From the USPS on October 29, 2025:
Quiltmaker Harriet Powers (1837-1910), who learned to sew while enslaved on a plantation near Athens, GA, stitched works that are celebrated as masterpieces of American folk art and storytelling. Derry Noyes, an art director for USPS, designed the stamps and pane using details from Powers’s 1898 “Pictorial Quilt,” with its biblical scenes and depictions of local lore.
More details will be posted below the line, with the most recent information at the top.
Updated February 13th:
Finally!
[ceremony details] [click on any of the pictures for larger versions]
Harriet Powers Stamps To Be Issued February 28
What: The U.S. Postal Service will commemorate quiltmaker Harriet Powers (1837–1910) with four new stamps. Powers was a formerly enslaved woman who stitched works that are celebrated as masterpieces of American folk art and storytelling.
The ceremony for the stamps is free and open to the public. News of the stamp is being shared with the hashtag #HarrietPowersStamps.
Who: Lisa Bobb-Semple, director of Stamp Services, USPS
When: Saturday, Feb. 28, 2026, at 11:00 a.m. EST
Where:
Association for the Study of African American Life and History (ASALH)
Black History Month Celebration (ASALH Luncheon requires separate ticket)
JW Marriott, Washington DC
Capitol Ballroom (D&E)
1331 Pennsylvania Avenue NW,
Washington, DC 20004
RSVP: Attendees are encouraged to register at: usps.com/harrietpowersstamps
Background: Born Oct. 29, 1837, on a plantation near Athens, GA, the future quilter is believed to have learned to sew as a child. At 18, she married Armstead Powers, an enslaved farmhand. They would go on to have nine children. After emancipation, they bought four acres in nearby Sandy Creek, GA, where they raised cotton and vegetables.
Along the way, Harriet Powers began creating quilts and completed at least five. Of the five, it is known that two are referred to as story quilts because each of their panels features a pieced, appliquéd, and embroidered scene from a familiar story drawn from local lore or the Bible.
In 1886, Powers entered her “Bible Quilt” in a local fair, most likely the second annual Northeast Georgia Fair, in Athens. There, a young white art teacher named Jennie Smith fell in love with it and tried to purchase it. Powers initially turned her down but sold her the quilt a few years later.
Smith displayed the piece in the Negro Building of the 1895 Cotton States and International Exposition in Atlanta, and several Atlanta University faculty wives were so impressed they decided to commission a new quilt from Powers as a gift for the vice president of the university board, Charles Cuthbert Hall. The “Pictorial Quilt,” completed in 1898, remained in the Hall family for 62 years.
Derry Noyes, an art director for USPS, had worked on previous stamps featuring quilts but never thought of these works of fabric art as canvases for telling stories. “This is what is extraordinary about Harriet Powers’s quilts,” she said. Noyes chose details that would hold up well at stamp size and still communicate the stories Powers was trying to tell, and looked for variety and color combinations that worked well together.
Each of the four stamps in the pane of 20 features a panel selected from Powers’s “Pictorial Quilt.” Noyes took a novel approach to arranging the panels. “I wanted the pane to look as if there were more than just four different scenes,” she said. “By changing the starting order at the beginning of each row I was able to create the impression of a multitude of scenes.”
Powers’s other existing work, the “Bible Quilt,” now belongs to the Smithsonian National Museum of American History. The donor shipped it to the museum in 1968 through the U.S. Mail.
The Harriet Powers stamps are being issued as Forever stamps and will always be equal to the current First-Class Mail 1-ounce price.
Updated January 30th:
Courtesy Clarence McKnight: 
Updated January 25th:
From the Postal Bulletin:
On February 28, 2026, in Washington, DC, the United States Postal Service® will issue the Harriet Powers stamps (Forever® priced at the First-Class Mail® rate), in four designs, in a pressure-sensitive adhesive (PSA) pane of 20 stamps (Item 488100). These stamps will go on sale nationwide February 28, 2026, and must not be sold or canceled before the first-day-of-issue. The Harriet Powers commemorative pane of 20 stamps must not be split and the stamps must not be sold individually.
With this issuance, the U.S. Postal Service honors quiltmaker Harriet Powers (1837–1910), a formerly enslaved woman who stitched works that are celebrated as masterpieces of American folk art and storytelling. The stamps feature details from four of the 15 panels that make up the “Pictorial Quilt,” which she completed in 1898. Each stamp features a pieced, appliquéd, and embroidered scene from a familiar story drawn from local lore or the Bible. Art director Derry Noyes designed the stamps and stamp pane.
Automatic distribution.
How to Order the First-Day-of-Issue Postmark:
The first-day-of-issue postmark is a postmark notating the day a stamp is first authorized for use by the Postal Service. Customers have 120 days to obtain the first-day-of-issue postmark by mail. All requests for first-day-of-issue postmarks (Traditional or Digital Color Postmark) must be sent to the following address with the choice of Traditional or Digital Color Postmark identified. All orders must be postmarked by June 28, 2026.
FDOI – Harriet Powers Stamps
USPS Stamp Fulfillment Services
8300 NE Underground Drive, Suite 300
Kansas City, MO 64144-9900
Technical Specifications are not yet available.
Updated January 22nd:
Here are the first-day postmarks for this issue: 
The Digital Color Postmark measures 2.96″ x 1.26″ 
The Pictorial Postmark measures 2.74″ x 1.07″ 
The Special Postmark measures 2.88″ x 0.93″
Updated December 12th:
These stamps will be issued Saturday, February 28, in Washington, DC.
As the nation marks the 250th anniversary of the Declaration of Independence, the Postal Service pays tribute to the document that gave voice to America’s founding ideals. Designed and created by Juan Carlos Pagan, the stamp art features a typographic treatment of “1776,” the year the declaration was adopted. Each numeral takes the shape of a feather quill pen, a nod to the instruments used to sign the nation’s founding document. Pagan worked under the direction of Greg Breeding, an art director for USPS.
