Early Word: U.S. 2016 Issues

Quick notes from a briefing Thursday, August 20th, at APS StampShow by Mary-Anne Penner, acting director, Stamp Services, USPS:

Year of the Monkey, 9th in series, pane of 12 again, two bright red-orange peonies.

Quilled Paper Heart pane of 20 elegant heart created using ancient art of quilling — rolling and shaping narrow strips of paper, gluing to make designs. Almost looks psychedelic.

Black Heritage: Richard Allen. 39th in series preacher activist and civic leader; coincides with his founding of AME church and election as its first bishop. Detail from an 1817 (?) print.

Sarah Vaughan Music Icon; based on oil portrait based on 1955 photo by Hugh Bell.

Botanical Art – booklet of 20, 10 designs, each a detail of an illustration in an American nursery catalogue 1891-1912. part of seed catalogue collection.

Indiana Statehood, 200th anniv., photo of cornfield near Milford Indiana, near sunset. artist grew up near Milford

Jaime Escalante, pane of 20, Calif. educator; proved that students thought to be unteachable could be taught to master even the most difficult subject. Based on 2005 photo taken by his son.

Pets – booklet of 20 – 20 diff designs from existing photos by one photographer. puppies, fish, hamster, goldfish, rabbits, cornsnakes, mice, horses, etc. Made sure all the pets are legal to own in EVERY one of the 50 states. (Ferrets didn’t make the cut for that reason.)

At World Stamp Show:
Repeal of the Stamp Act, 1766, pane of 10, souvenir sheet format, one design; crowd gathering around a liberty tree to celebrate repeal. Selvage shows proof of the one-cent tax stamp. Not part of a series.

another commem sheet, souvenir sheet, will be based on the two stamps issued today.

Spectrum Eagle Stamps (U.S. 2015)

Here are the exact Scott catalogue numbers:

5013 (25¢) Eagle coil – green behind “USA”, litho., serpentine die cut 10¼ vert.
5014 (25¢) Eagle coil – blue green behind “USA”, litho., serpentine die cut 10¼ vert.
5015 (25¢) Eagle coil – blue behind “USA”, litho., serpentine die cut 10¼ vert.
5016 (25¢) Eagle coil – red violet behind “USA”, litho., serpentine die cut 10¼ vert.
5017 (25¢) Eagle coil – brown orange behind “USA”, litho., serpentine die cut 10¼ vert.
5018 (25¢) Eagle coil – yellow orange behind “USA”, litho., serpentine die cut 10¼ vert.
a. Strip of 6, #5013-5018

On September 2, 2015, in Eagleville, MO, the U.S. Postal Service® will reissue the Spectrum Eagle Presort First-Class Mail® nondenominated stamp (priced at 25 cents), in six designs, in a pressure-sensitive adhesive (PSA) coil of 10,000 (Item 788500).

spectrum_eagle_pbThe stamps will go on sale nationwide September 2, 2015.

The Spectrum Eagle Presorted First-Class Mail issuance celebrates the grandeur of the bald eagle with an artist’s rendering of this magnificent bird. Originally issued in 2012, these stamps are being reprinted in 2015. The eagle’s profile is depicted in white, set against a sequence of six varying shades of reds, yellows, greens, and blues. Each color blends with the one following, resulting in a gradual spectrum from left to right across the six stamps. Illustrator Michael Osborne worked with art director Ethel Kessler to create the stamp art.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. Each cover must have sufficient postage to meet the First-Class Mail requirement. They may purchase new stamps at their local Post Office, at The Postal Store® website at http://www.usps.com/shop or by calling 800-782-6724. They should affix the stamps to envelopes of their choice, address the envelopes to themselves or others, and place them in a larger envelope addressed to:

Spectrum Eagle Stamps
Cancellation Services
8300 NE Underground Drive, Pillar 210
Kansas City, MO 64144-0001

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by November 1, 2015.

There is one philatelic product for this stamp issue: 788517, First-Day Cover (set of 6), $5.64.

Technical Specifications:

 Issue: Spectrum Eagle Stamps
Item Number: 788500
Denomination & Type of Issue: Presorted First-Class Mail
Format: Coil of 10,000, 6 designs
Series: N/A
Issue Date & City: September 2, 2015, Eagleville, MO 64442
Art Director: Ethel Kessler, Bethesda, MD
Designer: Ethel Kessler, Bethesda, MD
Typographer: Ethel Kessler, Bethesda, MD
Artist: Michael Osborne, San Francisco, CA
Modeler: Joseph Sheeran
Manufacturing Process: Offset
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Muller A76
Stamps per Coil: 10,000
Print Quantity: 150 million stamps
Paper Type: Nonphosphored Type III
Adhesive Type: Pressure-sensitive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: Black, Cyan, Magenta, Yellow
Stamp Orientation: Vertical
Image Area (w x h): 0.73 x 0.84 in./18.54 x 21.34 mm
Stamp Size (w x h): 0.87 x 0.98 in./22.10 x 24.89 mm
Plate Size: 594 stamps per revolution
Plate Numbers: “P” followed by four (4) single digits
Coil Number Frequency: Plate numbers every 27th stamp below stamp image

Bruce Marsden Declares for APS Treasurer

[press release]
Personal Background
marsden100I am a California native and attended my first Westpex stamp show as a teenager in 1968. I graduated from U.C. Berkeley’s School of Business with a B.S. in Accounting followed by an MBA degree in 1977.

As a result of a job transfer in 1999, my family and I relocated to New Jersey where we now live. My wife of 32 years and I have two young adult children who are embarking on their own chosen careers.

Philatelic Activities
While I have not parted ways with my blue Scott Internationals, the focus of my collecting interest is Switzerland, in all its permutations. I have several exhibits and I am constantly striving to improve them.

After joining the APS in 1976, my first local stamp club was the East Bay Collectors Club where I served as President in the early 1980s. Following a move to the San Francisco peninsula, I joined the Peninsula Stamp Club and later served as its President until my family’s move to New Jersey.
Today, I am privileged to serve as Treasurer of the APRL, Treasurer and Webmaster of the American Helvetia Philatelic Society (AHPS), Secretary and Assistant Commissioner General of the World Stamp Show-NY2016 Organizing Committee, President of the Collectors Club (New York), and am a member of the NOJEX stamp show committee and the Westfield (NJ) Stamp Club.

Accomplishments Benefiting the Hobby

  • Designed numerous local show cachets and cancels and organized the 1983 Lake Merritt Balloon Mail Flight in conjunction with the annual East Bay Collectors Club Stamp Show.
  • Presented “Stamp Collecting and the Internet” seminar at the Pacific 97 International Stamp Exhibition in San Francisco
  • Organized a successful fundraising campaign among members of the AHPS to support the Switzerland Philatelic Literature Collection at the APRL
  • Expanded the volume of Swiss philatelic publications and exhibits that are available for viewing and downloading at the AHPS website
  • Formally incorporated and obtained 501(c)3 tax-exempt status for the AHPS
  • Obtained an offer of bank financing to complete the permanent APRL space in the Match Factory that was unanimously approved by the APRL Board of Trustees
  • Obtained from the U.S. Department of Commerce the designation of World Stamp Show-NY 2016 as a “Fair” for the purpose of promoting international trade
  • Organized the 2015 visit of the All China Philatelic Federation and the first multi-day stamp exhibition at New York’s Collectors Club in modern times

Professional Qualifications
I am a Certified Public Accountant with an active license in California, a CFA (Chartered Financial Analyst) Charterholder and a Certified Internal Auditor.

I began my career as a staff accountant at Deloitte in San Francisco, and was promoted to audit manager within five years. The bulk of my career has involved a variety of accounting and financial management positions in the financial services industry culminating in semi-retirement after serving as Chief Financial Officer for Private Banking at U.S. Trust.

I currently serve Riverside Research Institute, a not-for-profit scientific research organization part-time as its Internal Auditor, working with its Board of Trustees on various financial and risk management issues. My part-time status at Riverside affords me the opportunity to also serve philately in volunteer roles.

My Long Term Vision for the APS and APRL

  • The APS provides a robust suite of services to members which enhance the experience of the hobby
    The APS and APRL jointly fulfill an educational and cultural preservation mission for the public good
  • The Match Factory’s commercial tenants provide long term financial stability to the cultural resource that is the APRL and provides facilities supporting the activities of the APS
  • The APS grows in its capabilities and reach to become a “mother ship” organization supporting philatelic activities throughout the United States
  • The APS and APRL are valued members of the Bellefonte, PA community which hosts our physical and professional human resource infrastructure

I Seek Your Support
In 2016 I expect to complete six years of service on the Board of Trustees of the APRL including four years as APRL Treasurer. I will be stepping down from that role and am running in the 2016 election for the position of Treasurer of the APS.

I have had the opportunity to develop strong and collaborative working relationships with recent APS Treasurers Kathy Johnson and Ken Nilsestuen and with Controller Rick Banks. These relationships, the knowledge I have gained in serving the APRL, and my professional and philatelic experience combine to make me your best choice as Treasurer of the APS for the 2016-2019 term.

I thank you for your support.

Bruce Marsden

Elvis Presley Music Icons ceremony photos

The main discussion about the stamp issued August 12, 2015, is here.

laz_elvis03Postmaster General Megan Brennan, left, and Priscilla Presley and Rep. Steve Cohen (D-TN), right. Photo courtesy Chris Lazaroff. usps_elvis05L to R: Quintin R. Smith, Pastor, Historical First Baptist Church of Millington; Memphis City Councilman Harold B. Collins; Joshua D. Colin, Vice President, Area Operations, USPS; Memphis Mayor A C Wharton Jr; PMG Megan Brennan; Priscilla Presley; Rep. Steve Cohen; Jack Soden, CEO, Elvis Presley Enterprises; Shelby County Mayor, Mark Luttrell. Photo courtesy USPS.laz_elvis02usps_elvis08Priscilla Presley. Top photo courtesy Chris Lazaroff. Bottom photo courtesy USPS.laz_elvis01

Photo courtesy Chris Lazaroff.usps_elvis12usps_elvis13Elvis fan Bobbie Clark meets Priscilla Presley. Photo courtesy USPS.usps_elvis11A fan reacts to the playing of the new version of “If I Can Dream.” Photo courtesy USPS. usps_elvis09usps_elvis03L to R: Quintin R. Smith, Pastor, Historical First Baptist Church of Millington; Memphis City Councilman Harold B. Collins; Jack Soden, CEO, Elvis Presley Enterprises; Postmaster General Megan Brennan; Priscilla Presley; Rep. Steve Cohen; Shelby County Mayor Mark Luttrell; Kevin Kern, Director of PR, Graceland. Photo courtesy USPS, as is the photo of the fans above this one.

Ken Nilsestuen Declares For APS Presidency

NilsestuenKen Nilsestuen, current APS treasurer, has announced his candidacy for APS president in 2016. As president he will bring years of leadership experience as a philatelist, as a business professional, and as a non-profit board member.

Ken has stated: “The role of the APS board is to exercise its independent fiduciary oversight on behalf of all members of the APS. The organization will prosper by offering desired services to stamp collectors at all levels. The board must work to see that the APS succeeds, our staff succeeds, and help our new executive director as he learns about the stamp collecting hobby. Through all of this, we, the board, must be responsive to our members.”

Nilsestuen’s business experience includes an over 40 year career as a CPA in the largest accounting firms and at the head of two NYSE-listed corporation tax departments. In the late 1990s he was also co- owner of Summit Auctions, a stamp and ephemera auction house. Throughout his entire career Ken focused on managing clients and his own staff to function as effective teams.

He has also been active in non-profit boards for more than 30 years. In addition to the APS he has served as treasurer or president of the Akron Symphony, the International Institute of Akron, the Cleveland International Piano Competition, the Collectors Club of Akron, the Garfield-Perry Stamp Club and the Rubber City Stamp Club.

Ken has been an active philatelist since he was a kid, entering organized philately as a young adult. A Minnesota native, Ken soon became editor of the Twin Cities Philatelic Society newsletter, and over time he joined the APS (1979), CCNY, France and Colonies Philatelic Society, and many other philatelic groups. He has been president of the France & Colonies society for seven years. Ken has been exhibiting for more than 30 years, winning many gold medals and a Grand Award. He made it to the C- of-C in 2010, where he tied for second. Ken qualified for the APS judging corps in 2004, has judged more than 40 shows and is now an active accredited chief judge. This past year he also served on the search committee for the new APS executive director.

In addition to his other accomplishments, Nilsestuen has also written articles for the American Philatelic Congress Book (2004 and 2015) and other publications, mostly on French area philately. In 1999 he co- authored a monograph on Algerian cancels.

Ken believes his extensive business experience, love for the APS and philately, and collaborative leadership style is the necessary combination for a great society and staff guided by an independent and effective board.

Final APRLibrary Construction About To Begin

[press release]

American Philatelic Research Library Final Construction Begins
The long-anticipated completion of a new state-of-the-art American Philatelic Research Library is much closer to reality. The APRL Board of Directors on Friday, July 31 approved plans for the library’s final construction, which should begin by mid-August.

“The completion of this project will provide secure and appropriate storage for the library’s unique collections and much-needed workspace for our staff, volunteers, and visitors,” said APRL librarian Tara Murray.

architect renderingThe new library space, which will increase the current library’s size by about 50 percent, could be ready to be occupied as early as April 1. The grand opening would be several weeks later to allow time for materials to be transferred from the current library.

The library is within the 100,000-square-foot American Philatelic Center, which occupies the historic former Match Factory in Bellefonte, Pa. The APRL and American Philatelic Society, both nonprofits, share about 55,000 square feet of space while the rest of the facility is leased to 11 tenants.

The Centre Region Planning Agency in July gave final approval to the $2.1 million final phase of the library project. The cost of the entire APRL project is about $3.5 million. A good portion of the final phase is being funded via a $1.3 million gift from Walter Weber of Bellingham, Washington, who passed away in May 2014. It was the largest gift ever received by the APS.

architect drawingThe American Philatelic Research Library is considered one of the world’s most valuable assets in the hobby of philately. The library holds more than 23,000 book titles, and 6,000 journal titles, on its nearly three miles of shelving. More than 30,000 society members are invited to utilize the library’s services, either on-site or from long distance, and the library is open to the public.

“Not only will the new library provide visitors in Bellefonte a more flexible and comfortable space to browse and research, but it will also allow our staff and volunteers to provide better library services to researchers around the world and to carry out digitization, preservation, and indexing projects,” Murray noted.

The new library will take up the bulk of space in the upcoming renovation and construction of 19,500 square feet. The new space will bring together all functions, collections and resources of the APRL, which has been scattered throughout the American Philatelic Center since moving there in 2004.

The new library includes a secure separate rare book room; space-saving compact shelving; public access computers and Wi-Fi throughout; reading lounges; a space for map and large-document storage; a donation-processing room; climate-controlled storage areas; study carrels with lockable storage; and a group study area. It also will include adjoining restrooms, an elevator to offer handicapped accessibility, and a used book and gift shop.

About $1.4 million in prior construction beginning in 2010 — including a new floor, roof, windows, stairwells and structural support — has been completed in the library’s new space.

Veronesi Building and Remodeling Inc. of State College, Pa. is the general contractor on the final phase of the library project.

Overall, the center includes 18 adjacent buildings on about 6 acres of land and is on the National Register of Historic Places. The APS and the library moved from nearby State College into the American Philatelic Center in May 2004. Since purchasing the property — which was an active match factory from 1899 to 1947 — in 2002, the APS has already completed $13.5 million in renovations to the property.

The APS was founded in 1886. The APRL was incorporated in 1968 as serves as the library and archives for the APS. Both are non-profit educational organizations.

The American Philatelic Center employs 31 full time staff and about 20 regular volunteers are on site. The center, at 100 Match Factory Place, is open 8 a.m. to 4:30 p.m. business days.

Detailed plans for the library can be found online at stamps.org/userfiles/file/library/Case_for_Support.pdf.

[The two pictures above are from 2013; we are checking to see if the architects’ conception has changed. -LdeV]