Miller to Replace Felts At Topical Association

[press release]
The American Topical Association has named Jennifer L. Miller of Greer, SC, as its executive director. An avid topical collector and ATA member, she is well-known in the hobby.

Miller has many years of customer service experience. She spent several years working for Disney, and most recently has 13 years of business experience with Starbucks. Many of the skills she used daily in those roles are essential to the ATA: customer service and creating customer experiences, managing finances, managing workflow and priorities, and participating in promotional activities. She has a degree in education and was a teacher at the beginning of her career.

“Jennifer comes to us with enthusiasm, creative ideas and a desire to help ATA continue its high level of ser- vice,” said ATA President Dale Smith. “We will be moving the office to Greer this summer with minimal interruption of ATA services.” ATA’s new address is: P.O. Box 2143, Greer, SC 29652-2143.

Miller will replace Vera Felts, executive director since 2009, who will be retiring. The opening was announced in April.


Miller is the wife of Martin Miller, the new editor of the U.S. Stamp Specialist, the journal of the U.S. Stamp Society, and former editor of American Philatelist. Felts had told VSC last year that she wanted to retire soon. Jennifer accompanied Martin to Southeastern Stamp Expo in January 2018 and helped staff the American Philatelic Society table with him.

Jennifer Miller and Vera Felts will both be at National Topical Stamp Show in Omaha this August. She will spend at week at Felts’ home office for ATA, and there will be an overlap in their employment, with no actual date of transition. In fact, Felts will remain a consultant. — VSC

Amos Offers Exhibit Page Protectors

[press release]
Exhibit page protectors available from Amos Media Co.

Amos Media Co. is pleased to announce that Atlantic Protective Pouches exhibit page protectors are now available for purchase directly from Amos Advantage.

Two sizes are offered: 8½ inches by 11 inches (standard exhibit page), and 11 inches by 17 inches (large exhibit page). Both sizes open across the top, for easy insertion of exhibit pages.

These expertly crafted exhibit page sleeves, made from archival acid-free polyester, are designed to give your treasured exhibit the protection and professional appearance it deserves. All sleeve surfaces are 100% transparent and highly polished.

There’s no need to worry about damage to your collection because the sleeves are completely inert. They contain no adhesives, additives or coatings of any kind.

Atlantic Protective Pouches are available in convenient packs of 16 and eight, which correspond to the number of standard or large pages in an exhibit. Order yours today by visiting www.amosadvantage.com/exhibitpages or by calling 800-572-6885.

Mystic Buys ArtCraft Inventory

[based on press release]
Mystic Stamp Company Buys Complete ArtCraft First Day Cover Inventory
Dissolution of ArtCraft makes Fleetwood America’s oldest surviving First Day Cover maker

Camden, NY. In May 2019, Mystic Stamp Company purchased ArtCraft’s complete inventory – over 5 million covers – after the company announced it was closing its doors. ArtCraft had been sending out Fleetwood First Day Covers since they stopped printing their own in 2015, so it’s only fitting Mystic – owner of Fleetwood – pick up ArtCraft’s inventory, too. This inventory includes historic covers from ArtCraft’s earliest days (1939) to 2015. Known for their exquisite detail, ArtCraft’s steel-engraving-style cachets have always been popular with collectors.

In the press release, Mystic president Don Sundman said, “My family has been collecting and selling covers for over 85 years, beginning with my father, Maynard, in the 1930s. [One of his covers, from 1935, is shown on the left.] At Mystic, we know what First Day Cover collectors want, and we design our cachets accordingly. Going forward, ArtCraft customers can expect to see the same high-quality First Day Covers they’ve been receiving since 2015.”

However, in e-mail to The Virtual Stamp Club, Sundman clarified that Mystic will not be continuing the ArtCraft line with new issues.

“I wish we could but we don’t have enough customers to justify the costs,” he wrote. “It’s really expensive to make engraved steel plates.  I’m told ArtCraft paid $2,000 just for the steel plate.  And there are lots of other costs too.”

However, when Washington Stamp Exchange stopped producing new ArtCraft designs, WSE purchased unserviced Fleetwood cachets from Mystic, serviced them, and sold them to its subscription customers.

“Late 2018 or early 2019, ArtCraft and Mystic agreed for Mystic to reach out to ArtCraft customers and offer to continue the collectors the opportunity to buy Fleetwood covers,” Sundman told VSC. “These are the same style of covers they bought from ArtCraft during 2015-2018.”

Sundman went on to say that Mystic is in the process of organizing ArtCraft’s inventory and will be making these classic covers available to collectors very soon.

About Mystic Stamp Company
Mystic Stamp Company was founded in the small town of Camden, NY, in 1923. Mystic has been serving stamp collectors nationwide for over 95 years and has evolved into America’s Leading Stamp Dealer. Employee owned since 2016, Mystic is known for personalized customer service and is committed to making collecting fun and easy. Mystic works closely with the National Postal Museum and American Philatelic Society to promote stamp collecting and bring new collectors into the hobby. In addition to its goal of providing products and services that exceed customer expectations, Mystic practices good citizenship by making contributions of time, money, and knowledge to the local community and beyond. For more information visit MysticStamp.com.

APS Chooses Loebig As Editor

The Virtual Stamp Club has learned that the American Philatelic Society — the biggest stamp collecting organization in the U.S. — has chosen Thomas Loebig (pronounced “LO-big”) for Chief Content Officer. As such, he will be the editor of both American Philatelist and the American Philatelic Literature Review, as well as in charge of APS’ online outreach efforts.

Loebig and his wife live in State College, Pa., so having a CCO onsite won’t be the issue it was with his predecessors, although APS executive director Scott English tells VSC that was not a major consideration. He held a similar position at Accuweather, which is headquartered in State College.

He begins June 25th, which is during APS’ Summer Seminar. He also will attend APS StampShow in Omaha.

[press release]
American Philatelic Society Names New Chief Content Officer

BELLEFONTE, PA, June 5, 2019 – Today, the American Philatelic Society announced Thomas R. Loebig as its next Chief Content Officer. Loebig, an experienced digital media and broadcasting executive, most recently served as Vice President, Digital Media Content and Operations of AccuWeather.

The APS conducted a national search for a Chief Content Officer to serve as editor of the two award-winning journals of stamp collecting, The American Philatelist and the Philatelic Literature Review, the flagship publication of the American Philatelic Research Library. In addition, the Chief Content Officer will be responsible for leading the growth of digital content offered to members and non-members alike through the organization’s website, stamps.org.

“We’re incredibly fortunate to be so close to Penn State University and great corporate citizens like AccuWeather to draw new talent,” said Scott English, Executive Director of the Society, “Tom brings experienced leadership in the digital content field and will help lead the APS and the hobby to serving 21st century stamp collectors.

Loebig, a collector in his youth, has recently reignited his collecting interests and joined the APS. “I am excited to join stamp collecting’s preeminent organization, as an executive and member. Stamps have deep historical significance and are beautiful pieces of American art. I look forward to engaging our current members and introducing future members with amazing content that advances and promote the hobby.”

While with AccuWeather, Loebig successfully led the effort to increase web traffic through relevant news and video content, increasing time spent on the website and more than doubling the social media referral traffic within three months. “Our recently-adopted strategic plan emphasizes development of more relevant, shareable, and timely content for the hobby and we believe Tom will be a critical link in moving ahead,” said English.

Loebig served as news director for several television stations from Altoona, PA, Cincinnati, OH, Pittsburgh, PA, and Asheville, NC. He holds a Bachelor of Arts degree in Journalism from Penn State University. Loebig resides in State College, PA and will work from the APS headquarters in Bellefonte.

In the past six months, the APS has launched the virtual library, housing nearly 2,000 journals of philately dating back to 1887 and the online learning portal, Collecting and Connecting Central Academy (C3a).

Loebig will join [the APS Staff] on June 25, 2019, during the APS annual Summer Seminar. Loebig will be part of the APS team in Omaha, Nebraska for the joint StampShow/National Topical Stamp Show put on by the APS and the American Topical Association on August 1-4, 2019 at the CHI Health Center Omaha Convention Center.

We expect to expand this article as we get more information —VSC.

Major Sporting Venues, Part I (Australia 2019)

[press release]
Major sporting venues celebrated on stamps

Issue date: 4 June

In the first of a two-part series, Australia Post is celebrating some of Australia’s most loved and recognisable sporting venues, each with a special place in the lives of many Australians.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said it was an opportunity to recognise the importance of sport as a big part of Australian popular culture.

“These popular venues play a role in shaping a city’s identity. We’re thrilled to shine a light on these iconic venues, with stamps to be enjoyed by sport lovers and collectors alike.”
The four domestic base-rate ($1) stamps, designed by Andrew Hogg Design, feature:

$1 AAMI Park, Victoria
The award-winning AAMI Park was welcomed to Melbourne & Olympic Parks’ precinct in May 2010, giving Victoria its first world-class pitch for elite-level rugby league, rugby union and football codes. The 30,050-seat stadium is defined by its distinctive bio-frame design, the roof of which provides covered seating for most of a capacity crowd enjoying the spectacle on the 136 x 82 metre playing field below.

$1 Optus Stadium, WA
Optus Stadium was opened in Perth in January 2018, and in its first 12 months of operation attracted more than two million fans. The 60,000-seat stadium can host AFL, rugby union, rugby league, football and cricket, as well as large entertainment events. From fence to fence the pitch covers 177 x 141 metres, with 165 x 130 metres for the AFL field of play.

$1 Sydney Cricket Ground, NSW
Located on the edge of the CBD, the Sydney Cricket Ground has a long and venerable history dating back to the mid-19th century. It hosted its first game of cricket in 1854, and has been home to major cricket matches since 1876. With a capacity of 48,000, in addition to hosting cricket in its various formats, it also regularly hosts AFL, rugby league and union, and football.

$1 Melbourne Cricket Ground, Victoria
Melbourne Cricket Ground, or the MCG or ’G, as it is fondly known, is considered by many to be one of the premium stadia of the world. Built in 1853, it was the main venue for the first Olympic Games held in the Southern Hemisphere in 1956, a centrepiece for the 2006 Commonwealth Games and host to two cricket World Cups, in 1992 and 2015. Primarily a ground for AFL and cricket, with a capacity exceeding 100,000, it sits fondly in the heart of many Victorians and Australians alike.

Products associated with this issue include first day cover, stamp pack, medallion cover, booklet collection pack, maxicard set and four booklets of 10 x $1 self-adhesive stamps.
The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 4 June 2019 while stocks last.

U.S. Scott Catalogue Update (June 2019)

The following numbers have been assigned:

5372 (55¢) Post Office Murals – Piggott, AR mural
5373 (55¢) Post Office Murals – Florence, CO mural
5374 (55¢) Post Office Murals – Rockville, MD mural
5375 (55¢) Post Office Murals – Anadarko, OK mural
5376 (55¢) Post Office Murals – Deming, NM mural
a. Vert. strip of 5, #5372-5376

5377 (55¢) Maureen “Little Mo” Connolly Brinker

Flightless Birds (Australia 2019)

[press release] Issue Date May 7th
Commemorative stamps feature our flightless birds

Australia Post is set to commemorate our flightless birds — from the very big to the very small.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said: “Australia’s distinctive flightless birds have become iconic symbols both here and overseas. Each beautifully presented stamp showcases the unique features of each bird, and is sure to appeal to bird lovers, the general public and collectors.”

The smallest of all the penguin species, the Little Penguin (Eudyptula minor) is the only penguin to breed in mainland Australia and Tasmania, and is a contrast to our largest birds, the Emu (Dromaius novaehollandiae) and the Southern Cassowary (Casuarius casuarius).

The two domestic base-rate ($1) stamps and international ($2.30) stamp were designed by Sharon Rodziewicz of the Australia Post Design Studio and feature:

$1 Emu (Dromaius novaehollandiae) The Emu, which is common throughout much of inland Australia, can reach up to two metres in height and is the second tallest bird in the world, after the Ostrich. The female Emu’s clutch of around eight to 10 dark-green eggs is incubated by the male, who doesn’t eat or drink for the eight weeks until they hatch. He also cares for and protects the striped grey and brown-black chicks for 18 months, until they can fend for themselves.

$1 Southern Cassowary (Casuarius casuarius) The only cassowary species found in Australia is the Southern Cassowary, distinguished by its vivid blue face and neck, long drooping red wattles hanging from the throat, and tall horn-like brown helmet or casque. The Southern Cassowary is found in tropical far north Queensland, and like the Emu, the male incubates the blue-green eggs.

 

$2.30 Little Penguin (Eudyptula minor) The Little Penguin or Fairy Penguin, which reaches about 33 centimetres in height, is found around the coast of southern Australia. Spending most of its time foraging at sea, it returns just after dusk to rocky burrows near the beach.

Products associated with this issue include a first day cover, stamp pack, and maxicard. The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 7 May 2019 while stocks last.

Native Bees (Australia 2019)

[press release]   Issue Date: May 14th
Australia Post abuzz with native bee stamps Some of Australia’s native bees are set to appear on a striking commemorative stamp issue to be released by Australia Post this May.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said it was an opportunity to learn about the diversity of Australia’s native bees.

“We have a great diversity of native bees and they play an important role as pollinators of native flora. These beautiful stamps remind us of how integral the often solitary native bee is, and they’ll be of interest to nature lovers and collectors alike.”

The four domestic base-rate ($1) stamps feature artwork from renowned Australian wildlife illustrator Kevin Stead and include:

$1 Resin Bee (Megachile macleayi)
The Resin Bee, from the family Megachilidae, builds its nest in narrow holes in timber, constructing the nest and sealing the entrance with gums and resins it collects from leaves and plants. This solitary bee, which is found across northern Australia, prefers nectar from legume flowers.

 

$1 Green and Gold Nomia Bee (Lipotriches australica)
From the family Halictidae and found throughout eastern Australia, the solitary Green and Gold Nomia Bee nests in the ground. After looking for mates and foraging for nectar during the day, clusters of numerous male bees spend the night clinging or “roosting” together on tree twigs or grass stems.

$1 Wasp-mimic Bee (Hyleoides concinna)
The solitary Wasp-mimic Bee from the family Colletidae can most frequently be seen feeding from eucalypt flowers in eastern Australia from southern Queensland to Tasmania. It convincingly disguises itself as a black and orange wasp in order to fool and deter predators.

$1 Neon Cuckoo Bee (Thyreus nitidulus)
The striking, bright metallic blue Neon Cuckoo Bee from the family Apidae is so named because it opportunistically lays its eggs on the pollen balls inside the ground nests of the Blue-banded Bee (Amegilla cingulata). This solitary cleptoparasitic bee, which has no need to collect pollen from flowers, is found across eastern and northern Australia.

Products associated with this issue include first day cover; stamp pack, medallion cover, booklet collection and booklet of 10 x 4 $1 self-adhesive.

The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 14 May 2019 while stocks last.

Hotchner: U.S. Stamp Prices And Inflation

By John M. Hotchner

I’ve just gotten to the long put-off project of updating my U.S. albums — used stamps only — and that has required paying attention to catalogue listings; not so much values as numbers, what can be washed and what can’t, year-by-year programs, and such. And that has provoked some random thoughts.

When I began collecting stamps in earnest, in 1954, at age 11, there were barely 1000 catalogue numbers after 107 years since the first U.S. stamps were issued. In the 74 years since then, the U.S. has issued another 4300+ stamps. The midpoint, catalogue number 2650, was issued in 1992, with a First Class letter rate of 29¢. Which means we have had about 2650 U.S. stamps (ignoring air mail, postage due, officials, and other Back of the Book issue) in just the last 26 years.

Many of the U.S. stamps from the very beginning to those of today have varieties and subvarieties. What this means is that collecting the entire country has become a mammoth undertaking — even if we limit ourselves to a single copy of each major variety. Projecting into the future, at roughly 100+ new stamps per year, the challenge will become gargantuan over the next 25 years — assuming we still need or want stamps in the next 25 years!

Let’s look at another aspect: Our first stamps in 1847 were denominated at 5¢ and 10¢; the former for letters sent up to 300 miles, the latter for over 300 miles. Shortly thereafter, in 1851, the basic rate was reduced to 3¢ for up to 3000 miles and 5¢ for beyond that distance. On October 1, 1883, the domestic First Class letter rate was set at 2¢, regardless of distance. And there it sat for nearly 50 years; except for 1917-19 when a penny was added for postage on letters (really, a semi-postal rate, as the additional penny was intended to help pay for the costs of American involvement in World War I.)

The 2¢ rate ended on July 6, 1932, when the 3¢ rate came into force. Twenty-six years later, it was increased to 4¢ on August 1, 1958. And the march to higher rates with ever shorter time spans began in earnest. In recent years, there have been nearly annual rate increases (though there was a hiccup in April, 2016, when a court directed the USPS to reduce its 2014 49¢ rate to 47¢ because the increase to the 49¢ rate had been improperly processed. Eight months later the 49¢ rate came to stay, last year it became 50¢, and this year, it went to 55¢.

Some of the sting of recent rate increases has been removed by introduction of the Forever stamp concept in 2007. Had you bought heavily in 2007, the 41¢ you paid then per stamp would now be carrying 55¢ letters. Of course, some of that gain would have been eaten up by inflation. And the USPS would have had your money all this time instead of you having it in the bank earning interest. You have to figure that the USPS knew what it was doing, and did not expect to lose money on the Forever deal. In fact, virtually all First Class stamps are now issued with the word “Forever” as a part of the design, and the concept has been extended to other types of mail as well.

The bottom line is that collecting U.S. stamps has become more expensive if looked at it purely from the standpoint of cost per First Class stamp — especially if we collect mint U.S. Ah, but I hear you say, today’s dollar is not what it used to be. To be fair, the present First Class rate has to be seen in the context of inflation. In other words, 2¢ in 1900 is not the same as 2¢ in 2018.

The website in2013dollars.com is helpful in understanding this. A single 1900 dollar could buy what it takes $30.42 to buy in today’s dollars. The 1950 figure is $10.33, and the 2000 figure is $1.45. Using their calculator, the 2¢ you paid for postage in 1900 is the same as 61¢ in today’s money. And that means we are getting a bargain.

Looked at another way, we really do get a bargain. Our domestic letter mail cost is among the lowest in the developed world; made possible by the volume of mail sent in this country: around 40% of the world’s total. Nowhere else in the world can you send a letter as far for as low a rate.

But we buy much more than First Class stamps. For example, the numbers of dollar stamps these days greatly exceeds (what with Priority Mail and Express Mail) the numbers of dollar stamps issued through the 1954 Liberty issue of my youth. And as I think back to the few 1¢-5¢ booklet panes which I treasured in my youth, today’s output of booklets is staggering when one considers the range of stamps in booklet form, and the varieties of booklets.

What is on our stamps? The earliest U.S. issues celebrated the Founding Fathers, which was gradually expanded to presidents and other prominent politicians and government (including military) officers.

The the first tentative steps toward expanding subject matter of stamps began with the 1869 issue, advanced with the 1893 Columbian Exposition issue, and really began to flower with the 2¢ red commemoratives starting in the mid-1920s. But the people honored remained mostly those in the above categories.

Expanding the categories of people was begun in 1940, with the Famous Americans issue of 35 stamps; five in each of seven categories (Authors, Poets, Educators, Scientists, Composers, Artists, and Inventors).

Today, we have taken what was a good thing and arguably gone round the bend with a majority of our stamps being devoted to pop culture, and sports, fruits and other edibles, pets and flowers. Whereas our stamps of the first 100+ years were devoted to the people, events, discoveries that made America great, we now overwhelmingly celebrate what will sell.

Let’s look at a few more changes. Multicolor stamps — actually only two colors to start with — were a rarity from 1869 when they first appeared, and were the exception rather than the rule into the late 1950s. The first year that more U.S. commemoratives were issued with multicolor designs than as single color was 1961. The reason tracks to advances in printing technology that made multicolor stamp production more reliable, faster and cheaper.

The same advances in printing technology also resulted in our much lamented leaving the era of line engraved stamps in favor of surface-printed and photogravure printing. Many feel strongly that the trade-off of routine multi-color stamps in place of the beauty of quality intaglio printing was a mistake. Why couldn’t we stick with engraved multi-color stamps? The Postal Service felt the higher cost couldn’t be justified.

The early 1960s also saw another imperative for multicolor stamps — the fact that another “color” was being added in the form of tagging; made necessary by the requirement to automate mail handling in the interest of speed and cost control. That has blossomed into its own specialized field with different tagging compounds, formats (overall, block and stripes), and tagging embedded in the paper that comes from the manufacturer so that it doesn’t have to be added by printing.

And we can’t forget the advent of self-sticks, introduced in 1974 and used now and then until the self-stick experiments of the early 1990s, which quickly morphed into nearly the entire production of U.S. stamps being produced in self-stick form. Granted, the public loves it, and we collectors might also — had it not come with a terrible surprise: Almost all used self-stick stamps are difficult if not impossible to wash from the envelopes that carry them. The USPS has not seen the cost of adding a washable layer to stamps, thus making self-sticks collector-friendly, as being worth the cost.

And so, time, fashion, and technology march on. Whether the result in our issued stamps is a net positive or negative for U.S. stamp collectors can be debated ’til the cows come home.

On balance, I think it is a less attractive hobby to newcomers than it used to be, and I regret having to say that. But it can be just as absorbing and fascinating once a collector is hooked, and for that reason, I don’t fear for philately’s demise as some do.

U.S. stamps will continue to change. It is not in our power to stop change. What is in our power is to resolve to adapt to the changes as best we can rather than simply railing against them.


Should you wish to comment on this column, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contribu-tor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Queen Victoria Bicentenary (U.K. 2019)

Issue Date May 24, 2019

[from a Royal Mail press release]
Queen Victoria Bicentenary We mark two significant bicentenaries in 2019 – the birth of both Queen Victoria and of her husband Prince Albert. Queen Victoria’s reign was the second longest in British royal history and the era named after her saw dramatic social, political and economic change. We mark this anniversary with stamps that chart the life of Victoria from Princess to Empress, and the accompanying miniature sheet stamps celebrate the legacy of Prince Albert.

Products:
Stamps AS4583 £7.30
Miniature Sheet MZ141 £4.50
Presentation Pack AP460 £12.60
FDC – Stamps AF445 £9.35
FDC – Minisheet MF138 £6.00
FDC – PSB Pane HF087 £5.20
Stamp Souvenir AW111 £9.35
Stamp Sheet Souvenir AW112 £6.00
First Day Envelope AE400 £0.30
Prestige Stamp Book YB084 £17.20
Press Sheet PZ040 £74.25
Postcards AQ277 £4.95
BU £5 Coin Cover AN161 £19.95
Silver £5 Coin Cover AN162 £82.50
Gold £5 Coin Cover AN163 £1,995

Stamp Technical Details:
Number of stamps: Six
Design: Webb & Webb Design
Acknowledgements: Queen Victoria by Baron Heinrich von Angeli, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; Queen Victoria with Benjamin Disraeli by Theodore Blake Wirgman © The Forbes Magazine Collection, New York/Bridgeman Images; Queen Victoria on Horseback with John Brown by Charles Burton Barber © The Forbes Magazine Collection, New York/Bridgeman Images; Queen Victoria by Franz Xaver Winterhalter, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; The Marriage of Queen Victoria by Sir George Hayter, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; Queen Victoria when a Girl by Richard Westall, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019
Stamp Format: Square
Stamp Size: 35mm x 35mm
Number per sheet: 30/60
Printer: International Security Printers
Print Process: Lithography
Perforations: 14.5 x 14.5
Phosphor: Bars as appropriate
Gum: PVA

Values / Descriptions:
1st Class Head and shoulders portrait of Queen Victoria by Heinrich Von Angeli in 1890.
1st Class A painting of Queen Victoria and Prime Minister Benjamin Disraeli at Osborne House in 1878.
£1.35 Painting of Queen Victoria depicted on horseback with servant, John Brown, dated 1876.
£1.35 Portrait of Queen Victoria wearing the Robes of State dated 1859
£1.60 The marriage of Queen Victoria and Prince Albert dated 1840
£1.60 Queen Victoria as a young girl with her terrier, Fanny, dated 1830

Minisheet Technical Details:Number of stamps: Four
Design: Common Curiosity
Acknowledgements: Background image – Albert Prince Consort © Hulton Fine Art Collection/Getty Images; Model Lodge, Kennington, Private Collection/© Look and Learn/Illustrated Papers Collection/Bridgeman Images; Balmoral Castle, Scotland, Private Collection/© Look and Learn/Bridgeman Images; The New Crystal Palace, Sydenham © Science & Society Picture Library/Getty Images; Royal Albert Hall, London, Private Collection/© Look and Learn/Peter Jackson Collection/Bridgeman Images
Miniature sheet size: 146mm x 74mm
Stamp Format: Landscape
Stamp Size: 41mm x 30mm
Printer: International Security Printers
Print Process: Lithography
Perforations: 14.5 x 14
Phosphor: Bars as appropriate
Gum: PVA

Value / Description:
1st Class Model Lodge, Kennington
1st Class Balmoral Castle, Scotland
£1.55 The New Crystal Palace, Sydenham
£1.55 Royal Albert Hall, London
Background Image Albert Prince Consort

Presentation Pack (No. 571):
The Presentation Pack contains all six special stamps plus the Legacy of Prince Albert miniature sheet in a separate carrier. The pack includes an illustrated biography of Queen Victoria reflecting on her life on one side and her long period of mourning following the death of Prince Albert on the other.