It only took American Philatelic Society executives a moment to know: The “rare Jenny invert” owned by a small southwest Iowa aviation museum was a fake — and not even a good one.
“It wasn’t even close,” APS chief operating officer Ken Martin told The Virtual Stamp Club. “It was the size of the Dolley Madison or Windmill stamps,” which were smaller than most definitives, and only about 60% the size of real C3a Jenny Invert, such as the one shown here..
In addition, the Scott catalogue number (“C3a” was printed underneath the design, and the image was flat: The perforations weren’t real, but part of the printing. Martin speyculates the illustration may have been taken from The Postal Service Guide to U.S. Stamps, at one time sold in most post offices.
The Iowa Aviation Museum in Greenfield had had the stamp on display for more than 20 years, glued to a board. It had been told by the original donor that it was a valuable rare stamp.
The museum first contacted the Philatelic Foundation, but decided not to submit the stamp to PF. According to its website, PF’s fee would have been at least $1,000. Instead, at the suggestion of a local stamp collector, museum officials brought it to the APS convention in Omaha, about 80 miles away.
Stamp collectors know the whereabouts of all but one or two of the 100 Jenny Inverts found in 1918. The 24-cent stamp shows a JN-4-H bi-wing aircraft upside down.
The museum had hoped to sell the stamp, which if genuine would have fetched $300,000 and up, and use the money to build a new hangar.
“I felt so bad for them,” APS executive director Scott English told the VSC.
After explaining to museum officials why the stamp wasn’t real, the APS officials showed them a genuine Jenny Invert, which the organization is exhibiting at its convention.

Camden, NY. In May 2019, Mystic Stamp Company purchased ArtCraft’s complete inventory – over 5 million covers – after the company announced it was closing its doors. ArtCraft had been sending out Fleetwood First Day Covers since they stopped printing their own in 2015, so it’s only fitting Mystic – owner of Fleetwood – pick up ArtCraft’s inventory, too. This inventory includes historic covers from ArtCraft’s earliest days (1939) to 2015. Known for their exquisite detail, ArtCraft’s steel-engraving-style cachets have always been popular with collectors.
In the press release, Mystic president Don Sundman said, “My family has been collecting and selling covers for over 85 years, beginning with my father, Maynard, in the 1930s. [One of his covers, from 1935, is shown on the left.] At Mystic, we know what First Day Cover collectors want, and we design our cachets accordingly. Going forward, ArtCraft customers can expect to see the same high-quality First Day Covers they’ve been receiving since 2015.”
However, when Washington Stamp Exchange stopped producing new ArtCraft designs, WSE purchased unserviced Fleetwood cachets from Mystic, serviced them, and sold them to its subscription customers.
Updated January 15th
This message is basically to put the latest news on the VSC home page. You can find the completely story, as it unfolded,
Washington Stamp Exchange was incorporated in 1933, in the depths of the Great Depression, when Leo and Sam August pooled their meager assets to start a business selling first day covers and stamps to collectors. Their first location in Newark, New Jersey at the corner of Washington and Market Street, became their inspiration to name their business Washington Stamp Exchange.
At left, company owners Michael August, son of one of the August Brothers, and Tim Devaney, son-in-law of the other, celebrated ArtCraft’s 75th anniversary at Americover 2014, the annual show and convention of the American First Day Cover Society, held that year in Somerset, NJ.
Starting with this announcement and continuing until it is sold out, everything remaining in stock – ArtCraft First Day Covers, White Ace Albums and supplies – will be offered at steeply discounted prices. Much of what is available can be found on the company’s website
A portion of financier Bill Gross’ stamp collection sold at auction Wednesday evening, October 3rd, for $10 million. That is a record for a single-day philatelic auction.
The ebook is titled Seebeck: Hero or Villain? by Danilo A. Mueses.
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