Great Canadian Illustrators (Canada 2018)

The Scott catalogue numbers are 3092 for the souvenir sheet and individual stamps are

  • 3093 Kunz
  • 3094 Drawson
  • 3095 Hill
  • 3096 Davies
  • 3097 DuBois

Numbers subject to change.

From Details magazine:

GREAT CANADIAN ILLUSTRATORS
Issue date: April 5, 2018

Highlighting the work of five talented Canadians whose work can be found on book covers, posters, magazine, newspapers and even stamps, this issue features five of Canada’s most successful and prolific illustrators.

A proud native of Belleville, Ontario, Will Davies (1924-2016) is a legend of Canadian commercial art, with fashion layouts, story illustrations and advertising campaigns for clients as Simpson’s, Chatelaine, Reader’s Digest, Homemakers, Star Weekly, Woman’s Weekly (U.K.), and many other publications – as well as nine Canadian stamps. His stamp features one of his untitled Harlequin book covers.

Blair Drawson (Stage Fright, circa 1990) has worked as an editorial illustrator for many of North America’s most notable magazines – among them, Time, The New Yorker, Esquire, Rolling Stone and The New York Times Magazine .

France-born Gérard DuBois (It’s Not a Stream of Consciousness, 2015) chose Montréal as a place to launch his freelance career. His work has appeared in many major magazines in North America and Europe – and the 2015 Canadian Christmas stamp trio.

James Hill (1930-2004) of Hamilton had a major influence on his field. The image on this stamp is from a 1966 Redbook feature on hair fashion. Named Artist of the Year by the Guild of American Artists in 1966, he earned two gold medals from the New York-based Society of Illustrators.

Anita Kunz is one of the most iconic illustrators of our time. Her work has been published and exhibited internationally and she regularly provides cover art for The New Yorker and other influential publications. She has also illustrated more than 50 book covers. Best Friends (circa 2012) is from a series of personal work.

“The strength of the Canadian illustrators issue lies in the narrative quality of the imagery, the mastery of colour and composition, and the sense of imagination, humour, style and emotion.”
— Lara Minja, stamp designer

Updated April 6th:

[press release]
Eye-catching new stamps showcase work of five great Canadian illustrators
Issue pays homage to outstanding artists of past half century

TORONTO, April 5, 2018 /CNW/ – Canada Post pays tribute to five talented Canadians whose illustrations have appeared in books, magazines, advertisements, and galleries – and on postage stamps – over the past 50 years in this special issue featuring some of their favourite works.

Canada’s rich history in the field of commercial art and illustration is celebrated through the diversity of techniques, topics, and treatments showcased in this colourful set, which honours Will Davies, Blair Drawson, Gérard DuBois, James Hilland Anita Kunz.

Will Davies (1924-2016) was a legend in the world of Canadian commercial art. His work combined a passion for beauty and the human form with uncanny technical skill. His ability and love of his craft are captured in this glamorous lifestyle portrait from one of the many romance novels he illustrated.

Blair Drawson was an illustrator for many of North America’s most notable magazines before he decided to focus on writing and illustrating books – including nearly a dozen of his own – as well as painting and teaching courses in his craft.

Gérard DuBois has not looked back since relocating from France to Montréal to become a freelance illustrator. His expanding body of work ranges from book and magazine illustrations to commercial projects and exhibitions of his paintings.

 

James Hill (1930-2004) was one of the most sought-after illustrators in North America from the 1950s to 1970s. A prolific artist who appeared in major publications, galleries, and ad campaigns, he focused the last 25 years of his life on fine arts, wilderness landscapes and portraits.

Anita Kunz is one of the most iconic illustrators of our time, known for her bold and irreverent illustrations and provocative portraits of famous figures. Internationally acclaimed, she is a popular speaker and has been published and exhibited in many countries.

The stamps, launched today at OCAD University – where several of these illustrators trained or taught – complements past issues that feature the work of great Canadian photographers and painters. They are available for purchase on canadapost.ca and at postal outlets across Canada.

Lotus (Canada 2018)

The Scott catalogue numbers are Sc. 3087 for the souvenir sheet; 3087a, 3088 and 3090 for pink petals; and 3087b, 3089 and 3091 for yellow petals. 3088 and 3089 are the coil stamps, 3090 and 3091 are the booklet stamps.

from Details magazine:

LOTUS
Issue date: March 1, 2018

Dregs of winter laying your spirits low? Would the thought of colourful lotuses gently bobbing on warm breezes over the water’s surface help? Our annual flower stamp issue depicts two lotus species: the sacred lotus (Nelumbo nucifera) and the American lotus (Nelumbo lutea).

The pink and white sacred lotus is the national flower of India, and ha s religious significance for Buddhists and Hindus. It is cultivated in North America and can become wild. Our only indigenous lotus, the rare and threatened yellow American lotus grows along the warm sunny shores of lakes Erie and St. Clair in southern Ontario. Stamp designers Gary Beelik and Kristine Do of Parcel used watercolour portraits by Eunike Nugroho to depict different bloom phases in a set of connected (se-tenant) stamps. The blue background evokes a watery habitat, while a spot gloss varnish reveals a Chinese Bulbul bird, a koi fish and a dragonfly – creatures that share surroundings with lotuses.

[press release]
Canada Post heralds spring with Lotus issue
Annual flower issue a perennial favourite with gardeners and soon-to-be-weds

OTTAWA, March 1, 2018 /CNW/ – Canada Post will once again bring some colour and freshness into the lives (and mail) of winter-weary Canadians with its annual flower stamp issue. This year, the focus is on aquatic blooms, with the domestic-rate PermanentTM stamps featuring two varieties of lotus:

  • The only lotus indigenous to this continent, the American lotus (Nelumbo lutea) has a creamy yellow flower and needs warmth and sunshine. The rare and threatened species grows at its northern limit along the shores of lakes Erie and St. Clair in southern Ontario. It is also found in wetlands in most of the eastern United States and as far south as Honduras.
  • The sacred lotus (Nelumbo nucifera), bearing delicate pink and white petals, is the national flower of India and has deep religious significance for Buddhists and Hindus. Native to the tropical and warm-temperate regions of Asia and Australia, the sacred lotus is cultivated in North America and can become wild.

Because this issue is so popular for wedding invitations and stationery, the stamps are available in booklets of 10, with five of each design, or coils of 50 offering 25 of each design. A two-stamp souvenir sheet is available for collectors, along with strips of four and 10 stamps from the coil. An Official First Day Cover featuring both stamps is cancelled in Waterdown, Ontario. The stamps were designed by Parcel Design of Toronto based on watercolours by Eunike Nugroho and printed by the Lowe-Martin Group.

“Ding, Dong, the Show Is Dead:” APS Winter Show

by Lloyd A. de Vries
The Virtual Stamp Club

At the American Philatelic Society’s board of directors meeting, executive director Scott English told the board he was not seeking a location for an APS-sponsored winter show in 2020.

Later during AmeriStamp Expo 2018, in response to a question from a member, he confirmed that it is unlikely there will be any more APS-sponsored winter shows.

“Only 6 of the 20 [winter shows] made money,” he said, and the APS has “lost substantial sums in the past five years.”

Two of the previous APS winter shows were subsidized by a vendor.

English said the APS is now looking for another show in which to hold the single-frame and most-popular “Champion of Champions” competitions. He sees a “market opportunity” for another show to host those events, as well as a similar draw for a show to host the APS winter board of directors meeting. Interested shows held in late winter and early spring should contact him.

The name “AmeriStamp Expo” actually belongs to the American Association of Philatelic Exhibitors. In fact, one year since “ASE” became the regular APS winter show, AAPE held AmeriStamp Expo in Toronto while the APS winter show was conducted elsewhere.

When I was on the board (1997-2005), the concept for the winter show was to hold it in a warm location that would attract collectors who wanted a break from winter weather. Unfortunately, the hotel and tourism industries in such locations didn’t need the business from a relatively-small “convention” to fill their rooms, restaurants and recreation, and it was hard to find attractive cities in which to hold the show.

English said the decision is “not about the hobby, but the way we do business.” Attendance at the 2018 show was sparse; at its high point Saturday, it was only moderately busy. If it had been busier, would dealer Irv Miller in the purple shirt below be chatting at another booth?)

The last APS-sponsored AmeriStamp Expo will be held February 15-17, 2019, in Mesa (Phoenix), Arizona. “We have fantastic room rates for the ‘high season,'” said English.

But the APS “can’t bounce from a failing show like this to a state of excellence at StampShow,” he added.

Americover 2020 to be with APS StampShow 2020

[press release]
AMERICOVER 2020 TO BE HELD WITH APS STAMPSHOW
The Most Fun Stamp Collecting Show in North America Joins with the Country’s Biggest

The American First Day Cover Society, the world’s largest non-profit organization of FDC collectors, will hold its Americover 2020 stamp and cover show in conjunction with the American Philatelic Society’s StampShow 2020 in Hartford, Conn., August 20-23.

All the familiar features that make an Americover show special will be included: A strong emphasis on first day cover exhibits, dealers specializing in FDCs, a pre-show tour of sites and attractions in the Hartford area, a post-show dinner, the AFDCS President’s Banquet, announcement of the annual cachet contest winners, a hospitality suite, FDC auctions, and a busy program of meetings and seminars.

“The AFDCS hopes to share the fun of Americover with the larger audience that attends StampShow, while taking advantage of all that a large convention center show has to offer,” said Americover programming chair Foster Miller. “We look forward to a successful joint show in 2020.”

“I hope the AFDCS will bring a unique social experience [to StampShow] that we don’t usually get at a stamp show,” said APS executive director Scott English.

For the past decade, the Americover show has often been held the weekend before or after StampShow, allowing collectors to take a “road trip” between the two events. However, some could not afford the time or money to go to both shows. This arrangement solves that problem for 2020.

The agreement between the AFDCS and APS, announced at the APS’ General Membership Meeting at AmeriStamp Expo in Birmingham, Ala., on February 24, 2018, is only for 2020. It is similar to the one between the APS and the American Topical Association for 2018, when StampShow and National Topical Stamp Show are held jointly in Columbus, Ohio, August 9-12.

The AFDCS has been holding its own standalone show and convention continuously since 1992. The event’s name was changed to “Americover” the following year. It is held in a different part of the country each year. Americover 2018 is being held in the Atlanta area August 3-5; 2017 was near Cleveland, and 2019 will be held in Saint Louis.

The Americover exhibitions have had full World Series of Philately status since 2005, and emphasize exhibits with predominantly first day covers.

For more information on any of the Americover shows, visit the AFDCS website at afdcs.org/show, send e-mail to showinfo@afdcs.org or write the AFDCS at PO Box 16277, Tucson, AZ 85732-6277.

English: “You Won’t Recognize The APS”

Story updated February 26th, 8:00 pm EST

American Philatelic Society executive director Scott English says the APS must change.

“The hobby’s not dying, organized philately is,” he said in his report to the APS General Membership Meeting at AmeriStamp Expo 2018 in Birmingham, Alabama, Saturday, February 24th.

He said the organization is faced with “a choice between dying with dignity or fighting like hell. You didn’t bring me here [to be executive director] for dying with dignity.”

English is calling for the APS to invest in a three-step process:

  • Marketing, using social media and the Internet;
  • Producing a newsletter distributed to people who are not members; and
  • Changing the website to provide more content.

“We have to change the way we access the hobby,” English said. He wants the APS to “invest in platforms to bring shows and events to you.”

“I don’t want to keep doing what we’ve been doing,” he said.

Later, in response to a question from a member that not only asked how the APS was going to do this, but expressed hope that the effort would not involve Facebook, English pointed out that Facebook’s demographic is 35 to 50 years old. “That’s the demographic we need.”

He sees Facebook and social media not as a platform, but “as a way to drive traffic to us.”

And he closed by promising, “By the end of the year, you won’t recognize the APS.”

“I think right now we have a fairly one-dimensional representation of the hobby and of the APS,” English told The Virtual Stamp Club in an interview. “What we’re working on aggressively right now is building out a much more comprehensive view of the hobby and the services that the APS can provide.

“We’re going to integrate more with the technology. We’re going to have a bigger web presence, we’re going to have a bigger social media presence,” he said. “We’re going to increase the amount of content that’s coming through the APS website, because we want to be able to market to a bigger and broader audience than we’ve ever been able to.”

Yes, there are going to be online courses and videos of courses presented at shows, beginning with the “On The Road” courses being offered at PIPEX this year.

“We’re actually going to send someone with a camera and we’re going to record the session,” giving members an opportunity to see the programs on their own schedules.

Next will be the programs at Summer Seminar. “If it just doesn’t work out on your schedule, [you] shouldn’t have to miss out on the education opportunities.”

“We’ve got great equipment now [so] that we can do this, so it’s going to look professional,” he added. “They’re going to hear the instructor speaking, they’re going to see the graphics from the PowerPoint presentations on the wall, and they’ll be able to engage.

“As we continue to build out [our capacity and our ability to do it], I want to be able to do it live,” English added.

“I want to harness the power of just incredibly brilliant people who belong to the APS, and from the comfort of their own home, be able to get online and engage with collectors on a specific topic for, say, a one-hour session, at a time that works for everybody,” he added.

The 150 people who attended OTR courses last year was much higher than ever before and was even higher than the target number, but it’s only a fraction of the 30,000 members of the APS.

And only four people attended the OTR course at AmeriStamp Expo 2018 (“The Black Heritage Series, Preserving Our History”), but English says he has had many inquiries about that subject, with members asking if it will be offered again.

Why didn’t I just do it once and then I can just get them to the website as a member of the APS and say, ‘Here you go. Watch it and enjoy it. Watch again if you like it,'” he said.

Ganz Wins Single-Frame Exhibit Title

Cheryl R. Ganz, the former philatelic curator of the Smithsonian Postal Museum, has won the Single Frame Champion of Champions competition for her exhibit, “Zeppelin LZ-129 Hindenburg Onboard Postmarks.”

The award was presented at the AmeriStamp Expo 2018 banquet in Birmingham, Alabama, by American Philatelic Society president Mick Zais.

Ganz is the first woman to win the Single Frame Champion of Champions competition.

The Single Frame Champion of Champions competition involved the single-frame grand award winners from stamp shows in the past year. Ganz’s exhibit won at StampShow 2017.

Rick Gibson’s exhibit “The Forest Conservation Issue of 1958” won the Most Popular Champion of Champions competition. It had won the Most Popular vote at Minnesota Stamp Expo 2017. Gibson is shown with his “trophy.”

Robert Mayo won AmeriStamp Expo 2018’s Single Frame Grand for “The Straightlines of Richmond, VA, 1782-1800.” “Georgia Bicentennial” by Charles J. O’Brien, III, won the Best Multiframe award. Both exhibits received Large Gold medals as well.

The complete palmares (list of exhibit awards) should be on the APS website soon.

Janet Houser To Retire From APS

American Philatelic Society program coordinator Janet Houser is retiring at the end of August, after more than 30 years with the organization. Executive director Scott English says Janet made him promise to find a new youth coordinator (Houser’s main assignment) and not to make her go to Columbus for StampShow this summer.

In addition to youth activities, Janet has also been running the On The Road and other adult education programs. English says she doubled the number of students in the OTR program last year, to 150.

Janet also handles the free album pages for children (and, undoubtedly, adults) and Scott said she will continue to do that as a volunteer – to which Janet feigned surprise.

Later, she confirmed to The Virtual Stamp Club that she will be working on the album pages after retirement.

In a telephone meeting June 11, 2018, the APS board approved unanimously a resolution honoring Houser.  Executive director Scott English noted that she began at the APS in 1990, and worked in the accounting department before moving to education. He said he was “extremely grateful” for her help as he became the organization’s CEO and made changes. “Janet has been extremely supportive of the education initiatives” and “an ambassador of good will,” he said. “I’ve been grateful for having her.”

English joked that he is trying to convince her to volunteer five days a week, but that is still under negotiation.

Notes from APS Membership Meeting – 2/24/18

Some notes from the American Philatelic Society General Membership Meeting, held February 24, 2018, at AmeriStamp Expo in Birmingham, Alabama:

Several times this weekend, APS executive director Scott English thanked “the hard work of the U.S. Senate” in allowing Mick Zais to preside at this show.

It’s a joke: Mick has been nominated to be Deputy Secretary of Education, and White House ethics rules do not allow an appointee to maintain outside employment or serve as office of an organization. However, the Senate has not acted on Mick’s appointment, made last fall, which has allowed him to remain in office as APS president.

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Zais said the Board of Directors is now discussing what to do with the Society’s excess cash – a good problem to have. One option is to invest in modernizing how the APS tries too acquire members. The other is to pay down the debt on the American Philatelic Center. “Just having the question is good news,” Zais said.

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Treasurer Bruce Marsden (above left, with Mick Zais) reported that the APS received $801,000 in contributions in 2017, up 20% from the year before. APS investments were up more than half a million dollars, largely due to the strong stock market. The APS is $118,000 ahead of its budget plan, and the fund balances were up $1 million. The “building debt” is now $4.8 million, the first time in ages it has been below $5 million.

Marsden pointed out that mortgage payments are made from the rents of tenants in the “Match Factory” and donations, not members’ dues. The APS’ debt-equity ratio is now .36, down from .44.

Society attorney Kathleen Yurchak said the only recent legal issue – a disagreement with a donor about the use of his contribution for a rarities gallery – has been settled, with the donor’s money refunded. She did not name the donor, but he is Don David Price.

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Popular APS staffer Janet Houser is retiring after StampShow. More details here.

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The United Nations Philatelists International donated $2,000 to the APS.

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The APS lost 987 members last year.

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In his executive director’s report, English promised big changes in the APS in 2018. That story is here.

Hotchner: Collecting to Sell

Collecting to Sell
By John M. Hotchner

I recently received a letter that threw me for a bit of a loop. I’m going to quote it below, edited a bit to eliminate repetition, and then make a few comments. Yours would be welcome also.

The Letter: “I’m not a dealer per se. I am for all practical purposes an accumulator. I buy what I can, U.S. issues only. My holdings gathered over the last 65 years are extensive. I have no need or desire or intention to sell anything. What I’m doing in increasing my holdings is easy-going and enjoyable.

“When I make a purchase, I weed out everything used that is not of collector grade: anything torn, creased, stained, or with short perfs I simply discard. I do so because no one will buy things in those categories. Thus, out it goes.

“For mint singles, blocks, etc., I do likewise, except that I use the pitch-outs for postage. Mostly with stuff like that I run into thins or disturbed gum as a disqualifier. As to centering, if it is only Fine — it goes into my scrap postage box.

“What upsets me most up here in the Midwest is that when one talks with a dealer about having them make an offer — they automatically tell you, ‘I’ve got all of that; not interested in buying any more, etc., etc.’ One cannot help but wonder how dealers stay in business without upgrading or expanding their own inventory.

“I bring this to your attention because of my experience at the American Philatelic Society stamp show in Milwaukee a few years ago. I approached the booth of a major national stamp retailer who does a lot of advertising, and talked to the owner. I asked him if he would be interested in buying my duplicates from the 1922 definitive issue?

“He told me, flat out, ‘No’…. Claimed they have all this stuff and would not be buying any more of it for the foreseeable future. Suggested I go and chat with another dealer present. I did and I purchased over $1000 worth of items for my personal holdings.

“Bottom line is when I returned home I ordered, from the national firm, a Scott #560 (8¢ Perf. 11×11, 1922) plate block, Mint, Never Hinged, in Very Fine to Extra Fine condition. I got an immediate reply saying that they have been unable to keep this in inventory for the past ten years. Just in case the reply was wrong, I tried again this past February. Same result, except that as a courtesy, they noted that had recently acquired some plate blocks of the 1922 issue, but they were only in Fine condition, and would I be interested? I would not.

“The point I make is this: Dealers and stamp company owners are for the most part totally unaware of what is actually happening with their own inventory; thus trying to deal with these people is a real — in your face — put down.

“However, if one works with their own holdings, we have a lot better idea of areas of weakness, and heavy duplication. Ignorance is expensive.

“Over the years I’ve read many offers to buy. One buyer from the Chicago area even sent a representative up for a look-see about 10 years ago. He was definitely interested, but not in paying a fair price. He wanted to steal my holdings at 9% of catalogue value. He had the grace to look insulted when I rejected his offer.

“Thus, I have decided to continue my efforts of accumulating, and at my demise, deed over to my son all of my philatelic holdings. What I’ve set aside for him will be used to augment his business as a dealer when he retires. For now he is a collector of mint singles, but then he will also have a large holding of high-grade plate blocks. By doing this, we will just bypass all the con artists.

“I don’t know for certain if I am doing right by pushing the dealer issue down the road one generation — but it sure feels right to me and to my son. I have found that the hobby is a great way to stay in touch as a family.”

My comments (addressed to readers, not the letter writer as we have had subsequent correspondence): While disclaiming any intention of selling anything, our letter writer has made movements in that direction, and did not like the responses he got, so walked away from the deal. In another effort in that direction, he was rebuffed by a dealership where one hand seems not to know what the other hand is doing, and that experience ticked him off. I can sympathize. My reading is that he came to the no-sell decision after the experiences he describes.

While he indicates that he has 1922 material to sell, that is the earliest he mentions, and two things occur to me. First, while there is some good material in that era, stamps and even plate blocks in premium condition starting in the late 1920s are not difficult to fnd; and not difficult for dealers to purchase in bulk at favorable prices. Secondly, it is possible that the dealer(s) assumed that the bulk of the material offered was from the later era, and truly did not fit in with their needs.

It is also possible that the dealer was put off by the manner of approach or another factor, and chose not to do business with the letter-writer.

Stockpiling material from the era where good quality is available in quantity (say much of the material from the late 1920s to modern times) is not a good investment strategy. Yes, some items, carefully selected from among the most often seen material, can be good for investment: unfolded booklet panes, some popular theme se-tenants like Space and Lighthouses; high face plate blocks, etc. are okay.

But the bottom dropped out of the plate block market many years ago in the 13¢ First Class era when the USPS tried to take advantage of the market by issuing 12-stamp plate blocks. It has never been restored to its former glory. Most from the 1940s on sell wholesale in the best circumstances at face, and even below. Consult catalogue prices to get an idea of what few plate blocks are more desirable.

However, if one is determined to invest, the same amount of money put into classic material will bring better rewards. You will have less material, but it will appreciate. And it will sell more readily, and for better prices. Remember this rule of thumb: “Common material remains common. Proven high quality/limited quantity material appreciates.”

On dealers’ buy offers, two things: One is that they are entitled to try to pay the lowest price they can get away with. Don’t you as a collector try to pay the lowest possible price for your acquisitions? Second, while I am not claiming that 9% is a fair figure (though it is understandable for mostly modern stamps/blocks that will retail for half cat. or less), keep in mind that dealers selling most modern material to knowledgeable collectors will not be able to get more than that, and may well get less; and they have their overhead to pay for. And, oh yes, the object is to make a profit. For example, how much does it cost them to send a representative to visit to review your material in your home and make an offer?

That said, the seller always has the ultimate power: You can always try to negotiate a better price, and failing that, you can refuse to sell.

Finally, on the subject of kicking the can down to the next generation, it seems like a good strategy in this case as the son intends to be a dealer, and will sell the high quality items at retail to collectors, while the father is selling to dealers at wholesale.

So, in summary, let’s call this method of collecting what it is: Investing. There is nothing dishonorable about it. It can even be as enjoyable to the collector as collecting for pleasure. But I feel that investors have to go into that pursuit with eyes wide open; not with hope, prayer and assumptions about what ought to happen when they get ready to sell.

As with any financial transaction where entrepreneurs are hoping to make a profit, it is a tough world out there. Willing buyers at your price can be a good deal more scarce than you hoped. People not willing to pay your price are not necessarily stupid, crooked or hard-hearted.

They are steely-eyed realists. And you need to be too.


Should you wish to comment on this column, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contribu-tor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

NAPEX 2018 Announces Jury

[press release]

The Board of Directors of NAPEX is pleased to announce the composition of the jury that will judge the exhibits at this year’s show.

    • Mark Banchik, New York (Chairman of the Jury)
    • Elizabeth M. Hisey, Florida
    • Stephen Reinhard, New York
    • Charles J.G. Verge, Ontario
    • Timothy G. Wait, Illinois

Those interested in exhibiting can find the show prospectus and application at www.napex.org. The deadline for submitting an application is April 15, but prospective exhibitors are urged to apply as soon as possible. All of the 230 frames at NAPEX 2017 were filled several weeks before the official deadline.

NAPEX 2018 will be held June 8-10, 2018, at the Tysons McLean Hilton Hotel, 7920 Jones Branch Drive, McLean, Virginia, 22102, just off exit 46A of the Washington Beltway.

NAPEX was founded in 1949 as the National Stamp Exhibitions of Washington, DC, Inc. It is the premier stamp show of the Nation’s Capital and an American Philatelic Society World Series of Philately show.

More information about NAPEX can be found at www.napex.org.