Open Letter from Former CSAC Members

An Open Letter to Postmaster General Megan Brennan
From Benjamin Franklin Bailar, Cary R. Brick and John M. Hotchner

February 1, 2015

Dear Postmaster General Brennan:

No reasonable economist can make a convincing argument that the out-of-sight financial crises of the Postal Service can be fixed with 49 cent stamps. Postal Service marketers who believe that are dead wrong. Yet some do.

In our combined three-plus decades of service on the Postmaster General’s Citizens Stamp Advisory Committee, we have seen an increasing emphasis on the part of a few senior Postal Service managers on assigning to the stamp subject and design program a burden it was never meant to bear: making a significant contribution to reducing Postal Service deficits.

Major reductions over time in its Stamp Services Office staffing and operating budgets have contributed to near-term but miniscule long term savings but at the cost of doing things to develop the program, communicate effectively with the public and support the committee as well as it should. Certainly the ideas behind these changes are understandable, but at best they are not well thought out, and at worst, the Law of Unintended Consequences has operated to produce results that we believe negatively impact the program. Over the last five years, increasing pressures for the stamp program to produce both savings and revenue have seriously derailed the program.

First, let’s establish our objective is not to trash the Postal Service. Our criticism is meant to be constructive. If we didn’t care about the Postal Service, we would remain silent. But we feel strongly about the direction a few of its managers at and above the stamp subject selection and design level are pushing the stamp program. They are doing a disservice to the respect enjoyed by an institution that touches every American every day in their own homes and neighborhoods.

The major aim of the stamp issuance program is to recognize and honor the best of America – its people, its culture, its diversity, the panorama of its history, its accomplishments in science and medicine, sports, the arts, its founding principles and societal goals, and to educate, to name just a few. Were it otherwise, the Postal Service could issue a single stamp for each prevailing postage rate.

In fact, there are collateral benefits to issuance of the wide variety of stamps. The popular commemorative stamps have the power to educate our own citizens, represent the United States to peoples abroad, recognize people and causes, and yes, encourage the collecting of US stamps domestically and abroad for the financial benefit of the USPS. Collecting reaps a monetary reward in two ways: cancelling hundreds of thousands of collectible first day covers that do not have to be processed through the mails and through the buying of stamps that are never used.

To our disappointment, the prevailing attitude on the part of some pie-in-the-sky USPS marketers has been and continues to be that this cow is not yielding the amount of milk that it could, and that more needs to be done to maximize profits.

Among the actions we have seen to that end include:

1. An increasing emphasis over time to change the content of stamps from substantive subjects with gravitas to more and more which are assumed to have wider appeal to the buying public. Let us make it very clear we don’t object to including pop culture subjects; we just believe the major aims of the stamp program should not be forgotten.

2. Sometimes repeated use of themes that were popular, and therefore are expected to sell well if used again, rather than broadening the program to honor or recognize a wider range of subjects.

3. Over the last 20 years there has been a huge increase in the number of designs per issue; capped by the controversial 20-design 2013 issue for Harry Potter, and the eight-stamp 2014 Batman issue. It is no wonder that the pop culture issues expected to sell well are also the issues most often picked to have multiple designs. Marketers sometimes hijack the primary role of the advisory committee.

4. When we joined the Stamp Committee, most of the members were substantive subject matter experts in their life’s work. In the last l5 years, increasing numbers of stamp advisory committee appointments have gone to artists and marketers. These people are too often oriented to ‘what will sell?’ As a result, they have created odd multiple designs that often tip toward art that is edgy and even incomprehensible.

5. We have seen increasing numbers of stamps with higher face values – some justified by rate changes that occur far more frequently than happened in the past; but others with no justification whatever except to test the limits of what the market will bear. Take, for instance the $8 Inverted Jenny souvenir sheet and the shameless hawking of these to those who might hope to win a lottery to get one of the 100 un-inverts. Did that lottery capture the excitement of the marketers? Sure. How about the everyday consumers? No. Collectors? No.

All of this reflects the change in the culture of the Postal Service that puts increasing emphasis on defining success of the stamp issuance program in terms of profit realized. This extends from the evaluations of mid-level managers to the ways that Stamp Services is treated in the budgeting process.

The bottom line is that this one element of profitability has become a tail that wags the USPS dog, to the exclusion of or minimizing other important program goals.

Yet the Postal Service continues to say it wants a quality program that appeals to a wide demographic; that they respect and want to cater to stamp collectors, and that it wants to maintain a high-level reputation among the world’s postal administrations.

We believe that how they actually behave says loud and clear what they truly value— revenue expansion and cost cutting.

While this is not a new phenomenon, it has grown exponentially as the USPS has faced continuing deficits due to manufactured financial burdens placed by the Congress and due to decreasing first class mail volume.

This situation is enabled by two dynamics. First, a single year budgeting cycle that discourages investment in marketing and buyer development for monetary gains on the longer term and second, a method of calculating profits that is not simply faulty in concept, but downright deceptive.

Expensive contracted and internal studies of stamp profitability over the years have not been very rigorous, and much of the profit ascribed to the stamp program may be illusory. Smoke and mirrors, if you will.

These are studies that ask respondents if they will retain any of the stamps they have purchased rather than use them as postage. The results are then swallowed whole as representing the level of profit. In fact, they represent the triumph of hope over reality.

What actually happens to stamps bought to be collected? Undeniably many, maybe even a majority, go into collections never to be used as postage. But some are ultimately re-sold to be used as postage when their collectability spirals downward.

Suffice it to say that many collectors and investors buy anything from a single pane to hundreds of panes of new issues hoping that their value will appreciate over time. In many cases, this takes decades to happen, and in most cases it does not happen at all.

The result is that quantities of mint U.S. stamps are often bought and later sold when an owner needs money, or disburses a collection, usually at markedly less than face value, sometimes as low as half the original purchase price. Savvy bargain hunters know discounted postage is easily available through the Internet, at stamp shows and in stamp publication ads. Some of those will be bought to go back into collections, but the majority will be used for mailing, thus cutting deeply into the supposed Postal Service “retention” figures.

The bookkeepers retention figures may be accurate at the single moment they are developed, but they melt away rapidly. To our knowledge there are no current studies assessing the true long-term profits

So marketers get to slap their own backs congratulating themselves on the basis of short term gains. They ignore the fact that a substantial portion of those paper-only profits have a short shelf life. That dynamic simply does not fit the narrative on which they base internal rewards. Nor do the increases reported internally take much account of the fact that increased retention revenue is often based on nothing more than the ever-higher face values of the stamps retained due to rate increases. They are dreamers.

It is fact that a marketer mentality has taken root within the Postal Service demanding that postage stamps must meet unreasonable expectations of profitability. To our dismay those expectations have been institutionalized in such a way that they operate to make it more difficult to attain non-monetary goals that are much harder to quantify.

We believe that many of the Postal Service managers, including the Postmasters General under whom we have served, were and are sincere in wanting a high quality stamp program. The problem is that elements of the Service have in actual practice ignored the bedrock purpose of the program— to honor the people, guiding principles and events that have made this nation great— and replaced it with an institutionalized effort to maximize profits.

Finally, we offer some suggestions:

Reverse the trend of appointing more and more artists and marketers to the Stamp Advisory Committee. Consider revising its makeup. How about a diverse two-thirds membership of subject matter experts from the areas of history, science, sports, international relations, law, government and the fine arts . The emphasis in designs should be on substance rather than edgy art reflecting the ooo’s and ahh’s of the artists and designers themselves. It’s not about them. It’s about the American people.

U.S. collectors have valid concerns. They are important consumers. Hear them out. They’ve been overlooked in too many instances.
 
Invest in marketing US stamps rather than simply relying on news coverage of their issuance. Promote their availability in the current television campaigns promoting package deliveries.
 
Improve the distribution of new stamp issues so that when customers ask for specific stamps, local post offices have them in stock. Increase their promotion and availability in the retail marketplace as well.
We respectfully appeal to you as you take up your new duties to grab hold of the rudder and put the stamp subject and design process back on course.

Cordially and with respect,

Benjamin F. Bailar / Cary R. Brick / John M. Hotchner

About the Authors
Bailar2Benjamin Franklin Bailar (right; Lake Forest, IL 60045-2254), Postmaster General from 1975-1978, former Dean of the Business School at Rice University, served on the Stamp Advisory Committee from 2007 to 2014. (bbailar@mba1959.hbs.edu)

Cary R. Brick (Clayton, NY 13624-0003), retired 31-year U.S. House of Representatives Chief of Staff, President of economic development council, Chair of scholarship foundation, researcher and writer, served on the Committee from 2002-2014. (cbrick@twcny.rr.com)

hotchnerJohn M. Hotchner (left; Falls Church, VA 22041-0125), retired 42-year employee of the U.S. State Department, past president of American Philatelic Society, served on the Committee from 1998 to 2010. (jmhstamp@verizon.net)

Exhibits Jury Set for Americover 2015

Ken Trettin of Iowa will head the exhibits jury at Americover 2015, a World Series of Philately show that will be held Aug. 14-16 in Columbus, Ohio.

Trettin will be assisted by Janet Klug of Ohio, Kathy Johnson of Illinois, Mike Ley of Nebraska and Allison Cusick of Pennsylvania.

The prospectus is now available on the AFDCS Web site, www.afdcs.org, by regular mail from Kerry Heffner, 17656 K Street, Omaha, NE 68135-3491, or e-mail at exhibits@afdcs.org. The deadline for entering the Americover 2015 exhibition is June 1, 2015, or whenever the 160 available frames fill up.

The emphasis at Americover is on First Day Cover exhibits, and about three-fourths of each exhibit should consist of FDCs and related material. All three divisions (Postal, Illustrated Mail and Display) of the General class of exhibits will be accepted, as well as One-Frame and Youth exhibits.

Trettin edited The American Revenuer for more than 35 years, and is current editor of the annual American Philatelic Congress Books. In addition to revenues, his expertise includes postal history and display division exhibiting.

Ley specializes in British Commonwealth, particularly in the stamps and postal history of Burma, as well as United States. He is exhibit chairman for the Omaha Stamp Show and secretary of the American Association of Philatelic Exhibitors.

Klug is chair of the U.S Postal Service’s Citizens Stamp Advisory Committee and a past president of the American Philatelic Society. Her judging expertise includes military postal history, first day covers, and display exhibits. She is currently working on a half dozen collections of FDCs, including the Ohio River Canalization and American Turners issues.

Johnson’s expertise is in the British Commonwealth area with a focus on Ceylon. She has exhibited first day covers of the Disabled American Veterans, Honoring U.S. Servicemen, and the American Pharmacy issues. She has served as president of the Junior Philatelists of America and treasurer of the APS.

Cusick has served as president of the American First Day Cover Society, was chairman of its expertizing committee and presently is a member of its Board. He collects and exhibits FDCs of the 1949 Edgar Allan Poe issue and contributed the FDC treatments to the sixth edition of the APS Manual of Philatelic Judging.

amcvr11_grandAs a WSP show, the winner of the Grand Award at Americover 2015 will be part of the Champion of Champions competition at Stampshow 2016. Charles J. O’Brien III, winner of the 2014 Grand with “The Eagle Has Landed,” will represent Americover this summer in Grand Rapids, Mich.

The Americover 2015 Grand prize is again a crystal pyramid provided by the AFDCS’ Claude C. Ries Chapter. (A photo of the Americover 2011 Grand is shown here.)

In addition, if six or more competitive single-frame exhibits are entered, the Curtis B. Patterson Award recipient for the best single-frame exhibit will be invited to enter the APS Single-Frame Champion of Champions competition at AmeriStamp Expo in 2016.

Besides its Grand and Reserve Grand awards, Americover offers special awards from both the AFDCS and other philatelic societies, including ones for best exhibits of foreign FDCs, topical FDCs, pre-1931 FDCs, best exhibits by a novice and a youth, and best single-frame exhibit.

The three-day Americover 2015 will be held at the DoubleTree by Hilton Columbus-Worthington, and there is a special Americover room rate of $99. There also will be two bourses (commercial dealers and cachetmakers), a banquet, meetings, a youth table, a hospitality suite, live and silent auctions, seminars, a pre-show tour of the area, a post-show evening dinner event, and a U.S. first day ceremony. A forum by a postal official involved with first day covers is also on the schedule.

Unlike other WSP shows, Americover’s exhibit awards are not presented at its banquet (which is held Friday night), but at the AFDCS Business Meeting Saturday morning.

For more information on Americover 2015 and the AFDCS, contact the AFDCS at P.O. Box 16277, Tucson, Ariz. 85732-6277, email showinfo@afdcs.org or visit www.afdcs.org.

APS’ Guyer To Head Dealers Association

dana_guyer_riverside01Dana Guyer, director of Shows & Exhibitions for the American Philatelic Society, will become the executive director of the American Stamp Dealers Association, effective March 1. Guyer confirmed the hiring to The Virtual Stamp Club.

She is shown here with a sheet of Forever Hearts stamps issued at AmeriStamp Expo 2015, her last show for the APS. (Photo courtesy Michael J. Luzzi and used by permission.)

Guyer is currently busy with preparations for APS’ AmeriStamp Expo show in Riverside, California next month (February 13-14).

She will be the second APS Shows & Exhibitions director to move up within philately. Her predecessor, Ken Martin, left that post to become Deputy Executive Director and is now Executive Director of the APS.

“We wish Dana well and hope that she and the ASDA have a very successful
future,” Martin told The VSC in e-mail.

This looks like a good move for the ASDA, because one of its primary functions is staging major stamp shows, particularly the two annually in New York City. Last fall’s show at the New York Hilton celebrated the organization’s 100th anniversary, but also proved to be a money-loser. Its executive director was fired soon after. The April 16-18 show in NYC will again be at the Hilton, but at a smaller, less expensive, venue within the hotel.

Ironically, the ASDA is staging a show in Fort Lauderdale, Florida, on the same weekend as AmeriStamp Expo.

As for the APS, it now has a job opening.

“The job announcement should be posted on the APS website by mid next week,” Martin said. “We will publicize the opening in the e-newsletter that should go out late next week and have an ad in the March American Philatelist. Applications will be accepted until March 18.”

Glade Creek Grist Mill Priority Envelope (US 2015)

s_millprienvJanuary 30th: This was not previously announced until it popped up on the store.USPS.com website as both a first day cover and “mint” in packs of 5, 10 and 25 (under “mailing supplies.” A USPS spokesman tells The Virtual Stamp Club, “This wasn’t a typical stamp creation and dealt with different channels.” We’re trying to get more details.

Here’s a look at the 2014 stamp on which the indicia is based:

An Post Returns Santa Letter: Insufficient Address

Ireland’s postal agency An Post is apologizing for returning a 3-year-old’s letter to Santa… marked “insufficient address.”

The BBC reports that apparently “Santa Claus, Santa’s Grotto, Lapland, The North Pole” wasn’t good enough — even though An Post delivered the letter from the little girl’s eight-year-old sister.

An Post says it successfully handled 140,000 letters to Santa this year, and is very upset about this one.

It offered to send a special letter to the three-year-old, but was turned down.

USPS: No Domestic Shipping Price Hike

Buried in the second bullet point is that the USPS is asking for an increase in its international shipping services. —LdeV

[press release]

Proposed New Postal Service Shipping Prices Designed to Capitalize on Strong Package Growth
No price increase proposed for Priority Mail and Priority Mail Express products
usps_pkgdelivery2WASHINGTON — In a notice filed with the Postal Regulatory Commission (PRC), the U.S. Postal Service seeks to keep Priority Mail Express and Priority Mail services at their current prices. It’s part of the Postal Service’s ongoing pricing strategy to capitalize on strong package growth.  Priority Mail is the Postal Service’s flagship Shipping Services product and is a convenient and fast way to send documents and packages requiring expedited transportation and handling.

Also, unlike other shipping companies, the Postal Service is not implementing new dimensional weight charges with this pricing proposal, continuing its commitment to deliver the best value for customers. For more information about this please visit https://www.usps.com/dimensionalweight/welcome.htm.

With affordable shipping options and improved tracking, the Postal Service hopes to attract new business customers and become their delivery platform of choice. In FY 2014, Postal Service Shipping and Package Services volume grew by 300 million pieces, an increase of 8.1 percent over the previous year.

Some of the key elements of the pricing proposal filed with the PRC today, which includes an overall 3.4 percent price increase, include the following:

  • No price increase in domestic Priority Mail Express and Priority Mail services and products.
  • Priority Mail International will increase 6.8 percent, and pricing to Canada will now be zoned.
  • Priority Mail Express International will increase 6.7 percent with Flat Rate pricing available.

Priority Mail International is a reliable, cost-effective way to send merchandise and documents to about 180 countries. Priority Mail Express International provides affordable and fast international delivery to about 180 countries. Shipments are insured against loss, damage, and /or missing contents up to $200 at no additional charge. Date-certain service with a money-back delivery guarantee is available to select countries.

The PRC will review the prices before they are proposed to become effective on April 26, 2015, to determine if prices are consistent with applicable law.

The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.”

Hotchner: Put Fun Back In Philately

Didja hear the one about the stamp collector who…?
by John M. Hotchner

hotchnerWhen I wear a name badge showing I am a member of the Errors, Freaks and Oddities Collectors’ Club, my wife has been known to chide me with “Which one are you?” And it is undeniable that there is a perception that some, if not all stamp collectors are a bit “off”. As a group we are possessed of a demon that demands we acquire ever more little colored pieces of paper, and often the envelopes on which they have been used. In doing so, we set ourselves apart from most other people and inhabit a mostly solitary world of cancellations, catalogue values, perforation measurements, and other trivia where stamps become a passion that is barely comprehensible to family, friends, colleagues at work, and casual acquaintances. And what others do not understand, they often denigrate or, worse, assign a personality warp to those who practice the unimagined art.

Enough for that meaning of “funny.” It struck me recently as I chuckled my way through a Carol Burnett rerun, that the world is full of comedy, and yet we see little of it in our hobby. It is possible that this is because the practitioners of the hobby in a public setting are involved in serious pursuits; running clubs and societies, studying the endless questions our material raises and writing articles proposing answers, or exhibiting our stamps and covers in competition. These things can be fun, but are rarely treated as being in any sense funny.

Extend this to the questions that are a constant in letters to the editor: How many stamps per year is the right number? What is attractive and effective stamp design? Is there a good way to separate self-stick stamps from paper? What is the latest outrage in postal service policy? Monologue and even dialogue on these subjects is passionate, but distinctly unfunny.

carriers1In fact, when an opportunity comes up to address humor, such as cartoon or other representational art used as stamp designs, the overwhelming response is that this is not serious art, or a serious way to treat a serious subject!

And yet, stamp collecting is supposed to be fun, a respite from the serious matters that make up our normal day-to-day. Part of that fun is humor. We are hard-wired as human beings to enjoy a good laugh. Is there any list of qualities for a possible mate that does not include “a good sense of humor?” Certainly laughing together is an essential glue of any relationship. But I digress…

The fact is that Humorless equals Unattractive. So, is it any wonder that stamp collecting is having an increasingly hard time competing for new adherents when our image is often that of serious clinicians rather than people having fun and sharing smiles?

OK, it is a fact that we are probably dealing with a leopard that is not going to change its spots, but is there any way to increase the humor quotient in philately … to make the hobby more appealing to those who enjoy a good laugh?

I think there is. Our hobby’s public face is multifaceted. It includes our publications, our websites, our exhibits and exhibitions, and ourselves as collectors in how we present ourselves to the unwashed. In the good old days of philately when I was getting involved, there were humor-based columns in our publications, cartoons, an emphasis on the fun in philately. That is much less seen these days, replaced by what to an outsider would be as dull and useless as an insider’s understanding of the workings of the stock market to a non-investor. Make no mistake: Much of this is fascinating to the insider — the serious collector. But it does not sit well with another audience: those we want to bring into the hobby, or even many of those who are beginners and considering whether to devote more time and effort to the hobby.

Part of this problem lies with writers, and part of it lies with editors. When I began my series of cartoon contests in Linn’s many moons ago, the editor at the time was not in favor of the idea. His take was the concept would fail because “Stamp collectors have no sense of humor.” I’m glad I persisted, as 20+ years later, I think the monthly Cartoon Caption Contest has proved otherwise. Everyone has a sense of humor, but as any successful comedian will tell you, it is hard and serious work to make people laugh.

Our hobby’s websites are unfortunately tracking with our print publications. In fact they are often just our print publications. I’m not an expert here, as (showing my age) I don’t have as detailed a sense of what is going on in cyberspace as I do in the print realm. But the Internet is an increasingly important recruiting tool for appealing to younger folks, and it needs to have a humor component every bit as much as the print media does.

Our exhibits and exhibitions — Competition is a good thing. It encourages our best effort, and in philately, it is responsible for much of the geometric growth of knowledge that makes philately a rich and inviting place for specialists. But there is a down side. Despite the fact that it is the exhibit being judged, it can be hard to separate the self from the exhibit; leading to a feeling of being personally judged. Combine this with the scholarship required to attain a Gold medal, and we have seen a trend toward the scientific approach to building competitive exhibits, with the result that many (including some of mine) are dull and boring. It may not be possible to fix this, but again, it is possible to bring more fun into the frames.

How? I’d like to see much more in the way of non-competitive exhibits at our shows; exhibits that are maybe not explicitly funny, but are at least FUN, and present that side of the hobby. Examples? The late Clyde Jennings’ exhibit on outhouses. The late John Briggs’ exhibit on “How to win a gold medal: craftiness in philatelic exhibiting.” The late Jo Bleakley’s “Frog and Toad Trivia.” The late Vernon Moore’s multiframe on music; and other entertaining exhibits… Are you seeing a pattern here? We need a new generation of exhibitors who are not devoted to just the search for Gold medals, but are motivated to present the fun of philately.

And the people, ah, the people. Get any two stamp collectors together talking about their hobby, their dealer experiences, other collectors, and their search for material, and there will be plenty of laughs. But put a stamp collector and a non-collector together, and the discussion will quickly default to values, the benefits of the hobby, and similar serious issues. The fun part does not sparkle in these interchanges.

And speaking of sparkling, if the public face of the hobby is its people, then we need more people like the earlier mentioned Clyde Jennings; not just for his wonderful exhibits (both Gold winners and fun exhibits), but for his wardrobe. Clyde owned a wide range of matching sport coats and slacks (and underwear!) in just about all hues of the rainbow. He always stood out in a crowd, and he always provoked and enjoyed the humorous comments on his newest garb. Just by being there, he made any philatelic event a fun place to be. And while he took his exhibiting pursuits seriously, his object was to bring joy to the faces of those with whom he came in contact. In doing so he made the hobby attractive. We need many more people so motivated.

Fun and humor are not the same thing, but they are first cousins. We need much more of both in our public face. Readers are invited to drop me a line with your ideas on how we can promote those aspects of our hobby; especially among those who are not now collectors.


Should you wish to comment on this column, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Nelson Mandela (Canada, 2015)

[press release]
Canada Post celebrates hope, courage and freedom with new Nelson Mandela stamp

can_mandelaTORONTO, Jan. 27, 2015 /CNW/ – Today, Canada Post is unveiling a new stamp to commemorate the heroic life of Nelson Mandela, and celebrate the legacy of courage, determination and persistent hope he left behind. The stamp recognizes the special relationship Canada shared with Mandela, who referred to this country as his home away from home.

Amid his 27 years in prison, Mandela became a symbol of the moral fight for freedom, equality and justice in South Africa and around the world. His message strongly resonated among Canadians, who were at the forefront of the global outcry over his imprisonment and of the unrelenting demand for his release.

After his release in 1990, Canada was among the first countries Mandela visited. Four years later, as president of South Africa, he specifically drew on Canadian values, policies and practices to build his post-apartheid vision of a multi-racial democracy rooted in equality and governed by the rule of law.

In 2001, on his third visit to this country, Mandela was bestowed with honorary Canadian citizenship. He was the first living person to receive this recognition.

“Nelson Mandela, an honorary Canadian citizen, is an inspiration to everyone who values human rights. As a great champion of freedom, beloved by Canadians, he will forever be remembered as a man whose courage changed not just South Africa, but also the world,” says Chris Alexander, Canada’s Citizenship and Immigration Minister.

“Our stamp program seeks to tell the stories of people who have had a powerful effect on our society, and Nelson Mandela’s story is among the most powerful. Canada Post is truly privileged to celebrate his life, his legacy and his struggle that inspired generations to fight for what is right,” says Deepak Chopra, President and CEO of Canada Post.

The stamp was inspired by a photograph taken by Yousuf Karsh on Mandela’s first visit to Canada in 1990, just four months after his release from prison.

The world mourned Mandela’s passing on December 5, 2013.

About the stamp
The Nelson Mandela Permanent stamp, featuring a photo by Yousuf Karsh, is available in booklets of 10 and measures 32 mm x 32 mm. An Official First Day Cover and souvenir sheet with an international rate stamp are also available. The stamp, souvenir sheet and Official First Day Cover are designed by Ian Drolet with photos by Yousuf Karsh, Jürgen Schadeberg and Stephane de Sakutin, and printed by Canadian Bank Note. The Official First Day Cover measures 191 mm x 113 mm and is cancelled in Ottawa, Ontario. Many thanks to the Nelson Mandela Foundation for its cooperation and assistance in the creation of this stamp issue.

The stamp will be available for purchase on January 30. To purchase philatelic products, please visit canadapost.ca/shop.

Alice In Wonderland (UK, 2015)

[press release]

Alice in Wonderland
10 Stamps – Issue date: 6th January 2015
uk_alice_strip1Reason and inspiration
To celebrate the 150th anniversary of the publication of Lewis Carroll’s classic book Alice’s Adventures in Wonderland, Royal Mail commissioned illustrator Grahame Baker-Smith, winner of the Kate Greenaway Medal and author of FArTHER, to illustrate ten key scenes from the book. Art-directed by Godfrey Design, Baker- Smith offers a fresh, lively interpretation of unforgettable characters such as the White Rabbit, the Cheshire Cat and Alice herself, making the story come to life with new vivacity. The unusual vertical se-tenant format not only suits the topsy-turvy story but also adds philatelic interest.

uk_alice_strip2Stamps
2nd Class The White Rabbit
2nd Class Down the Rabbit Hole
1st Class Drink Me
1st Class The White Rabbit’s House
81p The Cheshire-Cat
81p A Mad Tea-Party
£1.28 The Queen of Hearts
£1.28 The Game of Croquet
£1.47 Alice’s Evidence
£1.47 A Pack of Cards

Technical Details
Stamps: 2 x 2nd, 2 x 1st, 2 x 81p, 2 x £1.28, 2 x £1.47
Products: FDC, Presentation Pack, Stampcards, Retail Book, Medal Cover, Frames, Pins
Design: Godfrey Design
Illustrations: Grahame Baker-Smith
Printer: International Security Printers
Stamp size 35mm x 35mm
Sheet Size: 60 per sheet, 10 sheets or 5 sheets of ST pairs?
Print process: Lithogrpahy
Acknowledgements: Stamp designs © Royal Mail Group Ltd 2015

Products

Presentation Pack
uk_alice_packThe presentation pack, designed by Godfrey Design and written by Professor Hugh Haughton, tells the story of the genesis and publication of Alice’s Adventures in Wonderland. From the “golden afternoon” in July 1862, when Reverend Charles Lutwidge Dodgson – better known by his pen name Lewis Carroll – told an outlandish tale to the young Alice Liddell and her sisters, through illustrator John Tenniel’s role, to the myriad editions over the past century and a half, the pack offers real insight into the story behind this classic children’s tale. Beautifully illustrated, it includes a photograph of Alice Liddell taken by Dodgson himself as well as reproductions of pages from his first hand-written manuscript. Price: £9.95 Code: AP396

First Day Cover
uk_alice_fdcThe First Day Cover, designed by Godfrey Design, features a striking illustration of the White Rabbit by Grahame Baker-Smith. The Tallents House handstamp features an illustration of the Mad Hatter’s hat drawn by John Tenniel for the original edition of Alice’s Adventures in Wonderland. The alternate location is Oxford, where Reverend Charles Lutwidge Dodgson lived and worked. Price: £11.78 (overseas £9.82) Code: AF388

Stamp cards
The 10 Special Stamps image are reproduced at postcard size
Price: £4.50, Code: AQ215

Retail Stamp Book
uk_alice_retailThe Alice in Wonderland Retail Stamp book contains the two 1st Class stamps from this beautiful Special stamp issue, alongside 4 of the Machin 1st Class red stamps. Price: £3.72 Code: UB380

Postmarks
The Tallents House handstamp features an illustration of the Mad Hatter’s hat drawn by John Tenniel for the original edition of Alice’s Adventures in Wonderland.

An alternative First Day of Issue pictorial and non-pictorial OXFORD postmark will also be available for this issue. OXFORD was chosen as this is where Reverend Charles Lutwidge Dodgson lived and worked

uk_alice_cancelsTALLENTS HOUSE Pictorial FD1501-TH
OXFORD Pictorial FD1501-PL
OXFORD Non-pictorial FD1501-NP

Pin Badges (set of 5)
Price: £5.95 each,
Set of 5 Alice in Wonderland Pin Badges using the images of the stamps. The pin badges will be 30x30mm with a butterfly tie tack reverse. Each pin badge will be supplied on a backing card designed in the colours and style of the stamp issue and in clear hook and hang packaging. Not suitable for children under 3 years old due to choking hazard and sharp edges.
NB157: The White Rabbit (2nd Class)
NB158: Drink Me (1st Class)
NB159: A Mad Tea-Party (81p)
NB160: The Cheshire-Cat (81p)
NB161: The Game of Croquet (£1.28)

Panorama Pops Book – Alice’s Adventures in Wonderland 
by Lewis Carroll, illustrated by Grahame Baker-Smith. Additional details not yet available.

Stamp Art
Set in a black box frame, these beautifully illustrated Alice in Wonderland Stamps make a great addition to the wall. Handmade for Royal Mail in the UK. Dimensions: 33x18cm Price: £5.00 Code: NZ051

An exquisite 150th anniversary edition of Lewis Carroll’s classic story, created in association with Royal Mail. Alice’s adventures are bought to life in this special three-dimensional cut-paper book, presented in a charming slipcase. The book unfolds to reveal 10 of the most famous moments in the classic story, from Alice falling down the Rabbit hole, to the Mad-Hatters tea party. The beautiful illustrations by Kate Greenaway Medal winner Grahame Baker-Smith were specially commissioned by Royal Mail for a set of commemorative stamps and this innovative version of the classic tale makes an irresistible gift.

Stamp Art
Set in a black box frame, these beautifully illustrated Alice in Wonderland Stamps make a great addition to the wall. Handmade for Royal Mail in the UK. Dimensions: 33x18cm Price: £25.00
Additional Frame – Alice in Wonderland Print and Stamp Price: £45 (TBC)

Medal Cover – Issue Date 5th March 2015
Price £TBC, Code TBC
, Visual not yet available – this is for information only.
The Alice in Wonderland medal cover is issued on 5 March 2015, in time for World Book Day, includes the Alice in Wonderland special stamps and a specially designed Royal Mint medal. The insert features key characters from the story as portrayed by notable illustrators over the past 150 years, all set within a beautifully conceived paper cut-out illustrations by Rebecca Sutherland. The medal cover has been designed by Interabang and written by Lewis Carroll expert Selwyn Goodacre.