27 x 1.81 in./57.62 x 45.97 mm
Circus Wagon 0.73 x 0.84 in./18.54 x 21.34 mm
Overall Size (w x h): Clown 2.42 x 1.96 in./61.51 x 49.78 mm
Circus Wagon 0.87 x 0.98 in./22.10 x 24.89 mm
Full Pane Size (w x h): 4.97 x 3.38 in./126.24 x 85.74 mm
Press Sheets Size (w x h): 11.00 x 24.5 in./ 279.40 x 622.30 mm
Plate Size: 36 stamps per revolution
Plate Numbers: N/A
Marginal Markings: © 2014 USPS • USPS logo • Plate position diagram • UPC Code

October 10th update: The first day covers will read December 10, 2014, and Baraboo, WI 53913. There will not be an event (not surpringly).

It will only be available with the 2014 Stamp Yearbook. Borrowing idea from Australia Post. Had some art remaining from the Circus Posters series. Will feature two Circus Wagon Transportation Series stamps, which were “05” but will be denominated as 50¢.

Journalists say it’s going to be panned by philatelists. I said that all but cuts out FDC production.

It will have a first day of issue, with Digital Color Postmark.

Preorders begin September 1st. USPS-produced FDCs will be priced as usual – face + usual amount.

USPS Names 4 New CSAC Members

To replace Benjamin Bailar and fill other vacancies, the USPS is appointing the following four people to the Citizens Stamp Advisory Committee: Carolyn Gallagher, former USPS Governor; Katherine Tobin, past member of CSAC; Peter Argentine, documentary film producer, works closely with museums; and Justin Bua, artist, author, speaker and entrepreneur, “Distorted Urban Realism,” host, producer of “Street Art Throwdown” which debuts in January on the Oxygen Network.

Their terms are three years, and run from October 2014 to January 2017 (?).

The USPS press release:

Postmaster General Appoints New Members to Citizens’ Stamp Advisory Committee

WASHINGTON — Postmaster General Patrick Donahoe appointed noteworthy individuals to his committee that evaluates 40,000 stamp proposals annually before submitting approximately 25 to 30 stamp recommendations for his review and approval. The new members are Peter Argentine, Justin Bua, Carolyn Lewis and Katherine Tobin.

The Citizens’ Stamp Advisory Committee (CSAC), created in 1957, evaluates all stamp proposals received by the Postal Service. Committee members, appointed by the Postmaster General, provide expertise on history, science and technology, art, education, sports and other subjects of public interest.

“We are truly grateful and honored to have these accomplished individuals serve on the Citizens’ Stamp Advisory Committee,” said Postmaster General Patrick Donahoe. “Their diverse backgrounds, perspectives and extraordinary talents support our goal to broaden interest in stamp collecting to more audiences and enhance our world-class stamp program that remains second to none,” said Donahoe.

“Every time a new member joins CSAC the energy level goes up a notch and the stamp program benefits,” said CSAC Chairwoman Janet Klug who also serves as immediate past president of the American Philatelic Society Board of Directors and serves as chair of the New Initiatives Committee on the Smithsonian National Postal Museum’s Council of Philatelists. Klug is an author and columnist for several stamp collecting publications. “I am delighted to welcome these outstanding individuals to the committee and look forward to the creative energy they will bring,” she said.

Peter Argentine is founder of Argentine Productions, Inc., a company specializing in media design and production for museums, national parks, visitor centers, science centers and television. His television work has taken him to remote corners of the world, and includes national productions at WGBH Boston and WQED Pittsburgh for PBS, as well as for Discovery Channel and Mister Rogers’ Neighborhood. His projects in American history, natural history, and science have involved collaborating with partners at the White House Historical Association, National Park Service, World Wildlife Fund, and the National Academy of Sciences. He began his career in the education department of the Smithsonian Museum of Natural History and has earned numerous awards for his work, including a Special Jury Award for Best Exhibit Program from CINE. He earned a bachelor’s degree in anthropology, magna cum laude, from Cornell University and a master’s degree in international relations as a Benton Fellow in Broadcast Journalism at the University of Chicago.

Justin Bua is an award-winning artist, author, speaker and entrepreneur. Born in 1968 in New York City’s Upper West Side and raised between Manhattan and East Flatbush, Brooklyn, he attended the Fiorello H. LaGuardia High School of Music and Performing Arts and complemented his education on the streets by writing graffiti and performing as a breakdancer on worldwide tours. Bua earned a B.F.A. at the Art Center College of Design in Pasadena, CA, and taught figure drawing at the University of Southern California for 10 years. Bua created the artistic genre known as “distorted urban realism”, and his works have been shown in museums and galleries around the world. Beyond art, Bua has authored two books, and he has created, produced and performed in several television series, and directed the Ovation TV documentary, “Walk This Way: the DMC Story.” In 2012, Bua received an NAACP Image Award and a Telly Award for his art direction in Kareem Abdul-Jabbar’s documentary film “On the Shoulders of Giants.” Bua is host, executive producer and co-creator of the upcoming Oxygen television series “Street Art Throwdown.”

Carolyn Lewis was a member of the Postal Service’s Board of Governors from 2004 to 2010, and also served as chairman. She is the former CEO of Texwood Furniture, Inc., and has served on numerous private and public sector boards. In 2003, Lewis served on the President’s Commission on the United States Postal Service, which submitted the report “Embracing The Future.” In 1976, Lewis earned her undergraduate degree from Duke University and in 1982, a master’s degree from the Harvard Business School. She has been a community leader in Austin, TX, for many years, chairing numerous non-profit boards.

Katherine C. Tobin joined the committee in 2013, is a commissioner of the U.S.-China Economic and Security Review Commission, and was a member of the Postal Service’s Board of Governors from 2006-2009. There, she helped set policies on all postal matters. Tobin brings 15 years of experience as a business manager, market researcher and consultant to CSAC, having worked in corporate America at Hewlett-Packard and IBM. In 2009, she was appointed Deputy Assistant Secretary for Performance Improvement at the Department of Education. Tobin earned doctoral and master’s degrees from Stanford University’s School of Education. She earned a Master of Arts in teaching from the University of Massachusetts’ School of Education, and a bachelor’s in English with honors from Skidmore College.

Former Postmaster General Benjamin Bailar, who joined CSAC in 2007, is leaving the committee. Bailar served as Postmaster General from 1975 to 1978.

“The Postal Service is grateful to Benjamin for his service and contributions to the Committee, and before that, as Postmaster General,” said Donahoe. “His invaluable assistance in the complex process of recommending stamp subjects and stamp designs has been vital to helping the Postal Service produce a superior stamp program.”

Submitting Stamp Suggestions
Due to the time required for research and approval in the stamp selection process, ideas for stamp subjects should be received at least three years before the proposed issuance. Each submission should include pertinent historical information and important dates associated with the subject. No in-person appeals are accepted. Mail suggestions to the Citizens’ Stamp Advisory Committee at the address below.

Citizens’ Stamp Advisory Committee
475 L’Enfant Plaza SW, Room 3300
Washington, DC 20260-3501

More about U.S. 2014 Stamps

We’re promised we’ll hear about the 2015 program in October at the New York ASDA show.

Glade Creek Grist Mill: New Priority Mail stamp, $5.75 new rate. One of West Virginia’s most photographed landmarks, 1976 re-creation of the original. Constructed of parts from three historic mills. Sometime in October.

Third in the Holy Family series, Christmas Magi, three wise men on camels, purple background, guiding them is a big dazzling star. November 19th at St. John’s Episcopal in Washington.

Rudolph the Red-Nosed Reindeer: commemorates TV show. November 5th or 6th, location unknown, probably NYC. Four designs total. Booklet of 20.

Winter Fun: booklet of 4 designs, playful, very artsy, not specifically Christmas. Ice skating, bird watching, making snow angels, making snowmen. Will be issued at ASDA October 23 in NYC.

Silver Bells Wreath: New round Global Forever stamp. Olive green (?) background, silver bells, red ribbon. Also at ASDA on October 23.

Celebrity Chefs: James Beard is one of the 5. Julia Child not yet confirme. Trying to get people guessing who the other three might be via social media. September 26 in Chicago at the gourmet food show (Park Grill). One other will be announced via “in-store messaging.” (Might be someone named Lombardo.)

Wilt Chamberlain: Artwork just finished, so not shown to us. May be issued in December, probably at home game of Philadelphia 76ers. Will be a unique size, “different from anything we’ve ever done….vertical and a little oversized.”

2015 Lunar New Year: Aiming for 2nd or 3rd of January.

No Pioneers of Graphic Design this year. York is coming out, but not sure when – definitely not this year.

There is ONE MORE ISSUE in 2014, but “our partner” wasn’t ready.

There will be a reprint of the Breast Cancer Research Semi-Postal at the end of September.

Five stamped envelopes in three sets (10 each) for the Christmas season: Poinsettia, two of the Winter Fun designs (cardinal, snowman), two versions of snowflake stamps (from 2013). Only as #10’s. First Day Postmarks will be available. End of September. May look at issuing them at stamp shows.

Poinsettia 2014 Reprint

Just announced by the USPS in the Postal Bulletin released the same day as the stamp!

poinsettia2014On August 21, 2014, in Hartford, CT, the U.S. Postal Service® will reissue the Poinsettia (Forever® priced at 49 cents) First-Class Mail® stamp, in one design, in a pressure-sensitive adhesive (PSA) booklet of 20 stamps (Item 688600).

The stamp will go on sale nationwide August 21, 2014.

The Poinsettia stamp features a bright, cheerful rendering of America’s favorite holiday flower. Introduced in 2013, the stamp is being reissued in 2014. The stamp art depicts the rich red and vibrant green leaves surrounding the flower — the cluster of small, rather modest cup-shaped structures in the center. The red “petals” that we think of as the flower are actually modified leaves called bracts. The art reference for this stamp was a potted poinsettia. Designed by art director Ethel Kessler, the Poinsettia stamp features the work of William Low.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Poinsettia 2014 Reprint
Hartford Post Office
MOWU
141 Weston Street
Hartford, CT 06101-9998

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by October 21, 2014.

There is one philatelic product for this stamp issue:

  • 688617, First-Day Cover, $0.93.

 Technical Specifications:

Issue: Poinsettia Stamp
Item Number: 688600
Denomination & Type of Issue: First-Class Mail Forever
Format: Double-Sided Booklet of 20 (1 design)
Series: Holiday Celebrations
Issue Date & City: August 21, 2014, Hartford, CT 06101
Art Director: Ethel Kessler, Bethesda, MD
Designer: Ethel Kessler, Bethesda, MD
Typographer: Ethel Kessler, Bethesda, MD
Artist: William Low, Huntington, NY
Modeler: Donald Woo
Manufacturing Process: Offset/Microprint “USPS”
Engraver: N/A
Printer: Banknote Corporation of America/SSP
Printed at: Browns Summit, NC
Press Type: Alprinta, 74
Stamps per Booklet: 20
Print Quantity: 160 million stamps
Paper Type: Phosphor Tagged, Overall
Adhesive Type: Pressure-sensitive adhesive
Processed at: Banknote Corporation of America, Browns Summit, NC
Stamp Orientation: Vertical
Image Area (w x h): 0.77 x 1.05 in./19.55 x 26.67 mm
Stamp Size (w x h): 0.91 x 1.19 in./23.11 x 30.22 mm
Full Pane Size (w x h): 5.74 x 2.38 in./145.80 x 60.45 mm
Colors: Cyan, Magenta, Yellow, Black
Plate Size: 800 stamps per revolution
Plate Numbers: “S” followed by four (4) single digits
Marginal Markings: • Plate numbers in peel strip area • © 2014 • USPS in peel strip area

Post-Americover 2014 Thoughts

I must be forgetting something significant: I have an hour or so before I have to leave for APS StampShow in Hartford (stopping in Westchester to visit my mother on the way), and… I’m all but packed. But it gives me some time to ruminate (think deep, wise thoughts) on the just-completed Americover 2014, the annual show, convention and fun-fest of the American First Day Cover Society.

I spent most of the four days (three of the show, the tour the day before) answering questions. The most prevalent was, “Where is the show next year?”

“We don’t know yet. We ran into a glitch with the hotel we thought was eager to host us again. We have to check out other venues now.”

“Well, have you considered…” and then the person would throw out a bunch of cities, big and small, practical and not.

Funniest of all were the people who would ask me about next year on Thursday, and then ask me on Saturday if we’d set the new venue yet.

But Americover Programs Chair Foster Miller got a question this past weekend that takes the prize: “What time is the 11 o’clock seminar?”

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Besides answering questions, there is an awful lot of work that goes into Americover during Americover. If I start naming names, I’ll leave out someone deserving of recognition, but I do want to mention a few who are often overlooked: Kerry Heffner handles exhibits, from soliciting them to coming up with the prizes to mailing the exhibits back to their owners, complete with palmares (list of awards) and those prizes.

Cynthia Scott handles all the “back room” processing before the show opens: Registration, event ticketing, and putting together the name tags and other goodies in your registration packet.

Howard Tiffner is bourse chair, which means he corrals and then herds the dealers and is in charge of setting up and taking down the bourse and exhibits area. One of the great things about being a stamp dealer is the independence to operate exactly how you want…unless you’re the bourse chair trying to make all those dealers happy.

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Some dealers always have good shows, no matter how much or how little they make. Others always have bad shows, no matter how much or how little they make. After awhile, you learn to spot who is who.

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Several years ago, as Publicity Chair, I put out a press release announcing the following year’s show, starting with “After another successful Americover….” Someone jumped on me: “How can you say that?! You call that a successful show?! Sales were off, traffic was slow, it rained all weekend, and I lost money at the casino each night.”

I replied that no one had died, no one got in a fist fight, no one was arrested for stealing, and no bull defecated in our bourse area (as happened at Americover 2000). I call that a successful show, I said.

Many years ago, as a high school senior, I was handling publicity for the adult band-boosters association raising money to send our band to Europe for a week. The job included writing an article for the local paper after each meeting. One week, the chair and vice chair, an attorney and a physician, got into a screaming argument for… well, it seemed like an eternity. And that was about all that happened at the meeting, since everyone else couldn’t wait to leave.

“How am I going to write this up for the paper?” I thought. “I can’t tell what really happened!” And then it hit me:

“After a spirited discussion…”

Photos from Americover 2014

Wednesday evening, many of those attending Americover 2014 gathered in the lobby of the DoubleTree Somerset to renew old friendships:amcvr14_040aFrom Thursday’s tour:

amcvr14_006aParticipants in the Americover 2014 pre-show tour enter Washington Press headquarters in Florham Park, N.J.

amcvr14_011aOtto Thamasatt, John Hayner and John Friedrich show off their ArtCraft tour envelope souvenirs.

amcvr14_016aThe postmaster of Florham Park himself applied cancels to the tour souvenir envelopes, with stamps provided by The Washington Press.

amcvr14_021aThe jam-packed tour included a quick visit to The Collectors Club on East 35th Street in New York.

amcvr14_032aAmericover 2014 tourists join others at the fountain on the World Trade Center site. In the light blue shirt near the center is Mark Thompson (Tennessee); to the left is Alan Warren (Pennsylvania). To the right is Carol Peluso (New York). Further to the right in the black polo shirt is Frank Kohut of Maryland and next to him in medium blue is Bob Lewin (California).

amcvr14_035Americover 2014 tour guide Henry Scheuer (green hat) discusses the events of September 11th with participants in the tour. Through the trees at the top center of the photo is the building where Henry was working that day.

amcvr14_037aAmericover 2014 chair Pete Martin goes through a box of covers at Champion Stamp Company, the only remaining street-level stamp store in New York.

amcvr14_047aHere’s a view of the Stamp Fulfillment Services seminar at Americover 2014. That’s right, no one from the U.S. Postal Service showed up. No one from the USPS called to say no one would be there.

Snark Attack At Bailar, Purist Collectors

NOLA.com/Times-Picayune writer Jarvis DeBerry makes fun of stamp collectors who are unhappy with the commercialization and pop-culturization of the U.S. stamp program.

It’s a well-written piece that shows a knowledge of the subject: DeBerry notes Monday’s USPS announcement that its losses continue to mount. (That doesn’t mean I think DeBerry is correct, just that he read up on the subject before writing it.)

Make sure you take a look at the poll embedded in the article.

DeBerry’s column is an amusing read, and an insight into how outsiders view stamps, stamp collecting, and the choice of subjects for U.S. stamps.

USPS: Revenue Up, Losses Continue

[press release]
U.S. Postal Service Reports 2.0 Percent Revenue Increase, $2.0 Billion Loss in Quarter 3
· Shipping and Package Services Revenue Up 6.6 Percent
· January Price Increase Offsets Continued Volume Loss in First-Class Mail, Driving All Mail Revenue Up $424 Million
· Need for Comprehensive Legislation Remains Urgent

WASHINGTON — The U.S. Postal Service ended the June 30, 2014, quarter with a net loss of $2.0 billion, compared to a net loss of $740 million for the same period last year. The Postal Service has recorded a loss in 21 of the last 23 quarters, the excepted quarters being the two in which Congress rescheduled the Retiree Health Benefits prefunding payments.

Revenue continues to improve as a result of the Postal Service’s January mail price increase, successful sales and marketing initiatives, and continued success in growing the package business. Total operating revenue of $16.5 billion increased by $327 million, or 2.0 percent, compared to the same period last year.

Shipping and Package revenue was up 6.6 percent. Standard Mail revenue was up 5.1 percent, driven by a 0.9 percent increase in volume and the January 2014 price increase. First-Class Mail volume was down 1.4 percent, but the January price increase offset this decline, resulting in a 3.2 percent revenue increase.

“We’re seeing momentum in our package business and continued use of direct mail as an advertising medium,” said Postmaster General and Chief Executive Officer Patrick Donahoe. “We’ve been effective in developing and marketing our products, and we’re improving how we leverage data and technology—all providing a higher return on mail for many customers and causing them to take a fresh look at the Postal Service.”

Total operating expenses for the third quarter of 2014 were $18.4 billion, an increase of $1.5 billion from the same period last year, driven mainly by the Workers’ Compensation fair value adjustment. Compensation and benefits expenses increased by $15 million, or 0.1 percent, compared to the third quarter of 2013, as contractual pay increases were offset by work-hour reductions and more efficient use of available labor flexibility.

“Due to continued losses and low levels of liquidity, we’ve been extremely conservative with our capital, spending only what is deemed essential to maintain existing infrastructure,” said Chief Financial Officer and Executive Vice President Joseph Corbett. “To continue to provide world-class service and remain competitive, we must invest up to $10 billion to replace our aging vehicle fleet, purchase additional package sorting equipment, and make necessary upgrades to our infrastructure.”

Corbett also said that the organization will be unable to make the required $5.7 billion retiree health benefit prefunding payment to the U.S. Treasury, due by Sept. 30, 2014. Comprehensive postal legislation is necessary to eliminate this liability and provide a basis for the Postal Service to return to long-term financial health.

This quarter’s results were improved as a result of implementing the exigent price increase, which the Postal Regulatory Commission has ruled as a surcharge to be collected only until the Postal Service recovers a total amount of $3.2 billion of incremental revenue, estimated to occur in the second half of 2015. The Postal Service has petitioned the United States Court of Appeals for the District of Columbia Circuit to review the PRC’s order on the exigent price increase. Among other things, the Postal Service’s position is that the PRC improperly and artificially limited the amount of relief to which the Postal Service was entitled as a result of the Great Recession.

Following is a summary of third quarter results of Operations compared to same period last year.
· Total mail volume of 37.7 billion pieces compared to 37.8 billion pieces

o Shipping and Package volume increased 7.7 percent.
o Standard Mail volume increased 0.9 percent.
o First-Class Mail volume declined 1.4 percent. This was the 32nd consecutive quarterly decline for First-Class Mail volume.

· Operating revenue of $16.5 billion increased $327 million or 2.0 percent.

Operating expenses before non-cash workers’ compensation and Postal Service Retiree Health Benefit Fund expenses of $16.5 billion increased from $16.3 billion, a 1 percent change.

Complete financial results are available in the Form 10-Q, available at http://about.usps.com/who-we-are/financials/welcome.htm

Israel: Tel Aviv – Global City stamp

From Israel Post; this stamp will be issued September 9, 2014
Tel Aviv – Global City

isr_telavivOn April 11, 1909 a few dozen people gathered on a sand dune to the northeast of Jaffa in order to allot plots of land for a new neighborhood called “Ahuzat Bayit”. Akiva Aryeh Weiss, the chairman of the lottery vowed they would build the “New York of Eretz Israel”. The founders of Tel Aviv were undoubtedly visionaries who dreamed large dreams despite the small odds.

Today, more than 100 years after the founding of Tel Aviv, the city is the gateway to Israel. It is an urban economic and cultural center on a global level. The city is now at the height of a groundbreaking strategic process to establish itself as one of the world’s twenty leading cities.

A “global city” is a leading city that constitutes an international business center which directly and tangibly affects world affairs. Tel Aviv has been strategically positioned as “the Startup City”, encouraging entrepreneurship and innovation in order to give it a relative advantage over other cities.

This move is the fruit of collaboration among the Tel Aviv-Yafo Municipality, the government of Israel, the business sector, cultural and artistic institutions of Greater Tel-Aviv and most of all – the residents of Tel Aviv-Yafo. The goal is to improve the quality of life that the city offers its residents and visitors by attracting international resources and investments. The Tel Aviv Global Administration was founded as part of this strategy.

Tel Aviv-Yafo, the first Hebrew city and now a global city as well, will continue to be a profoundly Israeli city, all the while being a global leader in the fields of economics, tourism, culture and society. It serves not only as a source of pride for its residents, but also contributes greatly to Israel’s global image, economy, financial stability and cultural, academic and social achievements.

Ron Huldai
Mayor of Tel Aviv-Yafo

Technical Specifications:
Stamp Size (mm): H 30 / W 40
Plates: 954
Stamps per Sheet: 10
Tabs per Sheet: 5
Method of printing: Offset
Security mark: Microtext
Printer: Cartor Security Printing, France

Israel: Benjamin von Weizl stamp

[from israel Post; this stamp will be issued September 9, 2014]
Wolfgang von Weisl

isr_weislDr. Benjamin Zeev (Wolfgang Johannes) von Weisl (1896, Vienna – 1974, Gadera) was a Viennese physician and a decorated WWI artillery corps officer, an international author and journalist and a renowned orientalist, as well as a Zionist leader, one of the founders of the Revisionist movement and a pioneer in the struggle for Eretz Israel.

Von Weisl was one of the most colorful and original figures in the history of the Zionist movement. Legends swirled around him and stories of his adventures and his intellectual heritage could fill volumes.

Zionism had only one meaning for von Weisl: living in Eretz Israel, participating in building the country and ensuring its independence in order to realize the greatest project in history – the return to Zion. He immigrated to Israel in 1922, calling on the Jews: “You see these mountains? There beyond the mountains lies your homeland. Pack up and go. Legal or illegal, go to the land of your forefathers. Before it is too late.”

From 1992-1948 von Weisl served as the first instructor in the Haganah’s first officers’ course. He travelled throughout the Arab countries, meeting with kings and sheiks in an attempt to persuade them to recognize Zionism. He was a pioneer in the struggle for the Western Wall, edited and founded newspapers, served as a delegate to Zionist conventions; a chairman of the HaTzohar revisionist party, he was arrested on “Black Sabbath” along with other leaders of the Yishuv and went on a hunger strike lasting 28 days on behalf of the Prisoners of Zion. All of these and more were milestones en route to his single and sole goal: the Jewish State.

The stamp depicts two of the many adventures of his life:

On Purim 1929 Jews and Arabs from all around the country as well as neighboring countries celebrated the Carnival in Tel-Aviv. When the whirring of the engines of the Zeppelin airship was heard in the skies over Eretz Israel, the traffic stopped and the crowds cheered at the sight of the latest technological wonder. Dr. Wolfgang Zeev von Weisl, the physician aboard the ship and the representative of the German newspaper conglomerate “Ullstein Verlag” poured 30 kilos of confetti from the ship, a contribution to the Purim merriment and then toasted the “State of the Jews” with a glass of Carmel Mizrahi wine, with German ministers, members of parliament and an Egyptian journalist who was onboard.

In 1948, at the age of 52, he participated in the battles to liberate the Negev. A column of Egyptian tanks was moving forward, threatening to cut off the Negev towns and was only a few kilometers away from the road to Tel-Aviv, which remained open and undefended. Von Weisl, who commanded an artillery battery of two of the four cannons that were allotted to the defense of the whole Negev, climbed a tall tree, binoculars hanging around his neck, and bellowed orders from the treetop. One shell exploded by the front wheel of the lead Egyptian tank. The tank stopped and the entire column of armored vehicles turned around and fled. Von Weisel said a “She’Hecheyanu” blessing and sent a postcard to his wife: “I aimed. God hit”.

His dream – to be a soldier in the founding army of the Jewish State – came true.

Niva von Weisl
Granddaughter of Benjamin Zeev von Weisl

The background of the stamp features a photo of Tel-Aviv in the 1930’s, courtesy of the U.S. Library of Congress.

Stamp tab and First Day Cover – photos of Benjamin Zeev von Weisl, courtesy of Niva von Weisl.

Technical Specifications:
Stamp Size (mm): H 30 / W 40
Plates: 956
Stamps per Sheet: 15
Tabs per Sheet: 5
Method of printing: Offset
Security mark: Microtext
Printer: Cartor Security Printing, France