Rupert Bear’s Centenary (UK 2020)

[press release]
Royal Mail Celebrates 100 Years Of Rupert Bear

  • Royal Mail today [3 September] launches a set of eight stamps to mark the 100th birthday of Rupert Bear
  • Created in 1920 and first illustrated by Mary Tourtel, Rupert Bear is Britain’s longest continually published comic strip, first appearing in the Daily Express in November of that year
  • Rupert is a check-trouser wearing young bear who lives with his parents in the country village of Nutwood
  • The stamps feature the artwork of Alfred Bestall, who wrote and illustrated more than 270 Rupert stories after he took on the role in 1935
  • The set is made up of four pairs of stamps, each pair featuring two illustrations from one of Rupert’s adventures – Rupert’s Rainy Adventure (1944), Rupert and the Mare’s Nest (1952), Rupert And The Lost Cuckoo (1963) and Rupert’s Christmas Tree (1947)
  • Rupert Bear annuals have been published every year since 1936
  • The Adventures of Rupert The Bear was also a children’s television series on ITV, from 1970 to 1977
  • The full set of eight stamps, available in a Presentation Pack, retails at £10.00. The stamps and a range of collectible products are available now from www.royalmail.com/rupertbear

Royal Mail has announced it is issuing a set of eight stamps to mark the 100th birthday of Rupert Bear. The stamps feature the artwork of Alfred Bestall, who wrote and illustrated more than 270 Rupert stories after he took on the role in 1935.

The set is made up of four pairs of stamps, each pair featuring two illustrations from one of Rupert’s adventures – Rupert’s Rainy Adventure (1944), Rupert and the Mare’s Nest (1952), Rupert And The Lost Cuckoo (1963) and Rupert’s Christmas Tree (1947).

Rupert made his first appearance in the Daily Express on 8 November 1920. Herbert Tourtel, who wrote the stories, was an editor at the Express, and his wife, Mary, was the illustrator.

Many of the early Rupert stories were inspired by fairyland characters and sometimes featured medieval knights, ogres and witches. Soon after the stories appeared, they started being reprinted in books. The Rupert Little Bear Library Series ran to 46 issues and was published periodically between 1928 and 1936.

In total, Mary illustrated 89 stories, which were later reprinted in books. She retired in 1935 due to her failing eyesight.

Her replacement was Alfred Bestall, an established artist with Punch and other magazines, who also illustrated children’s books. In total, he wrote and illustrated 224 Rupert stories for the newspaper and provided 47 other stories, mostly for the Rupert Annuals. In 1985 he was awarded the MBE for his work. He died the following year. It is his illustrations which are reproduced on the stamps which feature Rupert in adventures with some of friends including Algy Pup, Bill Badger and Pompey the baby elephant.

When Alfred Bestall took over writing and illustrating the Rupert strip, a tradition evolved whereby every picture had a rhyming couplet underneath, plus a few lines of story text to accompany them. Bestall’s couplets often ended with the promise of a mystery, so that the next day’s paper was eagerly awaited by children, curious to see how the story would unfold. Bestall also introduced new characters to add variety, including Lily Duckling, Gregory Guineapig, the Old Professor, Bingo and the Imps of Spring and Autumn. Most Rupert stories commence with the bear leaving home and end with him returning after an adventure in time for tea to tell his mother of his experiences.

While books of reprinted Rupert stories appeared in the 1920s, it was decided that an annual publication would appear every Christmas. It was titled, Monster Rupert. The first volume was issued in 1931 and continued up to 1934, ceasing after Mary Tourtel retired.

In 1936, it was decided that the Rupert Annual would continue, featuring Alfred Bestall’s illustrations. From 1942 to 1949, the Annuals had card covers due to wartime, but board covers returned in 1950, when over 1.7 million copies were printed.

Such was the popularity of the annuals, that even in paper rationing during the Second World War, the government sanctioned sufficient paper for the annuals to be printed, to help boost the morale of the public.

Rupert Bear annuals have been published every year since 1936.

In 1970, The Adventures of Rupert Bear aired on ITV. It ran for seven years, with over 150 episodes produced over four series.

Philip Parker, Royal Mail, said: “We celebrate the 100th birthday of Rupert, one of the most-loved characters in children’s literature. He has introduced successive generations of children to a wonderful make-believe world of magic and adventure.”

The full set of eight stamps, available in a Presentation Pack, retails at £10.00.

The stamps and a range of collectible products are now available at: www.royalmail.com/rupertbear

Allied Occupation Group Creates Hall of Fame

[press release]
Hall of Fame established to recognize major contributors to AMG philately

The Allied Military Government Collectors’ Club (AMGCC) is proud to announce the initial class of inductees to the newly formed AMGCC Hall of Fame. These three individuals were instrumental in establishing post-World War II AMG philately as a challenging and respected area of collecting; creating resources that encouraged involvement in the field and further study. They are:

Joseph V. Bush (1917-2001) Joe Bush established his mail-order company specializing in AMG stamps and postal history in 1946. Virtually every philatelic publication carried his advertizing, and he is credited with popularizing the field. But he was not content to just sell stamps and covers. He was passionate about publicizing the history and the production information about them, and worked with researchers such as the other two inductees to produce monographs, catalogs, album pages, and to provide copies of documents that helped to understand the importance of AMG philately and facilitate collecting.

Harry W. Wilcke, M.D. (1925-2007) Dr. Wilcke was a researcher and prolific author on AMG philately; producing over 80 articles on a wide variety of AMG topics. Among his most important contributions was serving as an author, and primary editor of the Bush AMG Catalog-Handbook, and author of The AMG Story, a 150-page collector’s manual, published in 1994 by the U.S. Possessions Philatelic Society.

Harry S. Cass (1912-1957) Cass was the primary researcher documenting the production and use of AMG stamps. He was a co-editor and driving force behind the initial editions of the Bush AMG Catalog-Handbook, and the primary researcher for the Bush-Cass Catalog of AMG Revenue Stamps published in 1956.

It is truly said that we stand on the shoulders of those who established a firm foundation for the modern collecting and study of AMG philately. AMGCC is proud to begin with this group of contributors to recognize the people who devoted a life time of effort to promoting and explaining the stamps and covers we love.

The AMGCC was established in 2012 to promote and study the stamps and postal history of post WW-II allied occupation stamps used in Western Europe and Asia. It has a website, www.amgcollectors.org, and a full color quarterly journal, “A.M.G. Courier”. Collectors interested in membership may contact Secretary/Treasurer David Arking, 223 Williamsburg Rd, Lansing, MI 48917, or at arkmail@comcast.net

AFDCS Book Chronicles 1945 UN Issue

A new book from the American First Day Cover Society shares a collector’s love for the 1945 U.S. stamp that heralded the formation of the United Nations. The Al Raddi Collection of Scott 928 Toward United Nations Conference FDCs shows more than 170 different first day covers and related items for the issue commemorating the meeting of delegates from 50 countries toward the end of World War II.

Each of the cachets is shown in color. The listings are divided into material that was intended to travel through the mail system, and those that were not. They are then further divided into those with contemporary cachets — applied no later than one year after the April 25, 1945, first-day — and add-ons. Raddi, from Michigan, invites readers to send information about other cachets that exist for this issue.

The book starts with a brief history of the conference, and then information about the stamp.

The Al Raddi Collection is available as a .pdf download from the AFDCS for $8 ($6 for members) or a printout may be purchased for $15 ($13) postpaid. Either version may be ordered from the AFDCS website at www.afdcs.org/fdccatalogs.html. The printed version may also be ordered by mail from AFDCS Sales, PO Box 44, Annapolis Junction, MD 20701-0044.

The American First Day Cover Society is a not-for-profit educational organization, with 501(c)(3) tax-exempt status granted by the IRS. Established in 1955, the AFDCS also publishes handbooks, catalogues and its award-winning bimonthly journal, First Days. It also promotes first day cover exhibiting, both at its own Americover show and at other stamp shows.

For more information about the AFDCS, visit www.afdcs.org, e-mail afdcs@afdcs.org or write the AFDCS at PO Box 44, Annapolis Junction, MD 20701-0044.

Mary Riter Hamilton (Canada 2020)

Canada Post will issue a stamp or stamps to honor Hamilton on October 28th. (press release below)

Called “Canada’s First Woman Artist,” Hamilton (1873-1954) recorded the aftermath of World War I by painting the battlefields in France and Belgium. She was born in Ontario, but grew up in Manitoba. She donated more than two hundred of her works to the Canadian Public Archives, and in 1988, War Amputations of Canada released No Man’s Land a documentary short focusing on Mary Riter Hamilton.

You can read more about her in Wikipedia, and the Library and Archives of Canada also has a page and podcast about her. War Material, c. 1920


[press release]
Canada Post salutes country’s unofficial first woman battlefield artist
Remembrance Day stamp issue features the work of Mary Riter Hamilton

OTTAWA – Canada Post on October 28th released a new stamp issue featuring Mary Riter Hamilton’s Trenches on the Somme (1919) in honour of the painter, who was unofficially Canada’s first woman battlefield artist.

Born in Teeswater, Ontario, and widowed in her 20s, Riter Hamilton studied art in Toronto, Berlin and Paris, and received critical acclaim for her first cross-Canada exhibition in 1911-12. Living in Victoria and Vancouver during the First World War, she applied to the Canadian government to be sent to the frontlines to document Canada’s military efforts but was refused based on her gender. In 1919, she received a commission from the Amputation Club of British Columbia (now The War Amps) to paint the battlefields of France and Belgium for its veterans’ magazine, The Gold Stripe.

Arriving in Europe in March 1919, she travelled independently to the sites of Canadian battles such as Vimy Ridge, Ypres and the Somme. Over two and a half years, she produced more than 300 paintings, drawings and etchings, capturing the destruction and the reconstruction efforts. She often painted in the cold, travelled long distances on foot, and had inadequate shelter and little food or money.

Commended for her talent and courage, she was awarded France’s Ordre des Palmes académiques in 1922. She remained in Europe, supporting herself by painting silk scarves, one of which won a gold medal at the Exposition internationale des arts décoratifs et industriels modernes in Paris in 1925. Returning to Canada that year, she found little interest in her paintings and donated most of her work to the Public Archives of Canada (now part of Library and Archives Canada).

In later years, her health suffered, due in part to her arduous living conditions on the battlefields. She died on April 5, 1954.

The booklet of 10 Permanent™ domestic rate stamps is the work of Montréal-based graphic designer Réjean Myette and was printed by Canadian Bank Note. An Official First Day Cover is also available.

Stamps and collectibles are available at canadapost.ca/shop. [en Francais]
Postes Canada salue la première artiste de champs de bataille à titre officieux au pays
Le timbre émis à l’occasion du jour du Souvenir illustre une œuvre de Mary Riter Hamilton

OTTAWA – 28 Octobre, Postes Canada a émis un nouveau timbre qui illustre l’œuvre de Mary Riter Hamilton intitulée Trenches on the Somme (1919) en l’honneur de cette peintre qui est, à titre officieux, la première artiste canadienne de champs de bataille.

Née à Teeswater, en Ontario, et devenue veuve dans la vingtaine, elle étudie les arts à Toronto, à Berlin et à Paris. En 1911 et 1912 se tient sa première exposition pancanadienne, encensée par la critique. Mary Riter Hamilton, qui habite à Victoria et à Vancouver pendant la Première Guerre mondiale, propose au gouvernement canadien de l’envoyer au front pour témoigner des efforts militaires du Canada, mais sa demande est refusée en raison de son sexe. En 1919, l’Amputation Club of British Columbia (aujourd’hui Les Amputés de guerre) l’embauche pour peindre les champs de bataille en France et en Belgique pour son magazine The Gold Stripe destiné aux anciens combattants.

À son arrivée en Europe en mars 1919, elle se rend seule sur les champs de bataille où ont combattu des Canadiens, dont la crête de Vimy, Ypres et la Somme. Pendant plus de deux ans et demi, elle réalise plus de 300 peintures, dessins et esquisses qui témoignent de la destruction et des efforts de reconstruction. Elle peint souvent exposée au froid, parcourt de longues distances à pied et vit dans des abris de fortune avec peu de nourriture et d’argent.

En 1922, elle reçoit l’Ordre des Palmes académiques de France et elle est félicitée pour son talent et sa bravoure. Elle prolonge son séjour en Europe et y gagne sa vie en peignant des foulards en soie, dont un qui lui vaut une médaille d’or à l’Exposition internationale des arts décoratifs et industriels modernes à Paris en 1925. Après son retour au Canada cette année-là, ses créations suscitant peu d’intérêt, elle fait don de la plupart de ses œuvres à Archives publiques Canada (aujourd’hui Bibliothèque et Archives Canada).

Des années plus tard, sa santé se détériore, entre autres en raison des conditions difficiles dans lesquelles elle a vécu sur les champs de bataille. Elle décède le 5 avril 1954.

Le carnet de 10 timbres PermanentsMC au tarif du régime intérieur a été conçu par Réjean Myette, graphiste à Montréal, et imprimé par Canadian Bank Note. Un pli Premier Jour officiel est aussi offert.

Les timbres et les articles de collection sont disponibles en ligne à postescanada.ca/magasiner.

APS Announces Service Awards

The American Philatelic Society, the largest stamp collecting organization in North America, has honored the folllowing people, with these awards in August 2020:

Nicholas G. Carter Award for National Service:

  • Deane Briggs
  • Jack Andre Denys
  • Charles DiComo
  • Larry Fillion
  • Eric Jackson
  • Bobby Liao

You can get more information about the winners and their accomplishments on the APS website.

For local service, the APS this year recognizes Tony Bruno.

The APS also named Timothy A. Hodge as Outstanding Young Adult Philatelist (Age 25-40). Their accomplishments also are detailed on the APS website.

The Luff Award is the APS’ highest award for service. Those honored this year are

  • Yamil H. Kouri, Jr., for Exceptional Contributions to Philately;
  • Kenneth Grant, for Outstanding Service to the APS; and
  • James Peter Gough, for Distinguished Philatelic Research.

Luff recipients are almost always still living. The APS Hall of Fame honors those who have passed away. This year, that includes

  • Sophie Buser (1907-1997);
  • George Griffenhagen (1924-2019); and
  • Ann Triggle (1935-2018)

You can learn why they deserve the honor here. Former APS executive director — but also a former member of the boards of the APS and American Topical Association, former Deputy Secretary of State and U.S. Ambassador — Robert E. Lamb received Ernest Kehr Award, which is bestowed annually helping to guarantee the future of the hobby.

Ken Lawrence received the U.S. Stamp Society-Barbara Mueller Award for best article in the APS journal, American Philatelist.

And dealers Stanley Richmond, Jack Nalbandian and Richard Champagne share this year’s John Walter Scott Dealer Award.

Bicycles (Netherlands 2020)

[press release; translated by Google] [we couldn’t find a translation for “droste”]
Bicycle Stamps with Droste Effect

The Hague, 17 August 2020 – The bicycle is the national means of transport in our country. For over 200 years, the “steel steed” has served to take us cyclists everywhere. With 6 new stamps, PostNL pays tribute to the two-wheeler, in particular to its parts.

The Bicycle Stamps published today show fragments of bicycle parts in real size. It concerns a reflector, a bicycle frame, a handle, a bicycle bell, a tire and an inner tube. All photos are placed at an angle of 6 degrees on the stamps, within a frame that has the same perforation as that of classic stamps.

Netherlands cycling country
The figures show that the Netherlands is a cycling country. Our country has 22.8 million bicycles, 2.1 million of which are electric. We cover about 17.4 billion kilometers every year with all those bicycles. Even our speed is known, namely an average of 15.6 kilometers per hour. Intensive bicycle use also influences how the public space is designed, with separate bicycle traffic lights, public parking facilities and some 37,000 kilometers of cycle paths. Local drivers from all over the world come to look at our cycling infrastructure, especially now that the bicycle is increasingly seen as a fast and healthy alternative to cars and public transport.

Sawn stamps
The Bicycle Stamps are designed by Sander Plug from Amsterdam. In his design he answers the question of how it is possible to get a bicycle of 1.5 x 1 meter on a stamp of 36 x 25 millimeters. Plug did this by literally sawing stamps from bicycle parts. “What you see on the stamps is almost identical to the sawn-out fragments. Some colors have been lightly edited to enhance the contrast, but that’s it. The recognisability had to be as great as possible.”

Perforations everywhere
Each fragment has been photographed full size and placed in a genuine 36 x 25 millimeter stamp. In this way, a fragment of a bicycle ends up on a bicycle stamp. “The entire stamp sheet also has the appearance of a stamp thanks to the perforation all around,” says Plug.

Availability
The stamp sheet “Bicycle stamps” consists of 6 different stamps with value indication Netherlands 1, intended for mail up to and including 20 grams with a destination within the Netherlands. The stamps will be available from August 17 at Bruna stores and through the website (direct link here). The stamps can also be ordered by telephone from the Collect Club customer service on telephone number 088 – 868 99 00. The period of validity is indefinite.

Hotchner: Mint U.S. Realities

Mint U.S.: The Gift That Keeps on Giving (at a Reduced Rate)
By John M. Hotchner

My father, gone nearly 30 years, would be stunned if he knew how his “investment” turned out. He was among those stamp collectors who, coming out of World War II, surveyed the value of U.S. new issues of the 1920s and 1930s, and thought “Hmmm…Mint U.S. commemorative stamps are popular, and the retail value seems to go up. So, I’ll buy a couple of sheets of every new issue, and when little Johnny gets to be college age, there is a little nest egg.”

[Above, Howard Hotchner in 1943, when he was working for the Voice of America (Office of War Information). And, yes, with part of his collection.]

He was assiduous in making sure every new issue was represented in his mint sheet files, and many regular issues, Air Mails, and other stamps too. Fortunately, he was wise in that he bought only what he could afford, and what he could afford to lose; because when it came time to sell in the early 1960s, the market for sheets of U.S. commemoratives had tanked.

There were many reasons; not least among them the fact that the Post Office Department anticipated the new demand, and began to issue two to four times the number of stamps for each issue as compared to the pre-1940s issues. They also ratcheted up the number of issues per year to previously undreamed of totals. And in the 1950s, the basic First Class rate began to creep up.

So, when all the little Johnnies and Janies got to college age in the late ‘50s and early ‘60s, the tens (if not hundreds) of thousands who had the same idea went to the well to collect on their investments, and found that there was far more supply than demand. If they could get 75% of face for routine stamps and full face for plate blocks, they were doing very well. Crank in the reduced purchasing power of the dollar, thanks to inflation, and even the realizations received were not nearly high enough to cover the initial outlay.

As the number of collectors has dropped, and the First Class postage rate has increased, the value of quantities of U.S. post-WWII mint stamps has continued to fall. Who wants to buy 3¢ commemoratives when it takes 18 of them (plus 1¢) to pay the current First Class rate?

And yet, habits are hard to break. Having begun to buy sheets, my father couldn’t bring himself to stop. Even when he knew that his expectations for the earlier purchases had not panned out, he kept right on buying; almost to the day he went into a nursing home with Parkinson’s Disease and a broken hip.

It isn’t uniformly true that all modern era U.S. stamps have only scrap value. Some limited printings that have topical value — such as Space-related, some sports heroes, the first stamps of a continuing series (such as Black Heritage) — still bring a modest premium. Also, some booklet panes, line pairs, plate number coils, and souvenir sheets. But for the vast majority of post WWII stamps, people selling them in quantity are now able to realize a mere 50-60% of face. And even some booth-holders at stamp shows who used to offer sheets of stamps to collectors for face value, are now forced to undercut their prior pricing in order to remain competitive.

Now, don’t expect this dynamic to hold for single stamps being sold to collectors. Dealers who retail modern- era U.S. singles have to do more than buy and sell in large quantities. Even if they buy cheap, they have to break up sheets, put single stamps in glassines or make up year sets, advertise by individual Scott numbers, provide storage space for what is pending sale, and haul their wares to wherever they retail; or pay commissions if they are selling online using established websites. It all takes an investment of time and space, in addition to the investment of money. So you will pay more than face for single stamps to complete your album pages.

And the beauty of the stamps, and the joy of completing pages makes the modest outlay worthwhile. But realists know that you will not be able to sell these stamps for what you paid for them.

The holder of quantities of U.S. mint, often in my experience survivors of the original purchaser, rarely have a clue that what they have is not so much windfall as white elephant. I can’t count the number of times I’ve had to explain to the new owners the facts of philatelic life; that they have only a few alternatives:

  1. Use most of what they have as postage for the relatively few letters and packages that they send.
  2. Share the stamps with family members to do the same.
  3. Take up stamp collecting themselves.
  4. Sell to a dealer at the prevailing (reduced) rate, or to friends and neighbors at 25% off.
  5. Donate them to a 501c3 charitable organization for the tax benefit.
  6. Or if you can find one, donate to a school or youth stamp club.

The saving grace for some is that they are not desperate for the money; and they understand that their collector enjoyed his or her collecting activities, and even reveled in the acquisition of new issues and understanding the story behind each new stamp; even if their dreams of profits could not be realized. My father was in this class. He was a passionate collector who often got out a magnifying glass to study the design of each new stamp. While I think he would be surprised by how low the market has gone, I doubt he would be losing any sleep over it!

Stamp Collecting Leader Doug Kelsey Passes Away

Most stamp collectors would count themselves lucky to have half the philatelic resume that Doug Kelsey had. Quiet and not one to boast, even those of us who thought we knew him well were surprised at what we didn’t know until his death.

Douglas Aden Kelsey: 1949–2020
By Alan Warren

American First Day Cover Society Executive Secretary Doug Kelsey, 70, of Tucson, Arizona, died on July 28 after suffering a stroke in mid-June and developing COVID-19 complications during rehab.

“For nearly 30 years, as volunteers and leaders came and went, Doug was the backbone of the society, guiding us and providing the support that kept this organization running,” said AFDCS President Lloyd A. de Vries. “But more than that, Doug was a friend, and I will miss him personally.”

Kelsey was born September 3, 1949. He served as executive director of the AFDCS from 1991 until 2011, at which time the position was altered and named executive secretary. He also served many years on the society’s board of directors.

He began collecting in 1960 and exhibiting in 1962. His wide collecting interests included first day covers, meter stamps, airmails, postal stationery, revenues, and Brazil and Australia. In 2002 he won the Americover grand award for his 1962 Project Mercury first day covers. He received the society’s Glenn Michel special recognition award in 2001, its Distinguished Service Award in 2007, and was named AFDCS Honorary Life Member 21 in 2008.

In 2012 Kelsey was honored by the American Philatelic Society with its Nicholas Carter Volunteer Award for national promotion and service. He was an accredited APS judge.

He held offices in several other organizations, including executive director of the American Topical Association, vice president and director of the United States Philatelic Classics Society, treasurer of the St. Helena, Ascension and Tristan da Cunha Philatelic Society, president of the Machine Cancel Society, executive director of the Postal History Foundation, and secretary-treasurer of the Meter Stamp Society.

Kelsey authored several hundred articles, columns, catalogs, and monographs that included the United States Meter Stamps First Days and Earliest Known Uses. For fourteen years he wrote a column for Linn’s Stamp News and was former editor of the Postal History Foundation’s Heliograph.

Following seven years’ service in the United States Air Force, Kelsey was an executive for Coca Cola Bottling where he was responsible for sales, distribution, advertising, and special projects. He then served as executive director of American Outback—a non-profit organization devoted to the preservation of American wildlife and wilderness. He was also executive director of the Tucson Association of Executives from 1999 until the time of his death.

-0-

In the February 2002 issue of American Philatelist, Kelsey wrote about the 1962 Project Mercury first-day and his collection, and recounted how that collection’s display at the Ohio State Fair won him a chance to meet astronaut John Glenn, an Ohio native.

Kelsey, already more than six feet tall, revealed how Glenn is standing on a box in this photo, because a NASA public relations worker decided “We can’t have a 12-year-old looking down on a national hero!”

—Lloyd de Vries

According to his official obituary, Doug is survived by his wife Oralia and his stepdaughters Ana and Briseida, his sister Linda Simonds, daughters Julie Stack and Jennifer Murray, and grandchildren Jaime Kelsey, Justina Outler, Christopher Murray, and Ashley Murray.

“Born in Columbus, Ohio he attended his first year of college at Ohio State University located there. Throughout his life he was a fierce Buckeye fan.

“He graduated with a BA from St. Mary’s University in San Antonio, Texas in !971. He served a six year tour of duty with the US Air Force from 1971 to 1977.”

Pandemic Stamps from Around The World

Many countries have issued stamps to note the fight against COVID-19, the coronavirus pandemic. (“COVID-19_ is short for Coronavirus Disease 2019.)The United Nations issue this sheet on August 11th.

Ukraine issue a stamp for its “front-line” workers on May 29th.The Isle of Man issued “Carry Us Through” on May 4th an eight-stamp set “highlighting the message that Love, Faith, Care, Compassion, Work, Community, Words and Science will “carry us through” the pandemic. VSC member Foster Miller posted details in VSC’s Facebook Group.Greenland issued  a semi-postal (a stamp with a surcharge for charity) on August 10th. (Thanks to VSC member Steve Leitner.)And VSC member Joseph Goodwin is assembling a collection of COVID-19-related stamps.

USPS Becomes Hot Election Issue

Postal agencies are rarely attention-getting issues in political races, but 2020 is a year like no other: The U.S. Postal Service is a lead item in the presidential election coverage.

President Trump charged the Democrats with holding up the coronavirus stimulus bill by demanding aid for the U.S. Postal Service.

“The items are the post office and the $3.5 billion for mail-in voting,” Trump told Fox Business News’ Maria Bartiromo. “If we don’t make the deal, that means can’t have the money, that means they can’t have universal mail-in voting. It just can’t happen.”

He opposes widespread voting-by-mail, saying it would lead to widespread corruption and fraud in this election. However, he plans to vote by mail in Florida, now his official residence.

There are charges that new Postmaster General Louis DeJoy [left], President Trump’s pick, is hobbling the USPS’ capability to deliver mail-in ballots.

This is a fast-developing story, so we’re going to do something they tell you never to do as a website host: Go to your favorite news website and read the latest there. We can’t keep up. We shouldn’t keep up: This is a stamp collecting news site, not a mainstream news or opinion site.

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