APS Chooses Loebig As Editor

The Virtual Stamp Club has learned that the American Philatelic Society — the biggest stamp collecting organization in the U.S. — has chosen Thomas Loebig (pronounced “LO-big”) for Chief Content Officer. As such, he will be the editor of both American Philatelist and the American Philatelic Literature Review, as well as in charge of APS’ online outreach efforts.

Loebig and his wife live in State College, Pa., so having a CCO onsite won’t be the issue it was with his predecessors, although APS executive director Scott English tells VSC that was not a major consideration. He held a similar position at Accuweather, which is headquartered in State College.

He begins June 25th, which is during APS’ Summer Seminar. He also will attend APS StampShow in Omaha.

[press release]
American Philatelic Society Names New Chief Content Officer

BELLEFONTE, PA, June 5, 2019 – Today, the American Philatelic Society announced Thomas R. Loebig as its next Chief Content Officer. Loebig, an experienced digital media and broadcasting executive, most recently served as Vice President, Digital Media Content and Operations of AccuWeather.

The APS conducted a national search for a Chief Content Officer to serve as editor of the two award-winning journals of stamp collecting, The American Philatelist and the Philatelic Literature Review, the flagship publication of the American Philatelic Research Library. In addition, the Chief Content Officer will be responsible for leading the growth of digital content offered to members and non-members alike through the organization’s website, stamps.org.

“We’re incredibly fortunate to be so close to Penn State University and great corporate citizens like AccuWeather to draw new talent,” said Scott English, Executive Director of the Society, “Tom brings experienced leadership in the digital content field and will help lead the APS and the hobby to serving 21st century stamp collectors.

Loebig, a collector in his youth, has recently reignited his collecting interests and joined the APS. “I am excited to join stamp collecting’s preeminent organization, as an executive and member. Stamps have deep historical significance and are beautiful pieces of American art. I look forward to engaging our current members and introducing future members with amazing content that advances and promote the hobby.”

While with AccuWeather, Loebig successfully led the effort to increase web traffic through relevant news and video content, increasing time spent on the website and more than doubling the social media referral traffic within three months. “Our recently-adopted strategic plan emphasizes development of more relevant, shareable, and timely content for the hobby and we believe Tom will be a critical link in moving ahead,” said English.

Loebig served as news director for several television stations from Altoona, PA, Cincinnati, OH, Pittsburgh, PA, and Asheville, NC. He holds a Bachelor of Arts degree in Journalism from Penn State University. Loebig resides in State College, PA and will work from the APS headquarters in Bellefonte.

In the past six months, the APS has launched the virtual library, housing nearly 2,000 journals of philately dating back to 1887 and the online learning portal, Collecting and Connecting Central Academy (C3a).

Loebig will join [the APS Staff] on June 25, 2019, during the APS annual Summer Seminar. Loebig will be part of the APS team in Omaha, Nebraska for the joint StampShow/National Topical Stamp Show put on by the APS and the American Topical Association on August 1-4, 2019 at the CHI Health Center Omaha Convention Center.

We expect to expand this article as we get more information —VSC.

Major Sporting Venues, Part I (Australia 2019)

[press release]
Major sporting venues celebrated on stamps

Issue date: 4 June

In the first of a two-part series, Australia Post is celebrating some of Australia’s most loved and recognisable sporting venues, each with a special place in the lives of many Australians.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said it was an opportunity to recognise the importance of sport as a big part of Australian popular culture.

“These popular venues play a role in shaping a city’s identity. We’re thrilled to shine a light on these iconic venues, with stamps to be enjoyed by sport lovers and collectors alike.”
The four domestic base-rate ($1) stamps, designed by Andrew Hogg Design, feature:

$1 AAMI Park, Victoria
The award-winning AAMI Park was welcomed to Melbourne & Olympic Parks’ precinct in May 2010, giving Victoria its first world-class pitch for elite-level rugby league, rugby union and football codes. The 30,050-seat stadium is defined by its distinctive bio-frame design, the roof of which provides covered seating for most of a capacity crowd enjoying the spectacle on the 136 x 82 metre playing field below.

$1 Optus Stadium, WA
Optus Stadium was opened in Perth in January 2018, and in its first 12 months of operation attracted more than two million fans. The 60,000-seat stadium can host AFL, rugby union, rugby league, football and cricket, as well as large entertainment events. From fence to fence the pitch covers 177 x 141 metres, with 165 x 130 metres for the AFL field of play.

$1 Sydney Cricket Ground, NSW
Located on the edge of the CBD, the Sydney Cricket Ground has a long and venerable history dating back to the mid-19th century. It hosted its first game of cricket in 1854, and has been home to major cricket matches since 1876. With a capacity of 48,000, in addition to hosting cricket in its various formats, it also regularly hosts AFL, rugby league and union, and football.

$1 Melbourne Cricket Ground, Victoria
Melbourne Cricket Ground, or the MCG or ’G, as it is fondly known, is considered by many to be one of the premium stadia of the world. Built in 1853, it was the main venue for the first Olympic Games held in the Southern Hemisphere in 1956, a centrepiece for the 2006 Commonwealth Games and host to two cricket World Cups, in 1992 and 2015. Primarily a ground for AFL and cricket, with a capacity exceeding 100,000, it sits fondly in the heart of many Victorians and Australians alike.

Products associated with this issue include first day cover, stamp pack, medallion cover, booklet collection pack, maxicard set and four booklets of 10 x $1 self-adhesive stamps.
The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 4 June 2019 while stocks last.

U.S. Scott Catalogue Update (June 2019)

The following numbers have been assigned:

5372 (55¢) Post Office Murals – Piggott, AR mural
5373 (55¢) Post Office Murals – Florence, CO mural
5374 (55¢) Post Office Murals – Rockville, MD mural
5375 (55¢) Post Office Murals – Anadarko, OK mural
5376 (55¢) Post Office Murals – Deming, NM mural
a. Vert. strip of 5, #5372-5376

5377 (55¢) Maureen “Little Mo” Connolly Brinker

Flightless Birds (Australia 2019)

[press release] Issue Date May 7th
Commemorative stamps feature our flightless birds

Australia Post is set to commemorate our flightless birds — from the very big to the very small.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said: “Australia’s distinctive flightless birds have become iconic symbols both here and overseas. Each beautifully presented stamp showcases the unique features of each bird, and is sure to appeal to bird lovers, the general public and collectors.”

The smallest of all the penguin species, the Little Penguin (Eudyptula minor) is the only penguin to breed in mainland Australia and Tasmania, and is a contrast to our largest birds, the Emu (Dromaius novaehollandiae) and the Southern Cassowary (Casuarius casuarius).

The two domestic base-rate ($1) stamps and international ($2.30) stamp were designed by Sharon Rodziewicz of the Australia Post Design Studio and feature:

$1 Emu (Dromaius novaehollandiae) The Emu, which is common throughout much of inland Australia, can reach up to two metres in height and is the second tallest bird in the world, after the Ostrich. The female Emu’s clutch of around eight to 10 dark-green eggs is incubated by the male, who doesn’t eat or drink for the eight weeks until they hatch. He also cares for and protects the striped grey and brown-black chicks for 18 months, until they can fend for themselves.

$1 Southern Cassowary (Casuarius casuarius) The only cassowary species found in Australia is the Southern Cassowary, distinguished by its vivid blue face and neck, long drooping red wattles hanging from the throat, and tall horn-like brown helmet or casque. The Southern Cassowary is found in tropical far north Queensland, and like the Emu, the male incubates the blue-green eggs.

 

$2.30 Little Penguin (Eudyptula minor) The Little Penguin or Fairy Penguin, which reaches about 33 centimetres in height, is found around the coast of southern Australia. Spending most of its time foraging at sea, it returns just after dusk to rocky burrows near the beach.

Products associated with this issue include a first day cover, stamp pack, and maxicard. The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 7 May 2019 while stocks last.

Native Bees (Australia 2019)

[press release]   Issue Date: May 14th
Australia Post abuzz with native bee stamps Some of Australia’s native bees are set to appear on a striking commemorative stamp issue to be released by Australia Post this May.

Speaking on the stamp release, Australia Post Philatelic Manager Michael Zsolt said it was an opportunity to learn about the diversity of Australia’s native bees.

“We have a great diversity of native bees and they play an important role as pollinators of native flora. These beautiful stamps remind us of how integral the often solitary native bee is, and they’ll be of interest to nature lovers and collectors alike.”

The four domestic base-rate ($1) stamps feature artwork from renowned Australian wildlife illustrator Kevin Stead and include:

$1 Resin Bee (Megachile macleayi)
The Resin Bee, from the family Megachilidae, builds its nest in narrow holes in timber, constructing the nest and sealing the entrance with gums and resins it collects from leaves and plants. This solitary bee, which is found across northern Australia, prefers nectar from legume flowers.

 

$1 Green and Gold Nomia Bee (Lipotriches australica)
From the family Halictidae and found throughout eastern Australia, the solitary Green and Gold Nomia Bee nests in the ground. After looking for mates and foraging for nectar during the day, clusters of numerous male bees spend the night clinging or “roosting” together on tree twigs or grass stems.

$1 Wasp-mimic Bee (Hyleoides concinna)
The solitary Wasp-mimic Bee from the family Colletidae can most frequently be seen feeding from eucalypt flowers in eastern Australia from southern Queensland to Tasmania. It convincingly disguises itself as a black and orange wasp in order to fool and deter predators.

$1 Neon Cuckoo Bee (Thyreus nitidulus)
The striking, bright metallic blue Neon Cuckoo Bee from the family Apidae is so named because it opportunistically lays its eggs on the pollen balls inside the ground nests of the Blue-banded Bee (Amegilla cingulata). This solitary cleptoparasitic bee, which has no need to collect pollen from flowers, is found across eastern and northern Australia.

Products associated with this issue include first day cover; stamp pack, medallion cover, booklet collection and booklet of 10 x 4 $1 self-adhesive.

The stamp and associated products are available at participating Post Offices, via mail order on 1800 331 794, and online at auspost.com.au/stamps, from Tuesday 14 May 2019 while stocks last.

Hotchner: U.S. Stamp Prices And Inflation

By John M. Hotchner

I’ve just gotten to the long put-off project of updating my U.S. albums — used stamps only — and that has required paying attention to catalogue listings; not so much values as numbers, what can be washed and what can’t, year-by-year programs, and such. And that has provoked some random thoughts.

When I began collecting stamps in earnest, in 1954, at age 11, there were barely 1000 catalogue numbers after 107 years since the first U.S. stamps were issued. In the 74 years since then, the U.S. has issued another 4300+ stamps. The midpoint, catalogue number 2650, was issued in 1992, with a First Class letter rate of 29¢. Which means we have had about 2650 U.S. stamps (ignoring air mail, postage due, officials, and other Back of the Book issue) in just the last 26 years.

Many of the U.S. stamps from the very beginning to those of today have varieties and subvarieties. What this means is that collecting the entire country has become a mammoth undertaking — even if we limit ourselves to a single copy of each major variety. Projecting into the future, at roughly 100+ new stamps per year, the challenge will become gargantuan over the next 25 years — assuming we still need or want stamps in the next 25 years!

Let’s look at another aspect: Our first stamps in 1847 were denominated at 5¢ and 10¢; the former for letters sent up to 300 miles, the latter for over 300 miles. Shortly thereafter, in 1851, the basic rate was reduced to 3¢ for up to 3000 miles and 5¢ for beyond that distance. On October 1, 1883, the domestic First Class letter rate was set at 2¢, regardless of distance. And there it sat for nearly 50 years; except for 1917-19 when a penny was added for postage on letters (really, a semi-postal rate, as the additional penny was intended to help pay for the costs of American involvement in World War I.)

The 2¢ rate ended on July 6, 1932, when the 3¢ rate came into force. Twenty-six years later, it was increased to 4¢ on August 1, 1958. And the march to higher rates with ever shorter time spans began in earnest. In recent years, there have been nearly annual rate increases (though there was a hiccup in April, 2016, when a court directed the USPS to reduce its 2014 49¢ rate to 47¢ because the increase to the 49¢ rate had been improperly processed. Eight months later the 49¢ rate came to stay, last year it became 50¢, and this year, it went to 55¢.

Some of the sting of recent rate increases has been removed by introduction of the Forever stamp concept in 2007. Had you bought heavily in 2007, the 41¢ you paid then per stamp would now be carrying 55¢ letters. Of course, some of that gain would have been eaten up by inflation. And the USPS would have had your money all this time instead of you having it in the bank earning interest. You have to figure that the USPS knew what it was doing, and did not expect to lose money on the Forever deal. In fact, virtually all First Class stamps are now issued with the word “Forever” as a part of the design, and the concept has been extended to other types of mail as well.

The bottom line is that collecting U.S. stamps has become more expensive if looked at it purely from the standpoint of cost per First Class stamp — especially if we collect mint U.S. Ah, but I hear you say, today’s dollar is not what it used to be. To be fair, the present First Class rate has to be seen in the context of inflation. In other words, 2¢ in 1900 is not the same as 2¢ in 2018.

The website in2013dollars.com is helpful in understanding this. A single 1900 dollar could buy what it takes $30.42 to buy in today’s dollars. The 1950 figure is $10.33, and the 2000 figure is $1.45. Using their calculator, the 2¢ you paid for postage in 1900 is the same as 61¢ in today’s money. And that means we are getting a bargain.

Looked at another way, we really do get a bargain. Our domestic letter mail cost is among the lowest in the developed world; made possible by the volume of mail sent in this country: around 40% of the world’s total. Nowhere else in the world can you send a letter as far for as low a rate.

But we buy much more than First Class stamps. For example, the numbers of dollar stamps these days greatly exceeds (what with Priority Mail and Express Mail) the numbers of dollar stamps issued through the 1954 Liberty issue of my youth. And as I think back to the few 1¢-5¢ booklet panes which I treasured in my youth, today’s output of booklets is staggering when one considers the range of stamps in booklet form, and the varieties of booklets.

What is on our stamps? The earliest U.S. issues celebrated the Founding Fathers, which was gradually expanded to presidents and other prominent politicians and government (including military) officers.

The the first tentative steps toward expanding subject matter of stamps began with the 1869 issue, advanced with the 1893 Columbian Exposition issue, and really began to flower with the 2¢ red commemoratives starting in the mid-1920s. But the people honored remained mostly those in the above categories.

Expanding the categories of people was begun in 1940, with the Famous Americans issue of 35 stamps; five in each of seven categories (Authors, Poets, Educators, Scientists, Composers, Artists, and Inventors).

Today, we have taken what was a good thing and arguably gone round the bend with a majority of our stamps being devoted to pop culture, and sports, fruits and other edibles, pets and flowers. Whereas our stamps of the first 100+ years were devoted to the people, events, discoveries that made America great, we now overwhelmingly celebrate what will sell.

Let’s look at a few more changes. Multicolor stamps — actually only two colors to start with — were a rarity from 1869 when they first appeared, and were the exception rather than the rule into the late 1950s. The first year that more U.S. commemoratives were issued with multicolor designs than as single color was 1961. The reason tracks to advances in printing technology that made multicolor stamp production more reliable, faster and cheaper.

The same advances in printing technology also resulted in our much lamented leaving the era of line engraved stamps in favor of surface-printed and photogravure printing. Many feel strongly that the trade-off of routine multi-color stamps in place of the beauty of quality intaglio printing was a mistake. Why couldn’t we stick with engraved multi-color stamps? The Postal Service felt the higher cost couldn’t be justified.

The early 1960s also saw another imperative for multicolor stamps — the fact that another “color” was being added in the form of tagging; made necessary by the requirement to automate mail handling in the interest of speed and cost control. That has blossomed into its own specialized field with different tagging compounds, formats (overall, block and stripes), and tagging embedded in the paper that comes from the manufacturer so that it doesn’t have to be added by printing.

And we can’t forget the advent of self-sticks, introduced in 1974 and used now and then until the self-stick experiments of the early 1990s, which quickly morphed into nearly the entire production of U.S. stamps being produced in self-stick form. Granted, the public loves it, and we collectors might also — had it not come with a terrible surprise: Almost all used self-stick stamps are difficult if not impossible to wash from the envelopes that carry them. The USPS has not seen the cost of adding a washable layer to stamps, thus making self-sticks collector-friendly, as being worth the cost.

And so, time, fashion, and technology march on. Whether the result in our issued stamps is a net positive or negative for U.S. stamp collectors can be debated ’til the cows come home.

On balance, I think it is a less attractive hobby to newcomers than it used to be, and I regret having to say that. But it can be just as absorbing and fascinating once a collector is hooked, and for that reason, I don’t fear for philately’s demise as some do.

U.S. stamps will continue to change. It is not in our power to stop change. What is in our power is to resolve to adapt to the changes as best we can rather than simply railing against them.


Should you wish to comment on this column, or have questions or ideas you would like to have explored in a future column, please write to John Hotchner, VSC Contribu-tor, P.O. Box 1125, Falls Church, VA 22041-0125, or email, putting “VSC” in the subject line.

Or comment right here.

Queen Victoria Bicentenary (U.K. 2019)

Issue Date May 24, 2019

[from a Royal Mail press release]
Queen Victoria Bicentenary We mark two significant bicentenaries in 2019 – the birth of both Queen Victoria and of her husband Prince Albert. Queen Victoria’s reign was the second longest in British royal history and the era named after her saw dramatic social, political and economic change. We mark this anniversary with stamps that chart the life of Victoria from Princess to Empress, and the accompanying miniature sheet stamps celebrate the legacy of Prince Albert.

Products:
Stamps AS4583 £7.30
Miniature Sheet MZ141 £4.50
Presentation Pack AP460 £12.60
FDC – Stamps AF445 £9.35
FDC – Minisheet MF138 £6.00
FDC – PSB Pane HF087 £5.20
Stamp Souvenir AW111 £9.35
Stamp Sheet Souvenir AW112 £6.00
First Day Envelope AE400 £0.30
Prestige Stamp Book YB084 £17.20
Press Sheet PZ040 £74.25
Postcards AQ277 £4.95
BU £5 Coin Cover AN161 £19.95
Silver £5 Coin Cover AN162 £82.50
Gold £5 Coin Cover AN163 £1,995

Stamp Technical Details:
Number of stamps: Six
Design: Webb & Webb Design
Acknowledgements: Queen Victoria by Baron Heinrich von Angeli, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; Queen Victoria with Benjamin Disraeli by Theodore Blake Wirgman © The Forbes Magazine Collection, New York/Bridgeman Images; Queen Victoria on Horseback with John Brown by Charles Burton Barber © The Forbes Magazine Collection, New York/Bridgeman Images; Queen Victoria by Franz Xaver Winterhalter, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; The Marriage of Queen Victoria by Sir George Hayter, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019; Queen Victoria when a Girl by Richard Westall, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019
Stamp Format: Square
Stamp Size: 35mm x 35mm
Number per sheet: 30/60
Printer: International Security Printers
Print Process: Lithography
Perforations: 14.5 x 14.5
Phosphor: Bars as appropriate
Gum: PVA

Values / Descriptions:
1st Class Head and shoulders portrait of Queen Victoria by Heinrich Von Angeli in 1890.
1st Class A painting of Queen Victoria and Prime Minister Benjamin Disraeli at Osborne House in 1878.
£1.35 Painting of Queen Victoria depicted on horseback with servant, John Brown, dated 1876.
£1.35 Portrait of Queen Victoria wearing the Robes of State dated 1859
£1.60 The marriage of Queen Victoria and Prince Albert dated 1840
£1.60 Queen Victoria as a young girl with her terrier, Fanny, dated 1830

Minisheet Technical Details:Number of stamps: Four
Design: Common Curiosity
Acknowledgements: Background image – Albert Prince Consort © Hulton Fine Art Collection/Getty Images; Model Lodge, Kennington, Private Collection/© Look and Learn/Illustrated Papers Collection/Bridgeman Images; Balmoral Castle, Scotland, Private Collection/© Look and Learn/Bridgeman Images; The New Crystal Palace, Sydenham © Science & Society Picture Library/Getty Images; Royal Albert Hall, London, Private Collection/© Look and Learn/Peter Jackson Collection/Bridgeman Images
Miniature sheet size: 146mm x 74mm
Stamp Format: Landscape
Stamp Size: 41mm x 30mm
Printer: International Security Printers
Print Process: Lithography
Perforations: 14.5 x 14
Phosphor: Bars as appropriate
Gum: PVA

Value / Description:
1st Class Model Lodge, Kennington
1st Class Balmoral Castle, Scotland
£1.55 The New Crystal Palace, Sydenham
£1.55 Royal Albert Hall, London
Background Image Albert Prince Consort

Presentation Pack (No. 571):
The Presentation Pack contains all six special stamps plus the Legacy of Prince Albert miniature sheet in a separate carrier. The pack includes an illustrated biography of Queen Victoria reflecting on her life on one side and her long period of mourning following the death of Prince Albert on the other.

 

 

Garden Birds (Netherlands)

[press release via Google Translate]
Garden birds in the Netherlands

The Hague, 23 May 2018 – On 20 May, PostNL issued a new stamp sheet: Garden Birds in the Netherlands. Illustrations of 6 different garden birds adorn this sheet. Michelle Dujardin provided the illustrations, art director Yvonne Warmerdam was responsible for the stamp design.

Second issue with (garden) birds
The Tuinvogels stamp sheet in the Netherlands is a follow-up to the issue that PostNL issued for PostEurop on April 23, Vogels in the Netherlands. At Birds in the Netherlands only 2 birds were central, on the stamp sheet of Garden Birds in the Netherlands 6 garden birds can be seen: blue tit, winter king, robin, house sparrow, golden rooster and great tit.

Every bird has a soul
On the stamps Garden Birds in the Netherlands the illustrations of the birds are placed on the stamps to fill the image. 5 of the garden birds are sitting on a twig, only the house sparrow is sitting on the ground. The illustrations by Michelle Dujardin have its characteristic minimalist style: realistic, with a slight abstract-impressionistic touch. Michelle: “I have chosen 6 common garden birds. They are birds of which everyone at least knows the name. Last summer I saw a golden rooster here in the garden. Striking, because normally you don’t see them often in the west. I have a weakness for the shape of this type of bird, which also includes the wren. Real balls that actually still resemble the egg from which they crawled. On the stamps I have depicted them the way I prefer them. As if every bird is alive, has a soul and could fly up like that.”

Own bird version
For both bird drawings, Michelle used photos to properly capture the feathers, the colors and the shape. “But I always take the liberty to draw my own version of the birds. With a build-up of colors that you don’t always see at first sight, “says Michelle.

Availability
The Tuinvogels stamp sheet in the Netherlands has 6 stamps in 6 different designs, with value designation 1, intended for mail up to 20 grams with a destination within the Netherlands. The stamps have been available since May 20 at the post office in the Bruna stores and via the website. The stamps can also be ordered by telephone from Collect Club customer service on telephone number 088 – 868 99 00. The period of validity is indefinite.

Dutch Frisian Islands (Netherlands 2019)

Two souvenir sheets issued May 20, 2019, each with its own press release from PostNL.

[press release]
Schiermonnikoog gets its own stamp depicting nature and architecture

The Hague – The well-known ‘Mooi Nederland’ (‘Beautiful Netherlands’) stamp series will be dedicated to the Dutch Frisian Islands in 2019. Today, the fifth stamp sheetlet from this series was published, paying ample attention to Schiermonnikoog’s nature and architecture. Stamps depicting Texel, Vlieland, Terschelling and Ameland were published earlier this year. At the same time as the stamps about Schiermonnikoog, PostNL today published an assembled stamp sheetlet depicting all five islands.

Scenic beauty
Since 2005, the ‘Beautiful Netherlands’ stamp series has drawn attention to local history, cultural wealth and scenic beauty. This year’s new series about the Dutch Frisian Islands was designed by Birza Design from Deventer.

Recognisable images of Schiermonnikoog
In the design of ‘Beautiful Netherlands 2019: Schermonnikoog’, the island shape plays the leading role. This is reflected in the map of Schiermonnikoog, which the designers have positioned in miniature on the stamps and in large on the stamp sheetlet. The stamps show recognisable images of the island: the current lighthouse (North Tower, Noordertoren), the former lighthouse (South Tower, Zuidertoren), the lower jaw of a blue whale and the statue of theSchiere Monnik (literally ‘the Grey Monk’), both of which are in the centre of the village. The typical shape of the island is also reflected in the design in other ways. For example, the font used for the captions is a ‘stencil font’, made up of elements that are separate from each other.

Friendly and pleasant
Almost all of the photographs used were taken during a working visit to Schiermonnikoog by graphic designers Ingmar and Carla Birza in the sunny summer of 2018. Carla Birza praises the atmosphere in Schiermonnikoog. ‘It’s very friendly; very pleasant. When we arrived by boat it was immediately obvious how the wind affects tree growth, hence the photo of the windswept rowans. The Westerplas is a beautiful area with a large population of waterfowl, and there is a bird-watching hut in the middle of the water. Schiermonnikoog is home to special objects, some of which we have included on the sheet. There are the images of the monks, of course, and the huge whale jaw. And the special lines of Cape Kobbeduinen. We also incorporated personal memories from our visit in the sheetlet, such as the strikingly woolly common cottongrass. It’s just beautiful when you see it for yourself in nature.’

Availability
The ‘Beautiful Netherlands 2019: Schiermonnikoog’ stamp sheetlet features five identical stamps with ‘Nederland 1’, the denomination for items up to 20g in weight destined for mail in the Netherlands. The stamps are available from 20 May 2019 from PostNL locations on the island of Schiermonnikoog and online at postnl.nl/bijzondere-postzegels. The stamps can also be ordered by phone from the Collect Club customer service on telephone number +31 (0)88 – 868 99 00. The validity period is indefinite.

[press release]
Five stamps about the Dutch Frisian Islands, depicting nature and architecture

The Hague – The well-known ‘Mooi Nederland’ (‘Beautiful Netherlands’) stamp series will be dedicated to the nature and architecture of the Dutch Frisian Islands in 2019. Today, the stamp sheetlet from this series has been published, together with the stamp sheetlet about Schiermonnikoog. Stamps depicting Texel, Vlieland, Terschelling and Ameland were published earlier this year.

Scenic beauty
Since 2005, the ‘Beautiful Netherlands’ stamp series has drawn attention to local history, cultural wealth and scenic beauty. This year’s new series about the Dutch Frisian Islands was designed by Birza Design from Deventer.

Recognisable images of Schiermonnikoog
In the design of each of the five stamps of the ‘Beautiful Netherlands 2019’ assembled stamp sheetlet, the island shapes of the five islands plays the leading role. This is reflected in the island maps, which the designers have positioned in miniature on the stamps. Each of the five inhabited Dutch Frisian islands has its own stamp with a distinctive colour. In the background of each stamp there is a duotone landscape photo with a view of the lighthouse of the relevant island. Around it there are photos with typical and recognisable images of the island in question, usually with a nautical character. The typical island shape is also reflected in the design in other ways. For example, the font used for the captions is a ‘stencil font’, made up of elements that are separate from each other.

Friendly and pleasant
Almost all of the photographs used were taken during a working visit to the five islands by graphic designers Ingmar and Carla Birza in the sunny summer of 2018. Carla Birza explains how each island shows its own character. ‘Texel, for example, is very special from a landscape point of view. It’s a kind of mini Netherlands, with polders, a hill, bulb fields, meadows, forests, brook landscapes, farming villages and harbours. Vlieland’s small scale is particularly striking, with its sheer abundance of nature. Terschelling, again, is the most vibrant of all of the islands. And the vast beaches are magnificent, of course.’ The centuries-old commander’s houses were our best memory of Ameland, with a serene street screen. Finally, Schiermonnikoog, where friendliness is perhaps the most distinctive feature.’

Loew Taking Over APS Expertizing

In a telephone-conference board meeting, the American Philatelic Society Board has approved Gary Loew from Atlanta [right] to replace Tom Horn as Director of Expertising, reports Foster Miller in The Stamp Collecting Forum. He will be moving to Bellefonte and will start June 16.

Loew has written dozens of articles on postal history for such publications as The Collectors Club Philatelist and Philatelic Literature Review, as well as a regular column for Kelleher’s Stamp Collector’s Quarterly. He will be teaching an APS “On The Road” series seminar, “Introduction To Seaposts: Ship Letters, Packet Mail, Paquebots And More,” in Saint Louis July 25, preceding Americover 2019. Both will be held at the Renaissance Saint Louis Airport Hotel. Information and registration for “Seaposts” is available on the APS website (second item).

During the meeting, APS executive director Scott English said Loew will be the process leader, not the lead expert. That is, he will direct the operation, not necessarily do all or most of the expertizing.

“Gary’s role will be precisely the same as the role Tom Horn is playing now,” English said in a message on the TSCF board. He also revealed that the APS has five finalists for the “content editor” position recently vacated by Mark Kellner, which includes editing the journal American Philatelist. He believes a new editor will be chosen before the end of the month.

Meanwhile, English says staffers Doris Wilson and Fred Baumann have been editing the AP — and even finished it three days early.