Water Lilies (U.S. 2015)

Updated February 28th: Here is the design for the Digital Color Postmark first-day cancel: wlilies_dcp_vscIt measures 2.95″x1.25″

Updated February 19th: From the Postal Bulletin:

waterliliesOn March 20, 2015, in Cleveland, OH, the U.S. Postal Service® will issue Water Lilies First-Class Mail® stamps (Forever® priced at 49 cents), in four designs, in a pressure-sensitive adhesive (PSA) booklet of 20 stamps (Item 689900).

The stamps will go on sale nationwide March 20, 2015.

Elegant water lilies grace four new stamps from the U.S. Postal Service. Each stamp depicts a close-up view of the flower of one of four classic garden water lilies. Art director Phil Jordan designed the stamps with existing photographs taken by Cindy Dyer in midsummer at the Kenilworth Park and Aquatic Gardens in Washington, DC.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website at www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Water Lilies Stamps
Marketing
2200 Orange Avenue, Room 206
Cleveland, OH 44101-9998

After applying the first-day-of-issue postmark, the Postal Service™ will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by May 19, 2015.

There are six philatelic products for this stamp issue:

  • 689906, Press Sheet with Die cut, $117.60 (print quantity 250)
  • 689908, Press Sheet without Die cut, $117.60 (print quantity 1,000)
  • 689910 Digital Color Postmark Keepsake (set of 4), $16.95
  • 689916 First-Day Cover (set of 4), $3.72
  • 689921 Digital Color Postmark (set of 4), $6.56
  • 689931 Stamp Deck Card, $0.95

Technical Specifications:

waterliliesIssue: Water Lilies Stamps
Item Number: 689900
Denomination & Type of Issue: First-Class Mail Forever
Format: Double-Sided Booklet of 20 (4 designs)
Series: N/A
Issue Date & City: March 20, 2015, Cleveland, OH 44101
Art Director: Phil Jordan, Falls Church, VA
Designer: Phil Jordan, Falls Church, VA
Typographer: Phil Jordan, Falls Church, VA
Existing Photos: Cindy Dyer
Modeler: Donald Woo
Manufacturing Process: Offset, Microprint
Printer: Banknote Corporation of America/SSP
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Booklet: 20
Print Quantity: 500 million stamps
Paper Type: Phosphor Tagged Paper, Overall Tagged
Adhesive Type: Pressure-sensitive adhesive
Processed at: Banknote Corporation of America, Browns Summit, NC
Stamp Orientation: Horizontal
Image Area (w x h): 0.84 x 0.73 in./21.34 x 18.54 mm
Stamp Size (w x h): 0.98 x 0.87 in./24.89 x 22.10 mm
Full Pane Size (w x h): 1.96 x 5.52 in./49.78 x 140.21 mm
Press Sheet Size (w x h): 11.04 x 11.76 in./280.42 x 298.70 mm
Colors: Cyan, Magenta, Yellow, Black
Plate Size: 576 stamps per revolution
Plate Numbers: “S” followed by four (4) single digits
Marginal Markings: • Plate numbers in peel strip area • © 2014

Updated November 30th: Illustrations of plants from the Kenilworth Aquatic Gardens n Washington, DC. These will be a booklet of 20, and issued at the Garfield-Perry stamp show in Cleveland, on Friday, March 20th. These were based on existing photos by Cindy Dyer, who also took the photos for the Ferns in early 2014.waterlilies

$1 Patriotic Waves (U.S. 2015)

First Day Postmark (added January 20th; we’re having trouble getting good quality cancellation design images this year): vsc_1pwaves_dcpDecember 12th: We’ve split this page into the $1 and $2 stamps, with a new page for the $2 Patriotic Waves stamp.

Surprisingly, there is a Digital Color Postmark for this issue!

December 8th: The $1 stamp is confirmed for January 12th with no ceremony in Kansas City, Mo. The $2 stamp will be issued at Southeastern Stamp Show in Norcross, Georgia, on January 30th.

December 3rd: There is a report that the $2 stamp will be issued January 30, 2015 at the Southeastern Stamp Expo in Norcross, Georgia. We’re seeking confirmation, and also wondering about the $1 stamp.

There is no issue date or even month for this issue; it will depend on current inventory of the Waves of Color $1 patrioticwaves1and $2 definitives. It’s the same artist as Color (Michael Dayer), and the stamps will come in panes of ten. The $2 is standard commemorative size, the $1 is the “special” size.

patrioticwaves2From the USPS Postal Bulletin December 11th:

On January 12, 2015, in Kansas City, Missouri, the U.S. Postal Service will issue a $1 Patriotic Waves mail use stamp, in one design, in a pressure-sensitive adhesive (PSA) pane of 10 stamps (Item 117400).

The stamp will go on sale nationwide January 12, 2015.

patrioticwaves1In 2015, the U.S. Postal Service offers the $1 Patriotic Waves, a new, high-denomination stamp. This contemporary stamp design was created to lend a patriotic appearance to packages, large envelopes, and other mailings. $1 Patriotic Waves stamp features red and blue intersecting lines on a white background in an abstract pattern reminiscent of billowing flags. A portion on the lower right side of the stamp provides white space to display the dollar sign and numeral 1. Designer Michael Dyer worked with art director Antonio Alcalá to create this stamp.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website at http://www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

$1 Patriotic Waves Stamp
Cancellation Services
8300 NE Underground Drive, Pillar 210
Kansas City, MO 64144-0001

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by March 13, 2015.

There are six philatelic products for this stamp issue:

  • 117406, Press Sheet with Die cuts, $140.00, (print quantity 500).
  • 117408, Press Sheet without Die cuts, $140.00, (print quantity 1,000).
  • 117410 Digital Color Postmark Keepsake, $12.95.
  • 117416 First-Day Cover, $1.44.
  • 117421 Digital Color Postmark, $2.15.
  • 117431 Stamp Deck Card, $0.95.

Technical Specifications:

patrioticwaves1Issue: $1 Patriotic Waves Stamp
Item Number: 117400
Denomination & Type of Issue: $1.00, Mail Use
Format: Pane of 10 (1 design)
Series: N/A
Issue Date & City: January 12, 2015, Kansas City,
MO 64144
Designer: Michael Dyer, Brooklyn, NY
Art Director: Antonio Alcalá, Alexandria, VA
Typographer: Michael Dyer, Brooklyn, NY
Artist: Michael Dyer, Brooklyn, NY
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Muller A76
Stamps per Pane: 10
Print Quantity: 100 Million Stamps
Paper Type: Nonphosphored Type III, Block Tag applied
Adhesive Type: Pressure-sensitive adhesive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: PMS 2174 C Blue, PMS 185 C Red, PMS Cool Gray C #8
Stamp Orientation: Horizontal
Image Area (w x h): 1.05 x 0.77 in./26.67 x 19.56 mm
Overall Size (w x h): 1.19 x 0.91 in./30.23 x 23.11 mm
Full Pane Size (w x h): 3.52 x 6.09 in./89.41 x 154.69 mm
Press Sheet Size (w x h): 24.64 x 12.08 in./625.86 x 306.83 mm
Plate Size: 280 stamps per revolution
Plate Numbers: “P” followed by three (3) single digits
Marginal Markings:
Front: Plate block numbers in two positions
Back: © 2014 USPS • USPS logo • Plate position diagram • Two Barcodes • Promotional text

Black Heritage: Robert Robinson Taylor

Updated February 19th: Post-issuance press release
First African-American MIT Graduate, Black Architect, Immortalized on Limited Edition Forever Stamp
Robert Robinson Taylor becomes 38th Honoree into Black Heritage Stamp Series

WASHINGTON — Robert Robinson Taylor, believed to have been both the first African-American graduate of the Massachusetts Institute of Technology (MIT) and the nation’s first academically trained black architect was inducted into the Postal Service’s Black Heritage Stamp series today as the 38th honoree. His great granddaughter, White House Senior Advisor Valerie Jarrett joined Postmaster General Megan Brennan in dedicating the stamp.

rrtaylor_ceremony01[L to R: -A’Lelia Bundles, President, National Archives Foundation; Allen Kane, Director, Smithsonian National Postal Museum; Dr. Bernard L. Richardson, Dean, Andrew Rankin Memorial Chapel, Howard University; Dr. Rafael Reif, President, MIT; Megan Brennan, Postmaster General and CEO U.S. Postal Service; Valerie Jarrett, Sr. Advisor to the President; Dr. Brian Johnson, President, Tuskegee University; The Honorable Sheila Jackson Lee, Representative/Texas; The Honorable Eric Holder, Attorney General of the United States; Deputy Postmaster General Ronald A. Stroman, USPS; Richard Kurin, Under Secretary for History, Art and Culture]

The first-day-of-issuance ceremony, which took place at the Smithsonian’s National Postal Museum, coincided with the opening of the museum’s “Freedom Around the Corner: Black America from the Civil War to Civil Rights” exhibit.

rrtaylor_ceremony02“Anytime I face a daunting challenge and self-doubt creeps in, I think of my great grandfather, Robert Taylor, the son of a slave, who traveled from Wilmington, NC, to attend M.I.T. in 1882,” said Jarrett (right). “He believed that with a good education, hard work, relentless determination and a dedication to family, there were no limits to what he could accomplish. The example he set gives me strength and courage. My family is proud to stand on his shoulders and we know that it is our responsibility to embrace his values, to ensure that his legacy will be ‘forever stamped’ in the conscious of future generations.”

rrtaylor_ceremony04“Robert Robinson Taylor expanded opportunities for African-Americans in fields that had largely been closed to them,” said Brennan, who earned her MBA from MIT. “Booker T. Washington recruited Taylor to the Tuskegee Institute to help show the world what an all-black institution could accomplish. Taylor designed and oversaw the construction of dozens of new buildings built in an elegant, dignified style that befitted his personality. But it was Tuskegee’s Chapel that Taylor considered to be his finest achievement and masterpiece. Washington referred to the graceful, round-arch structure as the ‘most imposing building’ at Tuskegee. As one of our nation’s calling cards, we hope this stamp will encourage more Americans to learn more about Robert Robinson Taylor’s life and career.”

Brennan is shown above with Deputy PMG Stroman, Attorney General Holder, and Jarrett.

Joining Brennan and Jarrett in the dedication were MIT President Dr. Rafael Reif; Tuskegee University President Dr. Brian Johnson; Citizens’ Stamp Advisory Committee member Henry Louis Gates, Jr., and Smithsonian National Postal Museum Director Allen Kane.

For more than three decades, Taylor (1868–1942) supervised the design and construction of the Tuskegee Institute in Alabama while also overseeing the school’s programs in industrial education and the building trades. Through his calm leadership and quiet dignity, he earned the admiration of colleagues and students alike while expanding opportunities for African-Americans in fields that had largely been closed to them.

Son of a Former Slave
Taylor was born June 6, 1868, in Wilmington, NC. His father was a former slave who had become a successful carpenter, contractor and merchant. From his father, Taylor learned carpentry and construction. After graduating from secondary school, he worked as a construction foreman before moving to Boston in 1888 to study in the architecture program at MIT.

Taylor’s studies were rigorous. He typically spent seven hours in class per day, and by his second year was taking as many as 10 courses per semester in such wide-ranging subjects as mechanics, acoustics, structural geology, heating, ventilation and sanitation, as well as in drawing, history, English and French. He earned honors in trigonometry, architectural history, differential calculus and applied mechanics, and was always at or near the top of his class.

Upon graduating, Taylor had several offers for teaching jobs, including an invitation from educator and activist Booker T. Washington to work at the Tuskegee Normal and Industrial Institute in Tuskegee, AL. Washington had founded the school in 1881 not only to help African-Americans acquire valuable practical skills, but also to show the world what an all-black institution could accomplish.

Developed Tuskegee’s Architectural Curriculum
When Taylor arrived at Tuskegee in 1892, he was both a beginning architect and a busy teacher of architectural and mechanical drawing to students in all industrial trades, including building construction. Before the decade was over, he had established a beginning architecture curriculum that included carpentry, cost estimation, training in drawing building plans and the study of construction problems. Tuskegee soon began offering a certificate in architectural drawing, which would help graduates enter collegiate architecture programs or win entry-level positions in architectural offices. Taylor’s efforts furthered Washington’s dream of producing not just African-American builders and carpenters, but designers and architects who planned the buildings as well.

Designer of Tuskegee’s Campus
At the same time, Taylor set about designing and building the Tuskegee campus. Upon his arrival, the school was an assortment of cottages, cabins, and simple wood-frame or brick buildings scattered across an abandoned plantation. In the years following, Taylor designed and oversaw the construction of dozens of new, state-of-the-art buildings, from libraries and dormitories to lecture halls, faculty housing, gymnasia, scientific and agricultural facilities, industrial workshops, a hospital — and, most memorably, a handsome chapel that was used for conferences, graduation ceremonies, and religious services.

Taylor’s Colonial-style designs, including half a dozen buildings with grand porticos and large classical columns, were built of richly textured, multihued bricks made by the students themselves. In keeping with Washington’s belief that well-designed community buildings proved and nurtured racial progress, Taylor typically built in a style that was also consistent with his own personality: elegant, dignified and persuasive without being showy.

Taylor left Tuskegee in 1899 to work and study new building methods in Cleveland, but continued to design buildings for the school. When he returned in 1902, he was given the title he held for the rest of his career: Director of Mechanical Industries. He continued to design new buildings and oversaw the Department of Mechanical Industries, which included 22 divisions that trained harness makers, tinsmiths, wheelwrights, tailors, plumbers, steamfitters and many other skilled artisans.

His Inspirational Words
A 1915 letter captures the calm determination that surely inspired students under Taylor’s care. “There are not a great many colored architects and engineers in the country — comparatively few — but the number is increasing and I am glad to say that because of their work they have gradually gained the confidence of the public,” Taylor wrote. “I realize that in any movement which borders on that of the pioneer, that it takes some courage and some determination, but I believe that any risk which we may take in any operation, in any business or in any occupation, we will be fully repaid when we see that more and more avenues are being opened up for colored young men and colored young women, and the best lesson that we can give them is to let them see the things which have actually been accomplished by colored men and by colored women. I believe this would be among the greatest contributions that we can make towards racial progress.”

Unfaltering Leadership
Later in his career, Taylor played such a major role at Tuskegee that he served as acting principal when the principal was traveling. When members of the Ku Klux Klan paraded on a public road through the campus in 1923, Taylor kept the peace. He allowed a student dance to proceed as scheduled, assured the press that the institute could handle any trouble, and calmly watched from his veranda as the parade passed. He soon earned a promotion to vice principal for his strong, dignified display of leadership — but continued to serve as Director of Mechanical Industries. Later in his career, Taylor designed or co-designed buildings beyond the Tuskegee campus as well, including a combined classroom, chapel and administrative building at Selma University; a combination office, entertainment, and retail building in Birmingham, and elegant libraries in North Carolina and Texas. In 1929, presented with a particularly interesting opportunity, he traveled to Liberia to help establish the Booker T. Washington Agricultural and Industrial Institute. He helped organize the curriculum and advised on staffing, leadership, and facilities, serving as an intermediary between missionaries, businesses, and the Liberian government; he also designed plans for the campus and its first structures. The trip was covered by the African-American press, and Lincoln University in Pennsylvania awarded him an honorary doctorate for his work.

Public Service and Advocacy Following Retirement
After retiring in 1932, Taylor returned to Wilmington, NC, and spent the final decade of his life engaged in quiet but determined public service and advocacy. He promoted a federal homesteading project for African-American farmers and argued in favor of federally funded African-American recreation projects. He was elected vice chairman of the Wilmington Inter-Racial Commission, served on the board of Fayetteville State Teacher’s College, and wrote to the U.S. Civil Service Commission in 1941 to protest discrimination against African Americans in the defense industry.

Final Moments Surrounded by his Masterpiece
Taylor died Dec. 13, 1942, at the age of 74 after collapsing in a chapel during a visit to Tuskegee. According to family, moments before an aneurism struck Taylor, the famously modest man who rarely talked about his work acknowledged that the chapel was his masterpiece.

In her 2012 book about Taylor and Tuskegee, architectural historian Ellen Weiss writes that Taylor was eulogized for “his principled character, his organizational abilities, his special tact on interracial matters, and his achievements as an educator and architect.” Colleagues and friends recalled him as eloquent, intelligent, dignified and kind.

MIT’s Influence
In a talk he gave on the occasion of MIT’s 50th anniversary in 1911, Taylor summarized what his MIT training helped bring to Tuskegee. In the process, he encapsulated both his personal strengths and his lasting legacy: “the love of doing things correctly, of putting logical ways of thinking into the humblest task, of studying surrounding conditions, of soil, of climate, of materials and of using them to the best advantage in contributing to build up the immediate community in which the persons live, and in this way increasing the power and grandeur of the nation.”

The Robert Robinson Taylor stamp is being issued as a Forever stamp which is always equal in value to the current First-Class Mail 1-ounce price.

Updated February 5th: Here are the first-day cancels for this issue:
rrtaylor_dcp_vscDigital Color Postmark size: 2.90″ x 1.45″ rrtaylor_bw_vscPictorial postmark size is 2.96″ x 1.49″

Updated January 23rd: The first day ceremony will be held at the National Postal Museum, in connection with the opening of its new Black History exhibition. The change in first-day cities to Washington had nothing to do with the White House, but Taylor’s great-granddaughter, Valerie Jarrett, a senior White House advisor, is expected to attend.

Updated January 21st:rrtaylor800 On February 12, 2015, in Washington, DC, the U.S. Postal Service® will issue the Robert Robinson Taylor First-Class Mail® Forever® stamp, in one design, in a pressure-sensitive adhesive (PSA) pane of 20 stamps (Item 472900).

The stamp will go on sale nationwide February 12, 2015.

The 38th stamp in the Black Heritage series honors architect and educator Robert Robinson Taylor (1868–1942). For more than three decades, Taylor supervised the design and construction of the Tuskegee Institute in Alabama, while also overseeing the school’s programs in industrial education and the building trades. He is believed to have been both the first black graduate of the Massachusetts Institute of Technology (MIT) and the country’s first academically trained black architect. The stamp features a photograph of Taylor taken circa 1890, when he was around 22 years old and a student at MIT. The photograph is from the collection of the MIT Museum. Art director Derry Noyes designed the stamp.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website at http://www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

Robert Robinson Taylor Stamp
Special Events
PO Box 92282
Washington, DC 20090-2282

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by April 13, 2015.

There are eight philatelic products for this stamp issue:

  • 472906, Press Sheet with Die cut, $58.80, (print quantity 250).
  • 472908, Press Sheet without Die cut, $58.80, (print quantity 500).
  • 472910 Digital Color Postmark Keepsake, $11.95.
  • 472916 First-Day Cover, $0.93.
  • 472921 Digital Color Postmark, $1.64.
  • 472930 Ceremony Program, $6.95.
  • 472931 Stamp Deck Card, $0.95.
  • 472932 Stamp Deck Card with Digital Color Postmark, $1.99.

Technical Specifications:

rrtaylor800Issue: Robert Robinson Taylor Stamp
Item Number: 472900 Denomination & Type of Issue: First-Class Mail Forever
Format: Pane of 20 (1 design)
Series: Black Heritage
Issue Date & City: February 12, 2015, Washington, DC 20066
Designer: Derry Noyes, Washington, DC
Art Director: Derry Noyes, Washington, DC
Typographer: Derry Noyes, Washington, DC
Modeler: Joseph Sheeran
Manufacturing Process: Offset, Microprint “USPS”
Printer: Ashton Potter (USA) Ltd. (APU)
Printed at: Williamsville, NY
Press Type: Muller A76
Stamps per Pane: 20
Print Quantity: 30 million stamps
Paper Type: Nonphosphored, Type III, Block Tag applied
Adhesive Type: Pressure-sensitive adhesive
Processed at: Ashton Potter (USA) Ltd. (APU)
Colors: Cyan, Magenta, Yellow, Black
Stamp Orientation: Vertical
Image Area (w x h): 0.84 x 1.42 in./21.34 x 36.07 mm
Overall Size (w x h): 0.98 x 1.56 in./24.89 x 39.62 mm
Full Pane Size (w x h): 5.95 x 7.24 in./151.13 x 183.90 mm
Press Sheet Size (w x h): 11.90 x 21.72 in./302.26 x 551.69 mm
Plate Size: 240 stamps per revolution
Plate Numbers: “P” followed by four (4) single digits
Marginal Markings: Front: Plate numbers • Header: BLACK HERITAGE — 38th IN A SERIES
Back: © 2014 USPS • USPS logo • Plate position diagram • Barcode (472900) in upper right and lower left corners of pane • Promotional text • Verso text

rrtaylor800Updated January 8th Postal Bulletin: The first day city and date are now listed as Washington, DC, on February 12th.

Updated December 23rd: We’re told the exact date and first-day city are still not confirmed, but now we have the stamp design, shown here, as well as more information from the USPS about the stamp and Taylor:

The 38th stamp in the Black Heritage series honors architect and educator Robert Robinson Taylor (1868–1942). For more than three decades, Taylor supervised the design and construction of the Tuskegee Institute in Alabama while also overseeing the school’s programs in industrial education and the building trades. He is believed to have been both the first black graduate of the Massachusetts Institute of Technology (MIT) and the country’s first academically trained black architect. The stamp features a photograph of Taylor taken circa 1890, when he was around 22 years old and a student at MIT. The photograph is from the collection of the MIT Museum. Art director Derry Noyes designed the stamp.

Remembered for his calm determination and quiet dignity, Robert Robinson Taylor (1868­–1942) is believed to have been both the first black graduate of the Massachusetts Institute of Technology and the country’s first academically trained black architect—accomplishments that helped open a new profession to African Americans.

In 1892, after graduating from MIT, this young man from Wilmington, North Carolina, accepted an offer from educator and activist Booker T. Washington to teach at the Tuskegee Institute in Alabama, where he soon set about shaping the appearance of the burgeoning school. Over the course of nearly 40 years, Taylor designed dozens of essential buildings, including libraries, dormitories, lecture halls, industrial workshops, and a handsome chapel, transforming a makeshift campus on an abandoned plantation into a confident, state-of-the-art institution.

Taylor’s work as a teacher and administrator was equally vital to the Tuskegee mission. While overseeing programs to train skilled artisans, he also established a curriculum with a certificate to help graduates enter collegiate architecture programs or earn entry-level positions at firms. His work furthered Booker T. Washington’s dream of fostering not just African-American builders and carpenters, but architects who could plan the buildings as well.

Taylor was admired for his decades of leadership at Tuskegee, and in 1911 he gave a speech that summarized the profound benefits of his education. In doing so, he encapsulated not only his personal strengths, but also his lasting legacy: “the love of doing things correctly, of putting logical ways of thinking into the humblest task . . . and in this way increasing the power and grandeur of the nation.”

Robert Robinson Taylor, MIT photoUpdated November 30th. This stamp will be issued sometime in February, and the first day city is Tuskegee, AL, because Taylor designed many of the buildings on the Tuskegee Institute campus.

Robert Robinson Taylor, 1868-1942, is believed to have been the first accredited African-American and definitely the first African-American student at the Massachusetts Institute of Technology. (The photo here is from an MIT site.)

According to Wikipedia, his great-granddaughter, Valerie Jarrett, is a Senior Advisor to President Barack Obama.

U.S. 2015: Forever Hearts

From the USPS January 21st:
Love: Forever Hearts Stamps
Great for Expressing Valentine’s Day Wishes

foreverloveRICHMOND, VA — The Postal Service will dedicate this year’s Love stamps in Richmond, the capital of the state with the slogan, “Virginia is for Lovers.” The first-day-of-issuance ceremony for the limited edition Love: Forever Hearts stamps will be held Thursday, Jan. 22 at 11 a.m. at the Virginia Museum of Fine Arts. The event is free and open to the public.

“Although the Greeks first associated the heart with feelings of love and romance, heart symbols can be traced back to pictograms from before the last Ice Age,” said U.S. Postal Service Capital Metro Area Vice President Kristin Seaver. “Today, the heart is everywhere. It can be found in religious art, pop culture, greeting cards and so much more, but the meaning remains the same — love — the universal language of the heart. Our Forever Hearts stamps reminds people of the power of everlasting love. In that spirit, we hope the stamp will help you send all of your cards and letters to those you care about with a special touch of love and cheer.

Moreover, there is nothing like the feeling of receiving a love letter in the mail or a valentine from that special someone. But remember, these stamps can be used year-round because love never goes out of season or style.”

Scheduled to join Seaver in the dedication will be Virginia Tourism Corporation President and CEO Rita McClenny; Virginia Museum of Fine Arts Director Alex Nyerges; and Forever Hearts Art Director, Antonio Antonio Alcalá of Alexandria, VA.

Combining artistic vision with a symbol of undying affection, the 2015 Forever Hearts stamps depict the ancient association between eternal love and the heart. Lacy lettering in the shape of a heart spells out the word “Forever” on two stamps. One design features red lettering on a white background; the other is reversed, with white lettering on a field of red.

Artist Jessica Hische created the lettering that forms the heart, first drawing her design by hand and then finishing the stamp art digitally.

The Heart Design
A religious symbol, a motif in art, an expression of affection or support — today the heart is everywhere, not only at Valentine’s Day, but also year-round. It signifies romantic love as well as love of people, places, or ideas. In the 1970s, a campaign to increase tourism in New York famously substituted the heart symbol for the word “love” in its slogan, a trademarked logo that spawned imitations around the world. Scores of businesses and organizations use the heart as part of their logos. Heart designs are carved onto furniture, etched onto jewelry, sewn into quilt patterns, and fashioned into sculpture. In February, the heart is found on everything from cookies to cards to kids’ clothes.

The traditional colors of red and white would be appropriate for valentines, wedding invitations, baby announcements, anniversary cards, party invites or any occasion that calls for a classic, timeless stamp.

Jessica Hische created the stamp images under the guidance of Art director Antonio Alcalá. As Forever stamps, the Love: Forever Hearts stamps will always be equal in value to the current First-Class Mail 1-ounce price.

Background on the Stamp Artist
Growing up in Hazleton, PA, Hische always knew she wanted to be an artist. Her first professional drawing project was a mural for a restaurant in her hometown. She went on to study graphic and interactive design at the Tyler School of Art at Temple University in Philadelphia, graduating with a B.F.A. in 2006.

Hische began her career as a graphic designer in Philadelphia before moving to New York City to pursue her passion for illustration. A freelance designer since 2009, her clients have included Penguin Books, The New York Times, American Express, Oxford Committee for Famine Relief (OXFAM) America, and McSweeney’s. Hische also worked closely with director Wes Anderson to create the title design and credits for the film Moonrise Kingdom.

Using color and whimsy, Hische infuses a unique style into her typographical designs. “A friend of mine described it once as ‘equal parts design, typography, illustration, brown sugar, and heavy cream,’” she said. “I create letterform-focused artwork that always has a homemade warmth to it.”

Hische’s projects for the U.S. Postal Service also include Sealed With Love (2013), and Love Ribbons (2012). She lives in San Francisco.

Background on Stamp Designer
Antonio Alcalá served on the Postmaster General’s Citizens’ Stamp Advisory Committee from 2010 until 2011, when he left to become an art director for the U.S. Postal Service’s stamp development program.

After working as a book designer and freelance graphic designer, Alcalá opened Studio A in 1988. Since then his studio has won awards of excellence in design from local, national, and international design institutions including AIGA, Print, Communication Arts, and Graphics. His clients include: the National Gallery of Art, Library of Congress, National Portrait Gallery, United States Holocaust Memorial Museum, National Museum of Women in the Arts, National Geographic Society, Folger Shakespeare Library, the Phillips Collection, and Smithsonian Institution.

Alcalá is an adjunct faculty member of the Corcoran College of Art and Design in Washington, DC, and founder of the design education program DesignWorkshops. He serves on the board of the Northern Virginia Fine Arts Association and is a past president of the Art Directors Club of Metropolitan Washington. The AIGA DC Chapter selected Alcalá as its 2008 AIGA Fellow. His work is represented in the AIGA Design Archives and the Library of Congress Permanent Collection of Graphic Design.

Alcalá graduated from Yale University with a B.A. in history and from the Yale School of Art with an M.F.A. in graphic design.

Purchasing Stamps
Customers may purchase the stamps at usps.com/stamps, the Postal Store, at 800-STAMP24 (800-782-6724) and at Post Offices nationwide or visit ebay.com/stamps to shop for a wide variety of postage stamps and collectibles.

Ordering First-Day-of-Issue Postmarks:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store website at usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes to themselves or others, and place them in a larger envelope addressed to:

foreverloveLove: Forever Hearts Stamps
Postmaster
Richmond Post Office
1801 Brook Road
Richmond, VA 23232-9996

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers are charged 5 cents each. All orders must be postmarked by March 9, 2015.

There are nine philatelic products for this stamp issue:

  • 588504 Pane of 20, $9.80
  • 588524 Framed Art, $29.95
  • 588506, Press Sheet with Die cut, $58.80 (print quantity 1,000)
  • 588508, Press Sheet without Die cut, $58.80 (print quantity 1,000)
  • 588510, Pane of 20 stamps and Digital Color Postmark Keepsake (set of 2), $13.95
  • 588516, First-Day Cover (set of 2), $1.86
  • 588521, Digital Color Postmark (set of 2), $3.28
  • 588530, Ceremony Program, $6.95
  • 588531, Stamp Deck Card, $0.95
  • 588532, Stamp Deck Card with Digital Color Postmark, $1.99

First Day Postmarks (added January 20th; we’re having trouble getting good quality cancellation design images this year):vsc_hearts_dcpUpdated January 16th: Here it is a week before the first day ceremony, and I still can’t find anything about the stamps at the VMFA website. You’d think the museum would be more excited.

Updated December 23rd:
The first day of issue will be January 22nd in Richmond, Virginia, at the Virginia Museum of Fine Arts, as part of the theme, “Virginia is for lovers.” There is nothing yet on the Museum’s website calendar regarding the stamps.

Initial post:
First Day of Issue some time in January, in Philadelphia. (The name of the issue also changed in late November, from “Forever Love” to “Forever Hearts.” Whatever.)

Same design for each stamp, but one is red with white lettering, the other the reverse.

foreverloveFrom the USPS on November 4, 2014:

Lacy lettering in the shape of a heart spells out the word “Forever” on two stamps. One design features red lettering on a white background; the other is reversed, with white lettering on a field of red.

Artist Jessica Hische (pronounced “HYSH”) created the lettering that forms the heart, first drawing her designs by hand and then finishing the stamp art digitally. The red and white color scheme works well with other colors and adds a timeless feel to the design, which resembles filigree (delicate/intricate ornament).

The traditional colors of red and white would be appropriate for valentines, wedding invitations, baby announcements, anniversary cards, party invites, or any occasion that calls for a classic, timeless stamp.

Artist: Jessica Hische of Hazleton, PA / Philadelphia / New York (also did Sealed with Love and Love Ribbons).

 

Lunar New Year: Ram

Updated February 19th: A USPS photo from the first day ceremony:ram_unveilingLeft to Right: Linda Thomas, Distribution Supervisor, SFP&DC (National Anthem), Ken Lee, Acting Chief Executive Officer, Organization of Chinese Americans, Claudine Cheng, Past National President, Organization of Chinese Americans, Kam Mak, Stamp artist for the second Lunar New Year stamp series, The Honorable Edwin M. Lee, Mayor, City and County of San Francisco, Raj Sanghera, Postmaster, San Francisco, Eddie Au, President, Supervisory Board, Chinese Chamber of Commerce, Song Ning Ma, Presiding President, Chinese Consolidated Benevolent Association and Debbie Brady, Manager of Marketing, San Francisco District.

Updated January 23rd: Stamp artist Kam Mak will attend the first-day ceremony, which will be held at 11 a.m. at the Chinese Cultural Center in San Francisco. Katherine Tobin of CSAC will also attend, and the dedicating official is acting district manager Noemi Luna.

Lunar New Year
lny-ramThe first issue of the year will be Lunar New Year, the Ram. Again, a design by Kam Mak, of a candy tray or “tray of togetherness” (“chuen-hop”). The tray is filled with dried fruits, candies, and other treats to provide a sweet beginning to the New Year.

The cut-paper icon of a ram from the previous series by Clarence Lee, plus Chinese characters in the grass-style of calligraphy by the late Lau Bun. This is the eight of the 12-stamp series. Issue date and city are not yet locked in, but it will be issued in January. The Year of the Ram begins on February 19th. The first day city will be San Francisco, on February 7th. [updated December 23rd]

Digital Color Postmark (better version added January 22nd): ramdcp_vscThis postmark measures 3.00″x1.51″. The B&W postmark is the standard four-bar cancel.

From the Postal Bulletin:

On February 7, 2015, in San Francisco, CA, the U.S. Postal Service® will issue the Lunar New Year: Year of the Ram First-Class Mail® stamp (Forever® priced at 49-cents) in one design, in a pressure-sensitive adhesive (PSA) pane of 12 stamps (Item 588900).

The stamp will go on sale nationwide February 7, 2015.

The Year of the Ram stamp is the eighth of twelve stamps in the Celebrating Lunar New Year series. The Year of the Ram begins on February 19, 2015, and ends on February 7, 2016. The stamp art depicts a wooden candy tray known as a chuen-hop or Tray of Togetherness. The tray is filled with dried fruits, candies, and other treats to provide a sweet beginning to the new year. Artist Kam Mak created this original painting. Art director and stamp designer Ethel Kessler incorporated elements from the previous series of Lunar New Year stamps to create continuity between the series.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store® website at http://www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

lny-ramLunar New Year: Year of the Ram Stamp
Attention: Station Manager

Chinatown Station
867 Stockton Street
San Francisco, CA 94108-9998

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by April 8, 2015.

There are eleven philatelic products for this stamp issue.

  • 588906, Press Sheet with Die cut, $70.56, (print quantity 500).
  • 588908, Press Sheet without Die cut, $70.56 (print quantity 500).
  • 588910 Digital Color Postmark Keepsake (2 SS, 1 DCP), $13.95.
  • 588916 First-Day Cover, $0.93.
  • 588918 First-Day Cover (Full Pane), $8.38.
  • 588919 First-Day Cover Cancelled Full Pane, $8.38.
  • 588921 Digital Color Postmark, $1.64.
  • 588924 Framed Art, $39.95.
  • 588930 Ceremony Program, $6.95.
  • 588931 Stamp Deck Card, $0.95.
  • 588932 Stamp Deck Card with Digital Color Postmark, $1.99.

Technical Specifications:

Issue: Lunar New Year: Year of the Ram Stamp
lny-ramItem Number: 588900
Denomination & Type of Issue: First-Class Mail Forever
Format: Souvenir Sheet of 12 (1 design)
Series: Celebrating Lunar New Year
Issue Date & City: February 7, 2015, San Francisco, CA
Designer: Ethel Kessler, Bethesda, MD
Art Director: Ethel Kessler, Bethesda, MD
Typographer: Ethel Kessler, Bethesda, MD
Artist: Kam Mak, Brooklyn, NY
Modeler: Donald Woo
Manufacturing Process: Offset, Microprint
Printer: Banknote Corporation of America/SSP
Printed at: Browns Summit, NC
Press Type: Alprinta 74
Stamps per Pane: 12
Print Quantity: 17,600,400 stamps
Paper Type: Phosphor Tagged, Overall
Adhesive Type: Pressure-sensitive adhesive
Processed at: Banknote Corporation of America, Browns Summit SC
Colors: Cyan, Magenta, Yellow, Black, PMS872 Gold
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 0.84 in/36.07 x 21.34 mm
Overall Size (w x h): 1.56 x 0.98 in/39.62 x 24.89 mm
Full Pane Size (w x h): 7.24 x 5.92 in/183.90 x 150.36 mm
Press Sheets Size (w x h): 24.05 x 21.87 in/611.00 x 555.50 mm
Plate Size: 144 stamps per revolution
Plate Numbers: N/A
Marginal Markings: Front: Header: “CELEBRATING LUNAR NEW YEAR”
Back: © 2014 USPS • USPS logo • Barcode (588900) at bottom of pane • Promotional text • Lunar New Year Bio

War of 1812: Battle of New Orleans

Collector’s Set Update February 20th: I received my set yesterday, not quite the “available February 1st” advertised. I bought one because I needed the four sheets of War of 1812 stamps that were included (for my own FDCs), and because I wanted one of those FDC cards that has the Digital Color Postmark that’s available only in the set. set1812fdc1I have to admit it’s a little disappointing: It’s 4″x6″, very thin cardstock, and there is nothing on it besides the four stamps and postmark. Still, no regrets at buying the set.

Scott catalogue number added February 2nd: 4952.

Collector’s Set Update January 20th: The USPS website shows the set (described below) as “discontinued.” The set IS still available; Headquarters is checking with “our IT people” to see why it can’t be ordered on the website. Update January 22nd: It’s back on the site. Apparently, this is a long-running glitch when an item is moved from “presale” to “onsale.”

First Day Postmarks (better versions added January 22nd):

bnolabw_vscThis postmark measures 2.26″ x 0.96″.
bnoladcp_vscThis postmark measures 2.93″ x 1.29″.

First Day of Issue: Thursday, January 8, 2015, in New Orleans. update December 4th: at the Chalmette Battlefield outside New Orleans in Chalmette, La. Will the postmark read “Chalmette” or “New Orleans?” We’ve asked.

[updated December 23rd] There will be a special War of 1812 product for collectors. See below. Also, there will be a special dedication at 1 pm at the Andrew Jackson’s Hermitage in Nashville on the same day. A postmark will be offered (below), but this will not be a first-day ceremony. There is nothing about the stamp yet on The Hermitage’s website, but it does promise free admission that day (and you can order tickets on the website). The stamp ceremony is in the auditorium of the Andrew Jackson Center.aj_noladay

Fourth and final stamp in the series, and of course it will be issued in New Orleans. That’s Andrew Jackson on horseback. This is an original painting by Greg Harlin, who also designed 2014’s Battle of Fort McHenry stamp. Below are the designs for the full sheet. Both the small vignette of Jackson on the reverse (by John Vanderlyn) and the “selvage” illustration on the front of the sheet (Oliver Pelton) are in the Library of Congress: bneworleans_obvbneworleans_revThe War of 1812 Limited Edition Collector’s Set war1812productThis $59.95 product will include all four sheets of War of 1812 stamps (face value $39.20), a card with a special Digital Color Postmark that won’t be available otherwise, a book about the War and the stamps, and a certificate numbered and signed by series art director Greg Breeding. It’s a limited edition of 3,000. Preorders hopefully will begin January 1st, but this set probably won’t be available until February 1st – meaning not in time for sale at the first day ceremony. (However, experienced FDC servicers know they can obtain first-day cancels for months after the issue date.)

From the December 11th Postal Bulletin:

bneworleansOn January 8, 2015, in Chalmette, Louisiana, the U.S. Postal Service will issue The War of 1812: Battle of New Orleans (Forever First-Class Mail stamp priced at 49-cents), in one design, in a pressure-sensitive adhesive (PSA) pane of 20 stamps (Item 589100). The War of 1812: Battle of New Orleans $9.80 pane of 20 stamps may not be split, and the stamps may not be sold individually.

The stamp will go on sale nationwide January 8, 2015.

In 2015, the Postal Service concludes its commemoration of the War of 1812, a conflict with Great Britain that many Americans viewed as the nation’s “Second War of Independence.” The subject of this final stamp is Andrew Jackson’s triumphant victory over the British on January 8, 1815, at the Battle of New Orleans. Illustrated with mixed media by noted historical painter Greg Harlin, the stamp art depicts American troops and artillery repelling British forces from behind a mile-long defensive earthwork known as Jackson’s line. A portrait of Andrew Jackson in his military uniform, by artist John Vanderlyn (1775–1852), appears on the reverse of the stamp pane. A nineteenth century depiction of the battle by Oliver Pelton appears on the front of the pane above the selvage text. The stamp pane also includes verso text. Art director Greg Breeding designed the stamp and pane.

How to Order the First-Day-of-Issue Postmark:
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office, at The Postal Store website at http://www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:

The War of 1812: Battle of New Orleans Stamp
Marketing Manager
701 Loyola Avenue #10003
New Orleans, LA 70113-9996

After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark up to a quantity of 50. For more than 50, customers have to pay five cents each. All orders must be postmarked by March 9, 2015.

There are ten philatelic products for this stamp issue:

  • 589106 Press Sheet with Die cuts, $49.00 (print quantity 500).
  • 589108 Press Sheet without Die cuts, $49.00 (print quantity 1,000).
  • 589110 Digital Color Postmark Keepsake, $11.95.
  • 589116 First-Day Cover, $0.93.
  • 589118 Full Pane, First-Day Cover, $12.30.
  • 589119 Cancelled Full Pane, $12.30.
  • 589121 Digital Color Postmark, $1.64.
  • 589130 Ceremony Program, $6.95.
  • 589131 Stamp Deck Card, $0.95.
  • 589132 Stamp Deck Card with Digital Color Postmark, $1.99.

Technical Specifications:

bneworleansIssue: The War of 1812: Battle of New Orleans Stamp
Item Number: 589100
Denomination & Type of Issue: First-Class Mail Forever Commemorative
Format: Souvenir Sheet of 20 (1 design)
Series: War of 1812
Issue Date & City: January 8, 2015, Chalmette, LA 70043
Designer: Greg Breeding, Charlottesville, VA
Art Director: Greg Breeding, Charlottesville, VA
Typographer: Greg Breeding, Charlottesville, VA
Artist: Greg Harlin, Annapolis, MD
Engraver: WRE
Modeler: CCL Label, Inc.
Manufacturing Process: Gravure
Printer: CCL Label, Inc.
Printed at: Clinton, SC 29325
Press Type: Dia Nippon Kiko (DNK)
Stamps per Pane: 20
Print Quantity: 30 Million stamps
Paper Type: Phosphor Tagged Paper, Block, Nonphosphored Type III
Adhesive Type: Pressure-sensitive adhesive
Processed at: CCL Label, Inc., Clinton, SC
Colors: Yellow, Magenta, Cyan, Cool Gray, Black
Stamp Orientation: Horizontal
Image Area (w x h): 1.42 x 1.09 in./36.07 x 27.56 mm
Overall Size (w x h): 1.56 x 1.23 in./39.62 x 31.12 mm
Full Pane Size (w x h): 10.25 x 7.25 in./260.35 x 184.15 mm
Press Sheet Size (w x h): 10.25 x 36.25 in./ 260.35 x 920.75 mm
Plate Size: 100 stamps per revolution
Plate Numbers: N/A
Marginal Markings:
Front: Side Header: The War of 1812: Battle of New Orleans • Descriptive Text
Back: © 2014 USPS • USPS logo • Plate position diagram • Barcode (589100) on lower left corner • Promotional text

 

Christmas Magi First Day Ceremony

[Our main article on the stamp is here.]

This even was held November 19, 2014, in St. John’s Church on LaFayette Square in Washington, D.c. Photos courtesy U.S. Postal Service and taken by Daniel Afzal of the USPS. magi_unv01Members of the St. John’s choir sing “We Three Kings.”

magi_unv03Louis J. Giuliano, a member of the U.S. Postal Service Board of Governors (left) and Rev. Dr. Luis Leon, Rector of Saint John’s Church, unveil the stamp design. magi_unv02Giuliano and Leon are joined by Nancy Mathis, President and CEO, First Take Communications of Washington, DC. She is an active member of the church.

Fraud Alert From APS: Use of Hotchner’s Name

[Editor’s note: Although this message is addressed to APS members, it is an important warning for all stamp collectors.]

ALL MEMBERS PLEASE BEWARE: An individual or group has been reported to APS as using the name of past APS President, John Hotchner, in a scam requiring a substantial cash deposit (which is then stolen) as basis for help in selling a collection. Members should be on guard against any such offer. There is no circumstance in which a cash deposit for being bonded should be required to sell your collection. Mr. Hotchner is not associated with any commercial venture involved in buying or selling collections, and has no involvement of any sort with this scam.

PLEASE REPORT CALLS AND ANY INFORMATION: We are trying to gather as much information as we can in order to turn this over to the authorities.  If you have been contacted by these people, please call the APS at 814-933-3812 or email Complaint Manager Wendy Masorti and provide any details you have.  And if you have given money to these people, please be sure to contact us and provide details as we can use this information to build a case.  Even if you previously contacted APS regarding this matter, please call or email AGAIN so that we can properly document your information.  Several APS staff members have been receiving these calls and may not have collected all pertinent information that we are now documenting – so please call again as all calls are now being directed to our Complaint Manager, Wendy Masorti.

HELP GET THE WORD OUT:  Everyone please help get the word out on this so that fellow collectors are not taken advantage of.  Clubs please inform all your members.

Again, if you have any information please call the APS at 814-933-3812 or email Complaint Manager Wendy Masorti and provide any details you have

Royal Mail Vans Tout Xmas Stamps

[press release[
‘STAMPS ON VANS’ – FOR THE FIRST TIME EVER ROYAL MAIL SPECIAL STAMPS TO FEATURE ON ITS VANS IN TOWNS AND CITIES ACROSS THE COUNTRY

xmasvans02Royal Mail is, for the first time, to feature images of its Special Stamps on a number of its vehicles

The set of six Christmas Special Stamps will be the first to be publicised in this way from Monday 10 November

Around 1500 vans across the country will feature the images

The stamps will be displayed on vans in 26 towns and cities around the UK including Liverpool, Sheffield, London, Glasgow, Belfast, Cardiff, Plymouth and Leicester
Royal Mail today announced the launch of a campaign that will see, for the first time ever, images of its Special Stamps featured on its delivery vans,

Beginning with the set of six Christmas stamps, which are now on sale, images of the stamps will appear on around 1,500 Royal Mail vans across 26 towns and cities across the UK.

This will be a rolling programme that will incorporate all of the upcoming Special Stamp issues in 2015. There will be a special emphasis on places across the country that have a strong association with the image on the stamp. The images are printed on adhesive vinyls and applied to the vans.

Andrew Hammond, Royal Mail said: “This is the first in what will be an on-going campaign to feature our Special Stamp Programme across the country using our familiar red postal vans, The size and reach of our fleet should help create high levels of public awareness.”

The Christmas stamps will appear in 26 towns and cities:

London
Birmingham
Glasgow
Leeds
Edinburgh
Liverpool
Bristol
Sheffield
Bradford
Cardiff
Manchester
Leicester
Stoke-on-Trent
Hull
Coventry
Nottingham
Belfast
Plymouth
Sunderland
Brighton
Derby
Wolverhampton
Southampton
Aberdeen
Bangor
Inverness

Royal Mail Postmark Celebrates Comet Landing

[press release[
ROYAL MAIL POSTMARK TAKES OFF FOLLOWING ROSETTA MISSION SUCCESS

    • Royal Mail is issuing a postmark to highlight the historic moment the European Space Agency landed a spacecraft on a comet
    • The Philae lander touched down on comet 67P/Churyumov–Gerasimenko yesterday following the Rosetta orbiter’s 10 year mission across the Solar System
    • Royal Mail’s postmark will be delivered on mail across the UK on Friday and Saturday. It will say: ‘Celebrating the first ever landing on a comet. Congratulations to the European Space Agency.’

RosettapostmarkLetters delivered across the UK will be reaching for the stars tomorrow (Friday 14th November), as Royal Mail celebrates the European Space Agency (ESA) landing a spacecraft on a comet, with a special postmark.

Yesterday (November 12) saw the the ESA make history as the Rosetta orbiter’s Philae lander touched down on comet 67P/Churyumov–Gerasimenko.

It was the first time that a spacecraft has landed on a comet. The Rosetta orbiter began its ten year journey in 2004, chasing the comet across the Solar System. The mission aims to conduct unprecedented scientific analysis of the comet and its environment.

To mark the occasion, Royal Mail’s postmark will appear on millions of items of mail delivered to addresses nationwide on Friday and Saturday.

It will say ‘Celebrating the first ever landing on a comet. Congratulations to the European Space Agency.”

Andrew Hammond from Royal Mail, said: “We’re thrilled to be marking the European Space Agency’s fantastic achievement with one of our special postmarks.

“The Rosetta mission has captured the public’s imagination and excitement about space exploration, and we’re pleased to be recognising this historic moment in this unique way.

“Our postmark is set to take off and will appear on mail delivered by our postmen and women across the UK.”

Royal Mail’s postmark programme is used to celebrate historic moments, sporting events and highlight our support of charities. The postmark is also used to remind customers to post their mail in time for certain occasions, such as Mother’s Day or Christmas.