“Play Ball!” at U.S. Postal Museum

[press release] [click on any of the pictures for larger versions]
Smithsonian’s National Postal Museum to Open Baseball Exhibition
“Baseball: America’s Home Run” Opens April 9

The National Postal Museum’s exhibition “Baseball: America’s Home Run” explores America’s national pastime through the unique lens of stamps and mail. On view Saturday, April 9, through Jan. 5, 2025, it invites visitors to explore exciting and memorable stories about how the game of baseball became an integral part of American history and tradition.

Featuring hundreds of U.S. and international stamps commemorating great players and historic moments, and drawing on original artwork and archival material from the U.S. Postal Service’s esteemed Postmaster General’s Collection, the exhibition approaches the story of baseball from a unique, worldwide perspective.

The display of stamps and mail will be complemented by dozens of objects loaned by other Smithsonian museums, the National Baseball Hall of Fame, law enforcement agencies and renowned private collections that have never before been on public display. These rare artifacts—exclusively shared with the public as part of the exhibition—showcase a treasure trove of historically significant game-worn uniforms, jackets and hats, game-used bats and memorabilia from America’s pastime.

The exhibition pays tribute to many of the game’s greatest legends, including Jackie Robinson, Roberto Clemente, Babe Ruth, Ty Cobb, Lefty Grove, Lou Gehrig and countless others. Of the more than 60 baseball stamps issued by the United States since 1939, the vast majority commemorate individual players. Many of these postal portraits feature specially commissioned artwork designed to mimic the look and feel of classic baseball cards and recall players whose achievements on and off the field made them household names. On display for the first time, original stamp art and production material from the Postmaster General’s Collection is paired with actual game-used artifacts as a powerful visual reminder that these players—whom most know of only from photographs and old footage—were once flesh and blood.

The lives and careers of some of baseball’s greatest players, including those from the Negro Leagues, are examined through the postage stamps that tell their stories. For a number of stamps, the museum is able to show the original artwork commissioned by the U.S. Postal Service, picturing various players along with the actual uniform they wore in the artwork, such as Jackie Robinson’s road uniform from the 1948 season. Uniforms and game-used bats of Babe Ruth, Joe DiMaggio and other great players from the 20th century will be on display.

These tributes are especially meaningful at the 75th anniversary of Robinson being called up to the Brooklyn Dodgers in 1947 as Major League Baseball’s first African American player and the 50th anniversary of Clemente’s death (1934–1972), who was born in Puerto Rico and played 18 seasons at right field for the Pittsburgh Pirates.

“We are proud to have Institution-wide cooperation from the Smithsonian, participation from the greatest organizations dedicated to the sport of baseball and support from businesses and private collectors who love the game,” said Elliot Gruber, director of the museum [left, at the press preview]. “I would like to offer special thanks to the lead sponsors of the exhibition—the Washington Nationals Ball Club, Heritage Auctions, Milwaukee Tool, the National Postal Museum Society, Ricos Products Co. and Smithsonian-published author Stephen Tsi Chuen Wong who also serves as honorary advisor to the exhibition, for their generous support.”

The exhibition will be presented in English and Spanish through a collaboration with the Smithsonian Latino Center, creating broad appeal to collectors of stamps and memorabilia, family audiences and baseball fans.

“The exhibition examines the mythologies of the game of baseball and the role postage stamps have played in creating and enforcing that mythology,” said Daniel Piazza, chief curator of the museum [right, at the press preview]. “We tell some of the lesser-known stories about the game of baseball through the medium of stamps and mail and explore fascinating details about the game in new and unique ways.”

Special exhibition themes examine the game of baseball:

  • “Creating Baseball” looks at early U.S. baseball-themed stamps and the myths they reflect about the origins of the sport. The Centennial of Baseball stamp gave tacit federal recognition to the now-discredited claim that Abner Doubleday invented baseball in 1839 at Cooperstown, New York. Similarly, a 1969 stamp honoring Anna “Grandma” Moses shows “July Fourth,” her painting of a small-town Independence Day baseball game, reinforcing misconceptions about the sport’s rural American origins, when it was, in fact, a big-city game that evolved from British antecedents.On the right, the June 12, 1939, opening of the National Baseball Hall of Fame in Cooperstown, New York, known as the “Cavalcade of Baseball,” was the first professionally marketed sporting anniversary in American history. Postmaster General and New York Yankees fan James A. Farley issued a postage stamp for the occasion. This is a pane of 50 autographed by Farley, on display in the exhibition.
  • We All Play Ball” examines baseball’s global spread in the late 19th and early 20th centuries. With modest equipment needs, baseball was played by American soldiers on military posts around the world and quickly adopted by local people. International baseball stamps will be complemented by memorabilia and military-issued equipment. Watching and playing baseball helped the Irish, Italians, Jews, Poles and other immigrant groups break down ethnic walls and show their determination to integrate into American communities. Europeans learned baseball in this country, but most Latino immigrants came already knowing and playing the game, making them one of baseball’s fastest growing audiences and comprising more than 25% of professional baseball players.
  • “The Negro Leagues” takes its inspiration from U.S. Poet Laureate Donald Hall, who described a passion for baseball as “a kind of citizenship perhaps more authentic than anything which can be on a piece of paper.” However, African Americans were denied the opportunity to play Major League Baseball until 1947, so they formed their own professional leagues and teams—in the process reaffirming their Americanness to a country that refused to acknowledge their equality. On the right, a postal team player jersey. Baseball teams composed of postal clerks and letter carriers first appeared in large cities around the turn of the 20th century.
  • “Legendary Playing Fields” explores the sense of community that accompanies the familiar surroundings of a favorite baseball park—whether it is a classic stadium like Wrigley Field in Chicago or a newer green cathedral such as Washington, D.C.’s Nationals Park. In the early years, stadiums were generally built on undesirable land in the worst parts of town. One of Washington’s earliest baseball grounds, Capitol Park, was located in an underdeveloped working-class Irish neighborhood dubbed Swampoodle for the tendency of its unpaved streets to flood. Coincidentally, this very plot of land is now the home of the National Postal Museum. “Baseball: America’s Home Run” explores the history of Capitol Park and other parks, including production material for the 2001 U.S. Postal Service’s stamp, Baseball’s Legendary Playing Field Issue, paired with signs, seats, architectural elements and other artifacts from the stadiums depicted on the stamps.

NPM Manager, Public Relations & Internal Affairs Marty Emery [left] speaks to the press during a pre-opening briefing, April 6 2022. A special website makes available the stories, themes and historical artifacts presented in the exhibition, and it provides multi-media storytelling by some of the most significant organizations and people associated with the game of baseball. Schedules and information regarding public programing and events associated with the exhibition are outlined as well, providing experiences for both on-site and online visitors.

The photographs here are by Juan Carlos Briceño and courtesy the National Postal Museum.

U.S. To Raise Letter Mail Rate 2¢ In July

[press release] [click on any of the pictures for larger versions]
U.S. Postal Service Announces New Prices for 2022
Two Cents Increase for Forever Stamp

WASHINGTON, DC — Today the United States Postal Service filed notice with the Postal Regulatory Commission (PRC) of price changes to take effect July 10, 2022. The new prices, if favorably reviewed, include a two-cent increase in the price of a First-Class Mail Forever stamp from 58 cents to 60 cents.

The proposed prices, approved by the Governors of the U.S. Postal Service, would raise First-Class Mail prices approximately 6.5 percent which is lower than the Bureau of Labor Statistics annual inflation rate of 7.9 percent as of the end of February. The price changes reflect a judicious implementation of the Postal Service’s pricing authority provided by the Postal Regulatory Commission.

If favorably reviewed by the PRC, the single-piece letter additional ounce price would increase to 24 cents, the metered mail 1-ounce price would increase to 57 cents and the price of a postcard stamp would increase to 44 cents. A one-ounce letter mailed to other countries would increase to $1.40 cents. The Postal Service is also seeking price adjustments for Special Services products including Certified Mail, Post Office Box rental fees, Money Order fees and the cost to purchase insurance when mailing an item.

The proposed Mailing Services price changes include:

Product
Letters (1 oz.)
Letters (metered 1 oz.)
Letters additional ounce(s)
Domestic Postcards
International Letter (1 oz.)
Current Prices
58¢
53¢
20¢
40¢
$1.30
Planned Prices
60¢
57¢
24¢
44¢
$1.40

As inflation and increased operating expenses continue, these price adjustments will help with the implementation of the Delivering for America plan, including a $40 billion investment in core Postal Service infrastructure over the next ten years. With the new prices, the Postal Service will continue to provide the lowest letter-mail postage rates in the industrialized world and offer a great value in shipping.

The PRC will review the prices before they are scheduled to take effect. The complete Postal Service price filing with prices for all products can be found on the PRC site under the Daily Listings section at prc.gov/dockets/daily. The Mailing Services filing is Docket No. R2022-1. The price change tables are also available on the Postal Service’s Postal Explorer website at pe.usps.com/PriceChange/Index.

The Postal Service generally receives no tax dollars for operating expenses and relies on the sale of postage, products, and services to fund its operations.

U.S. Scott Catalogue Update (April 2022)

5666 $8.95 Monument Valley, Utah

5667 $26.95 Palace of Fine Arts, San Francisco, California

5668 (58¢) Title IX – Runner
a. Imperforate
5669 (58¢) Title IX – Swimmer
a. Imperforate
5670 (58¢) Title IX – Gymnast
a. Imperforate
5671 (58¢) Title IX – Soccer Player
a. Imperforate
b. Block of 4, #5668-5671
c. Imperforate block of 4, #5668a-5671a

Delftware Tulip Vases (Netherlands 2022)

[from a press release]
Date of issue: 21 March 2022
Form: sheet with six stamps in six different designs, with value 1 for post up to and including 20 grams for a destination within the Netherlands
Item number: 420161
Design: Jeremy Jansen, Amsterdam
Lithography: Marc Gijzen, Voorburg

The six different stamps in this sheet feature tulip vases from the collections of a number of Dutch museums. The production of these unique glazed earthenware vases reached its peak at the end of the 17th century. The denomination on these stamps is ‘1’, the denomination for items weighing up to 20g destined for the Netherlands.

The history of Delftware is closely linked to that of Chinese porcelain. Delft was one of the VOC’s trading posts, with warehouses where large stocks of this porcelain were stored. [“VOC” stands for “Vereenigde Oostindische Compagnie,” the Dutch East India Company. — VSC] Delft potters developed a type of tin-glazed earthenware that could be compared to Chinese porcelain in terms of shape, shine and decoration. Delftware owes its fame mainly to the flower vases with spouts, known since the 19th century as tulip vases. From 1680 onwards, these vases appeared on the market in all shapes and sizes: from gourd bottles, triumphal arches, bowl shapes and goddesses with spouts on their heads to flower pyramids. The pyramids consist of spherical or square segments that are stacked to incredible heights, with the tallest one being almost 2 metres tall. Flowers such as tulips, carnations, Sweet Williams, hyacinths, daffodils and Persian ranunculus could be inserted into the spouts. Often they were also displayed empty on a table, as a showpiece. Because of their decoration, often with Far-Eastern figures and motifs, the vases evoke associations with the Far East. Their construction can also be reminiscent of Chinese pagodas.

The Delftware tulip vases issue features nine different vases, with some vases appearing several times on a number of stamps. Three stamps feature a single vase, two stamps feature three vases, and one stamp features four vases. The three large vases on the stamps are varnished, giving them a porcelain-like sheen. The edge of the sheet not only features all the vases again, but also the names of the museums that have these tulip vases in their collections. The background colour behind the name of each museum corresponds to the colour beneath their vases. Some of the typography on the stamps is placed in a vertical reading direction. On all stamps, the sorting hook is placed at the bottom right-hand side.

Designer Jeremy Jansen studied the subject by consulting catalogues of Dutch museums that have Delftware tulip vases in their collections. ‘For example the Kunstmuseum in The Hague published a wonderful book about a retrospective exhibition in 2007. This catalogue is also an inventory of where all these vases can be found around the world. For practical reasons, I limited myself to vases in Dutch museums. I kept the idea of an inventory in mind, so the stamp sheet has become a sampler, a visual overview of the vases that can be viewed in the Netherlands.’

The stamp sheet features nine different tulip vases from four different museums, using existing images.

The order on the sheet edge, clockwise from top left:

  • Bowl-shaped flower vase, pottery De Grieksche A, tin-glazed earthenware, height 28.8 cm, circa 1690 (Kunstmuseum Den Haag)
  • Flower vase with a blue and white decor of Chinese motifs, pottery De Metaale Pot, tin-glazed earthenware, height 61 cm, 1685-1691 (Keramiekmuseum Princessehof Leeuwarden)
  • Flower pyramid in the style of a Chinese pagoda, pottery unknown, tin-glazed earthenware, height 108 cm, circa 1700 (Rijksmuseum Amsterdam)
  • Octagonal gourd flask with spouts, pottery De Grieksche A, tin-glazed earthenware, height 29.7 cm, circa 1690 (Het Loo palace, Apeldoorn)
  • Flower vase with spouts, in the shape of a gourd flask, pottery De Grieksche A, tin-glazed earthenware, height 28.2 cm, circa 1690 (Kunstmuseum Den Haag)
  • Flower vase with five spouts, pottery De Metaale Pot, tin-glazed earthenware, height 16 cm, circa 1690-1715 (Rijksmuseum Amsterdam)
  • Flower vase, pottery De Metaale Pot, tin-glazed earthenware, height 28.4 cm, circa 1691-1724 (Kunstmuseum Den Haag)
  • Flower vase with mirror monogram WR (Willem Rex) and bust of king-stadtholder Willem III, pottery De Metaale Pot, tin-glazed earthenware, height 39.8 cm, circa 1695-1702 (Het Loo palace, Apeldoorn)
  • Flower pyramid consisting of 11 segments, attributed to pottery De Metaale Pot, tin-glazed earthenware, height 156 cm, circa 1692-1700 (Rijksmuseum Amsterdam)

The Delftware tulip vases stamps are available while stocks last at the post office counter in Bruna shops and at https://shop.postnl.nl/webshop/collect-club/delftse-tulpenvazen-6-vel-nl1 [in Dutch]. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 868 99 00. The validity period is indefinite.

Technical Details:
Stamp size: 25 x 36mm
Sheet size: 75 x 144mm
Paper: normal with phosphor print
Glue: synthetic
Printing technique: offset, varnish
Printing colours: cyan, magenta, yellow, black, blue and orange
Edition: 91,000 sheets
Appearance: sheet of six stamps in six different designs
Design: Jeremy Jansen, Amsterdam
Lithography: Marc Gijzen, Voorburg
Printing company: Koninklijke Joh. Enschedé B.V., Haarlem
Item number: 420161

ESPER President Warachal Faison Dies

Warachal E. Faison, president of the Ebony Society for Philatelic Experiences and Reflections (ESPER), died March 19th at her home in Jersey City, NJ. She was 54. We do not know the cause of death at this time.

“Certainly her passing was a shock to all of ESPER,” group vice president Howard Ingram told The Virtual Stamp Club. “She will be missed.”

Faison was scheduled to graduate in May 2022 with her MBA from the Stevens Institute of Technology in Hoboken, NJ and will be awarded her degree posthumously. She was working as a geriatric psychiatrist and Medical Director, Women’s and Men’s Health at Pfizer, a pharmaceutical company. Dr. Faison has been recognized for her work as a health care provider, researcher, and community advocate in health disparities, minority recruitment into Alzheimer’s disease clinical trials, women’s health issues, and mental health.

In philately, she was recently named one of philately’s Most Influential people by Linn’s Stamp News. According to an interview in the Most Influential Philatelists report, Faison collected stamps “relating to health care and medicine along with materials of the African diaspora, particularly anything showing African-American women.”

She spoke to The Virtual Stamp Club about Dorothy Height, civil rights and women in civil rights for a 2017 radio feature, which you can hear here.

“Warachal Faison was ESPER’s first female president, and she was very passionate about continuing the female founder’s ambition of ESPER being a beacon in the philatelic community,” Don Neal, editor of ESPER newsletter Reflections told VSC. “During her tenure, Warachal was instrumental in establishing several collaborations between ESPER and others. Hopefully, these will continue in her honor.”

Faison joined ESPER in 2014 and soon revolutionized the use of social media, not only for ESPER, but for stamp collecting organizations in general.

“Mentor those who are interested and you might even gift them a membership into a society,” she told Linn’s. “Just watch what happens.”

Her funeral will be held Friday, April 1st, at St. Joseph AME Church in Durham, NC.

The family’s obituary, on the funeral home’s website, can be found here.

Typically Dutch – Hockey (Netherlands 2022)

[from a press release]
Issue: Typically Dutch – Hockey
Date of issue: 21 March 2022
Appearance: sheet of six stamps in six identical designs
Item number: 420361
Design: Claire Bedon and Edwin van Praet (Total Design), Amsterdam

This issue is the second in the Typically Dutch series this year. In 2022, the multi-annual series is dedicated to five sports in which the Dutch excel. Other stamps in the series are Skating (3 January), Cycling (4 April), Sailing (9 May) and Football (15 August).

Pim Mulier introduced hockey to the Netherlands in 1891. The first hockey clubs were soon established in Amsterdam, Haarlem and The Hague, followed in 1898 by the Nederlandsche Hockey & Bandy Bond, now called Koninklijke Nederlandse Hockey Bond (KNHB, ‘Royal Dutch Hockey Association’). On 23 January 1926, the Dutch men’s hockey team played its very first international match. In Antwerp, they defeated the national team of Belgium, scoring 1-2.

Hockey is a major sport in the Netherlands, with over 250,000 active hockey players based at more than 300 clubs across the country. They play field hockey (September-December and March-June) and indoor hockey (December-February). The Dutch women’s and men’s teams have been competing at the highest level for many years. Both teams won many awards, including Olympic titles (women’s team in 1984, 2008, 2012 and 2020, men’s team in 1996 and 2000). The women’s team has won the world title eleven times, while the men’s team has won it three times.

Hockey matches last 4 x 17.5 minutes and are played by two teams of eleven players. Each team may use up to five substitutes. Indoor hockey matches are played by two teams of six players each. An indoor team may have up to six substitutes on the bench. Unlike football, players may be substituted an unlimited number of times in hockey.

The stamps show an illustration of a hockey player in action. She has the ball on her stick and is about to make a passing move. In the background are the 23m line and the shooting circle, representing the typical layout of a hockey pitch. At the bottom of each stamp is a white strip with the sorting hook, the year 2022, the country (Netherlands) and the denomination 1. The ball and the hockey player’s right shoe run through this strip. The same is happening with the ponytail in the white strip at the top. The logo for the Typically Dutch series is printed above each stamp, with a folded Dutch banner on the left and right. The picture is repeated in enlarged form on the edge of the sheet.

The 2022 stamps for the multi-annual Typically Dutch series were once again designed by Total Design from Amsterdam.

‘We explored two types of sports,’ explains Edwin van Praet, creative director at Total Design. ‘On the one hand, there were the Old Dutch sports often tied in with a particular region. Like klootschieten, beugelen, kaatsen and fierljeppen. On the other hand, we had the sports loved by everyone in the Netherlands. Sports linked to our culture, with water and with large numbers taking part in them: football, hockey, horse riding, swimming, korfball, sailing, golf, et cetera. Often, these are the sports the Dutch excel in, where we’re at the top internationally. Based on that initial selection, we created mood boards, a collection of photographs and images to establish the tone. Then we started sketching.’

A striking feature of the design is that both the ball and the right shoe protrude out of the picture and continue onto the strip at the bottom of the stamp. The same is happening with the ponytail in the white strip at the top. ‘They’re very small details,’ explains Van Praet, ‘but it reinforces the impression that the hockey player is coming towards you.’ You’re involved in the action, you’re the fan sitting in the stadium, watching a sportsperson coming towards you.’

The stamps are available while stocks last at the post office counter in Bruna shops and at www.postnl.nl/bijzondere-postzegels [in Dutch]. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 868 99 00. The validity period is indefinite.

Technical Details:
Postage stamp dimensions: 30 x 40 mm:
Sheet size: 170 x 122 mm
Paper: normal with phosphor print
Gum: gummed
Printing technique: offset
Printing colours: cyan, magenta, yellow, black and orange
Print run: 75,000 sheets
Appearance: sheet of 6 stamps in 6 identical designs
Design: Edwin van Praet and Claire Bedon, Total Design, Amsterdam
Printing company: Cartor Security Printers, Meaucé-La Loupe, France
Item number: 420361

Typically Dutch: Cycling (Netherlands 2022)

[from a press release]

Issue: Typically Dutch – Cycling
Date of issue: 4 April 2022
Appearance: sheet of six stamps in six identical designs
Item number: 420461
Design: Claire Bedon and Edwin van Praet (Total Design), Amsterdam

On 4 April 2022, PostNL will publish the Typically Dutch – cycling stamp sheet. This issue is the third in the Typically Dutch series this year. In 2022, the multi-annual series is dedicated to five sports in which the Dutch excel. Earlier this year, stamps featuring ice skating (3 January) and hockey (21 March) were published as part of this series. Later this year, PostNL will publish stamps featuring the typically Dutch sports of sailing (9 May) and football (15 August).

There’s nothing more Dutch than a bicycle. The Netherlands is home to more bicycles (22.9 million) than people. With all those bicycles, we travel some 17.4 billion kilometres per year, which is around 1,000km per person, with an average speed of 15.6km/hour. Relatively, the most kilometres are covered by the 36,000 cyclists who are members of the over 370 cycling clubs in the Netherlands. Their interests are protected by the Koninklijke Nederlandsche Wielren Unie (KNWU, ‘Royal Dutch Cycling Union’), which was founded in 1928. Besides road cycling, there are many other cycling disciplines: BMX, track cycling, cyclocross, mountain biking, beach racing, para-cycling and artistic cycling.

The Netherlands has produced many famous cyclists, including big names such as Jan Jansen (Tour de France winner), Hennie Kuiper (gold medallist at the Olympic Games), Joop Zoetemelk (Tour de France and Vuelta de España winner) and Tom Dumoulin (Giro d’Italia winner). The Dutch are often also world leaders in disciplines such as track cycling (Jeffrey Hoogland, Harrie Lavreysen) and cyclocross (Lars Boom, Matthieu van der Poel). The achievements of Dutch female cyclists are even more impressive. Especially over the past few decades, Dutch women have dominated global cycling. Well-known champions are Leontien van Moorsel (four Olympic gold medals, Tour de France Féminin winner; shown on the right), Marianne Vos (one Olympic gold medal, twice World Championships winner in road cycling, three times Giro Rosa winner), Anna van der Breggen (one Olympic gold medal, twice World Championships winner in road cycling, once World Championships winner in time trial, four times Giro Rosa winner) and Annemiek van Vleuten (one Olympic gold medal, once World Championships winner in road cycling, twice World Championships winner in time trial, twice Giro Rosa winner).

The stamps on the Typical Dutch – cycling stamp sheet feature an illustration of a cyclist gaining momentum by getting out of the saddle and pushing the bicycle to the left. In the bottom right-hand corner, three diagonal lines can be seen in the background, representing the lines on a cycle track and on public roads. At the bottom of each stamp is a white strip with the sorting hook, the year 2022, the country (Netherlands) and the denomination 1. The tyre of the front wheel continues onto the strip a little way. The same is happening with the bicycle helmet in the white strip at the top. The logo for the Typically Dutch series is printed above each stamp, with a folded Dutch banner on the left and right. The picture is repeated in enlarged form on the edge of the sheet. The dominant colour blue continues on the two tabs on the right. The Typically Dutch logo appears once more on the top edge of the sheet, while the bottom edge features a short explanatory text.

The mood of the Typically Dutch – cycling stamps is created by the colour blue in the background, with orange (helmet, front fork), red (cycling shirt), yellow (face, arms, legs) and black (glasses, bib shorts, handlebars, cycling shoes, front wheel, pedals and bottom bracket) as contrasting colours. Van Praet: ‘All five issues this year include the colours of the Dutch flag. In the right order: first red, then white, then blue and finally two kinds of orange. Diversity was essential. The series features two female athletes, two male athletes including the cyclist, and one neutral figure.’

Technical Specifications:
Postage stamp dimensions: 30 x 40 mm:
Sheet size: 170 x 122 mm
Paper: normal with phosphor print
Gum: gummed
Printing technique: offset
Printing colours: cyan, magenta, yellow, black and orange
Print run: 75,000 sheets
Appearance: sheet of 6 stamps in 6 identical designs
Design: Edwin van Praet and Claire Bedon, Total Design, Amsterdam
Printing company: Cartor Security Printers, Meaucé-La Loupe, France
Item number: 420461

Postal Stationery Group Aids Boston 2026 Show

[press release]
Boston 2026 “Society Major Sponsor” Named

The United Postal Stationery Society has been named a Boston 2026 World Expo “Society Major Sponsor.”

UPSS President Edward Heir and past President Wayne Menuz met with Boston 2026 officers at show headquarters in Boxborough, Massachusetts, to discuss ways the society could assist the upcoming international philatelic exhibition. As a result, the UPSS Board of Directors appointed Convention Coordinator Bob Thompson as their Boston 2026 liaison and made a $50,000 major contribution to the expo.

Quoting the society’s donation letter announcing their plans, “It has been the mission of the United Postal Stationery Society, since its formation in 1945, to support the collection, research and promotion of worldwide postal stationery. Certainly, our society’s active participation in Boston 2026 international exhibition, the once in 10 years philatelic event, is in line with that mission.” Their homepage is at upss.org.

Nancy Clark (left), President of Boston 2026 World Expo and an active collector and exhibitor of postal stationery, said, “We welcome the strong support of the postal stationery community to our celebration of philately and the study and collecting of postal communication.”

Boston 2026 World Expo takes place May 23-30, 2026, at the Boston Convention & Exhibition Center. Full show details may be found at boston2026.org and on Facebook, Twitter and Instagram. Sign up to be added to the Boston 2026 email list and receive updates when available.

Churchill FDC Exhibit Presentation April 3

AFDCS Zoom Program: U.S. Churchill Stamp FDCs
Free Online Presentation April 3

Todd Ronnei, whose exhibit on the 1965 Churchill stamp has won top honors on many occasions, will guide a tour of his exhibit live on Zoom on Sunday, April 3, at 8:00 pm EDT. It will be offered afterward on the American First Day Cover Society’s YouTube Channel. During the seminar, he will explain what is included and why and provide tips about exhibiting in general.

“The U.S. Winston Churchill Memorial Stamp and Its First Day Covers” has won 13 Gold and Large Gold awards, three of them Reserve Grands. The most recent of those was at the Americover 2021 exhibition at Great American Stamp Show.

Ronnei’s exhibit began in 2007 with five frames, and has since grown to ten. It is a traditional FDC exhibit. Reflecting Churchill’s stature on the world stage, Scott 1264 was a five-cent stamp issued less than four months after the British statesman died. A memorial issue for a non-American issued so quickly after death was, and remains today, nearly unprecedented.

Ronnei is a paralegal in Minneapolis. He is also Exhibits Chair of Minnesota Stamp Expo and Exhibiting Chair and webmaster of the AFDCS. Other recent exhibits include first day covers for 1967’s Urban Planning (Sc. 1333) and the Fort Snelling stamp of 1970 (Sc. 1409), and stamps and FDCs for Churchill’s centenary in 1974. He has also written articles for First Days, Scott Stamp Monthly and others.

The Zoom address for the tour of “The U.S. Winston Churchill Memorial Stamp and Its First Day Covers” is here, or the meeting ID 879 5273 7174 with a passcode of 974882.

Membership in the AFDCS is not required to attend the seminar, but with memberships starting at $24 for Internet-only access or $35 with the printed magazine, it is very affordable and a good asset for any first day cover collector, anywhere in the world.

The AFDCS publishes handbooks, catalogues, directories and a bimonthly award-winning journal, First Days. The society also advocates for first day cover collecting and exhibiting, and is a co-host of Great American Stamp Show, which next will be held August 25-28, 2022, in Sacramento, Calif.

For more information on the AFDCS, visit its website www.afdcs.org, email afdcs@afdcs.org or write to the society at Post Office Box 246, Colonial Beach, VA 22443-0246.