AFDCS Convention Tour Returns

[press release]
AFDCS Convention Tour Returns, Better Than Ever

The American First Day Cover Society is again hosting a tour of the area in connection with its annual convention, with a few changes. The excursion takes place on Monday, August 29, the day after Great American Stamp Show in Sacramento, Calif. Membership in the AFDCS is not required.

Among the differences: The tour is co-hosted with the American Topical Association and will be held on the day after the show, which runs August 25-28. The AFDCS’ traditional tour day — before the show — is just too full of other events, including board meetings, booth setups and exhibit mounting.

The tour begins at 8 a.m. when the bus leaves the Sheraton Grand Hotel, across the street from the convention center. A short guided tour of the California capital follows. Next, the group goes to the California State Railroad Museum.

The afternoon will be spent in Old Sacramento with its shops and restaurants, then with a guided tour at the Leland Stanford Mansion State Historic Park.

The $55 per person includes transportation, admission and the tours. Tickets may be purchased via the AFDCS website at www.afdcs.org/show

The AFDCS and ATA are co-hosts of Great American Stamp Show, along with the American Philatelic Society. The AFDCS has a superbooth at the front of the convention center hall and will have unserviced cachets for the Pony Cars stamps that will be issued at the show, along with serviced FDCs and publications. The AFDCS will also hold its annual membership meeting and banquet at GASS, and has scheduled several seminars.

In addition to its GASS activities, the AFDCS publishes an award-winning journal First Days, handbooks, catalogues and a cachetmakers directory; promotes first day cover exhibiting; holds an annual cachet contest; and has educational programs. For more information on the AFDCS, visit http://www.afdcs.org, write AFDCS, Post Office Box 246, Colonial Beach, VA 22443-0246 or email afdcs@afdcs.org.

150th Anniversary of Artist Mondriaan (Netherlands 2022)

[press release] [click on any of the pictures for larger versions]
PostNL Celebrates Mondrian Year with Golden Stamp

PostNL on April 14 issued a special gold stamp in honor of the 150th birthday of painter Piet Mondriaan. The Amersfoort culture alderman Fatma Koşer Kaya officially received the first copy of the gold stamp.

Victory Boogie Woogie
Mondriaan (1872-1944) became world famous with his geometrically abstract works. The gold stamp features a cutout of the Victory Boogie Woogie, Mondrian’s last painting from 1944. The unfinished work, owned by the Dutch state, hangs in the Kunstmuseum in The Hague. The font on the stamp for the value indication 1 and the Netherlands is a design by type designer Martin Majoor from Arnhem. For the rest of the typography, the SF Orson Casual Heavy by type designer Derek Vogelpohl (ShyFoundry) from Omaha, Nebraska was used.

Limited edition
The 24-carat gold stamp 150 years Piet Mondrian is printed in a limited edition. PostNL delivers the stamp including a special storage cassette with certificate of authenticity. The price is € 50.00. PostNL issues gold stamps exclusively on the occasion of special anniversaries and other special commemorations, always in a limited edition. The special thing about this latest issue is that colors other than gold have been used for the first time.

Cargo bike à la Mondrian
The golden 150th anniversary of Piet Mondriaan stamp was delivered today with an electric PostNL mailbox. For the occasion, this was provided with the characteristic black lines and colorful surfaces that we know from Mondrian’s paintings. Four of these mailbox bikes have been made that will continue to ride throughout the Mondriaan year. PostNL is replacing more and more vans with these types of cargo bikes, which are cleaner and more city-friendly. Hundreds of these are now driving through the Netherlands.

Special Artists meet Mondrian
Simultaneously with the presentation of the first gold stamp, alderman Koşer Kaya opened the exhibition Special Artists meet Mondriaan in the Mariënhof (Kleine Haag 2, Amersfoort). The exhibition consists of works by people with disabilities, who have been inspired by paintings by Mondriaan. In addition to paintings, drawings, textiles and ceramics are on display.

Availability
The golden stamp 150 years Mondriaan is, while stocks last, only available via the webshop [in Dutch] at the customer service of Collect Club on telephone number 088 – 868 99 00. The stamp shows value 1, intended for mail up to and including 20 grams with a destination in the Netherlands. The validity period is indefinite. [Inasmuch as the stamp costs €50 (about US$54.25), you’d be a fool to use it for a domestic letter — or even an international one! —VSC]

[The Wikipedia article on Mondriaan, or “Mondrian,” notes that he was living in New York City at the time of his death at age 71 from pneumonia.]

Eid (Canada 2022)

[press release] [click on any of the pictures for larger versions]
Stamp casts light on important Islamic festivals
Image of intricately designed lantern celebrates Eid al-Fitr and Eid al-Adha

EDMONTON – Today, Canada Post issued its latest stamp celebrating Eid al-Fitr and Eid al-Adha, two of the most important festivals in the Islamic calendar.

The festivals begin in early May and early July, respectively, and are celebrated by more than one million Muslims in Canada, and millions more around the world.

About the festivals
Eid al-Fitr marks the end of Ramadan, a holy month of fasting for Muslims; it is known as the Festival of Breaking the Fast. Eid al-Adha, the Festival of Sacrifice, follows and marks the end of the Hajj pilgrimage to one of the holiest sites in Islam, the Kaaba shrine in Mecca, Saudi Arabia. Eid al-Fitr and Eid al-Adha, both of which can last several days, embody practices and values that are central to Islam, including empathy for those in need and appreciation for one’s community. These are expressed through prayers, communal feasts, family visits, gift-giving and acts of charity.

About the stamp
Designed by Soapbox Design of Toronto, the stamp features an Eid lantern casting colourful patterns of dappled light. Richard Nalli-Petta used a montage of photographs and illustrations to create layers of texture and background colour in the stamp. Rose and lily silhouettes by Irene Laschi appear on the Official First Day Cover and inside the booklet of six PermanentTM domestic rate stamps; flowers are a popular gift during Eid celebrations.

This is Canada Post’s fourth Eid stamp since 2017 and just one of several annual issues marking events of importance to Canada’s culturally diverse population. Others include Diwali, Hanukkah and Christmas.

Stamp products are available here [direct link] and at postal outlets across the country.

[en Francais pour les médias d’information]
Un timbre met en lumière deux fêtes islamiques importantes
L’image d’une lanterne aux motifs travaillés souligne l’Aïd al-Fitr et l’Aïd al Adha

EDMONTON – Aujourd’hui, Postes Canada a émis son plus récent timbre soulignant l’Aïd al-Fitr et l’Aïd al Adha, deux des fêtes les plus importantes de la religion islamique.

Plus d’un million de musulmans au Canada et des millions d’autres ailleurs dans le monde prendront part aux célébrations qui commenceront respectivement au début de mai et de juillet.

À propos de l’Aïd al-Fitr et de l’Aïd al-Adha
Marquant la fin du ramadan, un mois sacré de jeûne pour les musulmans, l’Aïd al-Fitr est aussi connu comme étant la fête de la rupture du jeûne. L’Aïd al-Adha, ou fête du sacrifice, suit et marque la fin du pèlerinage du Hadj vers l’un des lieux les plus sacrés de l’islam, le sanctuaire de la Kaaba à La Mecque, en Arabie saoudite. L’Aïd al-Fitr et l’Aïd al-Adha peuvent durer plusieurs jours. Ces deux fêtes incarnent les pratiques et les valeurs fondamentales de l’islam, comme l’empathie pour les personnes dans le besoin et l’appréciation pour sa communauté. Elles sont synonymes de prières, de festins communs, de visites familiales, de cadeaux et d’actes de charité.

À propos du timbre
Conçu par l’agence Soapbox Design de Toronto, le timbre illustre une lanterne de l’Aïd projetant différents éclats de lumière en motifs colorés. Richard Nalli-Petta a utilisé un montage de photos et d’illustrations pour créer l’effet texturé et coloré sur l’arrière-plan du timbre. Les fleurs étant très souvent offertes en cadeau pendant les célébrations de l’Aïd, des silhouettes de roses et de lis illustrées par Irene Laschi apparaissent sur le pli Premier Jour officiel et à l’intérieur du carnet de six timbres PermanentsMC au tarif du régime intérieur.

Ce quatrième timbre que Postes Canada dédie à l’Aïd depuis 2017 n’est qu’une des nombreuses émissions annuelles soulignant des moments importants pour la population culturellement diversifiée du Canada, comme Diwali, Hanoukka et Noël.

Les produits philatéliques sont offerts à [lien direct] et dans les comptoirs postaux de partout au pays.

Hotchner: Stamp Design Criticism

Dealing With Stamp Design
by John M. Hotchner

John wrote this column several years ago, but it is as pertinent now as it was then: Collectors still complain about U.S. stamp designs.

Is there one unalterable truth for stamp collectors? If so, I would propose that it is a universal feeling that US stamp design is less than spectacular, and many of us share a belief that if we were running things, we could do better. Perhaps.

In the past two days, I have heard complaints about the Forget-me-not stamp (It needs a frame to focus the design), the last George Washington stamp (It is too dark and George is lost in the dark framing), the Winter Flowers issue of 2014 (They look too much like Easter Seals), and the World Stamp Show publicity stamps (A lost opportunity to picture stamp collecting or classic American stamps.)

While any or all of these criticisms may have merit, it is all second-guessing. And my guess is that all artists – even the great ones – had to put up with similar carping (“That’s supposed to be a smile on Mona Lisa? Looks more like she’s suffering a gas attack after too many baked beans!”)

Well, we as collectors have the right to criticize, but it is all hot air unless we actually do something about it. And there are several strategies.

  • Don’t buy what you don’t like. Avoid such issues for use as postage, for your albums, and for gifts for children and grandchildren. The USPS tracks closely what sells, and just as important, what doesn’t. Vote with your wallet.
  • Learn how to draw a neat “X” in the album page box for stamps you will not add to your collection because you don’t like the art style, or you class them as just plain ugly. You are the arbiter of what makes the cut. And no one has to agree with you.
  • Create a Hall of Shame – a special section of your album in which you place all the stamps that annoy you.
  • If you have more stamps in that section than on your printed album pages, maybe it is time to curtail your collecting by ending at a given year.

You will need to be careful to differentiate whether it is the design you dislike or the subject. Sometimes, our view can be so colored by dislike of the subject that no design will hit the mark. On the other side of that fence, the flood of multi-colored fruits, flowers, foliage, fauna, flyers, food, and flags may have great popularity with the American public, but only a few stand out as clever and original depictions.

In my view about 10% of U.S. issues really rank high on both subject and design scales. One in the current crop is the U.S. Coast Guard commemorative released August 4, 2015 [left]. Full disclosure: I was involved in development of the subject while a member of the Citizens’ Stamp Advisory Committee (1998-2010) but it had not gone to the artists at the point that I timed out from the Committee. So I was surprised and delighted by the exceptional art that illustrates the subject.

Contrast that with the New York 2016 publicity pair [right] – a good subject that in my opinion is a generic and uninspiring design that will inspire no one to attend the show.

What can we reasonably expect from U.S. stamp design? Certainly, we need to recognize that in stamps as in art generally, there will be a range of style. This is right and proper as stamps are a reflection of the breadth and diversity of American art; much like the stamp program having a commission to reflect the breadth and diversity of America itself and its population.

I well remember when modern art first made its appearance on a U.S. stamp with the 5¢ “Fine Arts” issue of 1964 [left]. One would have thought listening to the reaction of collectors that the world as we knew it had come to an end.

There were similar protests when children’s art in the form of stick figures on the 20¢ Family Unity issue 1984 [right] was included. And when cartoon-type art made its first appearance with the 1991 “Comedians” set of 29¢ stamps using the pen-and-ink impressions of Al Hirschfeld.

They were later followed by actual cartoons from the comics section of our daily press.

The latter complaints were especially mystifying to me as both political cartoons and the so-called “funny papers” are features of American journalism that have been developed to a high level in the United States. Stamps celebrating these American institutions are right on the mark, and the art is appropriate.

I personally don’t enjoy much of the poster art that has been and is used. The current “Summer Harvest” issue [left] is an example. And as to modern art, I think of it as a giant fraud on the public when presented as works of inspiration possessed of deep and profound meaning. And yet, a portion of the public buys it and goes to see it in museums.

Can the U.S. stamp program ignore that? Should it? Regretfully, I have to admit that it has its place.

So, my conclusion is that it is irrational to expect that every issue will please every collector. In fact, the USPS can expect criticism of some sort on the majority of its issuances if for no other reason than that the American public has a wide variety of likes and dislikes, and a wide variance of art appreciation, from those of us who merely know what we like, to those of us educated to know what we should like.

Which means that criticism will be plentiful and conflicting. And the USPS needs to listen to it, but act on it sparingly.


Should you wish to comment on this editorial, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contributor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Organ and Tissue Donation (Canada 2022)

[press release] [click on any of the pictures for larger versions]
New stamp raises awareness of organ and tissue donation

OTTAWA – More than 4,400 Canadians are waiting for a donation of a life-saving organ, and many more, for healthy tissue to recover from a potentially fatal illness. On 7 April, Canada Post released a new stamp to raise awareness of their need and encourage more people to register as organ and tissue donors.

A single organ donor can save up to eight lives, and a tissue donor can help save or improve the lives of up to 75 people. While the majority of Canadians support organ and tissue donation, fewer than one third have registered to do so. Registration usually takes minutes. Visit organtissuedonation.ca.

The stamp illustration, created by artist Christopher DeLorenzo, features two figures who form a heart connected by a pair of hands, each cradling a glowing star. Within the heart are abstract representations of the spirit of life, including flowers in bloom, a droplet of water and a bird in flight. Green, the official colour of organ and tissue donation, symbolizes hope and appears in various shades on the stamp design.

The stamp is sold in a booklet of 10. The Official First Day Cover is cancelled in Ottawa. The booklet and Official First Day Cover were printed by Lowe-Martin.Canada Post’s video:

[en Francais pour les médias d’information]
Un nouveau timbre vise à sensibiliser les gens au don d’organes et de tissus

OTTAWA – Plus de 4 400 personnes au pays attendent une greffe d’organe vitale, et de nombreuses autres sont en attente de tissus sains pour se remettre d’une maladie potentiellement mortelle. Aujourd’hui, Postes Canada a émis un nouveau timbre pour sensibiliser les gens au don d’organes et de tissus, et les inciter à s’inscrire.

Une seule personne faisant un don d’organes peut sauver jusqu’à huit vies et le don de tissus peut sauver ou aider jusqu’à 75 personnes. Bien que la majorité des gens au Canada soutiennent le don d’organes et de tissus, moins du tiers ont enregistré leur consentement, une formalité qui se fait souvent en quelques minutes. Visitez organtissuedonation.ca/fr.

Sur le timbre, illustré par Christopher DeLorenzo, on peut voir deux personnes dont les corps entrelacés forment un cœur. Elles ont chacune une étoile brillante dans la main. Le cœur comporte des représentations abstraites de l’esprit de la vie, comme des fleurs en train de s’épanouir, une goutte d’eau et un oiseau en vol. Le vert, la couleur officielle du don d’organes et de tissus symbolisant l’espoir, est illustré dans différentes nuances sur le timbre.

Le timbre est vendu en carnets de 10. Le pli Premier Jour officiel est oblitéré à Ottawa. Le carnet et le pli Premier Jour officiel ont été imprimés par Lowe-Martin.

Les produits de cette émission sont en vente à postescanada.ca et dans les comptoirs postaux d’un bout à l’autre du pays.

Migratory Birds (UK 2022)

[press release] [click on any of the pictures for larger versions]
New Stamps from Royal Mail Explore Migratory Birds — The Spring And Summer Visitors to The UK

  • Issue Date: 7 April 2022
  • The 10-stamp set showcases the diversity of migratory birds that visit the UK
  • Bird migration is the annual, seasonal movement of birds along predefined routes, known as flyways, between their breeding and non-breeding grounds
  • Bird migration has fascinated and baffled naturalists for centuries
    The stamps were exclusively illustrated for Royal Mail by Irish ornithologist, Killian Mullarney
  • The stamps will be available at www.royalmail.com/migratorybirds, by phone on 03457 641 641 and 7,000 Post Office branches across the UK

Royal Mail has issued a new set of 10 stamps depicting Migratory Birds, that explore the spring and summer bird visitors to the UK.

The 10 featured birds have been exclusively illustrated in detail for Royal Mail by Irish ornithologist Killian Mullarney, one of Europe’s best-known bird artists. His work has featured in the Collins Bird Guide and on stamps issued in the Republic of Ireland.

The stamps showcase the diversity of migratory birds that arrive in the UK; from seabirds that migrate along the UK’s coastline, such as the Arctic Skua and Arctic Tern, to the exceptionally rare bird of prey, Montagu’s Harrier. [Shown on the right is the Presentation Pack.]

David Gold, Director External Affairs & Policy, Royal Mail, said: “The migratory journeys of the birds featured on these stamps are truly amazing. Their annual travels have fascinated and baffled naturalists for centuries. It is only now that we are beginning to understand what drives and maintains this amazing, high-risk–high-reward behaviour. We hope that these stamps ignite a new interest in this remarkable phenomenon.”

A miraculous journey
Bird migration is the annual, seasonal movement of birds along predefined routes, known as flyways, between their breeding and non-breeding grounds.

It is clear that migration is a perilous venture for birds, whatever their size. The numerous hazards to overcome include topography, sea crossings, inclement and extreme weather, food shortages, predators and hunting by humans, to name a few. Migration is a costly behaviour both in terms of the energy needed and also higher risk of mortality that it involves. Arguably, migrant birds are more susceptible to environmental change than their resident counterparts because these arduous migrations and dependence on different sites at different times of the year place them in multiple jeopardy.

For migration to exist in many different birds, the evolutionary benefits ought to outweigh the costs, and a growing body of evidence shows that to be the case. The seasonal availability of surplus food at higher latitudes and a favourable climate for breeding prove attractive and advantageous to many species. Migration allows birds to find themselves in their preferred climate and take advantage of seasonally abundant food, while simultaneously escaping the threats of local competition from other animals.

The stamps will be available from today (7 April) at www.royalmail.com/migratorybirds, by phone on 03457 641 641 and at 7,000 Post Offices branches across the UK.
Stamp-by-stamp:

Arctic Skua
Stercorarius parasiticus
A rakish seabird breeding in northern Scotland and migrating around the UK’s coasts. A pirate of the seas, eating mainly fish it steals from other birds by harassing them in flight. A decline in sand eels has affected it and other seabirds, and the spread of its predatory relative, the great skua, has also had an impact.

Migration: Arrives in April, leaves in August–September. Winters off the west coast of Africa, down to South Africa. Some birds cross the Atlantic, but most follow the coast of Europe and Africa.

Arctic Tern
Sterna paradisaea
A stunning dainty white seabird with buoyant agile flight. Dives into the water to catch small fish. Nests mostly in Scotland and Ireland, with some in Wales and England. Migrates along the UK’s coastline and often seen on inland lakes. Threats include commercial fishing of sand eels, which has been linked to food shortages, predation by the invasive American mink and climate change.

Migration: Arrives in May–June, leaves in July–October. Winters in the Southern Ocean off the pack ice of Antarctica, with some British birds reaching Australia.

Montagu’s Harrier
Circus pygargus
An elegant, long-winged bird of prey, hunting low over fields and marshes, often quartering back and forth in search of small birds and mammals. Exceptionally rare in the UK, down to just a single nesting pair in recent years. Nests (frequently in cereal crops) are often kept secret and protected to minimise disturbance. Always an uncommon bird, threatened by human persecution and loss of its preferred natural habitats.

Migration: Arrives in April–May, departs in September. Winters in the Sahel zone of western and central Africa in semi-arid desert and savannah.

Nightjar
Caprimulgus europaeus
A curious owl-like bird of open woodlands, heathlands and moors, seen at dawn and dusk. Song is an eerie mechanical, insect-like churring that rises and falls in pitch. Eats insects, especially moths, catching them expertly in flight. Nightjar numbers dropped from the 1950s due to the loss of heathland but have recovered with increasing availability of clear-felled or young conifers in plantations, plus concerted action to restore heathland.

Migration: Arrives in late April–May, departs in July–August. Migrates through Iberia and across the Sahara to winter in tropical forests of central and southern Africa.

Pied Flycatcher
Ficedula hypoleuca
Male in spring is a striking black and white, not even the size of a sparrow. A hole-nesting bird living in mature deciduous woods, especially oaks, in the western and northern UK. Always active, it cocks its tail and flicks its wings. Some males are polygamous and may rear multiple families. Their fortunes reflect the poor state of our woods and changing conditions on migration and wintering grounds.

Migration: Arrives in mid-April–June, departs in August–September. Crosses the Sahara to winter in tropical, humid forests of western and central Africa.

Stone-curlew
Burhinus oedicnemus
The odd-looking ‘goggle-eyed plover’ is a rare bird found mainly on the Brecklands of Norfolk and Suffolk and around Salisbury Plain. Most active at night, it has large yellow eyes that are adapted for hunting invertebrates in the twilight. It breeds on stony ground with sparse vegetation, including on arable farmland. Numbers crashed as its preferred habitat shrank away. A partial recovery is thanks to the protection efforts of farmers, landowners and conservation bodies.

Migration: Arrives in March–April, departs in August–September. Winters in southwestern France, Spain and northwestern Africa.

Swallow
Hirundo rustica
The first flash of the royal blue, red and white of a swallow across a field is eagerly anticipated as the start of spring. Males return to breed first and twitter for attention. A widespread bird of the countryside, it nests in sheds and farm buildings. Agile in flight, it feeds on flying insects caught on the wing. Renovation of traditional buildings and nest sites poses a threat, as do falling insect numbers.

Migration: Arrives in April–May, departs in September–October. Travels through Iberia and western and central Africa to winter in South Africa.

Swift
Apus apus
Its black scythe-shaped silhouette is unmistakable, as is its screaming call. Spends more time in flight than any other bird, even sleeping on the wing. Widespread in the British Isles. A steady downturn in numbers is due to the loss of nest sites in old buildings and probably a fall in insect food. The swifts’ marathon migration also makes them vulnerable to harsh weather conditions along the way.

Migration: Arrives in late April–May, departs abruptly in August. Travels via Iberia into western Africa and on into central and southeastern Africa, reaching the Indian Ocean.

Turtle Dove
Streptopelia turtur
The purring song of this brightly coloured dove is the soundtrack of an English summer. Lives in scrub and woodland, heathland, in hedges and field margins on farmland. Found across the south and east of England. Numbers have dwindled as the countryside has changed and food supplies and nesting habitats have been lost. Added to this are the perils of annual migration through a hostile Mediterranean, where the species is hunted.

Migration: Arrives in May, departs in July–September. Migrates south through Iberia and northwestern Africa to winter in tropical western Africa.

Yellow Wagtail
Motacilla flava
Has a striking yellow head and mainly bright lemon plumage, with a long, white-edged black tail. Found in central and eastern England, where numbers are falling. Breeds on wet grasslands, water meadows and marshes, but also in arable crops. Its preferred traditional habitats are being lost to drainage and conversion, and as mixed farming has waned. These birds are also vulnerable to harsh conditions along their migration routes.

Migration: Arrives in March–May (males return first) and departs in August–September. Migrates through Iberia into northern Africa, crossing the Sahara to winter in sub-Saharan western Africa.

Philatelic Products
Stamp Set AS8400 £9.50
First Day Envelope AE440 £0.30
Presentation Pack AP505 £10.40
First Day Cover – Stamps AF485 £12.05
Stamp Souvenir AW214 £12.05
Postcards AQ321 £4.50
Framed Stamps N3286 £19.99
Full Sheet (x50 Nightjar – Arctic Skua) AS8400AFS £47.50
Half Sheet (x25 Nightjar – Arctic Skua) AS8400AHS £23.75
Full Sheet (x50 Stone Curlew – Montagu’s Harrier) AS8400BFS £47.50
Half Sheet (x25 Stone Curlew – Montagu’s Harrier) AS8400BHS £23.75 There are three first day cancellations available for this issue, two of them pictorials: Technical Specifications:

Number of stamps
Value of Stamps
Design
Illustrations
Stamp Format
Number per sheet
Stamp Size
Printer
Print Process
Perforations
Phosphor
Gum
Ten
1st class
hat-trick design
Killian Mullarney
landscape
25/50
41mm x 30mm
International Security
lithography
14.5 x 14
bars as appropriate
PVA

“Play Ball!” at U.S. Postal Museum

[press release] [click on any of the pictures for larger versions]
Smithsonian’s National Postal Museum to Open Baseball Exhibition
“Baseball: America’s Home Run” Opens April 9

The National Postal Museum’s exhibition “Baseball: America’s Home Run” explores America’s national pastime through the unique lens of stamps and mail. On view Saturday, April 9, through Jan. 5, 2025, it invites visitors to explore exciting and memorable stories about how the game of baseball became an integral part of American history and tradition.

Featuring hundreds of U.S. and international stamps commemorating great players and historic moments, and drawing on original artwork and archival material from the U.S. Postal Service’s esteemed Postmaster General’s Collection, the exhibition approaches the story of baseball from a unique, worldwide perspective.

The display of stamps and mail will be complemented by dozens of objects loaned by other Smithsonian museums, the National Baseball Hall of Fame, law enforcement agencies and renowned private collections that have never before been on public display. These rare artifacts—exclusively shared with the public as part of the exhibition—showcase a treasure trove of historically significant game-worn uniforms, jackets and hats, game-used bats and memorabilia from America’s pastime.

The exhibition pays tribute to many of the game’s greatest legends, including Jackie Robinson, Roberto Clemente, Babe Ruth, Ty Cobb, Lefty Grove, Lou Gehrig and countless others. Of the more than 60 baseball stamps issued by the United States since 1939, the vast majority commemorate individual players. Many of these postal portraits feature specially commissioned artwork designed to mimic the look and feel of classic baseball cards and recall players whose achievements on and off the field made them household names. On display for the first time, original stamp art and production material from the Postmaster General’s Collection is paired with actual game-used artifacts as a powerful visual reminder that these players—whom most know of only from photographs and old footage—were once flesh and blood.

The lives and careers of some of baseball’s greatest players, including those from the Negro Leagues, are examined through the postage stamps that tell their stories. For a number of stamps, the museum is able to show the original artwork commissioned by the U.S. Postal Service, picturing various players along with the actual uniform they wore in the artwork, such as Jackie Robinson’s road uniform from the 1948 season. Uniforms and game-used bats of Babe Ruth, Joe DiMaggio and other great players from the 20th century will be on display.

These tributes are especially meaningful at the 75th anniversary of Robinson being called up to the Brooklyn Dodgers in 1947 as Major League Baseball’s first African American player and the 50th anniversary of Clemente’s death (1934–1972), who was born in Puerto Rico and played 18 seasons at right field for the Pittsburgh Pirates.

“We are proud to have Institution-wide cooperation from the Smithsonian, participation from the greatest organizations dedicated to the sport of baseball and support from businesses and private collectors who love the game,” said Elliot Gruber, director of the museum [left, at the press preview]. “I would like to offer special thanks to the lead sponsors of the exhibition—the Washington Nationals Ball Club, Heritage Auctions, Milwaukee Tool, the National Postal Museum Society, Ricos Products Co. and Smithsonian-published author Stephen Tsi Chuen Wong who also serves as honorary advisor to the exhibition, for their generous support.”

The exhibition will be presented in English and Spanish through a collaboration with the Smithsonian Latino Center, creating broad appeal to collectors of stamps and memorabilia, family audiences and baseball fans.

“The exhibition examines the mythologies of the game of baseball and the role postage stamps have played in creating and enforcing that mythology,” said Daniel Piazza, chief curator of the museum [right, at the press preview]. “We tell some of the lesser-known stories about the game of baseball through the medium of stamps and mail and explore fascinating details about the game in new and unique ways.”

Special exhibition themes examine the game of baseball:

  • “Creating Baseball” looks at early U.S. baseball-themed stamps and the myths they reflect about the origins of the sport. The Centennial of Baseball stamp gave tacit federal recognition to the now-discredited claim that Abner Doubleday invented baseball in 1839 at Cooperstown, New York. Similarly, a 1969 stamp honoring Anna “Grandma” Moses shows “July Fourth,” her painting of a small-town Independence Day baseball game, reinforcing misconceptions about the sport’s rural American origins, when it was, in fact, a big-city game that evolved from British antecedents.On the right, the June 12, 1939, opening of the National Baseball Hall of Fame in Cooperstown, New York, known as the “Cavalcade of Baseball,” was the first professionally marketed sporting anniversary in American history. Postmaster General and New York Yankees fan James A. Farley issued a postage stamp for the occasion. This is a pane of 50 autographed by Farley, on display in the exhibition.
  • We All Play Ball” examines baseball’s global spread in the late 19th and early 20th centuries. With modest equipment needs, baseball was played by American soldiers on military posts around the world and quickly adopted by local people. International baseball stamps will be complemented by memorabilia and military-issued equipment. Watching and playing baseball helped the Irish, Italians, Jews, Poles and other immigrant groups break down ethnic walls and show their determination to integrate into American communities. Europeans learned baseball in this country, but most Latino immigrants came already knowing and playing the game, making them one of baseball’s fastest growing audiences and comprising more than 25% of professional baseball players.
  • “The Negro Leagues” takes its inspiration from U.S. Poet Laureate Donald Hall, who described a passion for baseball as “a kind of citizenship perhaps more authentic than anything which can be on a piece of paper.” However, African Americans were denied the opportunity to play Major League Baseball until 1947, so they formed their own professional leagues and teams—in the process reaffirming their Americanness to a country that refused to acknowledge their equality. On the right, a postal team player jersey. Baseball teams composed of postal clerks and letter carriers first appeared in large cities around the turn of the 20th century.
  • “Legendary Playing Fields” explores the sense of community that accompanies the familiar surroundings of a favorite baseball park—whether it is a classic stadium like Wrigley Field in Chicago or a newer green cathedral such as Washington, D.C.’s Nationals Park. In the early years, stadiums were generally built on undesirable land in the worst parts of town. One of Washington’s earliest baseball grounds, Capitol Park, was located in an underdeveloped working-class Irish neighborhood dubbed Swampoodle for the tendency of its unpaved streets to flood. Coincidentally, this very plot of land is now the home of the National Postal Museum. “Baseball: America’s Home Run” explores the history of Capitol Park and other parks, including production material for the 2001 U.S. Postal Service’s stamp, Baseball’s Legendary Playing Field Issue, paired with signs, seats, architectural elements and other artifacts from the stadiums depicted on the stamps.

NPM Manager, Public Relations & Internal Affairs Marty Emery [left] speaks to the press during a pre-opening briefing, April 6 2022. A special website makes available the stories, themes and historical artifacts presented in the exhibition, and it provides multi-media storytelling by some of the most significant organizations and people associated with the game of baseball. Schedules and information regarding public programing and events associated with the exhibition are outlined as well, providing experiences for both on-site and online visitors.

The photographs here are by Juan Carlos Briceño and courtesy the National Postal Museum.

U.S. To Raise Letter Mail Rate 2¢ In July

[press release] [click on any of the pictures for larger versions]
U.S. Postal Service Announces New Prices for 2022
Two Cents Increase for Forever Stamp

WASHINGTON, DC — Today the United States Postal Service filed notice with the Postal Regulatory Commission (PRC) of price changes to take effect July 10, 2022. The new prices, if favorably reviewed, include a two-cent increase in the price of a First-Class Mail Forever stamp from 58 cents to 60 cents.

The proposed prices, approved by the Governors of the U.S. Postal Service, would raise First-Class Mail prices approximately 6.5 percent which is lower than the Bureau of Labor Statistics annual inflation rate of 7.9 percent as of the end of February. The price changes reflect a judicious implementation of the Postal Service’s pricing authority provided by the Postal Regulatory Commission.

If favorably reviewed by the PRC, the single-piece letter additional ounce price would increase to 24 cents, the metered mail 1-ounce price would increase to 57 cents and the price of a postcard stamp would increase to 44 cents. A one-ounce letter mailed to other countries would increase to $1.40 cents. The Postal Service is also seeking price adjustments for Special Services products including Certified Mail, Post Office Box rental fees, Money Order fees and the cost to purchase insurance when mailing an item.

The proposed Mailing Services price changes include:

Product
Letters (1 oz.)
Letters (metered 1 oz.)
Letters additional ounce(s)
Domestic Postcards
International Letter (1 oz.)
Current Prices
58¢
53¢
20¢
40¢
$1.30
Planned Prices
60¢
57¢
24¢
44¢
$1.40

As inflation and increased operating expenses continue, these price adjustments will help with the implementation of the Delivering for America plan, including a $40 billion investment in core Postal Service infrastructure over the next ten years. With the new prices, the Postal Service will continue to provide the lowest letter-mail postage rates in the industrialized world and offer a great value in shipping.

The PRC will review the prices before they are scheduled to take effect. The complete Postal Service price filing with prices for all products can be found on the PRC site under the Daily Listings section at prc.gov/dockets/daily. The Mailing Services filing is Docket No. R2022-1. The price change tables are also available on the Postal Service’s Postal Explorer website at pe.usps.com/PriceChange/Index.

The Postal Service generally receives no tax dollars for operating expenses and relies on the sale of postage, products, and services to fund its operations.

U.S. Scott Catalogue Update (April 2022)

5666 $8.95 Monument Valley, Utah

5667 $26.95 Palace of Fine Arts, San Francisco, California

5668 (58¢) Title IX – Runner
a. Imperforate
5669 (58¢) Title IX – Swimmer
a. Imperforate
5670 (58¢) Title IX – Gymnast
a. Imperforate
5671 (58¢) Title IX – Soccer Player
a. Imperforate
b. Block of 4, #5668-5671
c. Imperforate block of 4, #5668a-5671a

Delftware Tulip Vases (Netherlands 2022)

[from a press release]
Date of issue: 21 March 2022
Form: sheet with six stamps in six different designs, with value 1 for post up to and including 20 grams for a destination within the Netherlands
Item number: 420161
Design: Jeremy Jansen, Amsterdam
Lithography: Marc Gijzen, Voorburg

The six different stamps in this sheet feature tulip vases from the collections of a number of Dutch museums. The production of these unique glazed earthenware vases reached its peak at the end of the 17th century. The denomination on these stamps is ‘1’, the denomination for items weighing up to 20g destined for the Netherlands.

The history of Delftware is closely linked to that of Chinese porcelain. Delft was one of the VOC’s trading posts, with warehouses where large stocks of this porcelain were stored. [“VOC” stands for “Vereenigde Oostindische Compagnie,” the Dutch East India Company. — VSC] Delft potters developed a type of tin-glazed earthenware that could be compared to Chinese porcelain in terms of shape, shine and decoration. Delftware owes its fame mainly to the flower vases with spouts, known since the 19th century as tulip vases. From 1680 onwards, these vases appeared on the market in all shapes and sizes: from gourd bottles, triumphal arches, bowl shapes and goddesses with spouts on their heads to flower pyramids. The pyramids consist of spherical or square segments that are stacked to incredible heights, with the tallest one being almost 2 metres tall. Flowers such as tulips, carnations, Sweet Williams, hyacinths, daffodils and Persian ranunculus could be inserted into the spouts. Often they were also displayed empty on a table, as a showpiece. Because of their decoration, often with Far-Eastern figures and motifs, the vases evoke associations with the Far East. Their construction can also be reminiscent of Chinese pagodas.

The Delftware tulip vases issue features nine different vases, with some vases appearing several times on a number of stamps. Three stamps feature a single vase, two stamps feature three vases, and one stamp features four vases. The three large vases on the stamps are varnished, giving them a porcelain-like sheen. The edge of the sheet not only features all the vases again, but also the names of the museums that have these tulip vases in their collections. The background colour behind the name of each museum corresponds to the colour beneath their vases. Some of the typography on the stamps is placed in a vertical reading direction. On all stamps, the sorting hook is placed at the bottom right-hand side.

Designer Jeremy Jansen studied the subject by consulting catalogues of Dutch museums that have Delftware tulip vases in their collections. ‘For example the Kunstmuseum in The Hague published a wonderful book about a retrospective exhibition in 2007. This catalogue is also an inventory of where all these vases can be found around the world. For practical reasons, I limited myself to vases in Dutch museums. I kept the idea of an inventory in mind, so the stamp sheet has become a sampler, a visual overview of the vases that can be viewed in the Netherlands.’

The stamp sheet features nine different tulip vases from four different museums, using existing images.

The order on the sheet edge, clockwise from top left:

  • Bowl-shaped flower vase, pottery De Grieksche A, tin-glazed earthenware, height 28.8 cm, circa 1690 (Kunstmuseum Den Haag)
  • Flower vase with a blue and white decor of Chinese motifs, pottery De Metaale Pot, tin-glazed earthenware, height 61 cm, 1685-1691 (Keramiekmuseum Princessehof Leeuwarden)
  • Flower pyramid in the style of a Chinese pagoda, pottery unknown, tin-glazed earthenware, height 108 cm, circa 1700 (Rijksmuseum Amsterdam)
  • Octagonal gourd flask with spouts, pottery De Grieksche A, tin-glazed earthenware, height 29.7 cm, circa 1690 (Het Loo palace, Apeldoorn)
  • Flower vase with spouts, in the shape of a gourd flask, pottery De Grieksche A, tin-glazed earthenware, height 28.2 cm, circa 1690 (Kunstmuseum Den Haag)
  • Flower vase with five spouts, pottery De Metaale Pot, tin-glazed earthenware, height 16 cm, circa 1690-1715 (Rijksmuseum Amsterdam)
  • Flower vase, pottery De Metaale Pot, tin-glazed earthenware, height 28.4 cm, circa 1691-1724 (Kunstmuseum Den Haag)
  • Flower vase with mirror monogram WR (Willem Rex) and bust of king-stadtholder Willem III, pottery De Metaale Pot, tin-glazed earthenware, height 39.8 cm, circa 1695-1702 (Het Loo palace, Apeldoorn)
  • Flower pyramid consisting of 11 segments, attributed to pottery De Metaale Pot, tin-glazed earthenware, height 156 cm, circa 1692-1700 (Rijksmuseum Amsterdam)

The Delftware tulip vases stamps are available while stocks last at the post office counter in Bruna shops and at https://shop.postnl.nl/webshop/collect-club/delftse-tulpenvazen-6-vel-nl1 [in Dutch]. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 868 99 00. The validity period is indefinite.

Technical Details:
Stamp size: 25 x 36mm
Sheet size: 75 x 144mm
Paper: normal with phosphor print
Glue: synthetic
Printing technique: offset, varnish
Printing colours: cyan, magenta, yellow, black, blue and orange
Edition: 91,000 sheets
Appearance: sheet of six stamps in six different designs
Design: Jeremy Jansen, Amsterdam
Lithography: Marc Gijzen, Voorburg
Printing company: Koninklijke Joh. Enschedé B.V., Haarlem
Item number: 420161