The Scott catalogue numbers are 3092 for the souvenir sheet and individual stamps are
- 3093 Kunz
- 3094 Drawson
- 3095 Hill
- 3096 Davies
- 3097 DuBois
Numbers subject to change.
From Details magazine:
GREAT CANADIAN ILLUSTRATORS
Issue date: April 5, 2018
Highlighting the work of five talented Canadians whose work can be found on book covers, posters, magazine, newspapers and even stamps, this issue features five of Canada’s most successful and prolific illustrators.
A proud native of Belleville, Ontario, Will Davies (1924-2016) is a legend of Canadian commercial art, with fashion layouts, story illustrations and advertising campaigns for clients as Simpson’s, Chatelaine, Reader’s Digest, Homemakers, Star Weekly, Woman’s Weekly (U.K.), and many other publications – as well as nine Canadian stamps. His stamp features one of his untitled Harlequin book covers.
Blair Drawson (Stage Fright, circa 1990) has worked as an editorial illustrator for many of North America’s most notable magazines – among them, Time, The New Yorker, Esquire, Rolling Stone and The New York Times Magazine .
France-born Gérard DuBois (It’s Not a Stream of Consciousness, 2015) chose Montréal as a place to launch his freelance career. His work has appeared in many major magazines in North America and Europe – and the 2015 Canadian Christmas stamp trio.
James Hill (1930-2004) of Hamilton had a major influence on his field. The image on this stamp is from a 1966 Redbook feature on hair fashion. Named Artist of the Year by the Guild of American Artists in 1966, he earned two gold medals from the New York-based Society of Illustrators.
Anita Kunz is one of the most iconic illustrators of our time. Her work has been published and exhibited internationally and she regularly provides cover art for The New Yorker and other influential publications. She has also illustrated more than 50 book covers. Best Friends (circa 2012) is from a series of personal work.
“The strength of the Canadian illustrators issue lies in the narrative quality of the imagery, the mastery of colour and composition, and the sense of imagination, humour, style and emotion.”
— Lara Minja, stamp designer

Updated April 6th:
[press release]
Eye-catching new stamps showcase work of five great Canadian illustrators
Issue pays homage to outstanding artists of past half century
TORONTO, April 5, 2018 /CNW/ – Canada Post pays tribute to five talented Canadians whose illustrations have appeared in books, magazines, advertisements, and galleries – and on postage stamps – over the past 50 years in this special issue featuring some of their favourite works.
Canada’s rich history in the field of commercial art and illustration is celebrated through the diversity of techniques, topics, and treatments showcased in this colourful set, which honours Will Davies, Blair Drawson, Gérard DuBois, James Hilland Anita Kunz.
Will Davies (1924-2016) was a legend in the world of Canadian commercial art. His work combined a passion for beauty and the human form with uncanny technical skill. His ability and love of his craft are captured in this glamorous lifestyle portrait from one of the many romance novels he illustrated.
Blair Drawson was an illustrator for many of North America’s most notable magazines before he decided to focus on writing and illustrating books – including nearly a dozen of his own – as well as painting and teaching courses in his craft.
Gérard DuBois has not looked back since relocating from France to Montréal to become a freelance illustrator. His expanding body of work ranges from book and magazine illustrations to commercial projects and exhibitions of his paintings.
James Hill (1930-2004) was one of the most sought-after illustrators in North America from the 1950s to 1970s. A prolific artist who appeared in major publications, galleries, and ad campaigns, he focused the last 25 years of his life on fine arts, wilderness landscapes and portraits.
Anita Kunz is one of the most iconic illustrators of our time, known for her bold and irreverent illustrations and provocative portraits of famous figures. Internationally acclaimed, she is a popular speaker and has been published and exhibited in many countries.
The stamps, launched today at OCAD University – where several of these illustrators trained or taught – complements past issues that feature the work of great Canadian photographers and painters. They are available for purchase on canadapost.ca and at postal outlets across Canada.


Stamp designers Gary Beelik and Kristine Do of Parcel used watercolour portraits by Eunike Nugroho to depict different bloom phases in a set of connected (se-tenant) stamps. The blue background evokes a watery habitat, while a spot gloss varnish reveals a Chinese Bulbul bird, a koi fish and a dragonfly – creatures that share surroundings with lotuses. 

OTTAWA, March 1, 2018 /CNW/ – Canada Post will once again bring some colour and freshness into the lives (and mail) of winter-weary Canadians with its annual flower stamp issue. This year, the focus is on aquatic blooms, with the domestic-rate PermanentTM stamps featuring two varieties of lotus:
Because this issue is so popular for wedding invitations and stationery, the stamps are available in booklets of 10, with five of each design, or coils of 50 offering 25 of each design. A two-stamp souvenir sheet is available for collectors, along with strips of four and 10 stamps from the coil. An Official First Day Cover featuring both stamps is cancelled in Waterdown, Ontario. The stamps were designed by Parcel Design of Toronto based on watercolours by Eunike Nugroho and printed by the Lowe-Martin Group.
At the American Philatelic Society’s board of directors meeting, executive director Scott English told the board he was not seeking a location for an APS-sponsored winter show in 2020.
The American First Day Cover Society, the world’s largest non-profit organization of FDC collectors, will hold its Americover 2020 stamp and cover show in conjunction with the American Philatelic Society’s StampShow 2020 in Hartford, Conn., August 20-23.
“I think right now we have a fairly one-dimensional representation of the hobby and of the APS,” English told
Cheryl R. Ganz, the former philatelic curator of the Smithsonian Postal Museum, has won the Single Frame Champion of Champions competition for her exhibit, “Zeppelin LZ-129 Hindenburg Onboard Postmarks.”
Rick Gibson’s exhibit “The Forest Conservation Issue of 1958” won the Most Popular Champion of Champions competition. It had won the Most Popular vote at Minnesota Stamp Expo 2017. Gibson is shown with his “trophy.”
American Philatelic Society program coordinator Janet Houser is retiring at the end of August, after more than 30 years with the organization. Executive director Scott English says Janet made him promise to find a new youth coordinator (Houser’s main assignment) and not to make her go to Columbus for StampShow this summer.
Road and other adult education programs. English says she doubled the number of students in the OTR program last year, to 150.
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Treasurer Bruce Marsden (above left, with Mick Zais) reported that the APS received $801,000 in contributions in 2017, up 20% from the year before. APS investments were up more than half a million dollars, largely due to the strong stock market. The APS is $118,000 ahead of its budget plan, and the fund balances were up $1 million. The “building debt” is now $4.8 million, the first time in ages it has been below $5 million.
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I recently received a letter that threw me for a bit of a loop. I’m going to quote it below, edited a bit to eliminate repetition, and then make a few comments. Yours would be welcome also.
“For mint singles, blocks, etc., I do likewise, except that I use the pitch-outs for postage. Mostly with stuff like that I run into thins or disturbed gum as a disqualifier. As to centering, if it is only Fine — it goes into my scrap postage box.
“Bottom line is when I returned home I ordered, from the national firm, a Scott #560 (8¢ Perf. 11×11, 1922) plate block, Mint, Never Hinged, in Very Fine to Extra Fine condition. I got an immediate reply saying that they have been unable to keep this in inventory for the past ten years. Just in case the reply was wrong, I tried again this past February. Same result, except that as a courtesy, they noted that had recently acquired some plate blocks of the 1922 issue, but they were only in Fine condition, and would I be interested? I would not.
“Thus, I have decided to continue my efforts of accumulating, and at my demise, deed over to my son all of my philatelic holdings. What I’ve set aside for him will be used to augment his business as a dealer when he retires. For now he is a collector of mint singles, but then he will also have a large holding of high-grade plate blocks. By doing this, we will just bypass all the con artists.
Those interested in exhibiting can find the show prospectus and application at www.napex.org. The deadline for submitting an application is April 15, but prospective exhibitors are urged to apply as soon as possible. All of the 230 frames at NAPEX 2017 were filled several weeks before the official deadline.

