Missing Children Envelopes (U.S. 2015)

missingkidsenvFrom the April 2nd Postal Bulletin:

On May 18, 2015, in Anaheim, CA, the U.S. Postal Service will issue the Missing Children stamped envelope set of 10 envelopes with seals, Forever First-Class Mail priced at $9.95, in pressure-sensitive adhesive (PSA) #10 stamped envelopes (Item 882102).

This spring, the U.S. Postal Service issues two different sets of 10 stamped envelopes including seals. The artwork on the stamped envelopes is based on the 2015 stamps celebrating the same subjects. The Missing Children set includes 10 stamped envelopes showcasing a photograph of a bunch of purple Forget-Me-Nots next to a lone flower with text on the top of the stamp that reads “Forget-Me-Not” and text on the bottom that reads “Help Find Missing Children.” The seals included in each of the sets complement the stamp designs.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office™, at The Postal Store® website at www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

missingkidsenvMissing Children Stamped Envelopes
Postmaster
Anaheim Post Office
701 North Loera Street
Anaheim, CA 92803-2282

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders for Missing Children Stamped Envelopes must be postmarked by July 17, 2015.

These two items are considered Philatelic Products and will be issued in the following formats:

  • 882102 Missing Children Stamped Envelope set of 10 with seals (1 design), $9.95.
  • 882104 Missing Children Stamped Envelope First-Day Cover, $0.74.

Technical Specifications:

Issue: Missing Children Stamped Envelopes
missingkidsenvItem Number: 882102
Denomination & Type of Issue: Forever First-Class Stamped Envelopes
Format: #10 Regular Envelopes, Packet of 10, 1 design
Issue Date & City: May 18, 2015, Anaheim, CA 92803
Art Director: Ethel Kessler, Bethesda, MD
Designer: Ethel Kessler, Bethesda, MD
Typographer: Ethel Kessler, Bethesda, MD
Existing Photos: Harald Biebel
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Halm Jet EM4000
Folding Machine: W&D #527
Print Quantity: 370,000
Paper Type: 61# Postal Envelope, Block, Type III
Adhesive Type: Pressure-sensitive adhesive
Processed at: Ashton Potter (USA) Ltd. (APU)
Envelope Orientation: Horizontal
Envelope Size: (w x h): 9.5 x 4.13 in/241.30 x 104.78 mm
Image Size (w x h): 1.67 x 1.08 in/42.32 x 27.36 mm
Colors: Black, Cyan, Magenta, Yellow, PMS 431 Gray
Marginal Markings: Forest Stewardship Council Logo • “THIS ENVELOPE IS RECYCLABLE AND MADE WITH 30% POST CONSUMER CONTENT” • Recycling Logo • © USPS 2015

More Staff Changes at APS

apslogonew1The Virtual Stamp Club has learned that Renee Gardner is no longer head of the Internet Sales Unit of the American Philatelic Society. She is the fourth staffer to leave the APS since the beginning of the year, each apparently for different reasons and not connected.

Others were editorial assistant Bonnie Farmer; Shows & Exhibitions Director Dana Guyer, who is now executive director of the American Stamp Dealers Association; and Education Director Gretchen Moody, whose husband has taken a job in another part of the country.

In addition, the APS has been searching for a new executive director, with current E.D. Ken Martin moving to a different position.

Water Lilies Stamped Envelopes (U.S., 2015)

Updated April 2nd: From the Postal Bulletin:

s_wliliesenvOn April 17, 2015, in New York, NY, the U.S. Postal Service® will issue the Water Lilies stamped envelope set of 10 envelopes with seals, Forever® First-Class Mail® priced at $9.95, in pressure-sensitive adhesive (PSA) #10 stamped envelopes (Item 882101).

This spring, the U.S. Postal Service issues two different sets of 10 stamped envelopes including seals. The artwork on the stamped envelopes is based on the 2015 stamps celebrating the same subjects. The Water Lilies set includes 10 stamped envelopes featuring two designs — five of a colorful pink water lily and five of an elegant white water lily. The seals included in each of the sets complement the stamp designs.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office™, at The Postal Store® website at www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Water Lilies Stamped Envelopes
Special Events Coordinator
380 West 33rd Street
New York, NY 10199-9998

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders for Water Lilies Stamped Envelopes must be postmarked by June 16, 2015.

These two items are considered Philatelic Products and will be issued in the following formats:

  • 882101 Water Lilies Stamped Envelope set of 10 with seals (2 designs), $9.95.
  • 882103 Water Lilies Stamped Envelope First-Day Cover set of 2, $1.48.

Technical Specifications:

s_wliliesenvIssue: Water Lilies Stamped Envelopes
Item Number: 882101
Denomination & Type of Issue: Forever First-Class Stamped Envelopes
Format: #10 Regular Envelopes, Packet of 10, 2 designs
Issue Date & City: April 17, 2015, New York, NY 10199
Art Director: Phil Jordan, Falls Church, VA
Designer: Phil Jordan, Falls Church, VA
Typographer: Phil Jordan, Falls Church, VA
Existing Photos: Cindy Dyer
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Halm Jet EM4000
Folding Machine: W&D #527
Print Quantity: 370,000 (185,000 each design)
Paper Type: 61# Postal Envelope, Block, Type III
Adhesive Type: Pressure-sensitive adhesive
Processed at: Ashton Potter (USA) Ltd. (APU)
Envelope Orientation: Horizontal
Envelope Size: (w x h): 9.5 x 4.13 in/241.30 x 104.78 mm
Image Size (w x h): 1.32 x 1.01 in/33.60 x 25.76 mm
Colors: Black, Cyan, Magenta, Yellow, PMS 431 U Gray
Marginal Markings: Forest Stewardship Council Logo • “THIS ENVELOPE IS RECYCLABLE AND MADE WITH 30% POST CONSUMER CONTENT” • Recycling Logo • © USPS 2015

Updated March 31st: The first day ceremony will be at 12 noon at the ASDA Show in NYC, The Hilton Hotel, 1335 Avenue of the Americas.

The address for mail-in FDC requests:

Water Lilies Stamped Envelopes
Special Events Coordinator
380 West 33rd Street
New York, NY 10199-9998

Updated March 24th: From the USPS, in response to my inquiry: “…Two designs were used from the Water Lilies stamps; the pink water lily and the white water lily. Here’s an excerpt from the announcement to be in next week’s bulletin: ‘On April 17, 2015 in New York, New York, the U.S. Postal Service® will issue the Water Lilies stamped envelope set of 10 envelopes with seals, Forever First-Class mail priced at $9.95 each set in pressure-sensitive adhesive (PSA) #10 stamped envelopes (Item 882101).'”

A surprise issue that popped up in the USPS website store on the first day of issue of the Water Lilies stamps, March 20th. Although the USPS store says “available now,” it also says the first day of issue for these is April 17th. There has been no announcement in the Postal Bulletin or to the philatelic press. Here’s the listing on the USPS website: s_wliliesenvPack of 10 PSA

Make mailing a breeze with this new package of ten Water Lilies Forever® stamped envelopes. Each ready-to-mail #10 envelope carries pre-printed postage featuring one of two photographs of classic water lilies – one in colorful pink, and the second in elegant white (five of each). For a finishing touch, ten coordinating pink lily seals are also included. Simply address, seal and mail!

Only two of the designs are used, from what we can see in the illustration. We will try to get more information from the USPS.

Report: Top USPS Stamps People Leaving

rudolph_fdoi01Bill McAllister of Linn’s Stamp News reports that Nagisa Manabe, the often-controversial Chief Marketing Officer of the U.S. Postal Service, and Cindy Tackett, the acting head of USPS Stamp Services, are both leaving the agency this spring.

Manabe (shown at the Rudolph first-day ceremony in November) joined the USPS as CMO in May 2012, and is reportedly telling associates she will leave on May 22, 2015. Tackett reportedly has told her staff she plans to retire in May after almost 42 years with the Postal Service.

cindy_tackett14octStamp collectors are likely to applaud Manabe’s departure and bemoan Tackett’s. Cindy (shown here at the Christmas stamps first-day in October) has provided more information to collectors during her brief stint as chief of the stamp program than her predecessor, and before that, was also often helpful to collectors.

As McAllister notes, it will be interesting to see who new Postmaster General Megan Brennan taps to fill these positions.

RIP Les Winick 1927-2015

Longtime Linn’s Stamp News columnist Les Winick has died at the age of 87 in Galesburg, Illinois. The local paper in its obituary says “his passion became promoting the hobby of stamp collecting.”

Many collectors remember him as the executive director of Ameripex ’86, the very successful “international” stamp show in Chicago.

Although we corresponded a few times, I’m afraid I only met him once, briefly. If you knew him, or even if your memories of Les are only through his writing and other philatelic work, please take a moment to share your thoughts here.

Sine Waves: Inside Stamp Catalogs

Sine Waves: The “Ugly” Side Of Stamp Catalogs
By Richard L. Sine

RLSWith the presumption that you have used a stamp catalog and are familiar with information presented in a stamp’s listing, abbreviations and acronyms, and the like, let’s look a bit at what goes into what you see.

Even through my time at Scott Publishing ended in 1992, I do not believe updating an annual publication has changed a lot.

When I first arrived at Scott, there was a catalog staff that knew what it was doing. At the time, the Scott catalog listings, other than new issues and values, were static. That is, to make a change in a description cost the firm $1.75 for each physical line. Consequently, only when egregious errors were discovered was something revised.

With the production change about 1988 where everything became digital, we then were able to “correct” anything and everything we found that was wrong. Toward then, during my remaining time at Scott, with each catalog year we corrected no fewer than 10,000 items. With the move to fully digital came the ability much more easily to add varieties, which would be inserted into existing listings, and handle new issues.

While catalog listings are considered the final word to nearly all the collecting public, remember that they are merely the most current information known about a given item. That information is subject to change at any time better information becomes available. That is just the way it is.

If you are a more general collector, such possibilities for change may not mean a lot to you. The more you specialize, the greater the possibility that adding or changing a listing easily may provide you with more items to procure. This certainly has happened to me.

Of course, if you are a specialist and something has been added or changed in your area of interest, you may well have been part of the effort leading to that change. Collectors are a major source of information leading to catalog adjustments.

Without even considering catalog value (which will be discussed separately), stamp catalogs – whether Scott or one of the specialty catalogs – are dynamic. The non-value information may well be as important to you as the current year’s values. I don’t get a catalog every year. The most recent edition I have caused me to review nearly all of the pre-1945 items in my collection because of what I found to be quite a bunch of new and changed listings.

The new varieties I was able to confirm added a lot to my total catalog value. More importantly, the number of “different varieties” in my collection increased. I should note that, over the years, I purchased a lot of bulk lots and only now (a few decades later) am going through the material stamp-by-stamp for what I expect to be the final time.

Look upon your catalog, then, not as (only) a way to calculate a value of your collection, but rather as your primary reference resource as to just what it is you have. Understand how your catalog is “built” and it will reward you with more information than you expected. Your catalog is your friend.

Bridges (UK 2015)

[press release]

Bridges
5th March 2015uk_bridges_set
Reason and inspiration
The Bridges stamp issue celebrates the leaps in engineering that have seen the UK’s bridges evolve from humble stone crossings to dramatic symbolic landmarks conceived by progressive architects. The stamp images feature British bridges constructed from a wide range of different materials, including gritstone, limestone, cast iron, wrought iron and steel, while referencing diverse styles of bridge engineering, from clapper and stone arch to suspension and bowstring girder.

Stamp details
Designed by London agency GBH, the ten photographic stamps from locations spanning the whole UK, are arranged chronologically: pre-1600 –Tarr Steps, River Barle; 1700s – Row Bridge, Mosedale Beck; c.1774 – Pulteney Bridge, River Avon; 1814 – Craigellachie Bridge, River Spey; 1826 – Menai Suspension Bridge, Menai Strait; 1849 – High Level Bridge, River Tyne; 1850 – Royal Border Bridge, River Tweed; 1911 – Tees Transporter Bridge, River Tees; 1981 – Humber Bridge, River Humber; 2011 – Peace Bridge, River Foyle. Seven of the ten are original commissioned photographs by award-winning architectural photography agency Hufton + Crow.

Stamp Set Price: £6.20
Code: AS71A

Number of stamps: 10
Design: GBH
Acknowledgements: Row Bridge © Tony Mangan 2008; Craigellachie Bridge © David Gowans/Alamy; Humber Bridge © Al High 2009; all other photography by Hufton + Crow © Royal Mail Group Limited 2015
Stamp Format: Portrait
Stamp Size: 35mm x 37mm
Number per sheet: 25/50
Printer : International Security Printers
Print Process: Lithography
Perforations: 14.5 x 14
Phosphor: Bars as appropriate
Gum: PVA

Product Portfolio
First Day Cover
Designed by GBH, the envelope design replicates the titling device from the presentation pack, featuring letters in the style of some of the bridges on the stamps on a grey graph-paper background.
Price: £7.92 (Inland) £6.60 (Overseas)
Code: AF390

Filler Card
The filler card combines all 10 bridges into one technical drawing. Drawn to scale and arranged in chronological order, the illustration highlights the evolution of each new bridge. The editorial content features a brief introduction to the subject of bridges and includes sets of statistics and facts relating to each of the ten bridges.

First Day Envelope
Price: 30p
Code: AE348

Presentation Pack
Developed by London agency GBH, the presentation pack design is inspired by architectural blueprints, and charts the engineering evolution of bridges across the UK. The timeline from the stamps break out onto the pack, which forms a central spine to the narrative and includes biographies of engineers Thomas Telford and Robert Stephenson, whose bridges feature on the stamps. The pack combines photography with technical drawings, to provide additional historical or engineering points of detail. The titling device features lettering in the style of bridge designs.
Written by architectural historian and television presenter Dan Cruickshank, the editorial content provides a general overview of the importance of bridges in the civilised world, in terms of how they make vital connections and improve communications, and also in the way they have been created from pioneering methods of construction and new materials. The history and development of each of the ten bridges forms the main body of the editorial content.
Price: £6.70
Code: AP399

Stamp Cards
The ten special stamps are reproduced at postcard-size in this collectable set of stamp cards.
Price: £4.50
Code: AQ218

Postmarks
Tallents House Postmark
The Tallents House handstamp features a line drawing comprising two different bridge designs, similar to the arch styles of Row Bridge and Craigellachie Bridge.
Alternative Postmark

The alternative handstamp references Bridge, Canterbury, a generic location chosen for the general ‘Bridge’ reference, and the line drawing features two different bridge designs, similar to the styles of Menai Suspension Bridge and the Royal Border Bridge.
Non Pictorial Postmark

First Day Facilities
Unstamped Royal Mail First Day Cover envelopes (price 30p) are available from main Post Offices and philatelic outlets approximately one week before the stamps go on sale.
Serviced (i.e. stamped and postmarked) Royal Mail First Day Covers are available by Mail Order from Royal Mail, Tallents House priced £7.92 (overseas £6.60).
Orders for Serviced First Day Covers have to reach Royal Mail by 5th March 2015. Customers may also send stamped envelopes on the day of issue to Royal Mail, Tallents House for the Tallents House, Edinburgh postmark. The address for Royal Mail is as follows:

Royal Mail
Tallents House
21 South Gyle Crescent
EDINBURGH
EH12 9PB

Customers who hand in or post stamped Royal Mail First Day Cover envelopes at main Post Offices® on the day of issue will receive the pictorial BRIDGE, CANTERBURY first day postmark.

Alternatively, customers may send stamped envelopes to any of the Special Handstamp Centres for the pictorial or plain BRIDGE, CANTERBURY postmark quoting the reference number of the postmark required.

The Special Handstamp Centre
Royal Mail,
St Stephens Street,
BIRMINGHAM B6 4AA

The Special Handstamp Centre
Royal Mail
Tallents House
21 South Gyle Crescent
EDINBURGH
EH12 9PB

The Special Handstamp Centre
Royal Mail,
South Shields DO,
Keppell Street,
SOUTH SHIELDS
NE33 1AA

The Special Handstamp Centre
Royal Mail,
220 Penarth Road,
CARDIFF,
CF11 8TA

The Special Handstamp Centre
Royal Mail,
Mount Pleasant
Farringdon Road
LONDON
EC1A 1BB

British Postmark Bulletin
Details of all forthcoming first day of issues and all sponsored special handstamps are announced in the Postmark Bulletin. This is available on subscription from Royal Mail, Tallents House at £12.25 (UK & Europe) or £24.55 (rest of the world).

Special Handstamps
A number of different sponsored Special Handstamps are available for every new stamp issue. They are announced in the British Postmark Bulletin.

Bridges Presentation Pack copy
Throughout history, bridges have made connections and improved communications, while also offering visual delight and a sense of distinction. Bridges express ambition, achievement, pride and identity, almost always enriching rather than compromising the natural settings in which they are constructed.

While many bridges are an expression of functional beauty, some outstanding examples were born of a leap of faith and imagination, created from pioneering methods of construction and new materials. Some of the most innovative structures crossing rivers, roads and valleys have been built in the UK: for example, the Gateshead Millennium Bridge, which opened to the public in 2001, has a 105-metre central span secured by cables to a supporting arch that both tilt to allow large river craft to pass beneath.

TARR STEPS
uk_bridges_tarrThe origins of Tarr Steps, which crosses the River Barle in Exmoor National Park, are not definitively known. It has long been suggested that the structure could be up to 3,000 years old, but recent research reveals it is most likely to date from the 15th or 16th century.
Tarr Steps is a most elemental bridge formed by large slabs of gritstone – weighing up to 2 tons each and varying in length from 2 to 2.9 metres – placed flat on broad, low piers made from blocks of stone. Comprising 17 spans, the 55-metre bridge is held together by weight with no system of fixings or mortar. Serious flood damage over the years has resulted in substantial rebuilding and repairing of the original stones, but Tarr Steps remains an outstanding example of clapper-bridge construction.

ROW BRIDGE
uk_bridges_rowBelieved to have been constructed in the mid 18th century, this packhorse bridge over Mosedale Beck at Wasdale Head in Cumbria is a fine example of a type of bridge common in Western Europe in the Middle Ages.
Goods were often carried in panniers slung from packhorses, so bridges on trade routes could be narrow, making them quick and cheap to build. The relative lightness of the loads carried by this type of bridge – simply single rows of packhorses – meant that their forms could be daring, with added strength given to the material used through bold and ingenious design. Typically, as with Row Bridge, they were conceived as high semi-circular or segmental stone-built arches (an inherently strong form), often crossing a river or chasm in one slender span.

PULTENEY BRIDGE
uk_bridges_pulteneyDesigned by the esteemed Scottish architect Robert Adam, Pulteney Bridge in Bath is the UK’s finest example of an ‘inhabited’ bridge. Completed by 1774, it contains shops, originally with accommodation above, and was built to link the ancient centre of Bath with the proposed new Bathwick estate on the opposite bank of the River Avon.
Adam based his structure on an unbuilt design by the great 16th-century architect Andrea Palladio, which the Italian had entered into a competition to build a bridge at the Rialto in Venice. Though Palladio’s scheme was not selected, it was published and became an inspiration for 18th-century architects such as Adam, whose resulting creation, made from mellow Bath stone, with its three semi-circular arches and pedimented centre pavilion, is one of the most beautiful classical bridges in the world.

THOMAS TELFORD
Born in 1757 into an impoverished home in Eskdale, Scotland, Thomas Telford became one of the greatest structural engineers of the 19th century. After starting his career as a stonemason, he became a road and canal builder, and by the early 19th century he was exploring the structural potential offered by pioneering materials and methods of construction. This led Telford to design epoch-making bridges utilising cast and wrought iron – materials that achieved great strength and wide spans with more elegance, economy and speed than traditional masonry construction. Built in 1829, and spanning 46 metres with a single cast-iron arch, Telford’s Galton Bridge in Smethwick was once the highest in the world.

CRAIGELLACHIE BRIDGE
uk_bridges_craigDesigned by Thomas Telford and completed in 1814, Craigellachie Bridge carries the roadway on a single 46-metre-long arched span over the River Spey in Moray, Scotland.

Telford had the arch made of cast iron, which was revolutionary at the time because, unlike masonry, only iron could achieve the single long, slender and shallow arch required. The components were cast at a Welsh foundry in controlled conditions to ensure high quality and delivered to the site for assembly. Cast iron is very strong in compression but has low tensile strength, making it ideal for columns but not for beams. Well aware of the metal’s structural limitations, Telford built the bridge ensuring that the maximum number of its components are in compression. The span of the arch is restrained by masonry towers, designed in picturesque manner to look like miniature castles.

PONT GROG Y BORTH
MENAI SUSPENSION BRIDGE
uk_bridges_menaiCompleted in 1826 to Thomas Telford’s design, the Menai Suspension Bridge linking the island of Anglesey to the Welsh mainland remains one of the most breathtaking bridges ever built in Britain.

The central span of its roadway, 176.5 metres long and set 30 metres above water level to allow tall-masted ships to pass beneath, was carried by 16 wrought-iron chains (since replaced by steel chains).

The road on either side of the central span is supported by tall and elegant arched limestone viaducts. With a total length of 305 metres, this was the world’s first great suspension bridge and established the potential of suspension-bridge technology to achieve both high and lengthy spans.

ROBERT STEPHENSON
Born in 1803 near Newcastle-upon-Tyne, the son of George Stephenson, the future locomotive pioneer, Robert Stephenson would become a giant of the 19th century in locomotive and railway design and bridge-building. His bridges – many of which utilised modern technology in a stunningly bold manner – include some of the most epic creations of the early railway age. The spectacular High Level two-tier rail and road bridge, spanning the Tyne, introduced an unprecedented scale and form in the design of city-centre railway bridges, while the Britannia Bridge across the Menai Strait, completed in 1850, pioneered the concept of long spans of ‘tubular’ form made from wrought iron.

HIGH LEVEL BRIDGE
uk_bridges_highlevelLinking Newcastle-upon-Tyne with Gateshead, the High Level Bridge is one of the most innovative and visually powerful bridges created during Britain’s Railway Age.

This two-tier 408-metre-long bridge, designed by Robert Stephenson to carry road and rail traffic at a high level across the Tyne and allow tall-masted shipping below, is a hymn to the strength, utility and robust beauty of cast iron, used in combination with stone and wrought iron. The tall piers, up to 40 metres high, are made of local sandstone, which possesses great compressive strength and is able to withstand damp, while the iron bow-string girders forming the spans of the bridge (the widest being 38.1 metres) use cast iron for components that are in compression and wrought iron for elements that require tensile strength.

ROYAL BORDER BRIDGE
uk_bridges_royalCrossing the River Tweed between Berwick-upon-Tweed and Tweedmouth, the Royal Border Bridge was constructed between 1847 and 1850 to the design of Robert Stephenson and was a key component in Britain’s expanding railway system, linking London to Edinburgh.

Of traditional masonry construction, the bridge is essentially a railway viaduct formed of 28 semi-circular-headed arches, each with a span of 18 metres, with the total length of the bridge – including approach works – reaching 658 metres. This vast extent, combined with the majestic 38-metre height of the arches as they cross the river and the slender form of the vertical piers, from which the arches spring, gives the structure a striking elegance. A superb piece of functional engineering, it is also a work of great beauty that complements the rugged border landscape through which it passes.

TEES TRANSPORTER BRIDGE
uk_bridges_teesCompleted in 1911, the Tees Transporter Bridge in Middlesbrough is a most novel and visually arresting piece of engineering.

Vast in scale and utilitarian in appearance, its stripped-back, lattice-steel structure incorporates a pair of cantilevered trusses that span 259 metres – with a clearance above water of almost 49 metres – that are used to carry a ‘gondola’ across the river. Powered by electric motors, the gondola – which can convey both people and vehicles – is suspended above the river and pulled from one side to the other by a hauling cable in approximately two minutes. This unique design – executed by Sir William Arrol & Co. of Glasgow – was economic to construct and ensured that the crossing would not interfere with river traffic.

HUMBER BRIDGE
uk_bridges_humberMore than a century after the notion of a bridge or tunnel crossing the Humber estuary had first been debated, the eventual completion of the Humber Bridge in 1981 redefined the boundaries for suspension-bridge technology.

Its complex construction, by consulting engineers Freeman Fox & Partners, took nine years. With a total length of 2,220 metres and a central span of 1,410 metres between two towers of reinforced concrete, for 16 years the Humber Bridge was the longest single-span suspension bridge in the world. Its mighty scale, elegant minimal form and the fact that it leaps across one of England’s great natural boundaries has captured the imagination. The poet Philip Larkin, who lived in Kingston-upon-Hull, wrote ‘Bridge for the Living’, a poem that was set to music to celebrate the opening of the Humber Bridge.

PEACE BRIDGE
uk_bridges_peaceSpanning the River Foyle in Derry/Londonderry in Northern Ireland, the Peace Bridge functions not only as an urban route, but also as a work of art. Its ingenuity is expressed through delicacy and elegance.

This unique bridge, constructed for pedestrians and cyclists, was conceived as two distinct structural systems that work in absolute harmony. Completed in 2011 to the designs of Wilkinson Eyre, the Peace Bridge features a pair of tall masts, whose system of cables overlap mid-river to form a symbolic structural ‘handshake’ across the Foyle. The 235-metre-long pathway of this self-anchored suspension bridge provides a promenade and makes connections, while evoking a sense of pride, place and unity.

U.S. Rate Hike Request Approved

On Tuesday, February 24th, the Postal Regulatory Commission approved  the U.S. Postal Service’s request to raise some postal rates, effective April 26, 2015. The PRC press release:

PRC Approves First-Class Mail Price Adjustments

usps_pkgdelivery3Washington, DC – Today the Postal Regulatory Commission issued Order No. 2365­­­­­­ on Price Adjustments for First-Class Mail finding the Postal Service pricing proposals to be consistent with the Consumer Price Index based price cap under the Postal Accountability and Enhancement Act of 2006, 39 U.S.C. 3622(d)(1)(A). The new prices will take effect April 26, 2015.

The Commission did not delay the review and approval of First-Class Mail despite incomplete information filed by the Postal Service for other classes of Market Dominant mail.

The Commission has approved the following actions that will affect domestic mail:

  • The Postal Service will maintain the price of the First-Class Mail stamp, which includes the Forever stamp, at 49 cents.
  • The single-piece additional ounce for letters will increase from 21 to 22 cents.
  • The price of Postcards will increase to 35 cents.

The following changes affect international mail:

  • Outbound Single-Piece First-Class Mail (first ounce) will increase by 5 cents to $1.20.
  • Non-machinable Outbound Single-Piece First-Class Mail will increase to $1.42.
  • Outbound Single-Piece Postcards will increase to $1.20.

All Commission documents pertaining to price changes for 2015 are located on the Commission’s website at www.prc.gov, under Docket No. R2015-4.

All of the prices above include the current exigent surcharge approved in Docket No. R2013-11.

Maya Angelou (U.S. 2015)

Updated April 9th: Photos and information from the first-day ceremony can be found here.

Updated April 7th: Oops! The quote on the Maya Angelou stamp didn’t originate with Angelou, but with children’s book author Joan Walsh Anglund, reports The Washington Post. It’s in a book of poems published in 1967. The USPS isn’t the only one attributing the quote to Angelou: President Obama did, too. But the 89-year-old author wishes the stamp much success. Read more in the Post article.

Later in the day, Postal Service spokesman David Partenheimer said the quotation was included because it’s something Angelou often referenced.

“Maya Angelou cited this sentence frequently in media interviews and other forums and it provides a connection to her first memoir `I Know Why the Caged Bird Sings,'” he said. “The sentence was chosen to accompany her image on the stamp to reflect her passion for the written and spoken word. The sentence held great meaning for her and she is publicly identified with its popularity.”

There were no references to the quote controversy during the first day ceremony.

Updated April 1st (2 items):
[USPS press release]
Maya Angelou Stamp Dedication to Feature Postmaster General, Oprah Winfrey, Ambassador Andrew Young and other Notables
RSVPs Now Accepted for April 7 Ceremony

s_maya_angelouWASHINGTON — The public has an opportunity to witness a historic event on Tuesday, April 7 when Postmaster General Megan Brennan will be joined by Oprah Winfrey, Ambassador Andrew Young and other notables in dedicating the Maya Angelou Forever stamp in Washington, DC.

The 11 a.m. first-day-of-issue stamp dedication ceremony will take place at the Warner Theatre, 513 13th St., NW. The event is free and open to the public. The public is asked to RSVP as soon as possible as seating is not guaranteed. Please RSVP at usps.com/mayaforever or by calling 866-268-3243 before 5 p.m. ET April 3. Each RSVP is limited to two (2) seats. Doors open at 9:30 a.m.

Angelou fans are encouraged to share the news on social media using #MayaForever. The Maya Angelou Forever stamps may be pre-ordered now at this link for delivery shortly after April 7.

angelou_sheet_scratchAlso attending the ceremony will be Angelou’s grandson Colin Johnson; Rep. Danny Davis (D-IL); poet Sonia Sanchez; author and journalist Sophia Nelson; Howard University English professor Eleanor Traylor; poet and civil rights activist Nikki Giovanni; civil rights activist Rev. Al Sharpton; and Atlanta-based artist Ross Rossin, whose portrait of Angelou was used for the stamp. The backstory on the portrait and the connection to Young and Winfrey can be found here. Melissa Harris-Perry will serve as master of ceremonies.

As an author, poet, actress, and champion of civil rights, Angelou (1928–2014) was one of the most dynamic voices in 20th-century American literature. The book, “I Know Why the Caged Bird Sings,” an autobiographical account of her childhood, gained wide acclaim for its vivid depiction of African-American life in the South.

The stamp showcases Rossin’s 2013 4ft. by 4ft. oil-on-canvas portrait of Angelou. The large hyper-realistic painting is part of the Smithsonian National Portrait Gallery’s collection, where it will be on display through Nov. 1. The stamp features this quotation by the pioneering author:  “A bird doesn’t sing because it has an answer, it sings because it has a song.”

The stamp pane includes a short excerpt from Angelou’s book, “Letter to My Daughter.” It reads: “Try to be a rainbow in someone’s cloud.” Art director Ethel Kessler of Bethesda, MD, designed the stamp.

The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.

[press release]
US POSTAL SERVICE COMMEMORATES DR. MAYA ANGELOU’S 84th BIRTHDAY
WITH SPECIAL FOREVER STAMP AND DEDICATION CEREMONY, APRIL 7th

DR. ANGELOU’S “HUMAN FAMILY” LYRIC MUSIC VIDEO PREMIERES
FRIDAY, APRIL 3RD, 2015, ON YAHOO.COM

“HUMAN FAMILY” IS A RECORDING FROM “CAGED BIRD SONGS” ALBUM PRODUCED BY ROCCSTAR AND SHAWN RIVERA

mayavidMarch 31, 2015 – New York, NY –  The incomparable Dr. Maya Angelou would be turning 84 years old on Saturday, April 4th, 2015 and she’ll be recognized in a big way. To celebrate the incredible life and accomplishments of this remarkable woman, The United States Postal Service will release a commemorative forever stamp on April 7th. The postal service will celebrate with a First-Day-of-Issue stamp dedication ceremony at 11 a.m., Tuesday, April 7th, at the Warner Theater in Washington, D.C.

The celebration continues as “Human Family,” the next focus track from Dr. Maya Angelou’s inspiring and timely “Caged Bird Songs” CD embodying many of her most significant writings, is set for a Lyric music video premiere on Friday, April 3rd, on Yahoo Music. “Human Family,” like many of Dr. Angelou’s poems, shares an important social message about acceptance and equality.

Dr. Angelou, the iconic American writer, poet, actor, dancer, director, composer, lecturer, civil activist and one of the most renowned and influential voices of our time, worked on the “Caged Bird Songs” album prior to her death on May 28th, 2014. The album produced by RoccStar and Shawn Rivera of platinum recording artist, Az Yet, is a unique musical collaboration that thoughtfully blends the gifted poet’s words and vocal performances with modern hip-hop beats.  The lyrical content, underlying social context, rhythm, melody and cadence of Dr. Angelou’s early work bears a striking resemblance to the sound of current hip-hop and is, unfortunately, still relevant to today’s urban experience.

The official music video for the first single, “Harlem Hopscotch,” was directed by Emmy Award-winning duo Tabitha and Napoleon Dumo, also known as Nappy Tabs, and best known for their work on the hit television series, ‘So You Think You Can Dance’, and features the pair’s signature choreography.  “Harlem Hopscotch” was shot on the streets of Harlem and various spots in Los Angeles and includes notable performers and dancers Nia Peeples, Derek Hough, Alfonso Ribeiro, Zendaya, Ian Eastwood, Quest Crew and dancers from both ‘So You Think You Can Dance’ and ‘America’s Best Dance Crew’. The video is produced by Smooch Music and is distributed by OWN.

To Watch the “Harlem Hopscotch” Music Video:
Oprah.com
YouTube/ OWN TV

Colin Johnson, Dr. Angelou’s grandson, recalls how music was a large part of his grandmother’s life. “She loved everything from pop to country and of course hip-hop. With her dedication to social activism and her ability to illuminate the struggles and injustices of the urban experience through prose, there is a direct correlation to hip-hop today. She was really excited about her street-wise commentary being presented in this way.”

Updated March 20th, from the Postal Bulletin:

s_maya_angelouOn April 7, 2015, in Washington, DC, the U.S. Postal Service® will issue the Maya Angelou First-Class Mail® stamp (Forever® priced at 49 cents) in one design, in a pressure-sensitive adhesive (PSA) pane of 12 stamps (Item 472600).

The stamp will go on sale nationwide April 7, 2015.

With this new commemorative stamp, the U.S. Postal Service celebrates the life of Dr. Maya Angelou (1928–2014), author, poet, actress, champion of civil rights, and one of the most dynamic voices in all of 20th century American literature. The stamp art features artist Ross Rossin’s 2013 portrait of Dr. Angelou. The oil-on-canvas painting is part of the Smithsonian National Portrait Gallery’s collection. The stamp also features this quotation by the pioneering author: “A bird doesn’t sing because it has an answer, it sings because it has a song.” The stamp pane includes a short excerpt from Dr. Angelou’s book Letter to My Daughter. It reads: “Try to be a rainbow in someone’s cloud.” Art director Ethel Kessler designed the stamp.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website at www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Maya Angelou Stamp
Special Events
PO Box 92282
Washington, DC 20090-2282

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by June 7, 2015.

There are nine philatelic products for this stamp issue:

  • 472606, Press Sheet with Die cut, $47.04, (print quantity 500).
  • 472608, Press Sheet without Die cut, $47.04, (print quantity 1,000).
  • 472610 Keepsake with Digital Color Postmark, $7.95.
  • 472616 First-Day Cover, $0.93.
  • 472624 Framed Art, $39.95.
  • 472621 Digital Color Postmark, $1.64.
  • 472630 Ceremony Program, $6.95.
  • 472631 Stamp Deck Card, $0.95.
  • 472632 Stamp Deck Card with Digital Color Post¬mark, $1.99.

Technical Specifications:

s_maya_angelouIssue: Maya Angelou Stamp
Item Number: 472600
Denomination & Type of Issue: First-Class Mail Forever
Format: Pane of 12 (1 design)
Series: N/A
Issue Date & City: April 7, 2015, Washington, DC 20066
Designer: Ethel Kessler, Bethesda, MD
Art Director: Ethel Kessler, Bethesda, MD
Typographer: Ethel Kessler, Bethesda, MD
Existing Art: Ross Rossin
Modeler: Donald Woo
Manufacturing Process: Offset, Microprint
Printer: Banknote Corporation of America/SSP
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Pane: 12
Print Quantity: 80,000,004 million stamps
Paper Type: Phosphor Tagged Paper, Block Tag
Adhesive Type: Pressure-sensitive adhesive
Processed at: Banknote Corporation of America, Browns Summit SC
Colors: Cyan, Magenta, Yellow, Black, PMS Cool Gray 8 PMS 1788
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 0.84 in./36.07 x 21.34 mm
Overall Size (w x h): 1.56 x 0.98 in./39.62 x 24.89 mm
Full Pane Size (w x h): 6.00 x 6.25 in./152.40 x 158.75 mm
Press Sheets Size (w x h): 12.00 x 25.00 in./ 304.80 x 635.00 mm
Plate Size: 96 stamps per revolution
Plate Numbers: “S” followed by Six (6) single digits
Marginal Markings:
Front: Plate numbers in two corners of pane
Back: © 2015 USPS • USPS logo • Plate position diagram • Barcode (472600) in upper right and lower left corners of pane • Promotional text • Maya Angelou Bio

Updated March 4th: The USPS has released the image and said the stamp will be issued April 7th with a ceremony in Washington, DC. The first-day postmarks are further down this page.

[press release]

Postal Service Previews Maya Angelou Stamp Image
Forever Stamp Image is a Painting Resembling a Photograph
s_maya_angelouWASHINGTON — The U.S. Postal Service previewed the Dr. Maya Angelou Forever Stamp image today and announced that the First-Day-of-Issue stamp dedication ceremony will take place at 11 a.m., Tue., April 7, at the Warner Theater in Washington, DC. The event is free and open to the public. Seating is limited. The stamps may be pre-ordered now at this link for delivery shortly after April 7.

angelou_sheet_scratchAs an author, poet, actress, and champion of civil rights, Angelou (1928–2014) was one of the most dynamic voices in 20th-century American literature. The book, “I Know Why the Caged Bird Sings,” an autobiographical account of her childhood, gained wide acclaim for its vivid depiction of African-American life in the South.

The stamp showcases Atlanta-based artist Ross Rossin’s 2013 48” x 48” oil-on-canvas portrait of Angelou. The large hyper-realistic painting is part of the Smithsonian National Portrait Gallery’s collection, where it will be on display through Nov. 1. The stamp features this quotation by the pioneering author:  “A bird doesn’t sing because it has an answer, it sings because it has a song.”

The stamp pane includes a short excerpt from Angelou’s book, “Letter to My Daughter.” It reads: “Try to be a rainbow in someone’s cloud.” Art director Ethel Kessler of Bethesda, MD, designed the stamp. Customers are encouraged to use social media to spread the news about the stamp using #MayaForever.

Rossin’s Unique Style
s_maya_angelou“Like an x-ray,” explained Rossin, “my brush searches beyond the façade, reaching the God particle, the spiritual soul that embodies us all. I see all the subjects of my paintings as humans. All I want to do is paint the truth. My paintings don’t look like photographs; photographs look like my paintings. The objective of my art is to transcend hyperrealism. It is nothing else but a language that ensures the connectivity between the viewer, creator and the subject of my paintings. My ultimate goal is to bring the invisible energy through to this visible medium.”

The Andrew Young and Oprah Winfrey Connection to Creating Angelou’s Portrait
“I always wanted to paint Maya as she was a voice that inspired millions — not just as an individual, but as a legendary poet and a civil rights icon who transcended generations,” Rossin added. “I was compelled by the challenge to portray her forgiving smile and her aura of unconditional love and understanding that comes across when having a conversation with her.”

Rossin is a good friend of Ambassador Andrew Young, having forged a close personal relationship with the artist since rendering a portrait of Young several years ago, which also hangs in the National Portrait Gallery.

Knowing that Angelou’s birthday was coming up, he felt the urge to introduce Rossin to her in 2013.

“I applaud the U.S. Postal Service for their decision to honor my beloved friend Maya with a Forever stamp, and for using Rossin’s portrait of her for this perennial image,” said Young. “He is a master portrait artist — a prodigy. It is an honor to be immortalized by his brush stroke.”

“During my visit to her Winston-Salem, NC, home I spoke with Maya for several hours about her life journey and courage of finding the light in the midst of her darkness. It is her energy, the God Particle which struck me. Later that evening, Oprah Winfrey hosted a birthday party for Angelou. This was the critical moment when I saw Maya through the eyes of others. My personal experience around Maya’s aura led to the creation of an intimate yet universal painting, which later Maya enthusiastically approved.”

“This is exactly how I see myself and exactly how I wish to be remembered,” Rossin recalled of Angelou’s reaction to his work.

“I wanted to capture her laughter, her cry and the forgiveness and blessings that came from her face,” he added. “It is not only her portrait that is bigger than life. It is she herself who is bigger than life. The portrait is evidence of her magic.”

Added March 8th: Here are the first-day postmarks for this issue: maya_dcp_vscmaya_bw_vsc
[press release on February 23, 2015]
Maya Angelou to be Honored with Forever Stamp

angelous_obamaWASHINGTON — The U.S. Postal Service will honor Maya Angelou — the beloved author, poet, actress and champion of equality — with a Forever Stamp.

“Maya Angelou inspired our nation through a life of advocacy and through her many contributions to the written and spoken word,” said Postmaster General Megan J. Brennan. “Her wide-ranging achievements as a playwright, poet, memoirist, educator, and advocate for justice and equality enhanced our culture.”

The Postal Service will preview the stamp and provide details on the date and location of the first-day-of-issuance ceremony at a later date.

The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.

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Angelou died May 28, 2014. If this stamp is issued in 2015, it will be the soonest after death the USPS has issued a stamp in decades. Her estate is Caged Bird Legacy.

Official White House Photo: President Barack Obama awards the 2010 Presidential Medal of Freedom to Dr. Maya Angelou in a ceremony in the East Room of the White House February 15, 2011.

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February 26th: There are so many unanswered questions about this issue, and not just when it will be issued or what it will look like. That will be the subject of this weekend’s radio feature, but there’s only so much I can stuff into 60 to 90 seconds.

The announcement got plenty of press, and many Twitter and other social media reactions, all positive.

I haven’t figure out, though, who was the driving force behind this stamp. (Of course, it’s possible that it was a decision involving many people, within the Postal Service and on its Citizens Stamp Advisory Committee (CSAC). But it has the cachet of an outside driving force. (Yes, pun intended.)

There was an online petition, started within a few days of Angelou’s death, and much talk on Twitter in support of it. The petition got 65,000 signatures, but it wasn’t on a major site like Change.org, but on WeAreUltraviolet.org.

A resolution calling for a Maya Angelou stamp was introduced in the House in mid-January, by Rep. Joyce Beatty, a Democrat from Columbus, Ohio. It was sent to Committee and nothing happened. It’s moot now.

Linn’s Stamp News points out that E. Ethelbert Miller of the African American Resource Center at Howard University worked to get Ghana (or the Inter-Governmental Philatelic Corp.) to issue a Maya Angelou stamp in 1998 as part of a 12-stamp set. However, there is nothing at all on his or the Center’s websites about the U.S. stamp.

Someone suggested that CSAC member Henry Louis Gates, Jr., might be the driving force. Again, nothing on his Harvard faculty page, Twitter account or Facebook page about the stamp.

How about Postmaster General Megan Brennan? The stamp was announced three weeks after she took office. A career postal worker, she is the first woman to serve as PMG. But there is nothing in her public curriculum vitae to suggest a special interest in Maya Angelou.

So far, I don’t have a solution to this mystery.