Old Postal Routes (Netherlands 2020)

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[press release] [large illustration of the sheet at the bottom]
Old postal routes come alive
The Hague, May 11, 2020 – For centuries, postal mail was distributed across Europe by postillions on horseback and by stagecoach. PostNL today releases 6 new stamps on which the old postal routes from the Habsburg Empire come to life again.

Relay system
From the 16th to the 19th century, mail delivery in Europe was actually in the hands of 1 family: Von Thurn und Taxis. The family business, which flourished under Habsburg monarchs such as Philips de Schone and Karel 5, used a relay system to deliver the mail as quickly and efficiently as possible. Along the routes there were enough substations for the postillions to rest. They were also able to change horses and drop off and take mail with them.

Blue and gold
Studio026 from Arnhem has depicted this relay system by Von Thurn und Taxis on the stamp sheet Old Post Routes. The blue images on the stamps show both horses in motion and at rest. The large gold symbols, which follow from left to right with the horses and the stagecoach, also refer to the system of action and rest. There is a thin line with golden stripes between the images that depict the stops along the routes.

Super fast
The mail was first transported by horse and rider, later by the stagecoach. Carriages, although slower than horses, took much more mail. Paying passengers also generated extra earnings. The motto for the postal couriers of Von Thurn und Taxis was cito, cito, cito, citissim! In other words: fast, fast, fast, super fast! “The concept was developed based on that credo,” says Anne Schaufeli of studio26. “That’s why the spell is so prominent on the sheet.”

Design competition
With the new stamp sheetlet, PostNL is competing for the main prize in the EUROPA Stamp Best Design Competition. This design competition is organized annually by PostEurop, the organization in which all European national postal companies work together.

Availability
The Old Post Routes stamp sheet has 6 stamps in 2 designs with the International 1 designation, intended for mail up to 20 grams with an international destination. The stamps will be available from May 11, 2020 at Bruna stores and through the website. The stamps can also be ordered by telephone from the Collect Club customer service on telephone number 088 – 868 99 00. The period of validity is indefinite.

History of Radio (Canada 2020)

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[press release]
Canada Post celebrates a century of radio broadcasting in Canada
Technology brought live news and entertainment into people’s homes

OTTAWA, May 20, 2020 /CNW/ – Canada Post has issued a pair of stamps to mark the 100th anniversary of the first scheduled radio broadcast in Canada, an event that quickly changed the way Canadians experienced news and entertainment – at home and away.

On the evening of May 20, 1920, members of the Royal Society of Canada gathered at Ottawa’s Château Laurier hotel for an event that would launch Canada into the radio age. They listened to a performance by soprano Dorothy Lutton, broadcast live on XWA (Experimental Wireless Apparatus) – the first station in Canada to receive an experimental radio licence. Although the ground-breaking broadcast was transmitted from the Marconi Wireless Telegraph Company of Canada’s factory studio in Montréal to the Naval Radio Service in Ottawa, a receiving station and large amplifier had been set up for the occasion in the hotel’s ballroom.

Later in 1920, XWA changed its call letters to CFCF – for Canada’s First, Canada’s Finest. In 1922, the station began commercial broadcasting. That year, Montréal’s CKAC also became the first licensed radio station in North America to offer French-language programming. While early enthusiasts were mostly amateurs who built their own equipment, radio caught on quickly with mainstream listeners. Within two years of Canada’s historic first broadcast, 34 radio stations were operating across the country. By the end of the decade, Canadians were tuning in on more than 300,000 radios.

Designed by Soapbox Design, illustrated by Oliver Burston and printed by Lowe-Martin, the issue’s pair of se-tenant stamps – two joined stamp designs – showcases a selection of early 20th century radio broadcasting equipment and receiving devices. Booklets of 10 Permanent domestic-rate stamps (five of each design) are available, along with an Official First Day Cover. From Details magazine:

On the evening of May 20, 1920, Marconi Wireless Telegraph Company of Canada station XWA – for Experimental Wireless Apparatus – broadcast the first Canadian radio program to a Royal Society of Canada gathering at Ottawa’s Château Laurier. The closed broadcast included a live performance by soprano Dorothy Lutton, delivered from the Marconi factory studios in Montréal.

Although the groundbreaking broadcast was transmitted from the Montréal studios to the Naval Radio Service in Ottawa, a receiving station and large amplifier had been set up for the occasion at the Château Laurier hotel. As reported in the Ottawa Journal by one of the journalists invited to listen in, when “the latest one-step” was played, the clarity was so impressive that several of the newspaper writers began to dance.

Later that year, XWA (which had received the first Canadian experimental radio licence in 1919) changed its call letters to CFCF – for Canada’s First, Canada’s Finest. In 1922, the station made the leap to commercial broadcasting, and Montréal’s CKAC became the first licensed radio station in North America to offer French-language programming. Thirty-four Canadian radio stations were in operation at the time, and people were quickly becoming fans of the news and entertainment the new medium could bring into their homes. By the end of the decade, the number of radio sets across the country had increased from fewer than 10,000 to nearly 300,000. To create a stamp depicting the earliest days of radio, for which there was little original imagery available, Canada Post assembled a team of experts from academia, communications museums and vintage radio clubs to ensure visual accuracy and an authentic back story.

U.S. Taps DeJoy As Postmaster General

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[press release]
Board of Governors Announces Selection of Louis DeJoy to Serve as Nation’s 75th Postmaster General

WASHINGTON – The Board of Governors of the United States Postal Service today announced its unanimous selection of Louis DeJoy to serve as the 75th Postmaster General of the United States and Chief Executive Officer of the world’s largest postal organization. DeJoy is an accomplished business executive with more than 35 years of experience. As Chairman and CEO of New Breed Logistics, DeJoy spent decades in collaboration with the U.S. Postal Service, Boeing, Verizon, Disney, United Technologies and other public and private companies to provide supply chain logistics, program management and transportation support. He is expected to begin serving in his new role effective June 15th.

“Louis DeJoy understands the critical public service role of the United States Postal Service, and the urgent need to strengthen it for future generations,” said Robert M. (Mike) Duncan, chair of the Board of Governors. “The Board appreciated Louis’ depth of knowledge on the important issues facing the Postal Service and his desire to work with all of our stakeholders on preserving and protecting this essential institution.”

DeJoy becomes the fifth Postmaster General to join the institution from the private sector since the Postal Service became an independent establishment within the Executive Branch in 1971.

“Having worked closely with the Postal Service for many years, I have a great appreciation for this institution and the dedicated workers who faithfully execute its mission. I look forward to working with the supporters of the Postal Service in Congress and the Administration to ensure the Postal Service remains an integral part of the United States government. Postal workers are the heart and soul of this institution, and I will be honored to work alongside them and their unions. It will be an incredible honor to serve as Postmaster General, and I commit myself to upholding the Postal Service’s cherished role in our nation,” said Mr. DeJoy.

As Chairman and CEO of New Breed Logistics, Inc., he transformed a small, family owned transportation company with 10 employees into a nationwide provider of highly engineered, technology-driven, contract logistics solutions employing more than 9,000 people. New Breed Logistics was a contractor to the U.S. Postal Service for more than 25 years, supplying the Postal Service with logistics support for multiple processing facilities. The company received Quality Supplier Awards from the Postal Service in 1995, 1996, 1997 and 1998.

In 2014, New Breed merged with XPO Logistics, with DeJoy serving as CEO of XPO Logistics’ supply chain business in the Americas before retiring in December 2015 as CEO and joining the XPO Logistics board of directors, where he served until 2018.

DeJoy is a member of the Board of Trustees at Elon University in North Carolina and the Fund for American Studies in Washington, DC. He received his Bachelor of Business Administration from Stetson University. He currently resides in Greensboro, North Carolina with his wife, Dr. Aldona Wos.

DeJoy’s appointment comes upon the retirement of Megan Brennan, the nation’s 74th Postmaster General, who announced her intent to step down in October 2019. The Board of Governors then began an extensive nationwide search, employing a national executive search firm to conduct the search with additional advisory services from Chelsea Partners. In the ensuing months, the Governors reviewed the records of more than two hundred candidates for the position before narrowing the list to more than fifty candidates to undergo substantial vetting. Subsequently, the Governors interviewed more than a dozen candidates in first round interviews, and invited seven candidates for follow-up interviews. A narrow list of finalists then underwent a final vetting process before the Governors made their decision.

Press Coverage:

Associated Press (via Washington Post website)
Republican donor, fundraiser DeJoy next postmaster general

The Washington Post:
Top Republican fundraiser and Trump ally named postmaster general, giving president new influence over Postal Service
Under fire from Trump, Postal Service braces for arrival of new postmaster general allied with White House

Wall Street Journal:
North Carolina Businessman Tapped to Head the Postal Service

The New York Times:
Postal Service Pick With Ties to Trump Raises Concerns Ahead of 2020 Election

Reuters:
Republican donor named U.S. postmaster general

CNN.com
Trump ally Louis DeJoy named next postmaster general

No stories specifically on DeJoy were found at USA Today, FoxNews.com, Bloomberg News and the Los Angeles Times.

Group of 7 school of art (Canada 2020)

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[press release]
Canada Post celebrates centennial of Group of Seven’s first exhibition
Stamps featuring striking landscapes to be unveiled online in partnership with several prominent Canadian galleries.

Issue Date: May 7, 2020

OTTAWA – One hundred years ago tomorrow, Canadian art enthusiasts got their first look at paintings from what would become Canada’s best-known school of art — the Group of Seven. Canada Post is celebrating this significant anniversary with a stamp issue featuring works by the Group’s seven founding members.

It was on May 7, 1920, that Canadian artists Franklin Carmichael, Lawren S. Harris, A.Y. Jackson, Frank H. Johnston, Arthur Lismer, J.E.H. MacDonald and F.H. Varley held their first exhibition as the Group of Seven at the Art Gallery of Toronto (now the Art Gallery of Ontario [AGO]). Inspired by Tom Thomson – who had drowned three years earlier – and encouraged by theirshared creative vision, the Group changed the way Canada was viewed at home and abroad. Their raw and daring depictions of the landscape gave birth to a unique Canadian aesthetic that influenced generations of artists.

More than 2,000 people attended the 1920 show during its 20-day run. While only five paintings were sold, the exhibit received good reviews, captured the attention of major galleries and collectors, and paved the way for future exhibitions.

Seven works are featured in the stamp issue:

  • In the Nickel Belt (1928), by Franklin Carmichael
  • Miners’ Houses, Glace Bay (circa 1925), by Lawren S. Harris
  • Labrador Coast (1930), by A.Y. Jackson
  • Fire-swept, Algoma (1920), by Frank H. Johnston
  • Quebec Village (1926), by Arthur Lismer
  • Church by the Sea (1924), by J.E.H. MacDonald
  • Stormy Weather, Georgian Bay (1921), by F.H. Varley

The issue includes a self-adhesive booklet and gummed mini-pane of seven Permanent domestic rate stamps and a set of seven Official First Day Covers (OFDCs) cancelled in locations significant to each artist. Using works drawn from six major Canadian galleries and photographs from the McMichael Canadian Art Collection Archives, the issue was designed by Lionel Gadoury, Andrew Conlon and Matthew Killin of Context Creative, and printed by Lowe-Martin.

VIRTUAL UNVEILINGS: This morning [Wednesday], starting at 10:30 am (eastern time), the stamp images will be unveiled live on social media as well as Canada Post’s Instagram account (@canadapostagram) and the accounts of several prominent Canadian galleries, including the AGO, the Art Museum at the University of Toronto, the Ottawa Art Gallery, the National Gallery of Canada, the Agnes Etherington Art Centre at Queen’s University and the Vancouver Art Gallery, with the OFDCs unveiled on Thursday, May 7, by the McMichael Canadian Art Collection. All stamps and collectibles will be available on Thursday, May 7, at canadapost.ca/shop. Postmarks for the FDCs: Larger versions of the designs:

Stamp Collecting During The Pandemic

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Most major stamp collecting shows in the U.S. this spring, if not all, have been postponed or canceled.

The international show in Britain this year, London 2020, has been postponed to 2022.

A decision will be made by May 15 on whether to hold the top show in the U.S., the first edition of Great American Stamp Show. It is scheduled for August 20-23 in Hartford, Conn. It is jointly sponsored by the American Philatelic Society, the American Topical Association and the American First Day Cover Society, although APS handles the “logistics.”

The APS is maintaining a comprehensive list of show schedule changes on its website here.

The American Philatelic Society headquarters and the American Philatelic Research Library in Bellefonte, Pa., were ordered closed, as part of Pennsylvania’s shutdown measures. They are now beginning to reopen, slowly, and services which had required on-site handling (such as sales circuits and expertizing) will soon resume.

U.S. first-day (launch) ceremonies for new issues have been postponed or canceled, although the stamps are still being released and put on sale on schedule.

Traffic at stamp collecting websites is soaring: APS reports, by one measure, visits to its stamps.org website gave nearly tripled. The Virtual Stamp Club‘s Facebook group has been getting as many valid new member requests in a day as it got pre-pandemic in a week. Both the APS and VSC are holding periodic “chats” or real-time video conferences.

“Stamp collecting has been here for 180 years,” said APS executive director Scott English is one of those chats, a “Town Hall Meeting,” on May 4th. “It has survived pandemics, such as the influenza epidemic in 1917; economic down times such as the Great Depression of the 1930s; world wars; and more.”

And English and others see this pandemic has an opportunity for stamp collecting to attract new members and bring others back into the hobby.

Hotchner: Getting Started With Catalogues

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The Hardest Part of Collecting is Beginning, Part 3 — Catalogues
By John M. Hotchner

An essential tool as you add to your collection is a stamp catalog. In the United States, that means having, or having access to the Scott Standard Postage Stamp Catalogues.

Scott covers the world in what used to be six ungainly volumes that took up 14+ inches of shelf space. Effective with the 2018 Catalogues, each was divided into two thinner (about one inch) volumes as follows:

  • Vol. 1A: United States and A countries through Australia./ Vol. 1B: Austria through B countries
  • Vol. 2A: C through Cur countries
  • Vol. 2B: Cyp through F countries
  • Vol. 3A: G countries
  • Vol. 3B: H through I countries
  • Vol. 4A: J through L countries
  • Vol. 4B: M countries
  • Vol. 5A: N through Phil countries
  • Vol. 5B: Pit through Sam countries
  • Vol. 6A: San through Tete countries
  • Vol. 6B: Thai through Z countries

Where to get Scott Catalogues? They are published by Amos Press, and available on the Amos Advantage website. They are sold as complete volumes (1, 2, 3, 4, 5, and 6) for about $105 each. While this is a steep investment in your collection — especially for someone getting started — catalogues are a gold-mine of information and an essential reference for every collector.

Why? First, they tell you what stamps each country has issued since they began issuing stamps, and a vast number of them are pictured to facilitate your finding the ones you have in your collection. Each stamp listed is valued in both Mint and Used condition. And each stamp is assigned a number that becomes its universally understood reference point for all collectors and dealers. The latter is important when you look at printed price lists, offerings on Internet sites, or in auction catalogues.

As a beginner, you may want the current year’s catalogue(s) that include the countries you collect; and that may be important if you are going to buy high-priced stamps. Each year the values shown for each stamp are reviewed in light of actual prices being paid and adjusted up or down.

But for most of us, steeply discounted older catalogues from one or two years earlier are adequate as references. You may even be able to find Scott Catalogues in the reference section of your local library. But that means you can’t check them out of the library. If you want one that you can use at home, stamp clubs often have a set of current or at least recent catalogues that members can borrow.

If you want one or more volumes of your own, you can often find prior years’ volumes available on Internet sales sites, in club auctions, advertised by dealers, or available on their tables at stamp shows. You can also get together with another collector to buy catalogues that you can share.

How to use the catalogue? Each of the 12 catalogues has a section at the front that tells you how to use the catalogue: how to understand the listings, definitions for the terms used, how the values shown are arrived at, and much more. I won’t repeat all of that here. But what is most important for the stamp buyer is to understand how the values shown in the catalogue translate to selling prices that you are asked to pay when you buy.

As noted earlier the Scott editors arrive at prices based on actual prices being paid in the marketplace for stamps in the grade of Very Fine. On the low end, Scott prices every used stamp at a minimum of 25¢ and every mint stamp at a minimum of approximately twice face value. This recognizes that the cost of any given stamp has to include a dealer’s overhead (equipment, space, staff, and time) needed to set up as a dealer. It does not mean you have to pay that price.

In fact, dealers (and collectors who sell their duplicates) often discount from the Scott prices based on the desirability of the stamp. That is defined as a combination of the popularity of the collecting area, the level of rarity of the stamp, its condition, and if used, the intensity of a cancellation. It is unusual that actual price will equal or exceed the Scott Catalogue value. Usually that happens when dealing with a popular collecting area and the condition of a scarce stamp is at the high end of the condition continuum.

The catalogue number identification of a stamp being offered cannot always be taken as gospel; especially when the stamp being offered is an older, expensive one. The catalogue is accurate, but the identification of the stamp may not be. Such complicating factors as watermarks, perforation sizes, paper types, design types, precise color identification, and, on modern stamps, the presence and type of tagging can affect proper identification. It is also possible to “make” a more valuable stamp from a less valuable one; say a coil pair from an imperf pair. One version of a given stamp may be 25¢, while another stamp that on first glance looks just like it, may have a catalogue value of tens of thousands of dollars.

Take a look at the picture on the right, in which are copies of Scott #610 and #613. The former, a perf 11×11, flat plate-printed black stamp, is catalogued 25¢ used. The latter, a perf 11×11 rotary press printing in black, catalogues $37,500. The difference is a quarter millimeter in the height of the stamp design!

For this reason, and because the art and science of repairing damaged stamps has reached a high level in the modern era, a certificate of authenticity is well advised before committing to buy a valuable stamp.

In another column, we will continue this series for the beginner with hints on how to find the stamp you hold in your hand among the catalogue listings.

Should you wish to comment on this editorial, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

U.S. Federal Duck Stamps 2020-21

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Here are the Scott catalogue numbers for this issue:

RW87 $25 Black-bellied whistling ducks Hunting Permit Stamp, self-adhesive
RW87A $25 Black-bellied whistling ducks Hunting Permit Stamp, self-adhesive, souvenir sheet of 1

The First Day of Sale event for the 2020-2021 Duck Stamp and Junior Duck Stamp was to take place Friday, June 26, from 10 a.m. to noon at the Bass Pro Shop at 20000 Bass Pro Drive in Spanish Fort, AL. This event has now been canceled, although the stamps went on sale on June 26th.

The $25.00 2020-2021 Federal Duck Stamp depicts two black-bellied whistling ducks in a painting by artist Eddie LeRoy.

Buying the stamps? They are offered at many post offices, retail locations and more. FWS has a list.

Below are the press release for the stamp, the junior stamp, and details about next year’s design contest. U.S. Postal Service information is at the bottom of this page.

[press release]
Alabama Artist Wins Federal Duck Stamp Contest

After two days of competition, Eddie LeRoy of Eufaula, Alabama, emerged as the winner of the Federal Duck Stamp competition with his painting of a black-bellied whistling-duck pair [left]. The announcement was made by U.S. Fish and Wildlife Service Principal Deputy Director Margaret Everson at the annual contest, held this year at Patuxent Research Refuge in Laurel, Maryland.

LeRoy’s acrylic painting will be made into the 2020-2021 Federal Migratory Bird Hunting and Conservation Stamp, or “Duck Stamp”, which will go on sale in late June 2020. The Service produces the Federal Duck Stamp, which sells for $25 and raises approximately $40 million in sales each year. These funds support critical conservation to protect wetland habitats in the National Wildlife Refuge System for the benefit of wildlife and the enjoyment of people.

“These artists are extremely talented, and the quality of the art is matched by the incredible conservation work funded by Duck Stamp sales,” said U.S. Secretary of the Interior David Bernhardt. “By purchasing a Duck Stamp, waterfowl hunters have helped raise millions of dollars to conserve wildlife and healthy wetland habitats within the National Wildlife Refuge System.”

Eighty-five years after it was established, sales of the Duck Stamp to hunters, bird watchers, outdoor enthusiasts and collectors have raised more than $1 billion to conserve over six million acres of habitat for birds and other wildlife and provide countless opportunities for hunting and recreation on our public lands.

This is LeRoy’s first Federal Duck Stamp Contest win.

“I’m proud to be part of an event with the rich tradition of the Duck Stamp Contest. The first one took place in 1949, and 70 years later, the contest – and the wetland conservation work it supports – is going stronger than ever,” said Everson. “I thank the staff at Patuxent Research Refuge for hosting the contest this year. The opportunity to experience native wildlife, trails, canoeing, fishing and more at this urban oasis demonstrates how you don’t need to go far from a major city to explore a national wildlife refuge.”

In addition to LeRoy, Cory McLaughlin of Wells, Texas, placed second with his oil painting of a black-bellied whistling-duck pair, and Frank Mittelstadt of Beaver Dam, Wisconsin, took third place with his acrylic painting of a bufflehead pair.

Of 190 entries in this year’s competition, 13 entries made it to the final round of judging. Eligible species for this year’s Federal Duck Stamp Contest were the black-bellied whistling-duck, emperor goose, American black duck, bufflehead and northern shoveler. View the online gallery of the 2019 Federal Duck Stamp Art Contest entries.

“The Duck Stamp is a beautiful collectible and a great artistic tradition. The design of each year’s stamp has been chosen in this wonderful open art contest. I am proud to be a part of this heritage that also benefits habitat and wildlife,” said Jerome Ford, assistant director for the Service’s Migratory Bird Program.

The judges for this year’s Federal Duck Stamp Contest were: Walter Matia, artist; Brian K. Schmidt, biologist; David Elwing, conservation partner and philatelist; Wayne Knight, artist; and Peggy Watkins, artist.

Waterfowl hunters age 16 and older are required to purchase and carry the current Federal Duck Stamp. Many non-hunters, including birdwatchers, conservationists, stamp collectors and others also purchase the stamp in support of habitat conservation. Additionally, a current Federal Duck Stamp can be used for free admission to any national wildlife refuge that charges an entry fee.

Funds raised from the sale of Federal Duck Stamps go toward the acquisition or lease of habitat for the Refuge System. This year, the Migratory Bird Conservation Commission, chaired by Secretary Bernhardt, awarded $19.3 million from the fund, made up partly of Duck Stamp dollars, to support the acquisition of refuge lands from willing sellers. The new areas provide additional access to the public to some of the most spectacular places available for hunting, fishing, birdwatching, hiking and other outdoor activities.

You can contribute to conservation and America’s great outdoors tradition by buying Federal Duck Stamps at many national wildlife refuges, sporting goods stores and other retailers, through the U.S. Postal Service, or online at www.fws.gov/birds/get-involved/duck-stamp/buy-duck-stamp.php.

Junior Duck Stamp:

[press release]
Madison Grimm, Aged 13, Wins U.S. Fish and Wildlife Service 2020 National Junior Duck Stamp Art Contest

A talented young artist from South Dakota has taken top honors at the National Junior Duck Stamp Art Contest. A wood duck by 13-year old Madison Grimm, will grace the 2020-2021 Junior Duck Stamp, which raises funds to educate and engage our nation’s youth in wildlife and wetlands conservation and outdoor recreation.

A panel of five judges chose the entry, painted in acrylic, from among best-of-show entries from 49 states and Washington, D.C.

“I am thrilled for the winner, and am so proud of the thousands of students who participated in this program throughout the country,” said Service Director Aurelia Skipwith. “The Junior Duck Stamp Program encourages students to explore their natural world through science, art and language, creating a lifelong love of nature and the outdoors.”

Students in kindergarten through grade twelve participate in their annual state Junior Duck Stamp Program through their school, home, art studio or after-school group, or from a refuge, park or nature center. After learning about wetlands, waterfowl and wildlife conservation, they express their learning through a drawing or painting of a duck, goose or swan.

The top piece of art in the nation – chosen at this annual competition – is featured on the Junior Duck Stamp, sales of which support educational programs and activities that nurture our next generation of conservationists.

The Federal Junior Duck Stamp Conservation and Design Program began in 1989 as an extension of the Migratory Bird Hunting and Conservation Stamp, commonly known as the Duck Stamp. The first national Junior Duck Stamp art contest was held in 1993. The stamp encourages students to explore their natural world, participate in outdoor recreation activities, and learn wildlife management principles. Approximately 2,000 Junior Duck Stamps are sold annually for $5 each.

In addition to the art contest, a Junior Duck Stamp Conservation Message Contest encourages students to express in words the spirit of what they have learned through classroom discussions, research and planning for their Junior Duck Stamp Contest entries. This year’s winner is Abby Gilreath, 16, of Nebraska with her message: “When we practice conservation, we protect not only our wildlife but our health and environment for future generations.”

“We are so honored to help run a program where young people of all different backgrounds and interests all showcase their talents,” said Assistant Director for Migratory Birds Jerome Ford. “To take what they learn about wildlife, waterfowl and habitat conservation, and then turn that into a piece of personal art they share around the country, is just an absolute treasure.”

This year, over 14,000 young artists submitted entries to the Junior Duck Stamp contests around the nation. For complete contest results, visit www.fws.gov/birds/education/junior-duck-stamp-conservation-program.php.

The Junior Duck Stamp Contest winner receives $1,000. The second place winner receives $500; the third-place winner receives $200; the Conservation Message winner receives $200.

You can buy Junior Duck Stamps online through the U.S. Postal Service and Amplex and at some national wildlife refuges. Proceeds from the sale of Junior Duck Stamps are used for recognition of individuals who submit winning designs in state or national competitions and to further activities related to the conservation education goals of the program.

The First Day of Sale ceremony for the 2020-2021 Duck Stamp and Junior Duck Stamp is planned for June 26, 2020, at Bass Pro Shops in Spanish Fort, Alabama. The event is scheduled to begin at 10:00 a.m. CDT and is free and open to the public. The U.S. Postal Service will have a special cancellation and both stamp artists are expected to be at the event.

Next Duck Stamp:

The 2020 Federal Duck Stamp Contest will be held September 25 & 26 at Drake University in Des Moines, IA. In addition to the judging and announcement of the winner, there will be family friendly events and more. Admission is free.

From the USPS Postal Bulletin:
On June 26, 2020, in Spanish Fort, AL, the U.S. Department of the Interior will issue the $25.00 Migratory Bird Hunting and Conservation stamp for the 2020–2021 waterfowl hunting season. The pressure-sensitive adhesive (PSA) stamp will go on sale nationwide June 26, 2020, and is valid through June 30, 2021.

Availability to Post Offices:

  • Item 336300, PSA Pane of 1: No automatic distribution, but postmasters may order these.
  • Item 336400, PSA Pane of 20: No automatic distribution, and the USPS will only them through its Stamp Fulfillment Services operation and by consignment via Amplex Corporation.

Technical Specifications:

Issue: Migratory Bird Hunting and Conservation Stamp
Item Number: 336300
Denomination & Type of Issue: $25.00, Special
Format: Pane of 1 (1 design)
Series: Federal Duck
Issue Date & City: June 26, 2020, Spanish Fort, AL 36527
Art Director: Suzanne Fellows, FWS
Artist: Eddie LeRoy
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint “FWS”
Printer: Ashton Potter (USA) Ltd. (APU)
Press Type: Muller A76
Stamps per Pane: 1
Print Quantity: 2,406,000 stamps
Paper Type: Nonphosphored Type III
Adhesive Type: Pressure-sensitive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: Black, Cyan, Magenta, Yellow, Invisible Fluorescent
Stamp Orientation: Horizontal
Image Area (w x h): 1.762 x 1.289 in./44.755 x 32.741 mm
Overall Size (w x h): 1.89 x 1.417 in./48.006 x 35.992 mm
Full Pane Size (w x h): 6.125 x 2.625 in./155.575 x 66.675 mm
Plate Size: 36 stamps per revolution
Plate Numbers: N/A
Marginal Markings:
Front: Selvage Text: U.S. Fish & Wildlife Service, 2020–2021 Migratory Bird Hunting and Conservation Stamp • Promote Habitat Conservation • informative text • Artist: Eddie LeRoy, Black-bellied Whistling-Ducks© • If applicable, sign your stamp.
Back: Verso-text • Barcode • Ordering information • U.S. Department of the Interior logo • U.S. Fish & Wildlife Service logo

Technical Specifications:

Issue: Migratory Bird Hunting and Conservation Stamp
Item Number: 336400
Denomination & Type of Issue: $25.00, Special
Format: Pane of 20 (1 design)
Series: Federal Duck
Issue Date & City: June 26, 2020, Spanish Fort, AL 36527
Art Director: Suzanne Fellows, FWS
Artist: Eddie LeRoy
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint “FWS”
Printer: Ashton Potter (USA) Ltd. (APU)
Press Type: Muller A76
Stamps per Pane: 20
Print Quantity: 60,000 stamps
Paper Type: Nonphosphored Type III
Adhesive Type: Pressure-sensitive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: Black, Cyan, Magenta, Yellow, Invisible Fluorescent
Stamp Orientation: Horizontal
Image Area (w x h): 1.762 x 1.289 in./44.755 x 32.741 mm
Overall Size (w x h): 1.89 x 1.417 in./48.006 x 35.992 mm
Full Pane Size (w x h): 8.25 x 8.25 in./209.55 x 209.55 mm
Plate Size: 180 stamps per revolution
Plate Numbers: “P” followed by five (5) single digits
Marginal Markings:
Front: Selvage Text: “Artist: Eddie LeRoy” (4 locations) • “Department of the Interior 20 x $25.00” (2 locations) • Silhouetted image of duck (2 locations) • Plate number (4 locations)
Back: Verso-text behind each stamp • Barcodes (4 locations)

USPS: Mail Helps Americans During Pandemic

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As noted in the press release, a USPS spokesman tells The Virtual Stamp Club “stamp sales are up significantly.”

[press release]
Mail Helps Americans Feel Connected During COVID-19 Pandemic

Now more than ever, consumers rely on cards and mail to keep in touch with family and friends and to overcome feelings of isolation, according to a recent survey conducted by the US Postal Service. The survey highlighted the important role that sending and receiving mail plays in helping Americans stay connected during a time of social distancing and stay-at-home mandates.

The majority, or 65% of respondents, said that receiving “cards and letters from family and friends lifts my spirits during this time” while 62% said that “receiving a card or letter in the mail makes me feel more connected during social distancing.” Another 60% said it means more to me to receive a card/letter in the mail than an email, while 55% said they feel less isolated when receiving a card or letter in the mail.

The research, conducted by the USPS Market Research & Insights department, was conducted on-line during April 15 – 17, 2020, with more than 1,000 adults, with demographics matching weighted census data.

Survey highlights include:

  • Approximately 67% of consumers are feeling increasingly isolated and distant from people, and have acknowledged the effect of the pandemic on their mental well-being.
  • When asked how the pandemic has changed their activities over the past few weeks, approximately 1-in-6 consumers said they have sent more mail to family and friends over the past few weeks.
  • During the corona virus pandemic, two-thirds of those surveyed indicated that they would be likely to send mail. Family members and friends would be the most common recipients. Those who are younger, have higher income and those with children in the home are more likely to want to send cards and letters.
  • 42% said they were more reliant on mail as a result of social distancing and 38% indicated the importance of being able to shop for mail products such as cards and stationery in retail locations permitted to be open during the pandemic.

A recent trend reflects what this survey has shown. Over the past several weeks, the Postal Service has observed significantly higher stamp sales, particularly through the mobile-friendly online Postal Store on usps.com. Stamps celebrate the people, events and cultural milestones that are unique to the history of our great nation. Cards, stamps, stationery, shipping supplies and other postal products can be ordered online through the Postal Store at www.usps.com/store.

The complete survey – including questions and responses – is posted on PostalPro™

Four U.S. 2020 Press Sheets Sell Out

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Linn’s Stamp News reported last month that “all” 2020 U.S. “press sheets” had been removed from online sales, because quantities were too low. Since press sheets are rarely sold by USPS operations other than Stamp Fulfillment Services, and that operation is only taking orders by mail, in effect the press sheets were no longer available.

Press sheets are multi-pane sheets, as they come off the printing press. They are then perforated and cut apart to form the panes or “sheets” sold in post offices. There are often eight panes in a press sheet.

Postal Service spokesman Roy Betts tells The Virtual Stamp Club that only the first four 2020 press sheets have been taken off sale, and those are now completely sold out. However, the USPS continues to produce press sheets.

They are produced by the U.S. Postal Service in limited quantities, and often sell out quickly. This apparently has been the case in 2020.

The four 2020 issues whose press sheets have sold out are Year of the Rat, Made of Hearts, Gwen Ifill and Arnold Palmer. No press sheet was produced for the Maine Statehood stamp.

VSC also asked if ceremony programs had been produced, and then not put on sale, for ceremonies that had been canceled. “Ceremony Programs were not produced for cancelled events, Betts replied.