USPS Limited to One Rate Hike A Year

The US Postal Service now may only raise its “market dominant” prices once a year, not two as has been allowed since December 2020, as a result of the Pandemic. The ruling was issued January 13 by the Postal Regulatory Commission. The restriction goes into effect on March 1 and is in effect through September 30, 2030. The USPS had been raising rates each January and July, although it had already said it would not raise rates in January 2026.

In the order, the PRC states that “the Postal Service’s long-term financial problems “cannot be resolved by using pricing authority alone.” USPS ended fiscal 2025 with a $9 billion loss. The PRC does not believe that limiting the postal agency to a single rate increase a year will have a significant effect on its revenue. However, it hopes restricting the frequency of rate changes will encourage increases in operational efficiency and mail volume.

Despite setting higher prices (from 58 cents for a letter in January 2021 to 78 cents at present), the mail agency is seeing deeper net losses each year and is far from breaking even.

“Market dominant” services include first-class and advertising mail. The USPS has no competition there, delivering six days a week to 163 million addresses, but it does have competition on overnight delivery (“Priority Mail Express”), 2-3-day delivery (“Priority Mail”) and package delivery. Those services are not regulated by the PRC and the USPS does not need permission to change those rates.

Hip-Hop Trailblazers (Canada 2026)

[press release] [click on any of the pictures for larger versions]
New stamp set pays tribute to hip-hop trailblazers Maestro Fresh Wes, Michie Mee and Muzion
This year’s Black History Month stamps celebrate early hip-hop in Canada

TORONTO – On January 28, 2026, Canada Post unveiled a new Black History Month stamp set celebrating the vibrant roots of hip-hop in Canada. The stamps pay tribute to three of the country’s most dynamic hip-hop trailblazers – Maestro Fresh Wes, Michie Mee and Muzion. Each of the artists is recognized for helping to shape the genre in Canada, while infusing the music with a uniquely Canadian sound.

Maestro Fresh Wes
With his 1989 debut album Symphony in Effect, Maestro Fresh Wes (b. Wesley Williams, 1968) became the first Canadian MC to break into the mainstream. The album’s monster hit single “Let Your Backbone Slide” was the first Canadian rap song to go gold, while the album itself went platinum. In 1991, the JUNO Awards introduced a new category, Best Rap Recording – Symphony in Effect took the win. Over his career, Maestro released nine studio albums and became an author, actor and motivational speaker. In 2024, he was inducted into the Canadian Music Hall of Fame and received the Governor General’s Performing Arts Award for Lifetime Artistic Achievement.

Michie Mee
Michie Mee (b. Michelle McCullock, 1970) was Canada’s first hip-hop superstar and built a reputation for continually pushing boundaries. The iconic MC exploded onto the scene in the late 1980s and was among the first to bring Jamaican Patois into her rhymes. In 1987, she released her debut single “Elements of Style,” which was an instant hit. A year later, she became the first Canadian MC to sign with a major U.S. label. In 1991, she released her first album, Jamaican Funk – Canadian Style, which combined rap with dancehall and reggae. Later that decade, she joined Raggadeath, a group known for fusing heavy metal and reggae.

Muzion
Hailing from Montréal, Muzion brought a distinct sound to the world of hip-hop, layering French, English and Haitian Creole into their music. The group was formed in 1996 by MCs J.Kyll (Jenny Salgado), Imposs (Stanley Salgado), and Dramatik (Jocelyn Bruno). Their two albums Mentalité moune morne… (Ils n’ont pas compris) (1999) and J’rêvolutionne (2002) received multiple honours, including Félix Awards for Hip-Hop Album of the Year. Their hit single “La vi ti nèg” won a 2004 Canadian Urban Music Award. Muzion’s influence stretched into the wider culture. The trio, who were all born to Haitian parents, helped empower marginalized communities to see themselves as integral to the fabric of Quebec and Canada.

About the stamps
This stamp set is a shout-out to the vibrant roots of hip-hop in Canada. The titles are crafted using varied type sizes, echoing the rhythmic nature of hip-hop’s sound. Printed with fluorescent inks that glow under black light, metallic silver and black duotone portraits, and layered matte and gloss varnishes, these stamps evoke the bold, nostalgic aesthetic of the late 1980s and early 1990s.

The stamps were designed by Noël Nanton and Nadia Molinari of typotherapy. Various photographs were used in this set: Maestro Fresh Wes – Wellington Williams; background – Edward James Rissling. Michie Mee – Getty Images; background – Rick McGinnis. Muzion – Brigitte Henry; background – Marie-Michèle Bouchard.

The issue, which was printed by Lowe-Martin, includes six Permanent™ stamps and three Official First Day Covers. The cancel sites are Toronto for Maestro Fresh Wes and Michie Mee, and Montréal for Muzion.

Stamps and collectibles will be available at canadapost.ca and postal outlets across Canada beginning on January 28, 2026.

Technical Details:
Product: Hip-Hop in Canada (2026): booklet of 6 Permanent™ stamps
Article: 414308111
Quantity: 130,000 booklets of six Permanent™ stamps
Printing process: Lithography in 5 colours, Matte Aqueous & Gloss Varnish
Price: $7.44

Product: Hip-Hop in Canada (2026) – Maestro Fresh Wes: Official First Day Cover
Article: 414308131
Quantity: 6,000
Cancel: Toronto, Ontario
Price: $2.24

Product: Hip-Hop in Canada (2026) – Michie Mee: Official First Day Cover
Article: 414309131
Quantity: 6,000
Cancel: Toronto, Ontario
Price: $2.24

Product: Hip-Hop in Canada (2026) – Muzion: Official First Day Cover
Article: 414310131
Quantity: 6,000
Cancel: Montréal, Quebec
Price: $2.24

Design: Noël Nanton, Nadia Molinari | typotherapy
Printer: Lowe-Martin The Concert Hall in Toronto, Tuesday, January 27, 2026. Photo by Andrew Williamson Photography, provided by Canada Post.

The artists react to being commemorated on these stamps:

The artists talk about their music:

Maestro Fresh Wes, Michie Mee and Muzion talk about the early days of hip-hop in Canada:

Boston 2026 Unveils Medal

[press release] [click on any of the pictures for larger versions]
Boston 2026 Medal Details

The official Boston 2026 World Expo show medal has been unveiled, sponsored by The Spellman Museum of Stamps and Postal History, located in Weston, Massachusetts, found online at spellmanmuseum.org.

The three-inch square medal weighs 4.5 ounces and features the show’s logo on one side and a powerful image of Paul Revere on horseback on his famous midnight ride on the other.

Coordinating the artistry and production process was David Ball, Boston 2026 Awards Chair and Security Manager. After seeing the creatives produced for Latvia’s PhilLat26 international philatelic exhibition by Aija Pince, a British ex-patriot living in Riga, he convinced her to consider designing the Boston 2026 medal.

Several themes were considered by the pair to best represent Boston and its environs, while considering the show’s overall theme celebrating the 250th anniversary of the founding of the United States. In the end, it was decided that Paul Revere was most emblematic of that period with the story of his famous midnight ride known by Americans and non-Americans alike. Use of the show logo created by prolific U.S. stamp designer Richard Sheaff on the reverse was a “no-brainer” per Ball.

The Monterey Company, Inc. of Bend, Oregon, received the contract to produce them, the only firm contacted that could overcome the technical challenge of replicating perforations along the medal’s edges. The die-cast base metal was poured into molds, buffed, overlaid with precious metal and antiqued to allow the design to fully flourish. Several finishes are being produced, with a total of 1,300 in all.

As sponsor of the 12th U.S. international exhibition medal, the Spellman’s logo will grace the red presentation boxes lined in blue velvet. Brian Howard, its Executive Director, said, “We are proud to partner with the Boston 2026 World Expo, and are eagerly anticipating the show’s opening this May. I encourage all show visitors to include the Spellman on their list of stops during their time in town.” The Spellman has promoted stamp collecting and philatelic heritage at its home near Boston since 1963. The museum is open all year and welcomes collectors, families, and the general public for exhibits, programs, and special events.

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at Boston2026.org and on Facebook, X and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

Rodriguez de Tembleque Appointed To CSAC

[press release] [click on any of the pictures for larger versions]
New Member Appointed to Citizens’ Stamp Advisory Committee

WASHINGTON — The U.S. Postal Service today announced the appointment of Susana Rodriguez de Tembleque, a technology executive and creative director, to the Citizens’ Stamp Advisory Committee, or CSAC.

Members are appointed by the postmaster general to provide expertise in business, history, science, technology, art, education, sports and other areas of public interest. Working together, they make recommendations for future stamp subjects.

Rodriguez de Tembleque serves as the vice president of design for IBM’s data platform. In this role, she focuses on crafting a user-friendly experience, ensuring that IBM’s AI data products provide trusted, clear and contextual insights in real time.

Previously, she served as vice president of design for IBM Research, where she built and led a multidisciplinary organization focused on delivering an exceptional and distinctive end-to-end experience.

Before her time at IBM Research, she was vice president and executive brand director for IBM Watson, overseeing the brand’s expression across products, marketing and communications.

Rodriguez de Tembleque has also held the position of creative director of retail at Apple, where she played a key role in developing Today at Apple, a global initiative that transformed the technology giant’s stores into spaces for learning, creativity and connection.

Originally from Madrid, Rodriguez de Tembleque is based in New York City. She is the mother of four children, ages 19 to 25.

Submitting Stamp Suggestions
Because of the time required for research and approval in the stamp selection process, ideas for stamp subjects should be received at least three years prior to the proposed issuance. Each submission should include pertinent historical information and important dates associated with the subject. Proposals must be in writing and submitted by U.S. Mail. No in-person appeals, phone calls or emails are accepted. Mail your suggestion (one topic per letter) to the address below:

Stamp Development
Attn: Citizens’ Stamp Advisory Committee
475 L’Enfant Plaza SW, Room 3300
Washington, DC 20260-3501

Concorde Supersonic Airliner (UK 2026)

[press release] [click on any of the pictures for larger versions]
Royal Mail Marks the 50th Anniversary of Concorde’s First Commercial Flight

  • The set comprises eight stamps featuring stunning photography of the British Airways aircraft throughout its history, including its first and last commercial flights
  • A further four stamps, presented in a miniature sheet, includes three re-released stamp images and a never-before-seen design, previously shortlisted but not adopted
  • The stamps and a range of collectible products are available now at www.royalmail.com/concorde and by telephone on 03457 641641

Royal Mail on 21 January issued a set of 12 stamps to mark the 50th anniversary of Concorde’s first commercial flight, in 1976.

The main set of eight stamps features stunning photography of the British Airways aircraft throughout its history, including its first and last commercial flights. One of the stamps uses photography of four Concordes flying in formation to celebrate 10 years of service.

A further four stamps, presented in a miniature sheet, include three previously issued stamp images and one never-before-seen design.

Commissioned for the 1969 ‘First Flight of Concorde’ issue, two are designed by influential British stamp designer David Gentleman, and one by Michael and Sylvia Goaman. Royal Mail are re-releasing the stamps, now showing the King Charles III silhouette, along with a fourth stamp design by David Gentleman that was previously shortlisted but not adopted in the 1969 set.

The miniature sheet border image is inspired by the design of the original presentation pack from 1969.
The idea of stamps to be issued following the first flight of Concorde was agreed in July 1967 by the British and French postal services, albeit not using a common design. The decision was revealed to the British public on 14 December that year.

Five leading designers were invited to submit concepts for a new series of British stamps celebrating Concorde and the collaboration between France and the United Kingdom. The stamps were intended to capture the innovation and international partnership behind the supersonic aircraft.

Postmaster General Edward Short shortlisted five designs from the submissions. His final choice – one by the Goamans, two by Gentleman – received the approval of Queen Elizabeth II in January 1968.

David Gold, Director of External Affairs & Policy, Royal Mail, said: “Concorde remains one of the most iconic achievements in aviation history, and we’re proud to celebrate its legacy with this special set of stamps. These designs pay tribute to the innovation, elegance, and engineering excellence that made Concorde a symbol of British ingenuity and ambition.”

Hamish McVey, Director of Marketing, British Airways, said: “Concorde represents a landmark chapter in our history at British Airways, embodying the pioneering spirit of British innovation and creativity that remains integral to our brand today. The Royal Mail’s celebration of 50 years since her maiden flight highlights the enduring admiration many people still hold for this remarkable aircraft.”

First commercial flight of Concorde – 21 January 1976:
On Wednesday, 21 January 1976, at precisely 11:40 GMT, the captains of two Concordes – British Airways in London and Air France in Paris – simultaneously pushed forward the throttles and unleashed, for the first time with commercial passengers, the full force of their reheated, Rolls-Royce Olympus engines.
Supersonic passenger services had begun.

Air France Concorde F-BVFA, the first of seven Concordes destined for Air France, flew to Dakar in West Africa to refuel and then on, across the Atlantic Ocean, to Rio de Janeiro. British Airways had taken delivery of G-BOAA, the first of its seven Concordes, just a week before and, on 21 January 1976, ‘Alpha Alpha’ spearheaded the British assault on the sound barrier.

Flying at subsonic speeds initially, over Paris, the Alps and Venice, ‘Alpha Alpha’ then broke through the sound barrier over the Adriatic Sea and accelerated to Mach 2, faster than a rifle bullet, while the champagne flowed. Crossing Lebanon and Syria in just six minutes and arriving in Bahrain just over three-and-a-half hours after leaving Heathrow, the passengers had experienced something special that day and were whisked away to a celebratory banquet hosted by the Amir of Bahrain.

Fifty years ago, history was made, with supersonic travel undoubtedly becoming one of the greatest milestones in aviation history.

The stamps, and a range of collectible products, are available from today (21 January) at www.royalmail.com/concorde and by telephone on 03457 641 641. A Presentation Pack including all 12 stamps is priced at £21.30.

Supersonic fact file:
1. CONCORDE GREW UP TO 20CM IN LENGTH DURING SUPERSONIC FLIGHT
Once through the sound barrier, the air in front of the aircraft was compressed and, like a hand-operated bicycle pump, would get hot, causing materials to expand. The temperature on the nose of the aeroplane would reach 127°C, despite the ambient air being –60°C. On slowing, Concorde cooled down again and shrank back to its original size. A special type of aluminium alloy was used, which could withstand the long-term stress.

2. THE ENGINE INTAKES WERE CONTROLLED BY THE FIRST DIGITAL COMPUTERS IN CIVIL AVIATION
Just ahead of each Olympus engine, the air intakes had hydraulically driven ramps fitted in the roof which, at speeds above Mach 1.3, would lower and create a supersonic shockwave in the mouth of the intake. This would slow down the air from about 1,350mph (Mach 2) to 350mph (Mach 0.5) in just 11ft (3.4m), boosting the thrust by up to 25 percent.

3. CONCORDE WAS THE ONLY CIVIL AIRCRAFT TO BE FITTED WITH AFTERBURNERS
Used on take-off and to blast through the sound barrier (Mach 1), afterburners gave a further boost in thrust of some 20 percent. They were not needed above speeds of Mach 1.7, as the engine intakes were efficient enough by then to help Concorde ‘supercruise’, meaning the aircraft could climb and accelerate in supersonic flight without needing its afterburners.

4. CONCORDE HAD A ‘DROOPED SNOOT’
As Concorde’s wings were not fitted with flaps and slats like a conventional aeroplane, it came in to land at a very high nose-up ‘attitude’ (angle). To enable the pilots to see the runway ahead of them, Concorde’s nose and integrated visor could be lowered by 12.5 degrees. Above 280mph, the nose was fully raised and the visor acted as a heat shield in supersonic flight.

5. RECORD FLIGHT TIME ACROSS THE ATLANTIC: 2 HOURS, 52 MINUTES AND 59 SECONDS
In a record that still stands today, Concorde completed the fastest journey between London and New York by any passenger airliner. On 7 February 1996, Concorde ‘Alpha Delta’ flew from New York to London in a second under 2 hours and 53 minutes.

Where Are the Jews on the Revolution Stamps?

The following is solely the opinion of the author and does not necessarily represent the views of any philatelic organization.

by Lloyd A. de Vries
The upcoming 25-subject Figures of the American Revolution stamps, announced for issuance by the U.S. in 2026, honors “25 individuals whose ideas, leadership and sacrifices were vital to achieving American independence and shaping the new nation,” according to the U.S. Postal Service (as quoted on The Virtual Stamp Club‘s page for that issue). In addition to the well-known patriots such as Washington, Jefferson and Franklin, they include two Native Americans, five women, three African-Americans, three citizens of other countries — but no Jews.

Perhaps the planners thought that Deborah Sampson, who disguised herself as a man and served in the Continental Army, was Jewish. No, sorry: She was born in the Congregationalist denomination of Christianity but left it to become a Baptist as a young woman. As one biography puts it, “She never felt committed to any one religious denomination, believing only in the principles of Christianity.” (Freeman & Bond)

Nathaniel Greene? He was a Quaker.

It is not that Jews sat on the sidelines during the Revolutionary War. Although only 0.1% of the population, “of the roughly 2,000 Jews in Colonial America, most cast their lot with the Patriot cause.” (Diamond) Their participation continued after the war. “Jews played a critical role both in winning the American Revolution—fighting for the patriot cause from Bunker Hill to Yorktown—and in defining the republic that was created from it. As the most visible non-Christian religion, Judaism was central to the debate over religious freedom in America at a critical juncture.” (ARI intro to Jortner)

What about Haym Salomon, whom Wikipedia calls “the prime financier of the American side.” He bankrupted himself, underwriting the American war effort. In particular, he put forth the funds that allowed Washington’s to join the final, deciding Battle of Yorktown. Yes, he was honored on a stamp in 1975 (Scott 1561) but how many stamps have been issued for Abigail Adams, John Jay, Alexander Hamilton and all the presidents including in this set.

No stamp has yet been issued for Mordecai Sheftall, the highest ranking Jewish officer in the Continental Army. Captured, imprisoned and tortured by the British, he was a leader of both the Patriot opposition to British rule as well as the Jewish community in Savannah.

There are other Jewish patriots who also could be honored. Do a web search for “Jews in the American Revolution” for a variety of articles and works.

Certainly, other cultural and ethnic groups may wonder where their representatives are in this very-large set of stamps. Even 25 stamps probably is not enough to commemorate all the major figures of the American Revolution. However, I am disappointed that not even one of these stamps features a Jew.

Sources:

“Jews, despite their small numbers, played a significant role in the Revolutionary conflict.”
Carmi, Ziv R. (2023) “To Bigotry No Sanction, To Persecution No Assistance: Jews in the American Revolutionary Period,” The Gettysburg Historical Journal, Vol. 22, Article 6.
Available here.

Diamond, Richard, Times Of Israel Blogs, November 30, 2025.

Finkelstein, Norman H., The Revolutionary War and the Jews, available here.

Freeman, Lucy and Alma Halbert Bond. America’s First Woman Warrior. New York: Paragon House, 1992.

Jortner, Adam, in his talk A Promised Land: Jewish Patriots, the American Revolution, and the Birth of Religious Freedom to The American Revolution Institute, October 24, 2024. Watch here.

Wikipedia on Haym Salomon.

Wikipedia on Mordecai Sheftall.

Young, Alfred F. Masquerade: The Life and Times of Deborah Sampson, Continental Soldier. New York: Random House. 2004.

Boston 2026 Names Dutt Volunteer Chair

[press release] [click on any of the pictures for larger versions]
Volunteer Chair Appointment

The Boston 2026 Executive Committee is pleased to announce the appointment of Jere Dutt as the exhibition’s Volunteer Chair.

A resident of Doylestown, Ohio, Jere is a well-respected exhibitor and national judge best known as a specialist in the philately of Dahomey/Bénin and greater French Colonies. He has shared his knowledge of these areas through numerous in-person and virtual presentations, as well as published works.

Jere is a current board member of the American Association of Philatelic Exhibitors, an APS/APRL finance committee member, former corresponding secretary and now president of the France & Colonies Philatelic Society.

Reflecting on his new responsibilities and the work ahead, Chairman Dutt said, “Volunteers are the heartbeat of any stamp show, especially one on the scale of Boston 2026. The size of this event will be a challenge to ensure all goes smoothly and is a great experience for both volunteers and attendees alike. I know with the amazing team assembled it will be an Expo to remember! I am privileged to be a small part of the team and able to work with such excellent philatelists to bring Boston 2026 to life.”

Outside of the hobby he is a third-generation officer of Dutt Enterprises, specializing in personal and household products, an active Rotary member in his community, and a patron of both the Akron Art Museum and Akron Symphony Orchestra.

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at Boston2026.org and on Facebook, X and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

Boston 2026 Names Ozdinc Intl. PO Chair

[press release] [click on any of the pictures for larger versions]
International Post Office Relations Chair Named

Armağan Özdinç has been selected to coordinate the various non-U.S. post office administrations participating in Boston 2026 World Expo, taking on the role of International Post Office Relations Chair.

Explaining the appointment, Boston 2026 Executive Director Mark Butterline commented, “As the list of participating postal administrations from around the world continues to grow, it was time that a dedicated manager handles their needs and recruit others to join them now that importation and tariff hurdles are cleared. Armağan, who has been helping us in our recruiting effort for some time, was the most appropriate person to be appointed for this role.”

Mr. Özdinç is perhaps best known in philatelic circles as a specialist in the study of engraved issues by the two foremost stamp designers of our time, the late Czesław Słania and Martin Mörck. Both have produced over 1,000 items for postal administrations around the world, especially those of Nordic countries. His interests go beyond stamps to include sketches, drawings and die proofs of the engraved stamps from those two master engravers. Over the years, he has authored several works and given presentations on the subject many times.

A Fellow of the Royal Philatelic Society London since 2024, he is very active in Scandinavian philately, serving as a Board of Directors member of the Scandinavian Collectors Club for the past four years, First Vice President and Contributing Editor of The Posthorn, its quarterly journal.

In his professional life, Armağan has close to 40 years’ experience in software development, medical device design controls, along with project and quality management, much of that time with Siemens Healthineers in Delaware, New York and Pennsylvania.

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at Boston2026.org and on Facebook, X and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

Boston 2026 Adds Seaport Hotel

[press release] [click on any of the pictures for larger versions]
Additional Boston 2026 Hotel Space Available

Reservation demand for discounted Boston 2026 hotel accommodations has been so great that two hotels are already sold out and the rest have limited availability, Boston 2026 hotelnecessitating additional options for show visitors.

A new hotel close to the waterfront and three blocks away from the Boston Convention and Exhibition Center has joined the ten properties offered earlier. Marriott’s Renaissance Boston Seaport District is a four-star hotel that has earned high ratings from guests. Reviews from just the past month say it all: “Great location on the harbor/Seaport – walk to all the best restaurants. The views from the room are great, staff provides excellent personalized service,” and “The service was excellent, and the family-friendly atmosphere made it a great place to stay. The rooms were clean and up-to-date, and the beds were incredibly comfortable.”

The regular standard room rate is discounted to $329 only when reserved through the Boston 2026 hotelspecial link found on the Hotel page on the Boston 2026 web site. All discounted hotel offerings are managed through Boston 2026’s partner, onPeak.

The Aloft Boston Seaport District, another Marriott property already offered to Boston 2026 visitors, has released an additional block of rooms, doubling its original room night contract. It is adjacent to the convention center and the discounted room rate remains at $270 per night.

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at Boston2026.org and on Facebook, X and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

The Bull (Netherlands 2026)

[from press materials] [click on any of the pictures for larger versions]
The Bull

Issue date: 15 January

To mark the unveiling of the restored painting by Paulus Potter, “The Bull,” PostNL, in collaboration with the Mauritshuis art museum [English language website and Wikipedia entry] in The Hague, will release the “The Bull” stamp sheet on January 15, 2026. The stamps feature the main characters from the 1647 painting: the cow, the oak tree, the farmer, the bull, and the sheep. A sheet of 5 stamps costs €7.00 and are available only from PostNL’s philatelic outlets and in the Mauritshuis gift shop.

The PostNL stamp program allows the flexibility to issue stamps to commemorate special events, such as this.

What makes the 1647 oil painting The Bull so remarkable is that such an ordinary thing as a bull appears on this enormous canvas. At 236.5 x 341 cm (about 93 x 134 inches, or 7 feet 9 inches by 11 feet), Paulus Potter (1625-1654) paid meticulous attention to the smallest details, such as the skylark, the green frog in the foreground, the flies on the bull’s back, and the cow’s wet nose with whiskers. The painting is therefore known as the epitome of Dutch naturalistic painting.

The bull looks at the viewer, as do the reclining cow and the standing ram. Potter has rendered the animals’ coats in detail, with thickly applied layers of paint. Even the marks of the shearing are visible on the reclining dairy sheep, which has just been shorn.

During the nearly two-year restoration, yellowed varnish layers were removed, as well as most of the retouching paint from previous restorations. The painting was then given a new layer of varnish that discolors more slowly. Only then did the restorers retouch the damaged areas. By working on the varnish, the restoration work is always reversible.

Janse depicted the painting in its entirety on the stamp sheet margin, extending below the five stamps. The stamps themselves feature portraits of the various protagonists in the painting: the cow, the oak tree, the farmer, the bull, and the sheep. The characters are described in large capital letters on the stamps, in a vibrant yellow. The same typography is applied to the sheet margin, alongside the green frog, the lark, and the willow. The name of the painter Paulus Potter also appears on the sheet margin and the stamps, either above, below, or above the title of the issue, “The Bull.”

Technical Specifications:
Stamp size: 30 x 40 mm (wxh)
Sheet size: 170 x 122 mm (wxh)
Plain paper with phosphor print
Gummed gum
Printing technique: Offset
Printing colors: cyan, magenta, yellow, black, and gold
Count of 6,000 sheets
Appearance: Sheet of 5 frame stamps in 5 different designs
Value indication: 1 for mail up to 20 grams destined for the Netherlands
Design: Frank Janse, Gouda
Printing company: Royal Joh. Enschedé B.V., Haarlem
Item number: 860018