Linn’s: No U.S. Bollywood Stamp

Linn’s Stamp News reports here that Indians and Indian-Americans were very excited to hear that veteran Bollywood actor Akkineni Nageswarara Rao was going to be honored with a U.S. stamp on September 20th.

Unfortunately for them, the U.S. Postal Service says it has no knowledge of such a stamp. (Of course, given communications within the USPS, maybe there will be such a stamp.)

Bill McAllister of Linn’s says U.S. Postal Service press rep Mark Saunders isn’t able to contact the Akkineni Foundation of America, the source of the story. I “googled” the Foundation, and found no web listing for it — just loads of South Asian news stories about the upcoming Rao stamp. Even Wikipedia now says he was “conferred with U.S. post stamp!” (reproducing the agency name error  in all the news reports.)

It sounds like a hoax to me, one that took in Wikipedia, the Times of India, The Hindu newspaper and more.

Myself, I have no idea who Rao is other than a star of Indian cinema, commonly called “Bollywood,” but I would support a Rao stamp just for the fun of seeing all the American first day cover cachetmakers misspell “Akkineni Nageswarara Rao.”

It reminds me of a stamp for a baseball star in 1984. Since this was pretty much before personal computer printers, a number of Washington, DC-area cachetmakers had given their designs to a collector and professional printer for production. He brought their boxes of envelopes to a Robert C. Graebner (AFDCS) chapter meeting. The cachetmakers eagerly opened the boxes… to find that the printer had “corrected” the text in all their designs so that they were commemorating Pittsburgh slugger Roberto Clemento.

—Lloyd de Vries

Hotchner: Computers & Philately

The March of the Computer in Philately: Positive or ???????
by John M. Hotchner

hotchnerComputers and the Internet are at best a mixed blessing, if one looks at the digital age from the standpoint of some in organized philately. Why? Collectors often see no need to pay money to subscribe to publications and to join organizations when there is so much free information out there on the World Wide Web. We can connect to others whose interests match our own. We can buy and sell virtually any type of philatelic material. We can access most of the dealer community through our keyboards. We can subscribe to free message boards and other websites that not only bring news and opinion about the latest goings on in the hobby, but let us participate with our own opinions nearly instantaneously. Do you have a question about something you own, or need guidance on how to catalog a difficult specimen? Put it out there for the online community, and you will have dozens of answers in two shakes of a lamb’s tail.

While I don’t have reliable figures, I know from observation that more and more stamp and cover collectors are getting online. When I began this journey myself in 1996, I was in the minority. Now, it is the person without the Internet who is the odd duck.

This does not make them bad people, or an object of ridicule. Some just don’t feel the need, don’t see enough benefit to justify the expense, or are technophobes who dislike steep learning curves. As Ogden Nash is reported to have said, “Progress may have been all right once, but it has gone on entirely too long.” No amount of pushing or shoving is going to move them from their easy chair to the computer store.

But for those of us who have at least begun to adapt to the new age, and know a computer professional and/or have someone under 30 who can help us overcome the problems, the computer is a blessing for exactly the reasons that it costs subscriptions and memberships. For that reason, it is the wise organization, dealer and publication that also works to adapt to the computer age. Those who fail to do so will be left in the dust.

And philately as a whole is in this same situation. Those who might become stamp collectors are also increasingly turning to the Internet to learn about the hobby, how to participate, what resources are available, how to get their questions answered. Organizations that are holding their membership numbers report significantly increasing percentages of their new members are signing up by way of the computer. The smart groups are using the computer to introduce themselves to a wide range of newcomers in several ways:

1. Having an attractive website that answers questions, explains the benefits of membership, and makes joining easy.

2. Putting older issues of their journals online

3. Putting the new issues into Members Only sections of their website, and including the table of contents in the generally available portion.

4. Including “How To” information, a library of related literature, and encouraging participation in society activities.

5. Including a Members Only auction in the public part of the website so prospects know what is available to be bought, and see the possibility of selling material as a club member.

For local clubs, the hardest part has always been letting newcomers know that they exist. Can your club be found when someone looking for a club puts into their search engine: “stamp clubs in ___(city)_____, ___(state)____”? The second hardest part has been enticing people to actually visit. A nicely done website that tells people where and when the meetings are, who to contact for further information, and making the club enticing fixes that. Then the third difficult part kicks in: treating visitors right when they arrive. But that is a subject for another column!

Perhaps the most difficult situation is that faced by print publications as the news can be spread so much faster by Internet. Subscribers do see a benefit in having news and features in one place rather than having to search for it. So, many publications are making their offerings available in color, on the web as rapidly as possible (well before it arrives in the mail), and at a reduced price. Some even have an extra web publication to bring breaking news to the subscribers

Organized philately is adapting because they have come to the proper conclusion that modern technology is neither a fluke nor going to be reversed. It is here to stay and we have to learn to use it. Those that don’t will wither away. And if the hobby as a whole fails to do so, it will be inviting disaster. Without a robust web presence recruiting for the hobby, it will not grow. And if that happens, we will see a stronger version of the trend we saw in the early years. Which is to say that the hobby sailed along oblivious and failed to adapt. while the computer gathered more and more adherents, and the hobby lost market share. Indeed it was the rare organization that did not lose a third to half its membership – mostly never to return – while they dawdled about whether to have a web presence, and if so, what sort of presence to have.

We seem as a hobby to have done a reasonable job reversing that trend, but we cannot rest on our laurels. Confounding those who believe as Ogden Nash did, technology continues to trample the old ways of doing things, and we must keep up or die. The new reality, using the computer and marrying it to phone technology, is the explosion in social media, and again as a hobby, we are lagging the power curve. We seem to have missed the fact that the world is spinning at a faster rate, and the time we have to make decisions that allow us to catch the comet’s tail has been compressed. The day of leisurely consideration, waiting to see what happens in the longer term, and decisions that consider every well researched alternative are a luxury we sometimes do not have.

Stamp collecting used to be a quiet, introverted, even solitary activity. Now as the general public becomes more interactive, a larger and larger percentage of collectors think of the hobby as having a dynamic edge that allows them to maintain much of their anonymity if desired while benefitting from the resources the computer brings to their desktop. And at the same time, it seems that fewer and fewer of those who have grown and are growing up in the information age are oriented toward the anonymity that so many collectors used to value. How you react to this state of affairs probably reflects your age and your experience with technology. But as noted above, those running organizations no longer have the luxury of sitting back and waiting to see where technology goes. We need to be managing our future, not merely adapting to it.

If we are going to survive as a hobby, and permanently stop the slide that befell us in the 1990s and early 2000s, we must expand the resources offered to new collectors, continue to innovate as we reach out to potential collectors through social media, and keep our eyes on new products that will further change our playing field.


Should you wish to comment on this editorial, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Israel: Tel Aviv – Global City stamp

From Israel Post; this stamp will be issued September 9, 2014
Tel Aviv – Global City

isr_telavivOn April 11, 1909 a few dozen people gathered on a sand dune to the northeast of Jaffa in order to allot plots of land for a new neighborhood called “Ahuzat Bayit”. Akiva Aryeh Weiss, the chairman of the lottery vowed they would build the “New York of Eretz Israel”. The founders of Tel Aviv were undoubtedly visionaries who dreamed large dreams despite the small odds.

Today, more than 100 years after the founding of Tel Aviv, the city is the gateway to Israel. It is an urban economic and cultural center on a global level. The city is now at the height of a groundbreaking strategic process to establish itself as one of the world’s twenty leading cities.

A “global city” is a leading city that constitutes an international business center which directly and tangibly affects world affairs. Tel Aviv has been strategically positioned as “the Startup City”, encouraging entrepreneurship and innovation in order to give it a relative advantage over other cities.

This move is the fruit of collaboration among the Tel Aviv-Yafo Municipality, the government of Israel, the business sector, cultural and artistic institutions of Greater Tel-Aviv and most of all – the residents of Tel Aviv-Yafo. The goal is to improve the quality of life that the city offers its residents and visitors by attracting international resources and investments. The Tel Aviv Global Administration was founded as part of this strategy.

Tel Aviv-Yafo, the first Hebrew city and now a global city as well, will continue to be a profoundly Israeli city, all the while being a global leader in the fields of economics, tourism, culture and society. It serves not only as a source of pride for its residents, but also contributes greatly to Israel’s global image, economy, financial stability and cultural, academic and social achievements.

Ron Huldai
Mayor of Tel Aviv-Yafo

Technical Specifications:
Stamp Size (mm): H 30 / W 40
Plates: 954
Stamps per Sheet: 10
Tabs per Sheet: 5
Method of printing: Offset
Security mark: Microtext
Printer: Cartor Security Printing, France

Canada’s 2015 Stamps

From the July-August issue of Details magazine, the Canada Post philatelic catalogue:

new multi-year series, Provincial Birds (no month given)

January
canflag453Lunar New Year/Year of the Ram
200th anniv of Sir. John A. Macdonald (Canada’s first prime minister and a leading figure in the formation of the Dominion of Canada in 1867.

February
50th anniversary of the Canadian Flag
Responsible Pet Ownership

March
Pansies (annual flower series)

April
Canadian Photography (third in the series, specific subject not announced.)

May
100th anniversary of John McCrae’s In Flanders Fields, a poem from World War I
More UNESCO World Heritage Sites
Canadian dinosaurs & other prehistoric creatures

June
FIFA Women’s World Cup, which is being hosted by Canada in 2015 from June 6 to July 5.
Canadian Weather Extremes (launch of a new series)

September
Canada Post Community Foundation fund-raising stamp
Haunted Canada (continuing series)

October
NHL Heroes (third in a series)
Madonna & Child
Deck the Halls

We will update this page as new information becomes available.

Petersburg First Day Ceremony Photos

Courtesy the U.S. Postal Service.

petersburg_saunders02The audience inside the tent. VSC member Foster Miller is at the center of the photograph, second row. Photo by Mark Saunders, USPS.

petersburg_afzal05Chief U.S. Postal Service Inspector Guy Cottrell dedicated the stamps just yards from the location of an underground explosion — that took place150 years ago, on July 30, 1864 — which created a huge depression in the earth and led to the battle being named “Battle of the Crater.” Photo by Daniel Afzal, USPS.

petersburg_afzal10Lewis Rogers, Superintendent, Petersburg National Battlefield. Photo by Daniel Afzal, USPS.

petersburg_saunders00L to R: Living history reenactor Charles Harris, Sgt. 22nd United States Colored Troops Company A; Chris Bryce, Chief of Interpretation, Petersburg National Battlefield; Colonel Paul K. Brooks, Garrison Commander, Fort Lee Army Base; Guy Cottrell, Chief Postal Inspector, United States Postal Service; Lewis Rogers, Superintendent, Petersburg National Battlefield; Dr. Malcom Beech, President USCTLHA; James Blankenship Historian, Petersburg National Battlefield. Photo by Mark Saunders, USPS.

petersburg_afzal04Chris Bryce, Chief of Interpretation, Petersburg National Battlefield. Photo by Daniel Afzal, USPS.

petersburg_afzal03Colonel Paul K. Brooks, Garrison Commander, Fort Lee Army Base. Photo by Daniel Afzal, USPS.

petersburg_afzal08Dr. Malcom Beech, President USCTLHA and the 22nd United States Color Troops Company A. Photo by Daniel Afzal, USPS.

petersburg_saunders06Photo by Mark Saunders, USPS.

petersburg_saunders09Photo by Mark Saunders, USPS.

petersburg_saunders08Stamp sales and cancellations tent. Photo by Mark Saunders, USPS.

petersburg_saunders05Two reenactors examine a first day ceremony program. Photo by Mark Saunders, USPS.

petersburg_afzal02Reenactors portray a Confederate artillery crew: L to R: John Schmidt, Scissel Morris, Andrew Manning and Charlie Helmer of the Pegram’s Company of VA Light Artillery. Photo by Daniel Afzal, USPS.

petersburg_afzal01Photo by Daniel Afzal, USPS.

petersburg_afzal06U.S. Colored Troops (Union Army) reenactors. L to R: Leon Vaughan, Ludger K. Balan and Charles Harris Sgt. 22nd USCT (United States Colored Troops) Company A. Photo by Daniel Afzal, USPS.

petersburg_afzal11Reenactor Bill Savage, 46th VA Infantry Company F C.S.A. Photo by Daniel Afzal, USPS.

petersburg_saunders10An inside view of stamp sales. Photo by Mark Saunders, USPS.

Immoderate Moderation

2035194nce upon a time, in the early days of the Internet, when “14-4” was considered fast and pictures in discussion groups were nonexistent, there were two major stamp collecting discussion groups.

One was a Usenet newsgroup, based on the Internet (which relatively few people knew how to access), the other an e-mail “list.”

The newsgroup, called rec.collecting.stamps, was not only free of cost, but free of rules. As with e-mail, it didn’t take long for the hucksters to discover how easy it was to “spam” a group with get-rich-quick schemes and too-good-to-be-true offers, some of which were related to philately, but only some.

It was also a “wild west show,” in that, with no moderators nor rules, anyone could say anything, about any subject. Or anyone. Just as many drivers become bold and brave (in their eyes) or obnoxious and aggressive (others’ eyes) when hiding within their half-ton motorized cocoons, RCS and other Internet users discovered they could be anonymous, with no repercussions for anything they posted.

Soon the newsgroup split, into rec.collecting.stamps.discuss for discussions, another for sales pitches, a third for postal history and maybe others. However, people soon began to leave for more civilized discussion groups. RCSD may still exist today — I haven’t checked in years — but it’s just a few dozen people, if that many.

The other group, in e-mail, was based at Penn State, although I think its physical proximity to American Philatelic Society headquarters was a coincidence. At first, it too was free: Whatever was e-mailed to the group’s address went out immediately to the group.

Then one day, the owner/moderator became disgusted with some of the messages, and sabrinapix_lloyddecided to clamp down: From that point on, no messages could be posted until he approved them. The problem with that was that if he was busy, or sleeping, or otherwise occupied, the messages might stack up and not be distributed. And the moderator began to lose interest, which meant the delay got longer and longer and…

Last time I checked, which was a few years ago, the list was still operating: You could send a message to it, and in a week or so, the message would be distributed to the members of the list… if there are any. If anyone still cared about the message after several days in limbo.

The point is that over-moderation can kill an online discussion group, and under-moderation can do it in, too. It’s a delicate balance, and that focal point doesn’t stay put; it moves around. There is no formula.

But like a playground seesaw, staying at one end or the other doesn’t make for much of a ride.

—Lloyd A. de Vries

App for U.S. Postal Museum

National Postal Museum’s Launches Free iPhone/iPad App
App Brings Exhibit Objects to Life

npm logoThe Smithsonian’s National Postal Museum launched a new app that brings exhibit objects to life. MagnifiAR is an augmented reality app for the iPhone and iPad that allows museum visitors to unlock additional layers of interpretive content for select artifacts in two of the museum’s exhibitions — ”Pacific Exchange: China & U.S. Mail” and “Mail by Rail.” After downloading the free app from Apple’s iTunes Store, visitors point the camera of their mobile device at select exhibit objects and images. The fun, interactive and family-friendly app highlights stamps, artwork and artifacts that trigger video footage, images, trivia and games to connect visitors to exhibit objects in meaningful ways.

npm appIn “Pacific Exchange: China & U.S. Mail,” an exhibit that looks at the relationship of the two countries through the study of stamps and mail, visitors can go on a safari hunt and bring animals to life. Finding seven specific exhibit objects will unlock surprising information and unexpected fun. Locating the Chinese Giant Panda stamps from 1973 connects visitors to the National Zoological Park’s two live panda cams to witness Mei Xiang, Tian Tian and baby cub Bao Bao in their cozy habitat. Discovering the Chinese black-necked crane stamp launches a video of the cranes performing exotic dances. The U.S. Postal Service’s 2012 Year of the Dragon artwork brings to life a Chinese Lunar New Year dragon dance. Visitors can also discover which animal corresponds to their year of birth by locating the 37-cent Year of the Rabbit Chinese New Year artwork from 1999.

“This new app encourages families to engage with exhibit artifacts in a fun new way at the National Postal Museum,” said Allen Kane, director of the museum.

“Mail by Rail,” an exhibit where visitors explore the story of the Railway Post Office, allows visitors to experience life on the rail in the early 20th century. Postal clerks aboard the mail cars could sort 600 pieces of mail per hour. When visitors point their device at one of the enlarged photos in the railway mail car, a video will launch showing how mail clerks sorted mail aboard a train.

Instead of stopping at every small town to transfer the mail, railway mail trains were fitted with catcher arms that snatched mailbags off of cranes. Visitors can view a 1908 silent black-and-white film demonstrating how “mail-on-the-fly” worked by pointing their device at the train catcher arm on display in the exhibit. Viewed through the app, the exhibit’s “Mail by Rail” sign brings to life Owney the dog, the unofficial mascot of the Railway Post Office in the late 1800s, who invites visitors into the exhibit’s railway mail car.

Visitors without an Apple device or smartphone may check-out an iPod Touch at the museum’s information desk (valid photo identification required) to explore the new app. “The museum is always working to improve the visitor experience, and new technologies allow for new opportunities,” said K. Allison Wickens, museum education director. “Even if you are at home, you can use our new app to bring the animal stamps in our China exhibit to life by pointing your mobile device at our website from your own computer screen!”

The National Postal Museum is devoted to presenting the colorful and engaging history of the nation’s mail service and showcasing one of the largest and most comprehensive collections of stamps and philatelic material in the world. It is located at 2 Massachusetts Avenue N.E., Washington, D.C., across from Union Station. The museum is open daily from 10 a.m. to 5:30 p.m. (closed Dec. 25). For more information about the Smithsonian, call (202) 633-1000 or visit the museum website at www.postalmuseum.si.edu.

Stand By Your Stamp – Tammy Wynette?

Tammy_WynetteA hometown newspaper, the Northeast Mississippi Journal, of Tupelo, is all but celebrating and counting the days until the Music Icons stamp is issued.

Country star Tammy Wynette died in 1998 at the age of 55 of either a blood clot in her lung or cardiac arrhythmia. She is considered one of the most influential female singers in Country Music history. Her signature song was “Stand By Your Man.”

According to the Journal, a committee has been formed to coordinate hometown activities. “While there wasn’t enough information available about the release of the stamp to formalize any plans, the main goal of the meeting was accomplished: set up a committee to handle event planning when the date of the stamp’s first day of issue is finally announced.”

A Music Icon: Tammy Wynette stamp is on a list of potential stamp subjects leaked to the Washington Post last January. Music Icon subjects are penciled in through 2015; she is listed in the “unassigned” section, along with Fats Waller, John Lennon, Bill Monroe and others. The article does actually that being on the list does not guarantee there will be a Tammy Wynette stamp.

And if the stamp is issued, Tremont, Miss., her hometown, may not be chosen for the primary launch (or “first-day”) ceremony.

“There’s no doubt that we’ll have it,” committee chair Holly Ford said. “We’ll definitely have the stamp unveiling in Tammy’s hometown … As soon as they realize we’re really putting our heart and soul in it, things will start popping.”

Britain Remembers “The Great War”

Royal Mail will issue six stamps and various other postal products commemorating the First World War on 28th July 2014. Here’s the press release; you can click on the pictures for larger views:

uk_wwi_stripReason and inspiration
This is the first set in a five part landmark series that commemorates ‘the War to end all Wars’. The First World War was a defining point in world history and this series will explore stories from the individuals who served as well as key art and poetry from the years. Stamps will be issued every year until 2018 inclusive, building into a unique series that will provide an insight into the war and the contribution and sacrifice of millions. The First World War was an event without precedent in history and touched every household in Britain, either directly (with family members killed, injured or lost in action) or through the immense social changes it triggered. The centenary of this conflict is being marked by Royal Mail with a series of 30 stamps to be released over the next five years. Each year of the war will be commemorated by a set of six stamps, exploring six visual and thematic strands: poppy, poetry, portraits, war art, memorials and artefacts.

Stamps
The stamps in the 2014 set feature a specially commissioned painting of a poppy by prominent botanical artist Fiona Strickland; a fragment from Laurence Binyon’s poem ‘For the Fallen’ carved by stonemason Gary Breeze; a portrait of Private William Cecil Tickle, an underage soldier who was killed during the Battle of the Somme; Christopher Richard Wynne Nevinson’s painting A Star Shell; The Response, a sculptural monument in Newcastle which commemorates the volunteers of the Northumberland Fusiliers; and images of Princess Mary’s Gift Fund box, over 420,000 of which were distributed to British service personnel as gifts in late 1914.

uk_wwi_poppyPOPPY, FIONA STRICKLAND: The poppy quickly became symbolic of the war. It was previously associated with the powerful effects of opium and detested by farmers as a stubborn weed, but its tendency to spring up on disturbed earth made it a common sight among the broken ground of shell-torn battlefields. The poppy’s deep red colour seemed to evoke the blood of wounded men, while the flower’s delicate petals might hint at the fragility of life itself. In this specially commissioned painting, artist Fiona Strickland captures the fine texture and translucency of a poppy’s petals.

uk_wwi_fallen‘FOR THE FALLEN’, LAURENCE BINYON: In 1914, Laurence Binyon was a senior curator at the British Museum and an authority on East Asian art. Born in 1869, he was too old to enlist at the outbreak of war. He had been a published poet since the age of 16, and on 21 September 1914, The Times printed his seven-stanza poem ‘For the Fallen’. At this time, the British Expeditionary Force was in retreat, having suffered heavy casualties at the Battle of Mons. Binyon’s poem is very well known today, being used across the world in the ‘Ode of Remembrance’.

uk_wwi_ticklePRIVATE WILLIAM CECIL TICKLE: Private William Cecil Tickle enlisted during the height of the recruiting rush on 7 September 1914. Despite being underage, he managed to join the 9th Battalion, Essex Regiment. After a period of arduous training, the battalion was deployed to France and on the third day of the Battle of the Somme attacked near the village of Ovillers. The troops were hit by machine-gun fire from three sides and suffered heavy casualties. Among the dead was Private Tickle. Having no known grave, he is commemorated on the Thiepval Memorial to the Missing of the Somme in France.

uk_wwi_starshellA STAR SHELL, C R W NEVINSON: Christopher Richard Wynne Nevinson was born in London in 1889. A leading exponent of Futurism, he went to France and Flanders as a Red Cross orderly, later joining the Royal Army Medical Corps. After being invalided out of the Army, he secured a commission as an official war artist. One of Nevinson’s official works, Paths of Glory, showing two dead British soldiers lying amid mud and barbed wire, was controversially censored. In A Star Shell, Nevinson depicts the weird, unearthly light of an illuminating artillery flare. The shell’s harsh glow reveals a strange landscape of broken ground and barbed wire and captures the disorienting alien nature of the battlefield.

uk_wwi_responseTHE RESPONSE, NEWCASTLE: The Response, otherwise known as the Renwick Memorial, was inaugurated in Newcastle in July 1923. A spectacular sculpture by William Goscombe John depicts the volunteers of the Northumberland Fusiliers marching to the station on their way to France. Led by drummers and heralded by the figure of Victory, the men walk resolutely as two sweethearts part for perhaps the last time. Field Marshal Lord Kitchener’s call to arms in September 1914 met with an instant and overwhelming response. While the pre-war British Army needed 30,000 recruits a year, at the peak of the recruiting rush this number enlisted in a single day. By the end of 1915, 2.5 million had volunteered.

uk_wwi_giftboxPRINCESS MARY’S GIFT FUND BOX: On 15 October 1914, Princess Mary launched her Christmas Gift Fund. In a public letter, she wrote, “I want you now to help me send a Christmas present from the whole nation to every sailor afloat and every soldier at the front.” Her appeal was met with an enthusiastic response, eventually raising over £162,000. On Christmas Day 1914 alone, 426,724 gifts were distributed to British service personnel. Each included writing materials, a Christmas card and a photograph of the Princess, and most contained tobacco and cigarettes, all enclosed in an embossed brass box. Many boxes survived, becoming distinctive mementoes of the war’s first Christmas.

Stamps – Technical Details:
Stamp Set Price: £6.27
Stamp Set Code: AS27A
Number of stamps: 6: 2 x 1st class, 3 x £1.47
Design: Hat-trick Design
Acknowledgements: Poppy by Fiona Strickland, 2014 © Royal Mail Group Ltd
2014; ‘For the Fallen’ by Laurence Binyon, September 1914, lettering and
stone carving by Gary Breeze © Royal Mail Group Ltd 2014; Private William
Cecil Tickle, 9th Battalion, Essex Regiment © Imperial War Museums (HU
93549); A Star Shell by Christopher Richard Wynne Nevinson, 1916 © Tate, London 2011; The Response, Newcastle, sculpted by Sir William Goscombe
John RA and photographed by Paul Grundy; Princess Mary’s Gift Fund box,
courtesy Imperial War Museums, photographed by John Ross © Royal Mail Group Ltd 2014 All stamps © Royal Mail Group Ltd 2014
Printer: International Security Printers
Print Process: Lithography
Format / Size: Square / 35mm x 35mm
Perforations: 14.5 x 14.5
Sheet Format: 6 sheets, 25/50
Phosphor: ‘For the Fallen’ and A Star Shell – all over; all others – bars as appropriate
Price: £6.80 Code: AP392

British Guiana 1¢ Magenta Sells: $9.48 Million

British_Guiana_13The “superstar” of rare stamps, the 1856 1¢ British Guiana Magenta, sold Wednesday evening at an auction for $7.9 million dollars, plus a 20% premium, for a total of $9.48 million. (Earlier reports had the net figured at $9.5 million. Hey, if you want to quibble about $20,000….)

Sotheby’s, which sold the stamp at a New York City auction, points out that it is the fourth time the stamp has set a record price, and that the final price is nearly one BILLION times the stamp’s face value!

“We are thrilled with tonight’s extraordinary, record-setting price of $9.5 million – a truly great moment for the world of stamp collecting, David Redden, Sotheby’s vice chairman, said in a statement. “That price will be hard to beat, and likely won’t be exceeded unless the British Guiana comes up for sale again in the future.”

“When I was eight years old this was the most precious object in the entire world, and I never dreamed I would have it in my hands,” Redden added.

Before the sale, Redden had called the Magenta “the superstar of the stamp world.”

The stamp was sold by sold by the estate of John du Pont, the eccentric heir to the chemical fortune who was convicted of the murder of a wrestling coach. Some of the proceeds will go to the Eurasian Pacific Wildlife Conservation Foundation that du Pont championed during his lifetime.

The stamp had not been on display since 1986. Du Pont would display it at major shows, but his arrest put an end to that. The Magenta was shown in New York, London, and Hong Kong as promotion for this sale. It also made a stop at the U.S. National Postal Museum in Washington for testing. The NPM hopes its new owner will allow the stamp to be exhibited there this fall.

According to Sotheby’s, the previous record for a single stamp was US$2.2 million for the Swedish Treskilling Yellow in 1996. Sotheby’s provides the Magenta’s auction history:

1922
ARTHUR HIND, UTICA, NEW YORK
Purchased at the auction for then-record price of $35,000

1970
IRWIN WEINBERG STAMP CONSORTIUM
Purchased at the auction for then-record price of $280,000

1980
JOHN E. DU PONT, PENNSYLVANIA
Purchased at auction for then-record price of $935,000

2014
Purchased at auction for new record price of $9.48 million

The stamp was produced by a local newspaper printer in 1856 after the South American colony’s supply of regular stamps had run out. It was discovered by a 12-year-old Scottish boy living in South America in 1873 on his uncle’s mail, and sold for six shillings.

Sotheby’s has produced a video on the history of the stamp. You can view it here.

Added  6/23: Some photos from the sale, courtesy World Stamp Show-NY2016: ph-2014-06-17-brguiana2The crowd at the sale. I wonder how many of them were actual bidders.

ph-2014-06-17-brguiana3The hammer comes down, at $7.9 million (plus 20% buyers premium).

saadi_shreveWSS-NY 2016 President Wade Saadi and Development Chairman Charles Shreve at the sale.