Sheer Poetry

By John M. Hotchner

Former member of the Citizens’ Stamp Advisory Committee David Eynon (from 1990 until 2008) was a mentor when I joined in 1998, and remains a friend. He is also an exceedingly well-read person who is forever discovering references to stamps, stamp collecting, and post office practices in out-of-the-way literature.

A recent find is from a book of poetry titled 1916 Oxford, St. Bees and the Front, 1911-1916, by H.B.K. (“Rex”) Allpass, who styled himself “Sometime scholar of Exeter College, Oxford; 2nd Lieutenant, the Essex Regiment”. His photo is shown here.

Sadly, Allpass was one of thousands who perished on the Western Front in 1916, but his poetry was recognized as being of high quality, and was collected and preserved in the named book; published after the War by T. Werner Laurie, Ltd., London.

Among his output is the following poem, written in December, 1913:

The Stamp-Collectors’ Aunt
Oh! List to the tragical lachrymose tale
Of Martha Elizabeth Gamp,
Who received by the post the Philatelist’s Grail
A Royal Timbuctean stamp.
Martha Eliza two nephews possessed,
Each a collector of note:
Herbert Antonio Samuel West
And Fawcett Excelsior Choate.
Now Martha, to ways of collecting unused,
Invited both nephews to tea,
With benevolent simper the stamp she produced
And gave it the cousins to see.
Silent they stood, and beheld in amaze,
And praised in full reverent tone,
And focussed its markings with rapturous gazed
And languished to make them their own.
But rapture yields swiftly to rivalrous lust,
And black importunity’s hate:
Though “I cannot decide,” Martha wept,
“But you must,”
They answered, “or death is your fate.”
Thus urged and insisted and threatened they both
With demands that would not be denied,
Till “Fawcett—–“ she murmured.
Then Bert with an oath
Plunged the cake-knife deep in her side.
“Ah, villain!” cried Fawcett,
“Behold what you’ve done!
O’er this ruin you never shall gloat!”
And swift a resilient bun
He thrust down the cousinly throat.
But Bert ere, asphyxiate, life he resigned,
Arose with the rest of his strength,
And Fawcett he pierced ’twixt the shoulders behind
With the cake-knife’s murderous length.
Thus they died; and below with their issuing gore
The ceiling grew ruddily damp,
As there uttered regretfully down to the floor
That Royal Timbuctean stamp.

∞§∞§∞§∞

The lust of which Allpass speaks is one that every stamp collector can identify with, though the outcome of the story teaches that lust, if indulged, can have a harsh price. May we all remember that stamp collecting is a hobby, not a matter of life-and-death!

My thanks to Dave for re-discovering this gem. Now, let me ask you, dear reader, if you have come upon any instance(s) of philately in older literature – either poetry, stories that relate to the hobby, or quotes that re ect upon its benefits or costs?

If so, I would enjoy hearing of them for possible use in this space; with credit to original author and finder/reporter, of course.


Should you wish to comment on this editorial, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

$1, $2 & $5 Statue of Freedom (U.S. 2018)

The Scott catalogue numbers for these stamps are 5295 $1, 5296 $2 and 5297 $5.

The USPS announced these three stamps on May 10th, with an issue date of Wednesday, June 27th in Bellefonte, PA, the headquarters of the American Philatelic Society. That is in the middle of its annual Summer Seminar Week.

Added June 14: The date and location for the issuance of these stamps was suggested by APS executive director Scott English.

The information from the USPS:

These three designs feature the head of the statue that tops the United States Capitol dome, in a modern interpretation of an engraved vignette originally created for a 1923 stamp ($5 Head of Freedom Statue). The engraved artwork was originally created for the U.S. Bureau of Engraving and Printing by John Eissler (1873–1962). Rendered in emerald green ($1), indigo ($2) and brick red ($5), the tightly cropped enlargements highlight the solid and dashed lines and the crosshatching characteristic of engraved illustrations.

American sculptor Thomas Crawford (1814–1857) created the allegorical Statue of Freedom during the mid-1850s. She wears a variation on a Roman helmet — circled by stars, topped with an eagle head, and embellished by feathered plumes meant to evoke Native American headdress. Installation of the statue onto the new Capitol dome was completed in 1863.

All three stamps were printed in intaglio and were designed by Art Director Greg Breeding.

$1 Statue of Freedom
The U.S. Postal Service will be issuing the $1 Statue of Freedom stamp, offering a modern take on vintage patriotic stamp art for use on packages, large envelopes and other mailings. $1 Statue of Freedom will be sold in panes of 10 stamps.

$2 Statue of Freedom
The Postal Service will be issuing the $2 Statue of Freedom, also offering a modern take on vintage patriotic stamp art for use on packages, large envelopes and other mailings. $2 Statue of Freedom will be sold in panes of 10 stamps.

$5 Statue of Freedom
The Postal Service will be issuing the $5 Statue of Freedom for use on packages, large envelopes and other mailings. $5 Statue of Freedom will be sold in panes of four stamps.

Updated May 25th:

On June 27, 2018, in Bellefonte, PA, the U.S. Postal Service will issue the $1, $2, and $5 Statue of Freedom definitive stamps in one design each. The $1 and $2 Statue of Freedom stamps will be issued in a pressure-sensitive adhesive (PSA) pane of 10 stamps (Items 114200 and 114300). The $5 Statue of Freedom stamp will be issued in a PSA pane of 4 stamps (Item 117900). All three will go on sale nationwide June 27, 2018.

The $1, $2, and $5 Statue of Freedom stamps offer a modern take on vintage patriotic stamp art for use on packages, large envelopes, and other mailings. The design features the head of the statue that tops the U.S. Capitol dome in artwork based on an engraved vignette originally created for a 1923 stamp ($5 Head of Freedom Statue). The tightly cropped enlargement, rendered in emerald green, indigo, and brick red, highlights the solid and dashed lines as well as the cross-hatching characteristic of engraved illustration. These stamps were printed in intaglio. Art director Greg Breeding designed the stamps using John Eissler’s engraved artwork.

Availability to Post Offices: Item 114200 and 114300, $1 and $2 Statue of Freedom PSA Pane of 10 Stamps and Item 117900 $5 Statue of Freedom PSA Pane of 4 Stamps: Stamp Fulfillment Services will not make an automatic push distribution to Post Offices.

How to Order the First-Day-of-Issue Postmark:
Customers have 120 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office or at the Postal Store website at usps.com/shop. They must affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

FDOI – Statue of Freedom Stamps
USPS Stamp Fulfillment Services
8300 NE Underground Drive, Suite 300
Kansas City, MO 64144-9900

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. There is a 5-cent charge for each additional postmark over 50. All orders must be postmarked by October 27, 2018.

No locally produced items are authorized. Only merchandise that has been approved and assigned an item number by Headquarters Retail Marketing may be produced and sold.

Technical Specifications:

Issue: $1 Statue of Freedom Stamp
Item Number: 114200
Denomination & Type of Issue: $1 Definitive
Format: Pane of 10 (1 design)
Series: N/A
Issue Date & City: June 27, 2018, Bellefonte, PA 16823
Designer: Greg Breeding, Charlottesville, VA
Art Director: Greg Breeding, Charlottesville, VA
Typographer: Greg Breeding, Charlottesville, VA
Modeler: Sandra Lane/Michelle Finn
Manufacturing Process: Offset, Intaglio, Microprint
Printer: Banknote Corporation of America
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Pane: 10
Print Quantity: 100,000,000 stamps
Paper Type: Phosphor Tagged Paper, Block
Adhesive Type: Pressure-sensitive
Processed at: Banknote Corporation of America, Browns Summit, NC
Colors: Custom Green, Custom Black, Custom OVI
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 1.085 in./36.07 x 27.56 mm
Overall Size (w x h): 1.56 x 1.225 in./39.62 x 31.12 mm
Full Pane Size (w x h): 4.85 x 8.27 in./123.19 x 210.06 mm
Press Sheets Size (w x h): 9.70 x 24.81 in./246.38 x 630.17 mm
Plate Size: 120 stamps per revolution
Plate Numbers: B followed by three (3) single digits
Marginal Markings:
Front: Plate Block Number
Back: ©2018 USPS • USPS logo • 10 Barcodes (114200) • Plate position diagram • Promotional text

Technical Specifications:

Issue: $2 Statue of Freedom Stamp
Item Number: 114300
Denomination & Type of Issue: $2 Definitive
Format: Pane of 10 (1 design)
Series: N/A
Issue Date & City: June 27, 2018, Bellefonte, PA 16823
Designer: Greg Breeding, Charlottesville, VA
Art Director: Greg Breeding, Charlottesville, VA
Typographer: Greg Breeding, Charlottesville, VA
Modeler: Sandra Lane/Michelle Finn
Manufacturing Process: Offset, Intaglio, Microprint
Printer: Banknote Corporation of America
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Pane: 10
Print Quantity: 30,000,000 stamps
Paper Type: Phosphor Tagged Paper, Block
Adhesive Type: Pressure-sensitive
Processed at: Banknote Corporation of America, Browns Summit, NC
Colors: Custom Blue, Custom Black, Custom OVI
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 1.085 in./36.07 x 27.56 mm
Overall Size (w x h): 1.56 x 1.225 in./39.62 x 31.12 mm
Full Pane Size (w x h): 4.85 x 8.27 in./123.19 x 210.06 mm
Press Sheets Size (w x h): 9.70 x 24.81 in./246.38 x 630.17 mm
Plate Size: 120 stamps per revolution
Plate Numbers: B followed by three (3) single digits
Marginal Markings:
Front: Plate Block Number
Back: ©2018 USPS • USPS logo • 10 Barcodes (114300) • Plate position diagram • Promotional text

Technical Specifications:

Issue: $5 Statue of Freedom Stamp
Item Number: 117900
Denomination & Type of Issue: $5 Definitive
Format: Pane of 4 (1 design)
Series: N/A
Issue Date & City: June 27, 2018, Bellefonte, PA 16823
Designer: Greg Breeding, Charlottesville, VA
Art Director: Greg Breeding, Charlottesville, VA
Typographer: Greg Breeding, Charlottesville, VA
Modeler: Sandra Lane/Michelle Finn
Manufacturing Process: Offset, Intaglio, Microprint
Printer: Banknote Corporation of America
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Pane: 4
Print Quantity: 5,000,000 stamps
Paper Type: Phosphor Tagged Paper, Block
Adhesive Type: Pressure-sensitive
Processed at: Banknote Corporation of America, Browns Summit, NC
Colors: Custom Red, Custom Black, Custom OVI
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 1.085 in./36.07 x 27.56 mm
Overall Size (w x h): 1.56 x 1.225 in./39.62 x 31.12 mm
Full Pane Size (w x h): 4.85 x 4.17 in./123.19 x 105.92 mm
Press Sheets Size (w x h): 9.70 x 20.85 in./246.38 x 529.59 mm
Plate Size: 80 stamps per revolution
Plate Numbers: B followed by three (3) single digits
Marginal Markings:
Front: Plate Block Number
Back: ©2018 USPS • USPS logo • 4 Barcodes (117900) • Plate position diagram • Promotional text

Thanks to Mary, here are the first-day postmarks. They all appear to be approximately three inches in width.

Honoring First Responders

The Scott catalogue number is 5316.

Announced by the USPS on May 10th. It will be issued September 13th in Missoula, MT. Canada Post will be issuing five stamps for First Responders, September 10-14. The Firefighters stamp comes out on the same day as this U.S. issue.

Updated August 2nd, from the Postal Bulletin:
On September 13, 2018, in Missoula, MT, the U.S. Postal Service® will issue the Honoring First Responders stamp (Forever® priced at the First-Class Mail® rate) in one design, in a pressure-sensitive adhesive pane of 20 stamps (Item 478100). The stamp will go on sale nationwide September 13, 2018.

With this stamp, the U.S. Postal Service recognizes the men and women — firefighters, law enforcement officers, and emergency medical service professionals — who respond to critical situations with skill, dedication, and uncommon bravery. First responders are found throughout society, from small townships to the federal government, and their ranks often include a wide range of law enforcement professionals and public safety personnel. The digital illustration on this stamp is a symbolic scene that shows three first responders in profile as they race into action. Artist Brian Stauffer worked with art director Antonio Alcalá and designer Ricky Altizer to create this stamp.

How to Order the First-Day-of-Issue Postmark:
Customers have 120 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office or at The Postal Store® website at usps.com/shop. They must affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

FDOI – Honoring First Responders Stamp
USPS Stamp Fulfillment Services
8300 NE Underground Drive, Suite 300
Kansas City, MO 64144-9900

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. There is a 5-cent charge for each additional postmark over 50. All orders must be postmarked by January 13, 2019.

Technical Specifications:

Issue: Honoring First Responders Stamp
Item Number: 478100
Denomination &
Type of Issue: First-Class Mail Forever
Format: Pane of 20 (1 design)
Series: N/A
Issue Date & City: September 13, 2018, Missoula, MT 59801
Art Director: Antonio Alcalá, Alexandria, VA
Designer: Antonio Alcalá, Alexandria, VA
Designer: Ricky Altizer
Typographer: Antonio Alcalá, Alexandria, VA
Artist: Brian Stauffer, Novato, CA
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Muller A76
Stamps per Pane: 20
Print Quantity: 60,000,000 stamps
Paper Type: Nonphosphored Type III, Block Tagged
Adhesive Type: Pressure-sensitive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: Black, Cyan, Magenta, Yellow
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x .84 in/ 36.068 x 21.336 mm
Overall Size (w x h): 1.56 x .98 in/ 39.624 x 24.892 mm
Full Pane Size (w x h): 7.24 x 5.92 in/ 183.896 x 150.368 mm
Press Sheet Size (w x h): 21.72 x 11.84 in/ 551.688 x 300.736 mm
Plate Size: 240 stamps per revolution
Plate Numbers: “P” followed by four (4) digits
Marginal Markings:
Front: Plate number in four corners of pane
Back: ©2018 USPS • USPS Logo • 2 barcodes (478100) • Plate position diagram
• Promotional text

From the USPS, July 19th:
New Forever Stamp Salutes First Responders
Dedication Ceremony at Montana Aerial Fire Depot and Smokejumper Center

WHO: The firefighters, emergency medical professionals and law enforcement officers who serve our communities across the nation.

WHAT: Honored on a Forever stamp at U.S. Postal Service first-day-of-issue ceremony

WHEN: Thursday, Sept. 13, 2018 11 a.m. (MDT)

WHERE: Aerial Fire Depot and Smokejumper Center
5765 W. Broadway St.
Missoula, MT 59808

WHY: Emergencies of various types occur in our communities every day, from crimes and medical incidents to accidents and fires. These critical situations require men and women who possess the training and knowledge to rescue the endangered, treat the injured, and restore safety and order. With this stamp, the Postal Service recognizes all first responders for their skill, dedication and uncommon bravery.

The dedicating official will be Guy Cottrell, Chief Postal Inspector, U.S. Postal Inspection Service.

Artist Brian Stauffer worked with art director and designer Antonio Alcalá and designer Ricky Altizer to create this stamp. Additional details will be provided before the ceremony date.

Original announcement May 10th:

With this stamp, the Postal Service recognizes the men and women — including firefighters, law enforcement officers, and emergency medical service professionals — who respond to critical situations with skill, dedication and uncommon bravery. The digital illustration on this stamp is a symbolic scene that shows three first responders in profile, facing right, as they race into action. From left to right, the first figure is a firefighter carrying an axe. The second figure is an EMS worker, with the EMS Star of Life visible on her cap, upper arm and emergency bag. The third figure is a law-enforcement officer shining a flashlight toward unknown danger ahead. The dark background and signs of smoke in around the figures suggest the wide range of situations that demand the immediate attention of a first responder.

Artist Brian Stauffer worked with art director and designer Antonio Alcalá and designer Ricky Altizer to create this stamp.

Updated August 18th:
Here’s is the Digital Color Postmark for this issue:It measures 2.43″ x 1.43″. Here is the B&W pictorial postmark:It measures 2.79″ x 1.55″.

Spellman Museum Celebrates Postcards

[press release]
NATIONAL POSTCARD WEEK MAY 6-13
FREE CARDS AND POSTAGE AT THE SPELLMAN MUSEUM

THE POSTCARD – THE ORIGINAL TWEET/INSTAGRAM

The first week in May marks National Postcard Week. Early in the 20th century, postcard enthusiasts sent “Postcard Day” postcards on May 1st, but the modern observance began in 1984 as a way to promote postcard collecting and sending. Don’t toss that shoebox of old postcards you found in grandma’s attic-they tell stories about the past and can be valuable. And people always like to get personal mail these days.

The United States Postal Service first allowed postcards to be mailed in 1872 for 1 cent. The postage stamp can date vintage postcards-it went up 24 times from 1872 to 2013. Postcards mailed before August 1958 cost up to 2 cents. In January 2013, the rate was 33 cents and today the cost is 35 cents. Until 1907 only the address could be put on the back of the card.

The Spellman Museum of Stamps & Postal History has free postcards and vintage postage stamps for anyone who visits the Museum (regular admission) from May 10 to 13. Please stop by with your address book (no, not your email list!). For more information email to postcard. If you cannot get to the Museum, send a few cards on your own.

The Museum is open Thursday to Sunday, noon to 5:00. It is located at 241 Wellesley St, Weston, MA 02493.

U.S. Postal Museum Opens Hamilton Exhibition

[press release]
National Postal Museum To Open Alexander Hamilton Exhibition
Original Hamilton–Burr Dueling Pistols on Rare Public Display The pistols used in the infamous 1804 duel between Alexander Hamilton and Aaron Burr will be on display May 25 through June 24 at the Smithsonian’s National Postal Museum. They are featured in the exhibition “Alexander Hamilton: Soldier, Secretary, Icon,” along with mail, portraits, and postage and revenue stamps reflective of Hamilton’s life and career as the first U.S. treasury secretary.

The full exhibition remains on view through next March. Its opening in late May is set to coincide with the June opening of the hit Broadway play, Hamilton: An American Musical, at the Kennedy Center in Washington, D.C.

The original dueling pistols used by Hamilton, former secretary of the treasury and retired two-star general, and Vice President Aaron Burr in the duel that resulted in Hamilton’s death are on loan to the museum from JPMorgan Chase & Co. This rare public showing represents the first time the pistols have been on public display in the Washington area.

Hamilton was born on the British Caribbean island of Nevis in 1755, deserted by his father at age 11 and raised by his mother who died when he was 13. Shortly after his arrival in New York in 1772, long-simmering tensions between Great Britain and its North American colonies erupted into open war. An orphan with few influential connections, Hamilton saw the American Revolution as an opportunity for rapid social advancement. He committed to the revolution and decided he and America would sink or swim together.

In the 215 years since his untimely death at 39 in the duel with Burr, Hamilton has become an American icon. Stamps, money, movies, television miniseries, and now a hit Broadway musical, commemorate his meteoric rise and his sweeping vision for America’s future.

“In a Federalist-style gallery within the museum’s William H. Gross Stamp Gallery, visitors will see objects highlighting Hamilton’s extraordinary influence on our country,” said Elliot Gruber, director of the museum. “Visitors of all ages will be drawn in to the man behind the musical that is sweeping the nation.”

A beer tax stamp from the Museum’s collection is shown on the left.

In a scene that is scarcely imaginable today, on July 11, 1804, Burr killed Hamilton in a duel. Burr had lost the U.S. presidential election of 1800 and the New York governor’s race of 1804. He blamed Hamilton’s outspoken opposition for both losses—especially a letter attributed to Hamilton and published in the Albany Register that referred to Burr as “despicable.” Burr then issued the challenge to a duel, which was set for a location outside New York City in nearby New Jersey.

The pair of flintlock pistols have been described by Hamilton scholar and author Ron Chernow as having “the best claim to authenticity” as the pistols used in the famous duel.

Made of walnut, brass and gold, and each weighing several pounds, the pistols were manufactured in England by the celebrated gunsmith Robert Wogdon. They were owned by Hamilton’s brother-in-law, John Barker Church, who had himself dueled with Burr in 1799 over a different matter (and using a different set of pistols).

Far from vindicating himself as he had hoped, Burr instead became a pariah. Indicted for the capital crime of murder in both New York and New Jersey, he was forced into hiding. President Thomas Jefferson dropped him from the Democratic–Republican presidential ticket, and later ordered Burr’s arrest on treason charges stemming from an alleged plot to set up an independent country in the Louisiana Purchase territories. Burr was eventually acquitted of murder, dueling and treason, and he resumed a modest law practice in New York but died bankrupt and living in a Staten Island boarding house in 1836.

“History remembers Alexander Hamilton as the pioneering first secretary of the treasury, but he was also responsible for the Post Office Department,” said Daniel Piazza, chief curator of philately. “He used the mail to collect import and export data from customs officers all over the country, and his ability to interpret this data made Hamilton the best informed member of Washington’s first Cabinet.”

About the Smithsonian’s National Postal Museum
The National Postal Museum is devoted to presenting the colorful and engaging history of the nation’s mail service and showcasing one of the largest and most comprehensive collections of stamps and philatelic material in the world. It is located at 2 Massachusetts Ave. N.E., Washington, D.C., across from Union Station. The museum is open daily from 10 a.m. to 5:30 p.m. (closed Dec. 25). For more information about the Smithsonian, call (202) 633-1000 or visit the museum website at www.postalmuseum.si.edu.

RPSL Views Cayman Collection

[press release]
Wonderful collection of Cayman Islands

The members of The Royal Philatelic Society London were able to admire the wonderful collection of Cayman Islands built up by Captain James Podger FRPSL at the meeting held on 3 May.

The story begins in April 1889 when a branch of the Jamaica Post Office was opened in Georgetown on Grand Cayman, with Jamaican postage stamps being supplied to enable letters to be sent as if they had originated from Jamaica.

The islands’ own stamps were first issued in November 1900 (the earliest recorded date is 15 November) being of the ‘Key Plate’ design in values of ½d and 1d, these being the final ‘Key Plates’ to use the portrait of Queen Victoria. Following the release of these stamps, further values were required – 2½d, 6d and 1/- – and these were the first ‘Key Plates’ stamps to have the portrait of King Edward VII.

The display continued up to the present reign, including proofs and varieties, and fine examples of usage, with postage due markings, airmails and censorship, plus examples of the extremely rare ‘East End Grand Cayman’ rural post marking.

Giving the vote of thanks, Simon Richards FRPSL paid tribute to the fact that James and other specialists work together to share the results of their research.

Those wishing to visit The Royal Philatelic Society London at 41 Devonshire Place, London W1G 6JY, or be a guest at one of its meetings, are asked to contact the Administrative Office (020 7486 1044).

ATA Names Delvaux Top Topicalist

[press release]
Cletus Delvaux Named Distinguished Topical Philatelist

The American Topical Association’s highest award, Distinguished Topical Philatelist, is being awarded this year to Cletus Delvaux. A 39-year ATA member, Delvaux is a prolific philatelic writer and editor.

A retired English teacher from Green Bay, Wis., Clete has written more than 100 articles for Topical Time, Linn’s Stamp News and other philatelic publications. His primary topics are journalists, authors and poets on stamps.

Delvaux has been president of the Journalists, Authors, and Poets on Stamps (JAPOS) Study Unit of ATA since 1993. In 2000, he also assumed the position as editor of the JAPOS Bulletin, and he also writes extensively for that publication. He is a past president of the Green Bay Philatelic Society and edited its newsletter for 25 years.

The Distinguished Topical Philatelist award will be presented at the Celebration Banquet of APS StampShow/National Topical Stamp Show on Aug. 11 in Columbus, Ohio. Click here for further information about the award. Click here for more information about the ATA.

Aboriginal XI – 1868 Cricket Team (Australia)

[press release]
Australia Post pays tribute to the 1868 Aboriginal XI

1st May 2018

Australia Post is releasing a stamp issue to commemorate 150th anniversary of the sporting achievements of the 1868 Aboriginal XI – the first cricket team from Australia to tour internationally.

The 1868 cricket tour of England was undertaken by the Aboriginal XI – a team of 13 Aboriginal cricketers, most of whom were Jardwadjali, Gunditjmara and Wotjobaluk men from the Western District of Victoria. Several of these players had played in a historic match against the Melbourne Cricket Club, at the Melbourne Cricket Ground, on Boxing Day, 1866. Private financiers noticed their talent and asked English professional cricketer Charles Lawrence to captain and coach a team for a tour of England.

The 1868 Aboriginal XI equalled the playing record of their opponents, winning 14, losing 14 and drawing 19 of their 47 matches, played between May and October against local and county teams. The players were praised for their sportsmanship by the English press and met with enthusiasm by spectators.

Australia Post Philatelic Manager, Michael Zsolt said: “This was an extraordinary achievement by these players, all of whom, aside from the captain, had only been playing the game of cricket for a few years”.

“It is said that the success of this tour paved the way for the first representative tour of England, in 1878, as well as the first Test match against England, in 1880,” Mr Zsolt said.

The Aboriginal XI of 1868 were: Bullocky (Bullchanach), Charley Dumas (Pripumuarraman), Dick-a-Dick (Yangendyinanyuk), Jim Crow (Lytejerbillijun), Johnny Cuzens (Zellanach), Johnny Mullagh (Unaarrimin), King Cole (Bripumyarrimin), Mosquito (James Couzens) (Grougarrong), Peter (Arrahmunijarrimun), Red Cap (Brimbunyah), Sundown (Ballrinjarrimin), Tiger (Bonnibarngeet), Twopenny (Jarrawuk/Murrumgunarrimin), captained by Charles Lawrence.

The domestic base-rate ($1) stamp, designed by Phil Ellett of Creative Ethos, incorporates player portraits from one of the few remaining photographs from the 1868 tour, from the National Library of Australia. Featured are the team and their manager (minus King Cole, who had passed away from illness, and Sundown and Jim Crow, who had returned home).

Most players returned to the restrictions of station life following the tour, with few continuing to play cricket. In 2002, the 1868 Aboriginal XI was posthumously recognised in the Sport Australia Hall of Fame as the first cricket team from Australia to tour England. In 2004, each player was posthumously assigned an official Cricket Australia number, to honour their ground-breaking achievements.

The products associated with this stamp issue are: a first day cover, sheetlet pack and maxicard. The First Cricket Tour: 150 Years stamp issue is available from 1 May 2018 at participating Post Offices, via mail order on 1800 331 794 and online at auspost.com.au/stamps, while stocks last.

Iconic British Owls (UK 2018)

[press release]
Iconic British Owls

    • 10 stamps feature five species of Owls that breed in the UK
    • Stamp images show the: Barn Owl; Little Owl; Tawny Owl; Short-eared Owl and Long-eared Owl
    • Five stamps feature adults and a further five stamps depict them as juveniles
    • These much loved iconic British birds have been the source of fascination over the ages
    • There are more than 200 species of owls worldwide and all are deadly hunters
    • The stamps are available to pre-order from today at www.royalmail.com/owls and from 7,000 Post Offices nationwide from 11 May

Royal Mail will issue 10 stamps that pay tribute to the much loved, iconic, British owl.

The stamp set, issued on 11 May, shows adult and juvenile images of the: Barn Owl; Little Owl; Tawny Owl; Short-eared Owl and Long-eared Owl.

From the mostly nocturnal Barn Owl, to the Short-eared Owl that hunts in the daylight, the stamps depict five species of Owls that breed in the UK.

There are more than 200 species of owls worldwide and all are deadly hunters – from the tiniest pygmy owl to the most imposing eagle owl – thanks to an array of remarkable physical and behavioural adaptations.

A few owl species are active by day, but most hunt between dusk and dawn, and so need eyesight that excels in low-light conditions. The typical owl eye is adapted to make the very most of all available light being tubular in shape rather than round.

An exemplary sense of hearing is also essential for a bird that hunts in near-total darkness, and whose prey is often concealed under vegetation (or sometimes even snow). All owls have acute hearing, but it is most developed in strictly nocturnal woodland hunters, like the Long-eared Owl.

Owl communication is primarily through sound, and the various calls they make have distinct meanings. Most familiar are the territorial calls – often a complex series of notes that are analogous to the songs of smaller birds. These serve to announce ownership of a territory to rivals and, in males, also function to attract a mate.

Owls, perhaps more than any other birds, have been regarded with such fascination over the ages. Their haunting calls are often the only clue to their presence and when meeting one face to face, it is possible to see almost human-like expressiveness in that direct, intense gaze.

The stamps are available to pre-order from today at www.royalmail.com/owls and from 7,000 Post Offices nationwide from 11 May.

Royal Mail spokesperson Philip Parker says: “Owls are among our most iconic bird species, with their soundless flight and eerie calls, and our new stamps celebrate their beauty.”

Barn Owl: Also known as the ‘white owl’ and the ‘screech owl’, the Barn Owl is perhaps the UK’s most familiar owl species – most often encountered as a ghostly shape caught in car headlights, or heard rather than seen with its unearthly screaming call. The Barn Owl hunts over all kinds of open country, and tends to nest on ledges inside farm buildings. It is unmistakeable with its white and gold plumage, heart-shaped face, long legs and small dark eyes. While it is mostly nocturnal, it can also be seen out hunting on summer evenings. It hunts in flight, flying into the breeze for uplift and often hovering before making its strike – its prey mainly located by sound. Barn Owls became very rare following widespread use of the insecticide DDT in the 20th century, but their numbers are now recovering.

 

Little Owl: This small, long-legged owl with its bright yellow eyes, white-spotted brown plumage and fiercely frowning expression is common in continental Europe, but not native to the UK. It was deliberately introduced here by ornithologists in the 19th century and has spread widely across southern Britain. Little Owls inhabit woodland and parkland with open grassy areas nearby, and are often seen by day, perched in pairs close to their nest site (usually a hole or crack in a mature tree), or flying from tree to tree with a distinctive bounding flight action. They hunt mainly insects, dropping on them from a perch or chasing them on the ground. The Little Owl is the national bird of Greece, and has long been recognised as the emblem of Athene, the Greek goddess of wisdom.

 

Tawny Owl: The lovely quavering hoot of the Tawny Owl is a familiar night-time sound in woodland, parks and even gardens, but although this is the UK’s most common owl, it is rarely seen, being strictly nocturnal. Tawny Owl pairs stay in their territories year-round and over time build up a great familiarity with the terrain, with favourite hunting watchpoints, roosting sites and a nest site that will be used every year. The owlets leave the nest while still downy and flightless, and climb to safe spots among the branches where they wait for food from their parents. The largest of the UK’s owl species, the Tawny Owl is a powerful predator and other owls number among its prey. It is found throughout Great Britain, but is absent from Ireland.

 

 

Short-eared Owl: A true nomad, the Short-eared Owl is one of the most widely distributed birds in the world, occurring on all continents except Antarctica. Individuals may travel great distances, stopping to breed where feeding conditions are good. In Britain the species breeds mainly on upland moor in the north and west, but becomes more widespread in winter (and more numerous, as birds arrive from mainland Europe, sometimes in large numbers). A diurnal owl of open moorland and rough grassland, it hunts on the wing, patrolling back and forth close to the ground, and dropping feet-first upon voles and other prey. In some winters, half a dozen or more may be seen ‘working’ the same field, with coastal areas particularly likely to attract large numbers. The Short-eared Owl is a long-winged owl with grey-brown and sandy, heavily streaked plumage, paler than the similar Long-eared Owl, and with yellow, staring eyes and tiny ear tufts.

Long-eared Owl: This beautiful, slim, orange-eyed owl is named after its large, cat-like ear tufts, which help to break up its outline as it roosts by day. In the UK it breeds mainly in upland pine forests, but in Ireland (where it does not face competition from Tawny Owls) it is more common and lives in a wider range of habitats. Though the Long-eared Owl nests in woodland, often in the old nest of another bird, it prefers to hunt on adjacent open countryside. Its prey mainly comprises small rodents, which it catches either by pouncing from a perch or by searching in flight. The waiting chicks beg with a distinctive ‘squeaky-gate’ call. Long-eared Owls disperse widely in winter, with residents joined by visitors from the Continent, and form winter roosts (which may hold ten or more birds) in thick scrubland.